BGS is proud to partner once again with our friends at Yamaha Guitars to bring you exclusive Yamaha Sessions shot earlier this year in Los Angeles, California. On a sunny afternoon, singer-songwriter Cayden Wemple joined us and Yamaha at a cozy and cute backyard studio in the shadow of the Hollywood Hills in Burbank.
For his second performance of our Yamaha Sessions series, Wemple clips his capo to the 5th fret of his Yamaha guitar, showcasing more of the bright, sparkling high end of the instrument as he plays through “Road Rash.” Intermittently fingerpicking and strumming, Wemple delivers the as-yet unreleased track with his trademark confessional-conversational style. His wordplay is clever and intricate, but never distracting or hampering to the charm of the music or melody. The instrumental hook is lovely and acrobatic on the six-string as his voice soars into the song’s refrain.
“Any minute/ I’ll hop right up and I’ll limp to the finish/ Any minute I’ll hop right up…” he sings to conclude the song, leaving each and every viewer wanting more, as it wraps up in barely over 2 minutes. It’s a short-but-mighty song, packing a punch in every single word and each constituent note.
It’s also a perfect performance to mark the conclusion of our current series of Yamaha Sessions. Watch the full series – including Wemple performing “Handprint” and also featuring two performances by Water Tower here. It’s all been part of our celebration of the 60th anniversary of Yamaha Guitars. From the legendary FG Red Label guitars to modern innovations like their TransAcoustic series, Yamaha continues to set the gold standard for acoustic guitar craftsmanship worldwide. To celebrate 60 years of guitar excellence, visit Yamaha.com and stop by your local Yamaha dealer today.
This content is brought to you in partnership with Yamaha Guitars.
In March, the BGS and Good Country teams were honored to return once again to SXSW, this time partnering with our friends at Big Feat PR for A Night of Good Country at Sagebrush in Austin, Texas. The evening featured lovely sets and video sessions by artists on Big Feat’s stellar roster of clients – and quite a few Good Country favorites – including Shakey Graves, Ghost Hounds, Tyler Halverson, Aubrie Sellers, Travis Bolt, and Tenille Townes.
Our pals at I Know We Should were on hand at Sagebrush to capture these Good Country performances, and we’ve been sharing clips and full sets right here on the site. To continue the series, it’s time to enjoy performances from Americana country rockers, Ghost Hounds.
As it happens, the Pennsylvania-based band have announced their new, upcoming album, Justified, to be released August 21 by Maple House Records. With today’s announcement they’ve dropped a brand new single, “Sinner’s Prayer.” You can stream the track wherever you enjoy music today, but we’re especially excited to unveil that back in March, a special and intimate Ghost Hounds trio – consisting of lead singer SAVNT, Kristin Weber on fiddle, and Joe Munroe on keys – performed a stripped-down, Good Country exclusive rendition of “Sinner’s Prayer” that you can watch here. What a perfect way to celebrate the album announcement and single drop! The trio also performed “Here No More,” a popular track from their 2023 album, First Last Time. You can watch both of these SXSW performances right here, on Good Country.
Being that the release of these Sagebrush SXSW Sessions by Ghost Hounds coincide with Black Music Month, observed each year in the U.S. in June, we spoke to SAVNT via email about the sessions, the songs the group chose to perform, and more. Read on below as you enjoy these lovely two performances by Ghost Hounds.
“What makes ‘Here No More’ and ‘Sinner’s Prayer’ special is the fact that they were written at two different times, but both address coming to terms with mortality from different perspectives,” SAVNT says. “In my opinion, we have all experienced loss in our own way and have carried a deep desire for understanding and redemption. If ‘Here No More’ hits the first stages of grief, then ‘Sinner’s Prayer’ is the desire for grace.
“‘Here No More’ is a song about the loss of a friend and the shock that consumes you when you realize you will never be given the chance to say ‘goodbye.’ And wrestling with the fact that the plans you made with this person will never come to pass. In a sense, it’s about remembering how fragile life is and that none of us are truly sure what tomorrow will bring. ‘Sinner’s Prayer,’ at its core, is a letter to God. After living your life as a rebel, you come face-to-face with the impact of your actions, and at this moment regret settles in and the questions ringing in your head are, ‘Have I gone too far to be forgiven? Am I too late?
