Give Them a Hand: Joy Oladokun & Chris Stapleton Unite on “Sweet Symphony”

It’s true — Joy Oladokun and Chris Stapleton are sharing the spotlight in a new video. What’s even better news, the project features puppet-ized versions of both. In “Sweet Symphony,” Oladokun and Stapleton go back and forth, trading verses on a precious love song that has the glow of timeless classics and wedding ballads. It’s both heavy and happy in the way that it pulls you in to deliver a warm message about love. Oladokun wrote the song with Ian Fitchuk and Shae Jacobs. She also co-produced the track with Fitchuk and Mike Elizondo.

The decision to feature puppet versions of the singers wasn’t made without intention; instead, the video treatment was drawn from Oladokun’s childhood. “I felt really inspired as a black kid watching Sesame Street and The Muppets because we live in a world where our differences separate us, and these shows were so clearly modeled through the art form that differences don’t matter,” she says. “I love the surrealism and realism that puppet art blends together because it teaches us cool lessons about how we should treat others.”

Take a look at Joy Oladokun and Chris Stapleton’s “Sweet Symphony” below.

BGS 5+5: The Bright Siders

Artist: The Bright Siders (Kari Groff, MD, and Kristin Andreassen)
Hometown: Brooklyn & Nashville!
Latest album: A Mind of Your Own
Personal nicknames (or rejected band names): How about a rejected song title? “Everybody Goes to Therapy” We actually recorded a demo of that one… but we might have to save it for these kids when they grow up!

Which artist has influenced you the most … and how?

There’s one album that influenced both of us deeply as children. The record is Free to Be…You and Me created in 1972 by author and actor Marlo Thomas, Carole Hart of Sesame Street and Letty Cottin Pogrebin of Ms. magazine. Free to Be… was a collection of songs and skits about gender issues, performed by Thomas and a cast of the era’s most prolific stars. The messages were clear to us as children (Girls can be anything! Boys can play with dolls too! Parents are people! Good stuff like that…). But the reason we listened again and again was because the music just sounded amazing. When we started to work together on the project of making kids’ music with a mental health message, this album gave us a gold standard to work toward. So here we are as adults feeling grateful for this music once again. — Kristin

What was the first moment that you knew you wanted to be a musician?

I don’t think I had a choice. I grew up in a very musical family. My parents were both music teachers as well as my grandfather. It was just a given that you would play music along with whatever else you decided to do. In my case, that was medicine and psychiatry. — Kari

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Good question for a psychiatrist. Not that often. I usually try to own my own emotions! — Kari

What other art forms — literature, film, dance, painting, etc. — inform your music?

My first true musical passion was actually traditional percussive dance, and I toured as a clogger before I started playing stringed instruments. Often, when I start working on a song, the melody and rhythm come most easily, and I always figured that was somehow related to the time I spent in the dance world. — Kristin

What’s the toughest time you ever had writing a song?

I tried to write a few songs in the early days of the pandemic but I couldn’t capture the intensity of the experience here in NYC so I chose to write a short children’s story instead (releasing soon!). — Kari


Photo credit: Jefry Wright