Artist: Laura Cortese & The Dance Cards
Hometown: Ghent, Belgium, by way of Boston and San Francisco
Latest album: BITTER BETTER
Personal nicknames (or rejected band names): Taysee, Cortez, Laur, Cortese
Which artist has influenced you the most … and how?
Itās such a hard question! But Iām going to say Leslie Feist. I still remember driving on Memorial Drive in Boston and hearing “Mushaboom” on The River 92.9 for the first time and thinking that pop music was about to become a lot more interesting than it had been in the previous 10 years. To me, her songs always seem to be about her own artistic endeavor, as opposed to what she thinks people will like. I find it inspiring and invigorating to try to be more committed to communicating your unique ideas and becoming more yourself, without being too concerned about what genre youāre fitting into.
What other art forms — literature, film, dance, painting, etc — inform your music?
For this album, in particular, I have no specific links to other art forms, but I find that if I donāt live a balanced life — reading books and articles that inspire me, going to modern art museums, watching intriguing films, reading poetry — I begin to feel less inspired and have no well to tap into to write. So I canāt point to a specific poem or piece of art that I experienced in the last three years that led to a song, but I try to engage with other art forms regularly to stay inspired.
What’s the toughest time you ever had writing a song?
I wouldnāt use the word ātoughā, because it was enjoyable, but āTreat You Betterā took a lot of work to get it right. I had the first verse and felt like it was an idea about the struggle that goes into a longterm relationship, but also had an infectious rhythm and symmetry to the words that were used, and it was a challenge to keep that symmetry in the words and also tell the emotional story that I wanted to tell. In the end, there are a lot of co-writers and there was a lot of discussion and a lot of drafts to come to what is āTreat You Better.ā The final words were decided at the moment I was singing them in the studio.
What rituals do you have, either in the studio or before a show?
In the studio, one of our rituals is having really good meal times, and making sure the moments of rest are extremely enjoyable. I do occasionally do push-ups before a show because I find that when you walk onto a cold stage, it takes a minute to shake out the cobwebs, get rid of the nerves, and start to really transmit energy. But if youāve done pushups ahead of time, youāve already begun that energetic flow before you walk onstage.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
Maybe Iāve just had enough of quarantine and wish I could travel, but Marina Satti is a Greek-Sudanese singer Iāve learned about recently. The video for her song “KĪæĻĻĪµĻ” is particularly engaging. I want to hang with her in Greece and eat at her favorite restaurant, she can order.
Photo credit: Beth Chalmers
