Margo Cilker, “Road to Las Cruces” (Woollystar Sessions)

BGS is proud to partner with Woollystar Music Festival for a series of new video sessions, including two very special performances from Margo Cilker. We premiered the first one, “Little White Cross,” in August, and now we’re delighted to share “Road to Las Cruces,” a highlight of Cilker’s brand new album on Fossil Records.

Festival curator Avery Hellman, who also makes music as ISMAY, continues, “If you ask the cowboys around the Eastern Sierra who their favorite musical artist is, they’ll probably tell you in a proud tone, ‘Why, Ian Tyson of course.’ These dusty trail riders may even tell you that Ian is the only artist they listen to. But, once they hear Margo Cilker singing his song ‘Road to Las Cruces’ I know they’ll add her to their short list.

Margo came into the Markleeville General Store and recorded this number on a roasty day in June, just a couple of hours before performing at the Woollystar Music Festival. I actually put in a special request for her to perform ‘Road to Las Cruces’ at the store amongst the paperback western novels and juniper liquor, because I knew the song would suit the setting, and the setting would suit the song.”


Recorded live at the Markleeville General Store in partnership with Woollystar Music Festival, June 12, 2026

Vocals & Acoustic Guitar: Margo Cilker
Bass: Forrest VanTuyl
Electric Guitar: Jeremy Ferrara
Drums: Dan Galucki
Song written by Ian Tyson
Videography & Editing: Brad Wagner
Sound Engineering and Mixing: Juan M. Soria

Little White Cross out now on Fossil Records

MerleFest Sessions: Broken Compass Bluegrass

BGS and MerleFest are so excited to once again partner to bring you exclusive clips and sessions captured on site during the incredible 2026 MerleFest event in Wilkesboro, North Carolina. We launched our off-season collaboration with the long-running bluegrass and roots music festival by sharing performances from the MerleFest Late Night Jam with the Grand Ole Opry, featuring Old Crow Medicine Show and Maggie Rose.

For our second installment in the series, we stepped away from the rowdy and raucous Late Night Jam for a more traditional session and a wonderful set from none other than Charles Wesley Godwin. After that, Willie Watson delivered a blend of songs, stories, and personal memories in a thoughtful solo performance. We were also treated to an invigorating set from an up-and-coming East Kentucky band, The Creekers, and some splendid singing from The Band Loula.

In this latest offering, we hear three songs from Broken Compass Bluegrass, a group from the Sierra Nevada foothills of Northern California that made their MerleFest debut in 2026. In addition to performing three songs, the ensemble explains how the landscape influences the music they write, which turns into a larger conversation about how bluegrass music can connect with people all over the world.

Broken Compass Bluegrass is composed of Kyle Ledson, Django Kale Ruckrich, Mei Lin Heirendt and Sam Jacobs. By the way, Ruckrich was around 5 years old when he first attended MerleFest and played “Nine Pound Hammer” on the Little Pickers stage, making this Merlefest Session a wonderful full-circle moment. Enjoy “End of the World” from Broken Compass Bluegrass’ debut album, as well as two new songs, “Whisper of a Witch” and “Bound to Make It Better,” from an upcoming release.

Béla Fleck, Billy Strings Unite for “Tennessee” at the Ryman

Béla Fleck and Billy Strings playing “Tennessee” at the Ryman Auditorium in Nashville, on the very stage where bluegrass was born? Yes, please. Their dazzling rendering of a bluegrass classic is sure to be a highlight of Fleck’s upcoming album, Live Heart: My Bluegrass Heart at the Ryman, out on October 16, 2026.

The all-star concert, recorded in January 2022, also features Sam Bush, Michael Cleveland, Jerry Douglas, Stuart Duncan, Sierra Hull, Edgar Meyer, Justin Moses, Mark Schatz, Bryan Sutton, Tony Trischka, and Molly Tuttle, jamming together to recreate Fleck’s 2021 album, My Bluegrass Heart. (Read the BGS interview about the project.) The impressive collection would go on to win a Grammy for Best Bluegrass Album.

“In my opinion, Béla Fleck is one of the most important musicians of all time,” Strings said. “He bridges the gap between bluegrass, classical, jazz, world music, and everything in between. It seems like there’s no limit to what he can achieve on the banjo.”

“As a New York City kid who fell in love with Davy Crockett and had my own coonskin cap and fringe jacket, this song called out to me when I first heard Jimmy Martin’s classic version” Fleck said. “I even moved to Tennessee and have lived there longer than my NYC days. There’s an amazing sense of closure to playing it live with Billy Strings taking Jimmy’s lead roll, and the top players in the biz bringing their talent and depth of understanding of bluegrass to the table.”

