Hey BGS! Erin from Rainbow Girls here. Our new record, HAUNTING, just came out October 13th and we put together this Mixtape of reference tracks that inspired the writing or making of the songs on our record. We ended up choosing one reference track per song. Got some help from Caitlin and Vanessa for a couple of these and we ended up creating an awesome playlist. Hope you enjoy! â Erin Chapin, Rainbow Girls
“Sadness as a Giftâ â Adrianne Lenker (for âsixth grade girlfriendâ)
I’ve always been so inspired by Adrianne Lenker’s style of guitar playing. Thereâs an intricacy and an intimacy that lends itself so perfectly to the lyrics; the guitar and the poetry of the words stand like a power couple, instead of one falling into the background as support. “Sadness as a Gift” is this beautifully poignant song about losing a relationship, but still wanting to hold the memory in your hand like a moth â it just breaks me. â Caitlin
“Let It Be Me” â The Sweet Inspirations (for “paying my tab”)
The Sweet Inspirations’ 1967 version of “Let It Be Me” inspired me to write a song with a similar groove. I heard that simple intro and it immediately grounded me. Griffin Goldsmith from Dawes played drums on our song, “paying my tab,” and he took this reference track and ran with it to the moon and back.
“Cold Little Heart” by Michael Kiwanuka (for “you must not feel the way i do”)
“you must not feel the way i do” was written after we had already started recording for HAUNTING, but we knew it was the single. We had all the vocals and main instruments recorded, but it needed a hook to open the song. I kept demo-ing this weird sound with my voice we were calling the “vocal theremin” â this ghostly, half-human/half-instrument sound. I knew it would sound too crazy for anyone else in the band to get excited about, so I sent them Michael Kiwanukaâs hit, “Cold Little Heart,” to exorcise any doubts. Thanks, Michael.
“Running Down a Dream” â Tom Petty (for âloserâ)
Nirvana loomed large when writing the chord progression for âloser,â but it was a Petty classic that kept rearing its head and ultimately snuck its way into the lyrics. “Running Down a Dream” takes us on a journey that winds towards aspiration. The road is wet and laden with obstacles, but itâs the act of surmounting those blocks that makes accessing the dream so much sweeter. â Vanessa
“Song for Prine” â Jordan Smart (for âhow to dealâ)
Caitlin wrote âhow to dealâ the day John Prine died. Part of it is a response to our friend Jordan Smartâs “Song for Prine,” which is about all his attempts to see John Prine perform live, which ultimately he never got to do. But life goes on.
“The Boy Who Blocked His Own Shot” â Brand New (for âif i saw you nowâ)
The progression and mood of “if i saw you now” was inspired by Brand Newâs “The Boy Who Blocked His Own Shot.” Brand New has a way of holding the morose and appalling within their songs that few other artists can capture.
“Ageless Beauty” â Stars (for âageless beauty, pt iiâ)
When we first met and started playing music together in college, “Ageless Beauty” by Stars was on repeat. It was one of the first songs we ever sang together. Our song “ageless beauty, pt ii” reflects on our experience at that time and the beginning of Rainbow Girls.
“Fake As A Dream” â Rainbow Girls (for âsms to the voidâ)
“Fake as a Dream” is one of our songs, off our record Rolling Dumpster Fire. We had asked our friend Chris Lynch to arrange a string part for it, but what he sent back was so much more. It took the song to another dimension. When we decided that âsms to the voidâ should be more than an a cappella song, we knew Chris was the person to take the reins. And he did it again â the string arrangements, the piano. Itâs both subtle and heartbreakingly gorgeous.
“Last Night” â The Lostines (for “a subtle f u”)
I heard the song “Last Night” by The Lostines and realized there was an entire element of “haunting” missing from our record. Their song opens up with this sweet-yet-spooky melody on an ambiguous keyed instrument and the sound conjures memories of classic ’90s Halloween-esque movies and tv shows like Hocus Pocus, Nightmare Before Christmas, Goosebumps, and Are You Afraid of the Dark. I knew we needed to have a layer like that somewhere on HAUNTING and our song âa subtle f uâ won the draw.
“Subterranean Homesick Alien” â Radiohead (for our cover of it)
A cover of one of our favorite Radiohead songs. Alien contact, abduction, insanity. Everything you could ever need from a spooky social commentary.
“motel” â Hot Brother (for “spread me thin”)
We were in the studio recording our song âspread me thinâ when we realized that we had 3/4ths of the band Hot Brother recording on the track with us (Nick Cobbett â drums, Ben Berry â bass, Jeremy Lyon â guitar). We decided to ask the 4th (and really first) member, Brittany Powers, to sing on it and that ended up transforming the song into a duet between two women singing about their community. Brittany performs with several other artists in the Bay Area and her voice is an iconic part of the music scene in Northern California. “motel” is the first song off her/Hot Brotherâs upcoming record and it is a sheer banger.
“I Want Jesus to Walk With Me” â Mississippi Fred McDowell (for “dead ringer”)
Our song, “dead ringer” is a slide-heavy, minor blues song about being buried alive. It is musically inspired by Mississippi Fred McDowellâs 1959 version of “I Want Jesus to Walk With Me.” The vocal melody parallels the slide guitarâs melody interchangeably throughout the song, creating an eerie, almost trance-like soundscape.
“Cinnamon Tree” â Marty OâReilly & the Old Soul Orchestra (for “goodnight angel”)
The last track on HAUNTING functions as a sort of secret track, though not-so-secret in the age of streaming platforms. “goodnight angel” is a lullaby we often sing to our friends at the end of long, inebriated nights that was actually a drunken, collective-consciousness co-write with our friend Marty OâReilly while on tour together in the UK in 2013. We used to play shows together all the time when we first started out and “Cinnamon Tree” was one of our band favs from his first release.
Photo Credit: Kory Thibeault