“Here’s my lonely prayer From a man who’s in despair I don’t deserve your mercy But I’m asking anyway I’ve burned through all my chance And I’ve thrown it all away So if you’ve got some grace that you can spare Please hear this sinner’s prayer
“These words reflect the multitude of emotions and lived experiences that inspire you to atone for your past and ask if there is any grace left to spare.”
“I love music because it gives words to the human experience, and there are so many stories to tell. Soul music has a special way of capturing those tales of heartache, love, loss, redemption, joy, and dreams for the future in a way that will stand the test of time. Some of my favorite artists – like Sam Cooke, Bill Withers, and Aretha Franklin – have mastered this. My obsession with roots music (i.e. Americana, country, blues, and soul) was born from my love of storytelling and the vulnerability it takes to speak your truth out loud.
“One artist that comes to mind is Tracy Chapman. Her music speaks directly to your soul and illuminates the complexity of our emotions in a clear way; you feel seen through a lens of compassion. I remember as a kid singing ‘Fast Car’ at the top of my lungs, and now that I am no longer a child, her words carry so much truth and hit in a different way. Nothing about her music is overly produced, and everything is deeply intentional and understood. Watching her take the stage at the GRAMMYs in 2024 was a healing experience, because she is someone who personifies depth and her talent deserves to be celebrated and shared well into the future.
“Charley Pride’s music shows just how far our voices can reach when we stay true and don’t wait for permission. He stood firmly in every endeavor he pursued – from baseball to country music – in a time where everyone was committed to telling him who he was ‘allowed’ to be. His stories spoke to the trials and the joys experienced by everyday people and his words were so powerful that they crossed continents and racial divides. He persevered through discrimination and bigotry with grace. No matter how talented he was, people repeatedly told him to ‘stick to gospel or R&B’ and that he ‘had no place in country music.’
“That is something that many BIPOC artists, including me, have had to deal with. We are able to live out our dreams because he stood strong in his. We all benefit from the legacies of people like Charley and their contributions should be celebrated during Black Music Month – and beyond.” – SAVNT
Video Credits: I Know We Should,Brad Wagner, Juan Soria, and Charlie Peterson.
These sessions brought to you in partnership with Big Feat PR. Explore more of our Sagebrush SXSW Sessions here.
BGS and MerleFest are so excited to once again partner to bring you exclusive clips and sessions captured on site during the incredible 2026 MerleFest event in Wilkesboro, North Carolina. We’re launching our off-season collaboration with the iconic, long-running bluegrass and roots music festival sharing one of the most memorable performances from this year’s edition of the MerleFest Late Night Jam with the Grand Ole Opry hosted by Old Crow Medicine Show.
During the Late Night Jam, a crowd-favorite program that sells out each year at MerleFest, Americana singer-songwriter and artist Maggie Rose joined Old Crow Medicine Show on stage to perform “Beautiful Land,” a track from OCMS’ brand new studio album, Union Made. (Watch above.) Rose also features on the album version of the track, and the collaboration stuns equally in this live setting, captured live by our videographerf friends at I Know We Should. With twanging electric guitars and loping old-time banjo Rose and OCMS frontman Ketch Secor sing, “So people take a chance on each other and see/ What a beautiful land this might be…” It’s a certainly timely message, delivered aptly by Old Crow, Maggie Rose, and their cohort. It’s the exact kind of community message and jam session vibe you can expect each year at MerleFest and the Late Night Jam.
Elsewhere in the evening, Maggie Rose returned to the stage with accompanists from OCMS joining her to perform “Gentle Man,” previewing her most recent single, which back in April had yet to arrive on the streaming platforms and in stores. “Gentle Man” continues in a similar sentimental vein to “Beautiful Land,” kicking off with lyrics that are immediately engaging and relatable: “Confusion of the world is at an all-time high/ It’s no wonder that the heaviness weighs down your mind/ Take your time, you’re only in the dawn of life/ Grow into yourself, find your stride…”
It’s a lovely, contemplative song about masculinity – toxic and otherwise – and offers thoughtful models and ideas for how to reckon with growing up in a world of heaviness and confusion. Rose’s voice is soulful and with great depth and emotion, you can hear the conviction is her delivery of the song.