The sold-out crowd would likely agree as Fleck concludes, “We somehow managed to take and own the stage that night. My amazing peers, friends, and iconic performers really brought the fire—I’m very proud to bring you this fantastic live performance.”

Taylor Ashton Shares Acoustic Studio Version of “Susanna”

Editor’s Note: Taylor Ashton joins the Country Living Fair and its “Folk at the Fair” lineup, presented by BGS, on Friday (Oct. 2) in Rhinebeck, New York. Below, he shares the story behind this special performance.

“Susanna” is a song about seeing an old friend making life choices that cause you to question how well you know them – hence the refrain “Guess I didn’t know you like I know you now.” The song is about witnessing an affair, and it’s based loosely on a real situation, but the names and details have been changed to protect the innocent. As a musician I’ve seen plenty of my friends, acquaintances, and colleagues (and myself) get into situations where love and art and work get muddied up together, and people can get hurt for complex reasons that straddle those worlds. I think probably anybody reading this can remember something in their life that is reminiscent of what’s going on between the characters in this song.

“My co-writer and producer on this track, Benjamin Lazar Davis, showed this to Maya Hawke while he was producing an album of hers, and I was so honored that she asked to sing on the studio version. She later covered the song on tour, so this is technically not even the song’s debut. I feel doubly spoiled that for this live version, I got to sing this as a duet with the great Madison Cunningham, with my wife Rachael Price rounding it out to three-part harmonies. Funny enough, the ‘studio’ version that’s on Spotify and on the album was actually mostly recorded outside in the forest, whereas this ‘acoustic’ version is in a real studio – Ben’s awesome new spot in LA. So, we got it a little backwards in a way that makes me smile. Enjoy!” — Taylor Ashton

WWG in the Round: Johnny Mullenax

BGS is proud to once again partner with our friends at WinterWonderGrass to bring you exquisite, intimate live sessions captured at WinterWonderGrass Steamboat earlier this year. Filmed by Far From Near Productions at the Steamboat Art Museum in Steamboat Springs, Colorado, we’re calling the series WinterWonderGrass In The Round. Artists and bands from the WWG lineup perform in casual and cozy jam circles – unplugged, acoustic, and unadorned – inside the museum, surrounded on all sides by adoring fans, festival-goers decked out in their toques, scarves, and snow clothes.

Our first WinterWonderGrass In The Round videos featured fast-rising festival favorite Clay Street Unit. To continue the series, we thoroughly enjoyed music from BGS Artist of the Month Bronwyn, which was followed by a very cool guitar-and-banjo collaboration with Tyler Grant and Billy Failing and a special solo performance from AJ Lee. After that, the group Tophouse delivered a fantastic three-song set.

Johnny Mullenax, a Tulsa native who loves a funky groove, steps into the round and introduces his band to the crowd. A naturally charismatic performer, he starts the set with a clever and perhaps true song about being a poor musician (“Used to Work for a Livin'”). He jokes with the audience about taking requests before landing on a thoughtful selection, “This Joint’s for You,” a sincere tribute to those who have seen his growth from a kid obsessed with playing guitar into a steadily growing career as a full-time musician. Those endless hours of practicing have clearly paid off, as evidenced by this performance of “With Me.” To close the set, he invites AJ Lee into the round for a reimagined rendition of John Prine’s “Angel From Montgomery.”

Live music is certainly never going away if BGS, WinterWonderGrass, Far From Near, and all these artists and bands have anything to do with it. And as long as we have y’all to enjoy it, too!


Video Credits:
Production: Far From Near
Producers: Carly Speno, Sawyer Gieseke
Camera Ops: Sawyer Harris, Sawyer Gieseke, Tobin Voggesser
Audio: Dylan Langille
Mix: Cade Kitzmiller
Shot at the Steamboat Art Museum in Steamboat Springs, Colorado.

This content brought to you in partnership with WinterWonderGrass.

ISMAY, “American Flag” (Woollystar Sessions)

BGS is proud to partner with Woollystar Music Festival for a series of new video sessions. We launched in August with a special performance of Margo Cilker’s “Little White Cross,” and we have many more videos to come in the months ahead.

Festival curator Avery Hellman notes, “Woollystar began as a vision, and a responsibility. Six years ago, I imagined an event where people could enjoy high quality roots music in an intimate setting, where the arts are respected, and where attendees were not treated like sheep. Given my family’s background in music festival business, I felt it was my responsibility to create another opportunity for the myriad of gifted musicians who deserve an attentive audience. I also wanted to present this event amongst the high peaks along a clear river, in a far flung corner of California, serving the reclusive locals as well as the intrepid traveler.”

Avery Hellman also performs and records as ISMAY. They took a moment to reflect on the story behind a new song, “American Flag.”

