BGS 5+5: Mariel Buckley

Artist: Mariel Buckley
Hometown: Calgary, AB
Latest Album: Driving in the Dark
Personal Nicknames: Bucks

Which artist has influenced you the most … and how?

My influences are always changing, but a cornerstone of my education in songwriting will always be Bruce Springsteen’s Nebraska. It is one of the most well put-together, genuine, and captivating group of songs I’ve ever heard. The fact that he recorded them to be demos for the E Street band on a four-track is mind blowing. It’s so bare bones and not demanding of anything except your attention to his words, which are near perfectly crafted. I try to take that approach when I’m writing. If it isn’t good enough with none of the bells and whistles, it isn’t good enough for anyone to hear.

How do other art forms — literature, film, dance, painting, etc — inform your music?

I spend a lot of time reading biographies of artists — musicians, actors, writers. The telling is always so honest. And that, to me, is the most important part of creating art. It’s sharing a really vulnerable piece of human existence in a way that not many people feel comfortable doing. So reading those narratives always gives me lots of empathy, which fuels a ton of my writing.

What’s the toughest time you’ve ever had writing a song?

I recently went almost a year without writing a single word on paper. It was excruciating. I was depressed and felt empty of inspiration or any kind of story to tell. “Why is what I’ve got to say so important?”
When I removed my filter of self-deprecation, I realized that my lack of inspiration was due to a lack of confidence, point blank. So I wrote about that, and then I wrote this entire record.

What rituals do you have, either in the studio or before a show?

My pre-show ritual is hard to beat: fear of being late for soundcheck, an hour too early for soundcheck, change my shirt, sweat through that shirt, change into a second shirt, crippling anxiety, self-doubt, burst of confidence, SHOWTIME.

If you had to write a mission statement for your career, what would it be?

To never sacrifice authenticity for accessibility.

‘Bittersweet’

Five years in the making, Kasey Chambers' Bittersweet marks a change of direction for the Aussie native (who's already won considerable accolades for this record from scribes back in her homeland). It starts at the crossroads where Bruce Springsteen's Nebraska meets Emmylou Harris's '70s sweetness then picks its own path, barrelling down the road with the sincerity of Southern roots music, the veracity of '70s punk, and the shiny-object swankiness of American pop radio.

The opening cut, "Oh Grace," is a perfect archetype of the Harris-in-Nebraska observation, a sparsely populated song of bittersweet love set against a simple guitar strum, brushy drums, and a beautiful fiddle solo by Ashleigh Dallas. But then Chambers unveils "Is God Real" and adds a contemporary chime to the whole affair. It's an urgent appeal of uncomfortable agnosticism over a pulsing electric guitar, delivered in the voice of a lost little girl, with unbounded urban energy. "Wheelbarrow" turns in three directions in a New York minute, evolving from a gospel a cappella tune to a banjo-balanced back porch sing-along to a thrashing rock tune in a matter of about eight bars. Later, Chambers sticks close to the folkie format on "I Would Do," channels her inner Alphabet City punk on "Hell of a Way to Go," plays things a little on the bluesy side on "House on a Hill," then closes the record with the full-on Springsteen harp and hustle of "I'm Alive."

Though the influences here are broad-ranging , all the tunes work together — a testament to Chambers' compositional fortitude and producer Nick DiDia's steady hand. Like some other solid records we've heard this year from Hannah Miller, Laura Marling, and Jessie Baylin, this is what roots music sounds like at the most inventive edges of the genre.

Listen to the record here.

3×3: The Suitcase Junket on Mint Chip, Movie Songs, and the Merits of Moonshine

Artist:​ The Suitcase Junket​ (That's not my given name.)
Hometown:​ Cavendish, VT​
Latest Album:​ Dying Star​
Personal Nicknames:​ Someone called me Lenny for a few years. Never knew why. ​(I'm not a Leonard.) My nickname for myself is Tony Stones. ​

 

Sprang.

A photo posted by Matt Lorenz (@suitcasejunket) on

What was the first record you ever bought with your own money?​ 
Ace of Bass​ ​

How many unread emails or texts currently fill your inbox?​
666 unread emails. Not kidding. Should I be worried? Wait, where am I? ​

If your life were a movie, which songs would be on the soundtrack?​
Hmmm … That would a be a very long soundtrack. I guess most of it would be me singing nonsense really loud in the car. (Also, the album Nebraska by Springsteen and all of Wildflowers by Petty.) ​

 

Whoa! @brooklynbowl might be the coolest venue ever… Hitting at 8 w/ @wildadriatic and @sistersparrowdb Woot!

A photo posted by Matt Lorenz (@suitcasejunket) on

What brand of jeans do you wear?​
Salvation Army ​​

What's your go-to karaoke tune?​
I only sing karaoke in Albuquerque (this is true) which means I've only done karaoke twice. That being said, I'd definitely do "Heart of Glass" again. ​

If you were a liquor, what would you be?​
Ooh, tough one! I'd like to say moonshine, but if I'm honest with myself, it's probably something not as strong — like schnapps or maybe bottom-shelf bourbon. ​

Poehler or Schumer?​
Radner

Chocolate or vanilla?​
Mint Chip​

Blues or bluegrass?​
Swampyankee


Photo credit: Andrew Rinkhy