Roots Musicians Rally to Support Standing Rock

As tensions in North Dakota surrounding the proposed Dakota Access Pipeline have mounted and protest efforts to protect the land from the controversial project have grown over the last several months, many roots musicians have taken to song in support of the Standing Rock Sioux Reservation. Like their Trump-protesting musician pals before them earlier this year, these musicians are using the power of music to raise awareness and vital funds for protest efforts, which continue following the Army Corps of Engineers' announcement that they would not grant permits necessary for completing the pipeline.

One of the largest of these efforts is Songs for Standing Rock, a series of compilations put together by Austin musician and activist Phoebe Hunt. So far, Hunt and her team have released three compilations, all available via a pay-what-you-want page on Bandcamp. All proceeds from sales, with the exception of a 3 percent PayPal processing fee, go to "the creation of permanent sustainable winterized geodesic domes, wood stoves, and fire wood supplies at Standing Rock." Artists featured on the compilations include Elephant Revival, Ana Egge and the Sentimentals, and Hunt herself.

Hunt initially got involved in Standing Rock efforts after hearing of the freezing conditions water protectors were enduring in their efforts to guard the contested land. Living in Austin, though, she wasn't immediately clear how she could make a substantial difference. "I wanted to help, but I was so busy with everything I was doing in my life," she explains. "I was so proud and so happy that they were doing what they were doing, but I couldn't be there … I knew I needed to help and I called my friend Lakshmi and I said, 'What can we do to help?' She said, 'I have this idea that we could get an album together of musicians that would come together to support.' I had an idea of a thousand things that I needed to do in my own life with all of these other projects I'm working on and was trying to direct her in how to do it and then, two days later, I woke up and it was cold in Austin and I was cold and I thought, 'These people are freezing. I have to do something now.' So I put up a Facebook post and I said, 'We're going to put a compilation album together. Anyone interested? We need to help these people. They need firewood. It's freezing. Let's activate.' That one Facebook post got so much response I had to create a graph of all the people who wanted to help."

Hunt put together a meeting that very evening for friends and musicians interested in joining the effort. "We delegated, and we talked through what we could do to help immediately," she says. They decided to use Bandzoogle, which doesn't take a portion of sales once a one-time annual hosting fee has been paid, to distribute the music and started the writing, recording, and curating process soon thereafter. It wasn't long before they had Songs for Standing Rock Vol. 1, a 15-song collection released on Thanksgiving Day. Hunt and her team received such an overwhelming response from their community that they have since released two additional volumes.

Artists getting otherwise involved in the movement include Spirit Family Reunion, who wrote the new song "Goin' Out to Cannonball" to raise money for Sacred Stone Camp, which is located on the Standing Rock Reservation. It's available for purchase through Bandcamp with all proceeds benefitting Sacred Stone Camp.


"This is not limited to protecting clean water and sacred land for the Standing Rock Sioux Tribe," Spirit Family Reunion's Nick Panken, who wrote the song after spending time at Standing Rock, says. "This is not limited to the 17 million people across several states who get their water from the Missouri River. This comes down to protecting values that are vital to our humanity. The Dakota Access Pipeline represents the destruction of these values and, when these values are destroyed, so are we. This is our time to stand with Standing Rock in defense of their values and to learn from Standing Rock in their valuable ways."

The women behind Rising Appalachia, an Asheville-based roots-folk duo comprised of sisters Chloe Smith and Leah Song, also spent time protesting at Standing Rock, hoping to, as Smith describes, "be an ally to the water protectors on a holiday (Thanksgiving) that holds historical weight for many people across this country."

"It will take some time to fully understand and articulate the beauty and rawness that we experienced at Standing Rock, North Dakota, when we arrived on November 22," Song adds. "The sobering prayers and fire-centered leadership, the way that a living indigenous movement embraced and celebrated Thanksgiving in all of its complex historical context, the incredible sense of community and care that was shared amongst strangers and family alike who had all lent their physical bodies to a movement much bigger than a protest. The Standing Rock community, the Oceti Sakowin and RoseBud camps, and the many, many people from far and wide that are standing with this movement to reroute the Dakota Access pipeline are making their voices heard in a peaceful and prayerful way."

While songwriting is a primary outlet for activism for many musicians, some artists have taken to writing op-eds in support of Standing Rock, as well, including a handful who have done so for BGS. Nashville's Korby Lenker wrote an essay for us to accompany his song "Last Man Standing," writing, "Watching the news, I see policemen lined up in riot gear while, behind them, bulldozers carve up land upon which buffalo once roamed. Apart from the specific threat, people are frustrated — I am frustrated — that this is one more example of the government putting corporate interests over the health and well-being of human beings." The Indigo Girls published a call to action urging readers to contact Kelcy Warren, the CEO of Energy Transfer Partners, the company slated to build the pipeline. 