“During the COVID era, I did something very dangerous — I started browsing pet adoption sites. While scrolling through wild mustangs, I stopped on a single image that made my heart take a leap. It was a paint mare with one blue eye and one brown eye. She had long legs and stood like some halfway-there Studio Ghibli character. At that moment I decided to try something I had long considered, gentling a wild horse. I brought her home from Nevada and named her Ozanna. I worked with her for one month, entering her pen each day, and getting a little closer. After tedious hours that went on endlessly, at last I was able to touch her mane with the tip of my hand. As we worked together in that pen, I envisioned her as a rodeo horse, carrying the American flag around the arena to cheering crowds in the stands.

“However, after my gentling work plus a year with talented trainers in Nevada, I concluded that she could never be fully safe to handle. She didn’t soften to close human presence. The trainers allowed Ozanna to roam free in their ‘back 40’ where she lives to this day. This song “American Flag” is about the expectations we place on other creatures and ourselves, and how we must reconcile those expectations with present reality.

“In terms of writing, the song came to fruition in a little red farmhouse at my cousin’s place on the California coast. I almost felt myself having some kind of Wilco-esque utterance with the first words, ‘she was supposed to wave an American flag.’ Immediately my cousin, the guitarist, and the drummer perked up. I knew that simple sentence floating above a G and F chord worked for some reason. My cousin Matt Gibbs offered the chord changes for the chorus, and my partner Andy chimed in as well to create the bridge.

“In this video, we are performing ‘American Flag’ at Woollystar, and I used the festival as our album release show. With Jeff Kissell on the bass, Jeff Wilson on the drums and Andy Allen-Fahlander on the electric guitar, the song took off and fly like those hangliders on alpine mountaintops. My paint mustang couldn’t wave the American flag at the rodeo, but we found our way to prance and perform.”


Recorded live at the Markleeville General Store in partnership with Woollystar Music Festival, June 13, 2026

Vocals and Acoustic Guitar: Avery Hellman
Bass: Jeff Kissell
Electric Guitar: Andrew Allen-Fahlander
Drums: Jeff Wilson
Song written by Avery Hellman, Matthew Gibbs, and Andrew Allen-Fahlander
Videography and Editing: Brad Wagner
Sound Engineering and Mixing: Juan M. Soria

Merlefest Sessions: The Band Loula

BGS and MerleFest are so excited to once again partner to bring you exclusive clips and sessions captured on site during the incredible 2026 MerleFest event in Wilkesboro, North Carolina. We launched our off-season collaboration with the long-running bluegrass and roots music festival by sharing performances from the MerleFest Late Night Jam with the Grand Ole Opry, featuring Old Crow Medicine Show and Maggie Rose.

For our second installment in the series, we stepped away from the rowdy and raucous Late Night Jam for a more traditional session and a wonderful set from none other than Charles Wesley Godwin. After that, Willie Watson delivered a blend of songs, stories, and personal memories in a thoughtful solo performance. We were also treated to an invigorating set from an up-and-coming East Kentucky band, The Creekers.

In this latest clip, we meet The Band Loula, whose original songs have a Southern feel. Some might even call it Southern gothic. The bandmates Malachi Mills and Logan Simmons offer a tender song about their grandmothers titled “Mother’s Mother.” The lyrics bring to mind a snapshot of North Georgia, where both singers grew up. There’s a little more swagger in “Low,” while they get downright murderous in “Marshall County Man.” They wrote the latter song with Gary Nichols, a former member of the SteelDrivers who’s now lending his talent as a producer and guitarist to shape the band’s blend of country, folk, and Americana music.

Although Malachi Mills and Logan Simmons are not a married couple, they have been best friends since they were teenagers. Listening to them sing, an easy familiarity is immediately evident in their harmonies. Two voices, one instrument, and an obvious abundance of emotion. It all adds up to an impressive debut at Merlefest.


Video Credits: I Know We Should, Brad Wagner and Juan Soria.

This content brought to you in partnership with MerleFest. Experience music and more at MerleFest.org.

WWG in the Round: Tophouse

BGS is proud to once again partner with our friends at WinterWonderGrass to bring you exquisite, intimate live sessions captured at WinterWonderGrass Steamboat earlier this year. Filmed by Far From Near Productions at the Steamboat Art Museum in Steamboat Springs, Colorado, we’re calling the series WinterWonderGrass In The Round. Artists and bands from the WWG lineup perform in casual and cozy jam circles – unplugged, acoustic, and unadorned – inside the museum, surrounded on all sides by adoring fans, festival-goers decked out in their toques, scarves, and snow clothes.