It’s an excellent way to begin the latest series in our partnership with MerleFest, with Maggie Rose, Old Crow Medicine Show, and these magical moments from the MerleFest Late Night Jam with the Grand Ole Opry. And this is just the beginning! Over the coming months, BGS and MerleFest will bring you more performances, more collaborations, and more unforgettable moments from the artists who make MerleFest special. Stay tuned right here on BGS and across our BGS and MerleFest social media accounts for more coming soon.
BGS is proud to partner once again with our friends at Yamaha Guitars to bring you exclusive Yamaha Sessions shot earlier this year in Los Angeles, California. On a sunny afternoon, the fellas of Water Tower joined us and Yamaha at a cozy and cute backyard studio in the shadow of the Hollywood Hills in Burbank. Water Tower are an exciting and buzzed-about band in the bluegrass space, pulling as much inspiration from punk, rock and roll, pop, and hip-hop as the mountains of Appalachia and the rural bluegrass landscapes and sounds we all hold familiar. Their sets and shows are rollicking, energetic, unhinged – and equally charming – wowing audiences with their energy, repertoire, and hijinks. (Watch their first performance, “Sittin’ on Top of the World” here.)
For their second song and performance in this latest edition of our Yamaha Sessions series, Water Tower frontman Kenny Feinstein is once again joined by bandmates Tommy Drinkard (guitar) and John Seltzer (ukulele bass). Drinkard steps up to the mic to sing lead on “AMPM,” a song first recorded and released by the band back in 2023. It’s a perfect encapsulation of the band’s Southern California roots, painting a fast-tempo string band picture of a 24/7 Los Angeles convenience store. Next, Feinstein jumps in on verse two – after leaning into his hypeman role through verse one and chorus one – before sliding back up to tenor harmonies for the next chorus.
“I need a little two-for-one/ Over at the AMPM, the corner of Glendale/ At the AMPM, only listen to myself…” they sing, leading into a fiery flatpicking solo by Drinkard on his Yamaha Guitar. The Yamaha Guitars played by Water Tower provide the perfect, lush sound bed for the winking silliness and earnest hot licks they’re known for. These are instruments not just well-suited to bluegrass, but to all sorts of string band sounds, whether infused with punk, showmanship, humor, grit, burnin’ licks – or all of the above.
Stay tuned, as we’ll unveil one more Yamaha Session in the near future featuring Californian indie-folk singer-songwriter Cayden Wemple. It’s all part of our celebration of the 60th anniversary of Yamaha Guitars. From the legendary FG Red Label guitars to modern innovations like their TransAcoustic series, Yamaha continues to set the gold standard for acoustic guitar craftsmanship worldwide. To celebrate 60 years of guitar excellence, visit Yamaha.com and stop by your local Yamaha dealer today.
Watch all of the videos in our Yamaha Sessions series here.
This content is brought to you in partnership with Yamaha Guitars.
BGS is proud to partner once again with our friends at Yamaha Guitars to bring you exclusive Yamaha Sessions shot earlier this year in Los Angeles, California. On a sunny afternoon, singer-songwriter Cayden Wemple joined us and Yamaha at a cozy and cute backyard studio in the shadow of the Hollywood Hills in Burbank.
The warm, honeyed tone of a Yamaha acoustic guitar welcomes listeners to “Handprint,” a 2025 single from Wemple that’s racked up an impressive number of streams online. Our session is an excellent facsimile of the studio rendition of “Handprint;” Wemple is already an intimate, direct artist where it’s normal to feel like, as a listener, you’re being brought inside a cozy bedroom recording studio or perhaps Wemple’s living room at golden hour. On the studio track his vocals are stacked deep and lush, here in our Burbank studio the arrangement is more stark, but it certainly isn’t lacking any of the song’s sparkle and charm.
“…Taking advantage of the UV 9/ Your skin turns red and then back to white/ I put my handprint on it…” Wemple sings, text painting a scene so Californian it would fit right here in Hollywood or in Wemple’s hometown of San Luis Obispo, too. The song is emotive and broad, but tender and pointed, too. All the while, Wemple’s Yamaha guitar provides the perfect foundation for the song and its lyrics to soar.
