Upon relaying my artistic moniker to people, I’m usually met with one of two reactions: 1. “Oh, weird…that’s interesting” or 2. “Oh, weird… I don’t get it.” (I guess a third option would be, “Well, that’s stupid.”)
My process of finding a moniker came out of a desire for artistic freedom in my writing, as I felt constrained performing under my government name, the far less interesting sounding “Matt Longo.” Within a moniker, my writing (in my mind) could be uninhibited despite me being, you know, the same human.
Originally, I was thinking I’d go by “Tin Ear,” as I simply liked the sound of the way the words sat together, but I quickly discovered that was already a glam band from the ’70s. Then, around the time of my name hunt, I had a very strange dream wherein I sat on a subway car across from a gaunt, regal-looking king. I awoke with the words “Thin Lear” in my head, no doubt the result of my brain privately re-working “Tin Ear” and conveniently giving me a dream origin story to go along with it.
What a journey, I know. So, to celebrate the release of my new EP, A Shadow Waltzed Itself, I’ve put together a Mixtape of some of my favorite solo artist monikers, for various reasons, all paired with choice tracks. Enjoy. – Thin Lear
“Maybe I’m the Only One for Me” – Purple Mountains
A sad and beautiful song from a modern master, David Berman. The moniker is pitch perfect; it conveys majestic sadness, like so much of his art.
“Golden Wake” – Mutual Benefit
An underrated moniker for an underrated artist, Jordan Lee. It’s off Love’s Crushing Diamond, which is really one of the finest complete albums of the 2010s, with its homespun warmth.
“Come Down in Time” – Bedouine
The thoughtful moniker of Azniv Korkejian, whose music is equally as carefully considered. Her take on Elton John’s track from the classic Tumbleweed Connection really rivals the original and wraps the melody in an achingly delicate arrangement.
“Beauty of the Shifting Tide” – Thin Lear
Oh, hey, would you look at that? It’s me. How’d that get in there?
This tune is the closing song off the new EP, A Shadow Waltzed Itself, and also the most personal, unfortunately. I had been walking along the beach in a bad mood for seemingly no reason one day, so removed from my surroundings, watching my partner and daughter enjoy themselves ahead of me. I began to envision myself as this sullen entity that was just kind of trudging behind joy – and the uselessness of that role in a family. This isn’t a place I find myself in all the time, but it happens; I wrote the song later that night as I was so disgusted with my default settings. In the song, my narrator acknowledges his envy of the tide, how it can change on a dime with all its might and that his own will “breaks in half the time.”
It sums up my greatest fears in a few minutes and is my least favorite song I’ve ever written, as I depict myself in such harsh lighting, but it felt like I needed to put it out for that very reason.
“Tyrant Destroyed” – Twin Shadow
A cool, catchy moniker for an artist who makes cool, catchy music. And what an opening track this is off his debut album, Forget. It’s such a sure-footed, fully-realized artistic mission statement to kick off a career.
“Noon” – Twain
I really can’t express why the moniker of Mat Davidson is so perfect. Maybe it’s because the arrangements and vocals in his music are so careful and delicate that the whole thing feels like it could split in two at any moment.
“Honey” – Drugdealer & Weyes Blood
Two excellent monikers for the price of one. Michael Collins & Natalie Mering doing a pitch perfect ’70s pastiche.
“Hood” – Perfume Genius
Maybe the most brilliant moniker on the list, achieving a level of poeticism we can only all aspire to with our monikers. “Hood” is one of the best songs ever written that clocks in at under two minutes, delivering a devastating gut punch in no time at all.
“The Mermaid Parade” – Phosphorescent
Matthew Houck’s music does indeed sound like a radiant glow in the dark. A killer breakup song from 2010’s Here’s to Taking It Easy.
“Only Son of the Ladiesman” – Father John Misty
Well, you knew this one was coming. Truly a perfect moniker for Josh Tillman, as it conveys a mystical sleaze and it’s funny, mysterious, and inviting.
Photo Credit: Shervin Lainez