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Roots Culture Redefined

WATCH: Larry Campbell and Teresa Williams, “Turn Around” (Sixthman Sessions + BGS)

Larry Campbell and Teresa Williams included a version of this Carl Perkins-penned honky-tonk tune on their 2017 album Contraband Love, done out with a full band including Levon Helm on drums. But earlier this spring, on the 14th edition of Cayamo: A Journey Through Song, the duo shared a stripped-down, acoustic version from a quiet corner of the ship in this Sixthman Session. “Turn Around” was the B-side to Carl Perkins’ first ever single during his time at Sun Records in 1955 (side A was the rockabilly “Movie Magg”) and it’s been covered by the likes of Jerry Lee Lewis and Sammi Smith.

Campbell and Williams will be returning for the 15th Journey Through Song as part of a lineup including Jeff Tweedy, Andrew Bird, Trampled by Turtles, Nitty Gritty Dirt Band, Neko Case, Shovels & Rope and more, setting sail to St. Maarten and Tortola on February 10, 2023. There are still a few cabins available – grab ’em while you can to join the fun! Keep an eye out for more Sixthman Sessions aboard Cayamo, coming your way soon, and browse the archives at sixthmansessions.com.

In “Lonely at Night,” Amanda Shires & Brittney Spencer Blend Beautifully

Amanda Shires’ new record Take It Like a Man is kicking ass and taking names. The latest name taken is that of Brittney Spencer, who sings backup on the track “Lonely at Night.” In the live performance video for the song, Spencer and Shires stand dressed like royalty on rose petals in front of a beautiful flowery backdrop and deliver a magical performance that pulls on the emotions. The song is about two lovers who are “star-crossed at best” and the fine thread that binds them together. Shires’ heartfelt performance is only enhanced by Spencer’s angelic harmonies. The two find a beautiful blend that is echoed by the soulful slide guitar played by Jason Isbell throughout the track.

“Here you’ll see us at historic Columbia Studio A in Nashville, TN,” Shires wrote when the video was released this fall. “The original garden is a place I often return to in thought, so my friend Lark Foster and I set the scene with flowers and branches and things from my home and garden. Be awed by Jimbo Hart’s bass playing, Julian Dorio’s sense of time, Jason Isbell’s ability to simultaneously play slide and levitate, Peter Levin’s command of those beautiful keys, and Brittney Spencer’s incredible voice. And know that this couldn’t have been done right without my great friend Lawrence Rothman’s careful handling, support and production. Thanks to all my friends for participating and thanks y’all for listening and watching.”

WATCH: Rising Appalachia, “The Long Haul” (Live From Preservation Hall)

Artist: Rising Appalachia
Hometown: Atlanta, Georgia
Song: “The Long Haul” (Live)
Album: Live From New Orleans at Preservation Hall
Release Date: November 18, 2022

In Their Words: “‘The Long Haul’ is a song written for the sake of love lost and treasures buried. It’s that sharp kind of loss that cuts deep and lingers long. The kind only music can speak to. I wrote it while walking in City Park while living in New Orleans, and its rendition on our new live album brought the song to its fullest life. Featuring the illustrious Aurora Nealand on accordion, the song welcomes you into an almost circus-like last waltz.” — Chloe Smith, Rising Appalachia

WATCH: Emily Ann Roberts, “The Building”

Artist: Emily Ann Roberts
Hometown: Knoxville, Tennessee
Song: “The Building”
Release Date: November 4, 2022
Label: Starstruck Records

In Their Words: “I grew up in East Tennessee and every Sunday and Wednesday night of my life I was at church. My great-grandfather was the pastor of the church and every Sunday felt like a family reunion. My grandmother was the church secretary and my mom and dad met there at vacation bible school when they were kids. It was the first place I ever sang publicly. Even more than the home I grew up in, that little church raised me up. It taught me right from wrong and laid a foundation for my life. It’s the place where I met Jesus and everything changed. No matter where this life takes me, that place will always bring me home.” — Emily Ann Roberts

WATCH: Allison Russell Feat. Brandi Carlile, “You’re Not Alone” (Live)

Headed into a holiday weekend, we’ll be seeking out moments of peace and joy. Lucky for us, we have already found both in this stunning rendition of Allison Russell’s “You’re Not Alone” featuring Brandi Carlile at the 21st Annual Americana Honors & Awards. We agree with Billboard that this performance is simply “soul-elevating.”