Stay tuned, as we’ll unveil more Yamaha Sessions in the near future featuring more from Water Tower and Cayden Wemple, as well. It’s all part of our celebration of the 60th anniversary of Yamaha Guitars. From the legendary FG Red Label guitars to modern innovations like their TransAcoustic series, Yamaha continues to set the gold standard for acoustic guitar craftsmanship worldwide. To celebrate 60 years of guitar excellence, visit Yamaha.com and stop by your local Yamaha dealer today.
This content is brought to you in partnership with Yamaha Guitars.
In March, the BGS and Good Country teams were honored to return once again to SXSW, this time partnering with our friends at Big Feat PR for A Night of Good Country at Sagebrush in Austin, Texas. The evening featured lovely half-hour sets from artists on Big Feat’s stellar roster of clients – and quite a few Good Country favorites – including Shakey Graves, Tyler Halverson, Aubrie Sellers, Travis Bolt, and Tenille Townes.
Our pals at I Know We Should were on hand at Sagebrush to capture these Good Country performances, and over the upcoming weeks and months we’ll be sharing clips and full sets right here on the site. To continue the series, we’re excited to bring you songs from Shakey Graves‘ performance at SXSW – perfectly timed for our celebration of Graves as our May Artist of the Month.
As contributor Matt Wickstrom pointed out in his article unveiling Graves as our Artist of the Month, the Austin, Texas-based singer-songwriter has reinvented his sound and artistry time and time again across his career. But as contributor Brian D’Ambrosio notes in his BGS exclusive interview with Shakey for AOTM, his brand new album Fondness, Etc. is as much based on that tradition of reinvention as it is reflection – a new sort of Shakey sound that’s fresh, yet again, but based strikingly in the familiar. In the qualities of Graves that are hardest to pin down but most signature.
For his set at Sagebrush, Graves dipped back into his deep-and-wide discography to share classic songs from across those eras of reinvention. Though Shakey himself may balk at the idea of any of his songs being regarded as hits, these selections deserve the moniker objectively, that’s certain. Between them “Roll the Bones,” “Nobody’s Fool,” and “Dearly Departed” have racked up hundreds of millions of streams (on Spotify alone) with “Dearly Departed” numbering nearly 150 million streams and “Roll the Bones” tipping over 100 million.
Even sung in this simplified setting, to a small (but packed) bar during SXSW with just a simple acoustic or hollow-body electric guitar, a kick drum, and a tambourine for a “band,” these songs shine, demonstrating the reasons why they’ve taken this beloved artist in the alt, indie, and roots community and brought him to the entire world. Shakey never loses that sense, in whatever musical or performing context, that what you’re watching is real art, real music being made in realtime. These well-worn, well-loved songs still sound fresh and intoxicating; and fully realized even back in their original, primal forms performed by Shakey Graves, solo.
We hope you enjoy these lovely SXSW performances of “Dearly Departed,” “Nobody’s Fool,” and “Roll the Bones.” Stay tuned as we will launch more Sagebrush SXSW Sessions in the coming weeks – including performances from Tyler Halverson, Travis Bolt, and Aubrie Sellers. It’s all coming soon right here on Good Country.
Video Credits: I Know We Should,Brad Wagner, Juan Soria, and Charlie Peterson. Photo Credit: Jessica Alexander
Explore more of our Artist of the Month coverage of Shakey Graves here.
These sessions brought to you in partnership with Big Feat PR.
BGS is proud to partner once again with our friends at Yamaha Guitars to bring you exclusive Yamaha Sessions shot earlier this year in Los Angeles, California. On a sunny afternoon, the fellas of Water Tower joined us and Yamaha at a cozy and cute backyard studio in the shadow of the Hollywood Hills in Burbank. Water Tower are an exciting and buzzed-about band in the bluegrass space, pulling as much inspiration from punk, rock and roll, pop, and hip-hop as the mountains of Appalachia and the rural bluegrass landscapes and sounds we all hold familiar. Their sets and shows are rollicking, energetic, unhinged – and equally charming – wowing audiences with their energy, repertoire, and hijinks.
