LIVE AT LUCKY BARN: Dom Flemons, ‘Going Down the Road Feeling Bad’

We've teamed up with the good people at Pickathon to present a season's worth of archival — and incredible — videos from the Pacific Northwest festival's Lucky Barn Series. Tune in every fourth Tuesday of the month to catch a new clip.

In the third video of the series, Dom Flemons and his trusty sidekicks lead the Lucky Barn crowd in a sing-along of "Going Down the Road Feeling Bad." Flemons dubs himself an "American songster" and explains that "before we starting making records, as a culture, songsters were the musicians that knew a bunch of songs and would play them for the community." (He also jokes about "folk" being a four-letter word.) In his plaid shirt and porkpie hat, Flemons lives up to that self-designated title and lets everyone stretch their wings a little bit on this one, with a fierce fiddle run, a bouncing brush breakdown, and a clap-powered chorus. 

Pickathon comes back to the Pendarvis Farm in Happy Valley, Oregon from August 5-7, 2016. Click here for more, and stay tuned for an exciting season of Lucky Barn videos.


Photo credit: Anthony Pidgeon

LISTEN: Rosanne Cash and others with the Cincinnati Pops Orchestra, ‘Camptown Races’

What do you get when you combine Rosanne Cash, Joe Henry, Dom Flemons, Aoife O'Donovan, Over the Rhine, the Comet Bluegrass All-Stars, and the Cincinnati Pops Orchestra with the songs Stephen Foster? A performance — and now an album — that celebrates the earliest days of the Great American Songbook in a whole new way. Conducted by John Morris Russell, the Pops and guests worked through 17 of Foster's compositions — including "O! Susannah," "Amazing Grace," "My Old Kentucky Home," and "Camptown Races" — over the course of two nights at Cincinnati's historic Music Hall. The recordings have now been gathered up as the American Originals LP.

Artist: Rosanne Cash with the Cincinnati Pops Orchestra
Song: “Camptown Races”
Album: American Originals
Release Date: August 28

In Their Words: “These live performances with the Cincinnati Pops were, in a way, terrifying. With a rock band, if you miss your cue, the band will just hang out and vamp and wait for you. With an orchestra … not so much. If you miss your cue, you better find a way to get back inside the arrangement or the ship will sail without you. However, it's nice to know I still have the ability to be terrified after 35 years of doing this. As my daughter Chelsea told me, 'Mom, if you're nervous, it means you still care about what you do.' I still care. This finale (in the concerts, as well as on the album) was a culmination of all the nerves, all the adrenaline, and all the energy in that room. When I hit the stage with my dear friends and fellow musicians, the nerves flew away and all 100+ of us on stage just let loose. See you on the ship.” — Rosanne Cash

“The music that [Stephen Foster] heard in Cincinnati, he transposed and created the music of America. And it changed us and brought us together as a nation. And it continues to bring us together — sharing sorrows, joys, hopes, and merriment. He captured both the pathos and tragedy, but also the grandeur, the celebration, and the spirit of America in all of his songs. And there’s one song, in particular, that captures the great merriment that we all feel here. Made famous by Foghorn Leghorn, here is ‘Camptown Races.’” — John Morris Russell, conductor