Filmed at the Ryman Auditorium in Nashville on September 14, 2022, the awards show will be broadcast on the Circle Network on Wednesday, November 23, at 9 p.m. CT. During the ceremony, Russell received Album of the Year for Outside Child. Carlile earned Song of the Year award for “Right on Time.” Additional performances include Carlile’s “You and Me on the Rock” with Lucius, as well as songs from Fairfield Four, Sierra Ferrell, Neal Francis, Indigo Girls, Chris Isaak, Lyle Lovett, The McCrary Sisters, James McMurtry, The Milk Carton Kids, Buddy Miller, Lukas Nelson, Phosphorescent, Adia Victoria, Morgan Wade, The War And Treaty and Lucinda Williams.

Circle Network is available across the United States on many cable providers’ channel line-ups or via digital antenna. Circle is also available on many streaming platforms including Peacock, the Roku Channel, XUMO and more. Viewers can check local listings and discover more streaming options here.


Photo Credit: Erika Goldring/Getty Images for the Americana Music Association

WATCH: 10 String Symphony, “Anxious Annie” (Live at Ear Trumpet Labs)

Artist: 10 String Symphony
Hometown: Nashville, Tennessee
Song: “Anxious Annie”
Album: Generation Frustration
Release Date: June 13, 2018
Label: Tasty Note Records/Distributed by Free Dirt Records

In Their Words: “10 String Symphony is a deeply beloved but niche musical project, and it’s been a few years since we’ve performed together. Christian and I played together so much during a really formative time in our careers, that whenever we reinvent the duo, it feels like riding a bicycle. Our playing styles are moulded to fit one another and it’s like no time has passed at all. Our friend Malachi at Ear Trumpet Labs let us know that they had discovered this long lost video in their archives and we thought it would be fun to release it in celebration of our plans to play a few shows this February! We will be joined on this tour by Vivian Leva & Riley Calcagno, one of our absolute favorite duos, and we can’t wait to do some collaborations with them.” — Rachel Baiman

Editor’s Note: Ear Trumpet Labs provided three Edwinas and a stereo pair of Delphinas as room mics for this video.

WATCH: Marty Stuart and His Fabulous Superlatives, “Country Star”

Artist: Marty Stuart and His Fabulous Superlatives
Hometowns: Philadelphia, Mississippi; and Nashville, Tennessee
Song: “Country Star”
Release Date: November 17, 2022
Label: Snakefarm Records

In Their Words: “​​There’s a lot of crazy imagery in this song. I’ve always loved songs like ‘Roll In My Sweet Baby’s Arms,’ ‘Long Journey Home,’ and ‘Salty Dog Blues.’ Those don’t really say much of anything but they feel good and they’re a perfect way to start any show. ‘Country Star’ qualifies as one of those songs. It’s lightly autobiographical and highly danceable and it has a twang factor that’s just exactly right.

“My favorite video director in Nashville is Reid Long. We’ve done several videos together and Reid directed ‘Country Star.’ Consider this, the nation’s most superlative band, go-go dancers, Clarence White’s guitar, a jangling Rickenbacker 12-string guitar, full-blown rhinestone suits, and groovy shades all wrapped up in a great song. We did our part. Your turn: watch it. I promise I can make you smile.” — Marty Stuart

Can I Eat This? Food, Foraging, and Music with Sean Rowe (Episode 1)

BGS is thrilled to present Can I Eat This?, a brand new series from singer-songwriter and avid forager Sean Rowe. In each episode, Rowe is joined by a different musical guest with whom he ventures out into woods surrounding the artfully designed grounds of AutoCamp’s Catskills resort where wild food abounds. In addition to finding, harvesting, and preparing their haul, Rowe and his guests record a song together. In this first episode, he performs “Look at Miss Ohio” with Taylor Ashton.

“I had been listening to Gillian Welch a lot while on tour on the west coast recently, helping me get through some of the long drives,” Rowe says. “When it came time to decide what would be the first cover song choice for the show, I heard ‘Look at Miss Ohio’ playing in my head and I knew that was THE one.”

The developing interest in foraging can be attributed to a number of factors including a flood of popular books and documentaries detailing the alarmingly negative health and environmental impacts of America’s fast-food/factory-farmed-based diets. Also, after more than two years spent in an emotionally-charged state of isolation, many are seeking out the space and quiet serenity of nature. Taken in combination, the series is a gentle and inviting respite from modern life and provides viewers with relatively simple methods of making positive changes in their lives.

Among other wild foods-based programs, which tend to be serious in tone with an emphasis on survivalist themes, Can I Eat This? stands out. Rowe’s enthusiasm is infectious and welcoming to anyone who wants to learn more about this increasingly popular pursuit.

