âBella and Ivan,â one of two instrumentals on our Artist of the Month Watkins Family Hourâs brand new LP, brother sister, begins with a folky, whirring Vitamix of notes. Itâs a frenzied melody, one that allows the siblingsâ bluegrass virtuosity to glint like a bright reflection off a sly smile. Seanâs aggressive, Tony Rice attack and the slight Celtic bounce of Saraâs bow are demonstrating that they, too, can accomplish the unlikely complicated ease of the duoâs tight, familial harmonies.
And they do. Ever since the first notes of Nickel Creekâs âOde to a Butterflyâ transformed an entire generation of listeners into bluegrass fans, Sean and Sara Watkins have been giving us these effortless-while-acrobatic instrumentals. Each one reminds us in its own way that no matter how far afield the pair may travel from their genre of origin, they carry it with them still — and can execute any of its aesthetics with immediacy and delightful, mocking aplomb.Â
Named for a friendâs two dogs who love to wrestle, âBella and Ivanâ isnât so much rough housing as it is a scripted, choreographed, pro fight. Their interplay is just as exciting to those of us who suspend disbelief as it is to those who donât; the musical dialogue precariously and joyfully unfolds in a way that refuses to either feel rehearsed or totally off-the-cuff.Â
In whatever iteration one encounters the music of Sean, Sara, and/or Watkins Family Hour, theyâre giving listeners every last ounce of that ethereal âsomethingâ that sparked our love for them in the first place. While they constantly reinvent themselves and explore new sonic territories, somehow that âsomethingâ remains indelible. Itâs just Sean and Sara Watkins.