For our Yamaha Session, band founder and frontman – and a keystone string band community builder in Southern California and around the country – Kenny Feinstein is joined by bandmates Tommy Drinkard and John Seltzer. Feinstein and Drinkard swap verses and licks as they flatpick each bold, forward-leaning solo on their Yamaha Guitars – and Seltzer holds it all together on the ukulele bass. Even in a performance video such as this the appeal of Water Tower and their no-holds-barred approach is obvious. Feinstein’s lyric deliveries are as hilarious as they are legit, his voice twining with Drinkard’s into that classic high lonesome sound. “Sittin’ on Top of the World” is an incredibly common and familiar number in the bluegrass canon, but here it’s rendered with plenty of standout Water Tower flair. You’ll recognize the timeless lyrics, often referenced and interpolated elsewhere in roots music, in blues, Americana, folk, old-time, and beyond. It’s a perfect song for singing along, even if it’s not so perfect for, say… if you don’t like peaches. (Don’t shake the tree!)
Yamaha Guitars played by Water Tower provide the perfect, lush sound bed for the winking silliness and earnest hot licks they are known for. These are instruments not just well-suited to bluegrass, but to all sorts of string band sounds, whether infused with punk, showmanship, humor, grit, burnin’ licks – or all of the above.
Stay tuned, as we’ll unveil more Yamaha Sessions in the near future featuring more from Water Tower and songs from Californian indie-folk singer-songwriter Cayden Wemple, as well. It’s all part of our celebration of the 60th anniversary of Yamaha Guitars. From the legendary FG Red Label guitars to modern innovations like their TransAcoustic series, Yamaha continues to set the gold standard for acoustic guitar craftsmanship worldwide. To celebrate 60 years of guitar excellence, visit Yamaha.com and stop by your local Yamaha dealer today.
This content is brought to you in partnership with Yamaha Guitars.
In March, the BGS and Good Country teams were honored to return once again to SXSW, this time partnering with our friends at Big Feat PR for A Night of Good Country at Sagebrush in Austin, Texas. The evening featured lovely half-hour sets from artists on Big Feat’s stellar roster of clients – and quite a few Good Country favorites – including Shakey Graves, Tyler Halverson, Aubrie Sellers, Travis Bolt, and Tenille Townes.
Our pals at I Know We Should were on hand at Sagebrush to capture these Good Country performances, and over the upcoming weeks and months we’ll be sharing clips and full sets right here on the site. To begin the series, we’re paying tribute to our April Artist of the Month, Tenille Townes, unveiling three song performances from SXSW as a special epilogue to our AOTM content. For her brand new album, The Acrobat, the Canadian singer-songwriter leans into her newfound independence, trusting herself not only to write and co-write each of the songs, but to produce them and perform them in their entirety, too. To bring the new project to the world, Townes has been performing her Living Room Tour, special stripped down shows featuring herself, solo, sharing songs, stories, and insights from her latest creative journey from major label to indie country powerhouse.
At Sagebrush during SXSW, we got a taste of these “living room” style shows, as Townes captivated the audience during the first set of the evening with just her voice and her art-piece of a guitar. From the new album, we’re sharing two numbers, “enabling” and “we could use a little more.” Townes shows great skill in writing songs that consider and confront the many challenges of life while still finding hope, redemption, and a way forward. There’s endless passion and dynamics in Townes’ performances; you can tell she’s comfortable even in this solo setting, working the crowd and bringing them into her artistic universe.
Of course, Townes’ catalog of material – new and old – is chocked full of fan favorites and hits, so we were very pleased to hear her SXSW performance of “Jersey On the Wall,” arguably her most popular track. It’s easy to tell why the song has had such staying power, built around the bones of a modern country story song, but with subversive and nuanced messages throughout. This is certainly Good Country.
We were so pleased to get to highlight Tenille Townes as our Artist of the Month in April and on the Sagebrush stage at SXSW with our friends at Big Feat PR. Stay tuned as we will launch more Sagebrush SXSW Sessions in the coming weeks – including performances from our current Artist of the Month, Austin’s own Shakey Graves. It’s all coming soon right here on Good Country.