Artists have long been at the forefront of activist movements, and these recent examples from roots musicians are the kinds of efforts that will be especially crucial in coming years when President-elect Trump takes office. Protecting the environment will soon be a more urgent cause than ever, as will the protection of the civil liberties of marginalized groups, and it's up to artists to raise their voices and use their platforms for change.

"We need new models and new leaders to help shepherd us into a more sustainable way of living," Song concludes. "We know that coal and oil will not last forever. Standing Rock is creating that model physically, metaphorically, poetically, and through real non-violent teachings and beliefs to begin to shift our cultural emphasis away from corporate large-scale agendas and into grassroots living and organizing. We have a lot to learn from this movement."

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UPDATED: A Call to Action from the Indigo Girls #NoDAPL (Op-ed)

As many of you know, there is a critical battle being fought right now in Standing Rock, North Dakota, between Native Americans, their allies who want to protect sacred land and water, and a huge corporation that wants to build an oil pipeline that threatens the Missouri River with leaks and devastating consequences. The name of the company building the pipeline is Energy Transfer Partners, and its CEO is a man named Kelcy Warren.

Kelcy Warren also happens to be a passionate music lover who owns a festival (Cherokee Creek Music Festival) and a record label (Music Road Records) that, among other things, released a Jackson Browne tribute record. Indigo Girls have played the festival and had a song on the tribute record. When we participated in those events, we had no idea about Kelcy Warren’s connection to big oil and its imminent threat to the Standing Rock Sioux. Now we know.

When this connection was brought to our attention, Amy and I wrote a letter to Mr. Warren, voicing our protest over his company’s pipeline (DAPL), and several other artists who had performed at his festival signed the letter in solidarity. We are simply saying that building this pipeline is the wrong thing to do, and its disregard for Native land, water, and rights is in direct conflict with our philosophy as artists and people who care about Indigenous peoples and the environment.

Amy and I, under the guidance of Honor the Earth, have recently been to Standing Rock to play a concert and stand in solidarity with the protectors (not protesters!) there. They are brave, outnumbered by abusive law enforcement, and suffering unfathomable racism, yet they remain firmly committed to opposing this pipeline — not just for themselves, but for all of us.

We wrote to Mr. Warren, asking him to reconsider and stop the pipeline.

Will you join us?

To Email, Call, or Message
Cherokee Creek Music Festival: [email protected] — 214.981.0700 — Facebook
Music Road Records: [email protected] — 512.444.0226 — Facebook

For more information, please visit Honor the Earth.

In gratitude and solidarity with Standing Rock,
Amy Ray and Emily Saliers — Indigo Girls

October 26, 2016

Mr. Kelcy Warren
c/o Cherokee Creek Music Festival
4160 West FM 501
Cherokee, TX 76832

Dear Mr. Warren,

We have played your Cherokee Music Festival and found it to be a compelling gathering of artists and a noble pursuit to help children’s charity organizations across the country. Many of us who have played your festival have invested time and energy into the fight for human rights and environmental justice. For some of us, this mission is the moving force and spiritual foundation of our larger community of musicians, and one of the inspirations to play such rich gatherings as the Cherokee Music Festival. But sadly, we realize that the bucolic setting of your festival and the image it projects is in direct conflict with the proposed Dakota Access Pipeline — a project your company, Energy Transfer Partners, is responsible for spearheading. This pipeline violates the Standing Rock Sioux Nation's treaty rights, endangers the vital Missouri River, and continues the trajectory of genocide against Native Peoples.

Many of us have also participated in projects affiliated with Music Road Records, another company of yours. While this company does a lot to promote incredible music that comes from the roots of our country, many of us, as artists, take offense and are mystified by how someone with such a deep passion for organic and traditional music can own a company that is so blatantly tearing at the heart of the fabric of our American community. The American tradition of music that is so diverse and rich depends on the respect for human rights and that includes environmental justice for Native Peoples that contribute to the great tapestry of this land.

In order to stay true to our music and respect the Native Nations that are united against the Dakota Access Pipeline, we will no longer play your festival or participate in Music Road Records recordings. We implore you to stop the construction of the Dakota Access Pipeline and to reconsider your company’s pursuits with regards to the environment and the communities that depend on its well-being.

We stand with Standing Rock, the Standing Rock Sioux, their friends, and allies in protecting their sacred land and water by stopping the construction of the Dakota Access Pipeline and all pipelines that threaten massive ecosystems.

