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Peter Bradley Adams introduced himself as a member of Eastmountainsouth, the duo he put together with fellow songwriter and vocalist Kat Maslich-Bode. The demos the duo made, produced by Adams, blended pop and folk with subtle electronic touches, making it a pioneering effort in the realm of folktronica with a satisfying blend of ancient folklore and modern technology. Robbie Robertson (of The Band) signed Eastmountainsouth to DreamWorks, but a major label shake up led to the bandâs demise.
Adams launched his solo career with Gather Up (2006), a brooding, autumnal album recorded in his apartment. Its hushed melancholy won rave reviews and led to Leavetaking (2008), an understated folk rock album that featured the hit âThe Longer I Runâ, followed by Traces (2009), and Between Us (2011), collectively selling over 275,000 single downloads. Adams continues his introspective explorations of the middle ground between hope and heartache on The Mighty Storm.
To make this album, Adams put together a team of like-minded producer/musicians including Lex Price (Mindy Smith, k.d. lang), Joshua Grange (k. d. lang, Sheryl Crow), Joe McMahan (Luella and the Sun), and Ian Fitchuk. âWe sat down and worked together, everyone contributing to the playing, arrangements and production,â Adams explains. âWe recorded in RCA Studio A in Nashville, the old Chet Atkins studio built in 1965. Most of the tracking was done live⌠we all spread out in the same room, so you can really hear the sound of that space on the record.â
Like Adamsâ other albums, The Mighty Storm is marked by strong melodies, the bandâs understated, but muscular playing and the calm emotional intensity of his singing. âHey Believersâ is an anti-spiritual that blends hushed acoustic guitar and long sustained notes from a churchy organ to deliver a message thatâs equal parts faith and desperation. Joshua Grangeâs crying pedal steel and Joe McMahanâs reverb drenched guitar add a soft mournful quality to âShe Has to Come Down,â the story of a young woman slipping into a self-destructive vortex. The song was inspired by the Jack Kerouac novella, âTristessaâ and also appears on a recent compilation called âEsperanzaâ. Piano, guitar and pedal steel augment the poignant melody of âAround Us.â The lyrics are the albumâs most positive, but Adamsâ whispered, aching vocals provide a dramatic contrast, implying the loneliness that often resides in the heart of an enraptured lover. The songs on The Mighty Storm may have a placid surface, but the soothing melodies and Adamsâ low-key delivery run deep to portray the joys and insecurities of the human condition with a rare compassionate insight.