Twenty years ago, in 2001, the music of O Brother, Where Art Thou? captivated America and, suddenly, bluegrass appealed to pretty much everybody. We could all sing at least a few words of âI Am a Man of Constant Sorrow,â though admittedly not sound as good as Dan Tyminski or the Soggy Bottom Boys. Roots music heroes Emmylou Harris, Alison Krauss, and Gillian Welch added more positive press to their rĂ©sumĂ©s, and before it was all over, the generation-spanning collection won multiple industry accolades, inspired a national tour, and even led to the first-ever Grammy Award for Dr. Ralph Stanley.
The song choices were largely well-known to dedicated bluegrass listeners, but even so, chestnuts like âIâll Fly Awayâ donât routinely end up on albums that sell eight million copies. Legends like Norman Blake and The Fairfield Four shared the spotlight with rising talent such as Chris Thomas King and The Peasall Sisters. Two decades later, The Whites still perform their version of âKeep on the Sunny Sideâ on the Grand Ole Opry at nearly every appearance, and to be sure, the audience smiles and applauds to hear it again.
This month, weâll look at the legacy of that landmark album as an inspiration to a new generation of acoustic musicians, along with an interview with family members of John Hartford, whose name is back on the Grammy ballot this year for the collaborative album, The John Hartford Fiddle Tune Project, Vol 1. We’ll also have a special edition of our Roots On Screen feature about the film. Plus, check out a special IBMA Awards show performance of “Down In the River To Pray” and an archive edition of The Breakdown. And to finish out the month, we asked a crew of young bluegrass and Americana stars what the film means to them. While you’re at it, put down the Dapper Dan and turn up the O Brother, Where Art Thou? soundtrack below.