UPDATE

Editor's note: Kelcy Warren responded to the letter by trotting out the usual tone deaf oil industry tropes which are handily rebutted with phrases like "There's a difference between treaty territory and reservation land," "Electricity never polluted anyone's drinking water,"  "It's not hard to imagine why 250 years of broken agreements might lead a Native tribe to be skeptical of negotiating with white men," "Oil barron and environmental steward are, in fact, mutually exclusive titles to hold," and so on. Nevertheless, in the spirit of fairness, we present his letter in full:

 


Lede image: Water Protectors prayerfully march across the desecrated sacred sites to stop DAPL construction. Photo by Rob Wilson Photography.

‘Last Man Standing’ for Standing Rock (Op-ed)

"Let us put our minds together and see what life we can make for our children." — Chief Sitting Bull

I wrote this song after reading Bury My Heart at Wounded Knee — a book about the abuse and destruction of the Native people in the name of American Expansionism. Everyone knows that white people did bad things to Indians, but when you read the details of it happening over and over, it's hard not to feel like you've inherited a legacy of treachery and deceit.

How does this basic fact of American History continue to be ignored? The freedoms we enjoy and the private property we take for granted had, at their root, at least some level of ignoble chicanery. Treaties were drawn up and revoked as soon as new resources were discovered. It happened over and over again.

I'm white. I'm privileged. I can't take back the past, but I do feel culpable for the freedoms of the present. Once again, Indian land is being threatened by the private interests of the wealthy and powerful. This time, it's happening on the Standing Rock Reservation in North Dakota. The Dakota Access Pipeline — originally slated to cross the Missouri River near Bismarck — was diverted to within half-a-mile of the reservation because of concerns about the pipeline's potential impact on the state's drinking water.

The tribe says it was not adequately consulted, and the result has been protests, arrests, and escalating violence.

Watching the news, I see policemen lined up in riot gear while, behind them, bulldozers carve up land upon which buffalo once roamed. Apart from the specific threat, people are frustrated — I am frustrated — that this is one more example of the government putting corporate interests over the health and well-being of human beings. This time, those human beings are American Indians: One can't help but hear in the bullhorns of the National Guard the echo of the countless broken treaties, the war cry of Crazy Horse, the snap of the necks of the 38 Native American men killed at Mankato in the largest public execution in American history.

I wrote this song about Chief Sitting Bull, the gifted Hunkpapa Sioux leader. He was his people's great unifier — first in the Great Sioux War of 1876, and later against General Custer at the Battle of Little Bighorn.

For a time, his celebrity was international — he toured with Annie Oakley as part of Buffalo Bill's Wild West Show. He was present in Golden Spike, Utah, at the ceremony commemorating the completion of the first transatlantic railroad. And, in 1890, he was murdered outside his home, on the Standing Rock Reservation … the very place of the present crisis.

Earlier this year, I was lucky enough to record parts of "Last Man Standing" in Standing Rock, near where Sitting Bull is buried today. The weather was bitterly cold when I was there, but I managed to play his song for him, at his memorial, on the banks of the Missouri River.

Sitting Bull is a hero to me. And, while I'm not an Indian and will always be on the outside of the proud tradition of the Sioux Nation, I hope that my song does some honor to their leader and lends a defiant and hopeful voice to the protestors and to the people they represent. — Korby Lenker

100 percent of the proceeds for song downloads will go to the STANDING ROCK SIOUX TRIBE: DAKOTA ACCESS PIPELINE DONATION FUND.

"Last Man Standing"

Oh mother mother, let me tell you somethin'
White people gonna know my name
The big general think he up-and-comin'
That man got nothin'
I had a vision in the middle of the night
The Great Spirit come down on me
So Custer's in for a big surprise
A bullet between his eyes

I am the last man standing
Even if you break my heart
Even if you take my land
I am the last man standing
You say you want what's mine?
Well I ain't gonna give it to you

This reservation is a choke chain collar
This reservation is closing in
But I ain't gonna let no great white father
Tell me who I am
I am the leader of the one Sioux Nation
Born free on the prairie wind
But then I signed the treaty of '68 and
It all come
to nothin'
They took it all

I am the last man standing
Even if you break my heart
Even if you take my land
I am the last man standing
You better take my life
'Cause I ain't gonna give it to you

Nobody gonna live forever
Someday you'll leave your legacy
Only when the last tree
And the last leaf
And the last lone river has died
Will you realize

I am the last man standing
Even though you took my life
Even though you took my land
I am the last man standing
Now I will live forever
Cause I will be remembered
I will be remembered
I will be remembered

I am the last man standing


Lede image: 22 Oct 2016. Water Protector, Adam Elfers, stands in peace before a line of Riot Police near DAPL construction. Photo by Rob Wilson Photography.