Video Credits: I Know We Should,Brad Wagner, Juan Soria, and Charlie Peterson.
These sessions brought to you in partnership with Big Feat PR.
For over 30 years, MerleFest’sLate Night Jam has been the after-hours festival gathering space for some of the best pickers in the world mingling alongside new generations of talent. This annual tradition was initially led by festival founder Doc Watson, his family, and his peers. In 2025, the Late Night Jam hosting torch was passed to the equally legendary Sam Bush, who held court alongside Peter Rowan, Casey Driessen, Jerry Douglas, and countless other musical friends. Over the years, BGS has had the pleasure of partnering with MerleFest in Wilkesboro, North Carolina to present the Late Night Jam on the Saturday night of the festival. As in 2025, we’ll be back this year in 2026 to enjoy the fun with Ketch Secor and Old Crow Medicine Show stepping in as hosts. Tickets for the Late Night Jam are still available.
In the run up to this year’s festival, set for April 23 through 26, BGS is partnering with MerleFest and our videographer friends at I Know We Should to share exclusive video clips from 2025’s Late Night Jam. Today marks the conclusion of our series, and what a great video to go out on! For our final clip, the 2025 Late Night Jam host Sam Bush returns to the stage, this time in just a simple duet. His duo partner? A young and spritely firebrand picker, then 13-year-old Myles Gee. Gee is a prodigious guitarist phenomenon who’s gone viral across social media on multiple occasions, especially for his appearances and informal jams with Billy Strings. Perhaps the youngest performer on the MerleFest lineup last year, Gee certainly holds his own alongside Bluegrass Hall of Famer Bush as the two play through “Red Rocking Chair.”
Gee’s voice – his vocals as well as on the guitar – is remarkably mature for his young age. You can certainly hear the influence of modern stylists like Strings on his style. Bush and Gee swap solos with ease, showcasing yet again the special cross-generational community that appear at MerleFest and on the Late Night Jam. The crowd hangs on for every note, yet again entranced by the talent on display. You never know what you’ll see at the festival, but you do know it will be top notch.
For over 30 years, MerleFest’sLate Night Jam has been the after-hours festival gathering space for some of the best pickers in the world mingling alongside new generations of talent. This annual tradition was initially led by festival founder Doc Watson, his family, and his peers. In 2025, the Late Night Jam hosting torch was passed to the equally legendary Sam Bush, who held court alongside Peter Rowan, Casey Driessen, Jerry Douglas, and countless other musical friends. Over the years, BGS has had the pleasure of partnering with MerleFest in Wilkesboro, North Carolina to present the Late Night Jam on the Saturday night of the festival. As in 2025, we’ll be back this year in 2026 to enjoy the fun with Ketch Secor and Old Crow Medicine Show stepping in as hosts. Tickets for the Late Night Jam are still available.
In the run up to this year’s festival, set for April 23 through 26, BGS is partnering with MerleFest and our videographer friends at I Know We Should to share exclusive video clips from 2025’s Late Night Jam. The latest in the series features Americana and bluegrass string band the Barefoot Movement performing an absolute classic, the gospel stunner “Wade In the Water.” Lead singer Noah Wall, mandolinist Tommuy Norris, and bassist Katie Blomarz-Kimball are joined by Stephen Mougin (of the Sam Bush Band), fiddler, multi-instrumentalist, and artist Bryan McDowell, Sam Bush Band drummer Chris Brown, and other friends, too. It really is a jam session each year at the Late Night Jam, as songs from the bluegrass and American songbooks are offered in special collaborations to the devoted MerleFest audience.
The Barefoot Movement lead singer Noah Wall leads the number with confidence and plenty of soul, her voice soaring and passionate, offering acrobatic twists, licks, and runs on the familiar melody. Between her lovely verses and choruses each of the talented musicians jam through in-the-moment improvised solos, again highlighting the special jam session quality of the evening. The crowd roared in applause.
Next week, we’ll just one more additional exciting performance from 2025’s Late Night Jam. Make your plans now to experience it all live, in person, at the 2026 Late Night Jam at MerleFest, hosted by Ketch Secor & Old Crow Medicine Show. Buy your tickets here – and get more information on the Late Night Jam here.
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