Sean Rowe is known for his earth-shaking baritone voice and talent for songwriting. Upon reading the book The Tracker by renowned naturalist Tom Brown as a teenager, he discovered a passion for nature and the wilderness that would continue to parallel and complement his musical journey. Attending courses at Brown’s Wilderness Survival School, his exploration of nature and foraging began to take shape. In 2007, Rowe spent a year dedicated to the arts of “primitive living skills” at Hawk Circle wilderness center in Cherry Valley, New York, where he strengthened and honed a commitment and belief in foraging.

Of his passion for foraging, Rowe says, “Harvesting plants, turning them into nutritious meals, making usable utilitarian items, and procuring medicines from wild plants has been my doorway to a dynamic connection with nature that hiking and camping alone could not give me. Every day I look forward to eating something that is near, if not impossible to find in any grocery store. The lifestyle of a modern forager is one of adventure seeking, thrift, minimalism, the unknown, and optimal health.”

Sean Rowe & Taylor Ashton Sing “Look at Miss Ohio” in New Series About Foraging

Can I Eat This? is a brand new series from accomplished singer-songwriter and avid forager Sean Rowe. In each episode, Rowe is joined by a different musical guest with whom he ventures out into woods surrounding the artfully designed grounds of AutoCamp’s Catskills resort where wild food abounds. In addition to finding, harvesting, and preparing their haul, Rowe and his guests record a song together. Emphasis is placed on making sure the content is accurate but dialog is loose, humorous, conversational, and real.

The developing interest in foraging can be attributed to a number of factors including a flood of popular books and documentaries detailing the alarmingly negative health and environmental impacts of America’s fast-food/factory-farmed-based diets. Also, after more than two years spent in an emotionally-charged state of isolation, many are seeking out the space and quiet serenity of nature. Taken in combination, the series is a gentle and inviting respite from modern life and provides viewers with relatively simple methods of making positive changes in their lives.

Among other wild foods-based programs, which tend to be serious in tone with an emphasis on survivalist themes, Can I Eat This? stands out. Rowe’s enthusiasm is infectious and welcoming to anyone who wants to learn more about this increasingly popular pursuit. In the teaser below, he performs “Look at Miss Ohio” with Taylor Ashton.

“I had been listening to Gillian Welch a lot while on tour on the west coast recently, helping me get through some of the long drives,” Rowe says. “When it came time to decide what would be the first cover song choice for the show, I heard ‘Look at Miss Ohio’ playing in my head and I knew that was THE one.”

Sean Rowe is known for his earth-shaking baritone voice and talent for songwriting. He’s recorded five critically acclaimed albums (four on the label ANTI- and his most recent on Fluff & Gravy Records) along with several EPs. His music has been used widely throughout film and television. Rowe’s song “To Leave Something Behind” was one of two non-score tracks to be featured in Ben Affleck’s hit feature film, The Accountant. The song accompanied the film’s final scene and has since received over 10 million streams on Spotify alone.

Upon reading the book The Tracker by renowned naturalist Tom Brown as a teenager, he discovered a passion for nature and the wilderness that would continue to parallel and complement his musical journey. Attending courses at Brown’s Wilderness Survival School, his exploration of nature and foraging began to take shape. In 2007, Rowe spent a year dedicated to the arts of “primitive living skills” at Hawk Circle wilderness center in Cherry Valley, New York, where he strengthened and honed a commitment and belief in foraging.

Of his passion for foraging, Rowe says, “Harvesting plants, turning them into nutritious meals, making usable utilitarian items, and procuring medicines from wild plants has been my doorway to a dynamic connection with nature that hiking and camping alone could not give me. Every day I look forward to eating something that is near, if not impossible to find in any grocery store. The lifestyle of a modern forager is one of adventure seeking, thrift, minimalism, the unknown, and optimal health.”

Amanda Shires and Maren Morris Serve a Heartbreaking Single in “Empty Cups”

Amanda Shires’ single “Empty Cups” is a heartbreaking portrait of a relationship in shambles, in which her writing shines through her use of beautifully descriptive language and stone-cold metaphors. Maren Morris chimes in with a high lonesome harmony on the choruses while the band finds an ironic lift, adding to the tension-tinged love story told in the lyrics. “Empty Cups” was released this summer alongside its live music video, in which Shires and Morris share the center of a recording studio and the band (including Jason Isbell on guitar) proceeds around them, like something out of a Frank Sinatra television special. Shires’ latest album, Take It Like a Man, arrived on July 29, yet the strings, simplicity, and soul of this video give the emotional performance a timeless glow.