Our first WinterWonderGrass In The Round videos featured fast-rising festival favorite Clay Street Unit. To continue the series, we thoroughly enjoyed music from our current BGS Artist of the Month Bronwyn, which was followed by a very cool guitar-and-banjo collaboration with Tyler Grant and Billy Failing and a special solo performance from AJ Lee.

Next up, we shine a light on Tophouse, an ensemble from Missoula, Montana, that’s now (mostly) based in Nashville. Two of their newer songs, “Morning Cup of Coffee” and “Deathbed,” show a contemplative side, while the compelling imagery in 2022’s “The Mountain Song” fits perfectly in the WinterWonderGrass landscape. Starting out 2026 with some strong career buzz, Tophouse made their WWG debut this year, and it’s clear that the sonic textures of a piano alongside traditional acoustic instruments can make Tophouse stand out on any festival lineup.

Stay tuned right here on BGS and on the BGS and WWG social media channels for more vidoeos from Johnny Mullenax in the weeks ahead.

Live music is certainly never going away if BGS, WinterWonderGrass, Far From Near, and all these artists and bands have anything to do with it. And as long as we have y’all to enjoy it, too!


Video Credits:
Production: Far From Near
Producers: Carly Speno, Sawyer Gieseke
Camera Ops: Sawyer Harris, Sawyer Gieseke, Tobin Voggesser
Audio: Dylan Langille
Mix: Cade Kitzmiller
Shot at the Steamboat Art Museum in Steamboat Springs, Colorado.

This content brought to you in partnership with WinterWonderGrass.

Merlefest Sessions: The Creekers

BGS and MerleFest are so excited to once again partner to bring you exclusive clips and sessions captured on site during the incredible 2026 MerleFest event in Wilkesboro, North Carolina. We launched our off-season collaboration with the long-running bluegrass and roots music festival by sharing performances from the MerleFest Late Night Jam with the Grand Ole Opry, featuring Old Crow Medicine Show and Maggie Rose.

For our second installment in the series, we stepped away from the rowdy and raucous Late Night Jam for a more traditional session and a wonderful set from none other than Charles Wesley Godwin. After that, Willie Watson delivered a blend of songs, stories, and personal memories in a thoughtful solo performance.

Over the years, MerleFest has earned a reputation for introducing fast-rising artists to audiences, and they’ve done it again with The Creekers. This six-piece band from Eastern Kentucky made their MerleFest debut this year, but something tells us it won’t be their last visit. Asked about how their Appalachian roots influence their original music, band member Tanner Horton observes, “There ain’t no other place in the world like it, where this music comes from. And that’s the only way we know how to do it.”

Although the group recorded their upcoming album in Nashville, there’s sure to be an Eastern Kentucky vibe to the highly anticipated project, which is expected later this year on Warner Records Nashville. In the meantime, don’t miss the Creekers performing “Follow the Sound,” “The Devil Is Not That Far,” and “Tennessee.”


Video Credits: I Know We Should, Brad Wagner and Juan Soria.

This content brought to you in partnership with MerleFest. Experience music and more at MerleFest.org.

MerleFest Sessions: Willie Watson

BGS and MerleFest are so excited to once again partner to bring you exclusive clips and sessions captured on site during the incredible 2026 MerleFest event in Wilkesboro, North Carolina. We launched our off-season collaboration with the long-running bluegrass and roots music festival by sharing performances from the MerleFest Late Night Jam with the Grand Ole Opry, hosted by Old Crow Medicine Show. (Watch OCMS with Maggie Rose here.) For our second installment in the series, we stepped away from the rowdy and raucous Late Night Jam for a more traditional session and a wonderful set from none other than Charles Wesley Godwin.

Now we turn the lens to songwriter, guitarist, harmonica player and storyteller Willie Watson. MerleFest, of course, plays a crucial role in his award-winning career. In fact, as a pivotal early member of Old Crow Medicine Show, the string band received a hearty endorsement from none other than Doc Watson himself. Near the end of this clip, Willie tells the story about the band busking in downtown Boone, North Carolina, in the year 2000, and how Doc’s daughter, Nancy, just happened to come by and listen. Returning shortly thereafter with her dad, Nancy introduced the band to one of the most groundbreaking guitarists ever in American music.

Enjoy Willie’s acoustic renditions of “Sad Song” and “One to Fall” from his self-titled album, then stick around as he shares how a fateful wrestling match as a teenager changed the trajectory of his life. The session closes with a poignant performance of the Carter Family classic, “Sow ‘Em on the Mountain (Reap ‘Em in the Valley).”


Video Credits: I Know We Should, Brad Wagner and Juan Soria.

This content brought to you in partnership with MerleFest. Experience music and more at MerleFest.org.