Tag: jamgrass

The Breakdown – John Hartford, ‘Aereo-Plain’

Posted on by Chris Jacobs

Aereo-Plain is probably the greatest album John Hartford ever made — but when it came out in 1971, even his record label didn’t know what to make of it.

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We’re still not quite sure – is it a genuine nostalgia fest, or was hippie Hartford pulling bluegrass’ leg? And can producer David Bromberg and Vassar Clements superfan Alex Hargreaves help solve the mystery?

Featured Song Clips From “Aereo-Plain”:
“Turn Your Radio On”
“Steamboat Whistle Blues”
“Back in the Goodle Days”
“Up on the Hill Where They Do the Boogie”
“Boogie”
“With a Vamp in the Middle”
“Steam Powered Aereo Plane”
“Tear Down The Grand Ole Opry”
“Station Break”

For WinterWonderGrass, Cold Is a State of Mind

Posted on by Editor

WinterWonderGrass believes that festival season should be experienced year-round. With an impressive lineup of talent, the outdoor music series comes to Stratton, Vermont, on December 14-16, with bands like Railroad Earth, The Infamous Stringdusters, and Keller and the Keels, to name a few. (Early 2019 events are scheduled for Colorado and California as well.) Festival marketing director Ariel Rosemberg fielded a few questions by email.

Putting a festival like this together is definitely a team effort. How would you describe the group of individuals who work behind the scenes at WinterWonderGrass?

Our team is second to none where everyone truly makes contributions at the highest level. We have experts dedicated to sustainability who ensure we’re properly and most effectively managing waste, experts dedicated to curating an ultimate winter fan experience, experts at each of our resort partners and so on. For me being relatively new to the core team, it’s truly a breath of fresh air to be a part of the wheel that is WinterWonderGrass.

WinterWonderGrass will take place in three destinations in the months ahead. As you plan and execute these events, how would you describe your commitment to the community?

The manifestation of community is one of the principles that keeps the WWG ship at sea. Our potential energy immediately transitions into kinetic at the mere rumble of discussion and stoke within our host resort communities. Additionally, since inception, the festival has contributed upwards of $100k to our local/regional non-profit partners and it’s our intent to continue on that path.

Environmentalism is an important aspect of this festival. What steps are taken to ensure this festival is environmentally responsible?

We work very closely on a national level with an organization out of Burlington, Vermont, called Waste-Free Earth. With their help we’re able to confidently promote that we’ve held a diversion rate of 80-90 percent for each festival in California and Colorado. Our intent is to bring that same model to Vermont, by the way. Every bag of trash, recycling, compost, etc., is sorted through on site with the help of volunteers. And the festival has committed to using only reusable or compostable product wherever possible (since ’15) and has eliminated all single-use plastic (since ’16).

A couple quick stats from 2018 alone: WWG diverted +23K lbs of waste from landfills due to composting, recycling or donation programs. It’s estimated that WWG saved +68K single-use compostable cups from being produced thanks to a partnership with Klean Kanteen (all three-day ticket holders receive a Klean Kanteen reusable cup). It’s estimated that WWG saved +76K single-use plastic water bottles from being used thanks to our single-use plastic ban and our free filtered water stations.

Summer festivals are plentiful, of course. Why did the concept of a winter festival appeal to you?

I love this question and we get it a lot. For me in short, there’s nothing better than huddling up with your closest friends (old AND new), listening to your favorite band, sipping a delicious craft beer or whiskey in the dumping snow at the base of the most iconic ski resorts in the country. The idea of being “cold” to a certain degree (no pun intended) can be easily masked by experience. Cold is a state of mind, it’s an opportunity to just let go of all the BS that surrounds us on the daily and just be absorbed by the moment. Plus, there’s no way to ski fresh powder after a humid, rainy, muddy summer festival night!

 

Passes are still available for all three WWG weekends.  Buy your tickets and discover more at winterwondergrass.com

 

Pappy, “Susquehanna Breakdown”

Posted on by Justin Hiltner

If it ain’t broke, well, you ought not fix it. Pappy (AKA Patrick Biondo), being a bluegrass-centered musician and songwriter, understands this timeless adage. On his most recent release, Back to Basics, he reinforces the wisdom intrinsic to this clichéd phrase through five tracks that each remind that it’s difficult to go wrong if your focus is on the primal, bare bones elements that make up an art form — in this case, jammy, high-flying, swift-going bluegrass.

“Susquehanna Breakdown,” one of two instrumentals on the project, may not return to the elemental origin point of breakdowns — it hardly conjures “Foggy Mountain” or “Earl’s” or “Shenandoah” — but instead focuses on the nuance and detail of this breakneck format by letting the instruments and their handlers shine. The entire EP was cut straight to tape, without the requisite over-analyzing or rehashing that comes hand-in-hand with modern multi-tracking and overdubbing. As a result, the tune crackles with live energy, rushing ahead with its listeners on the edges of their seats, as if careening down roiling, adventurous rapids on the Susquehanna River itself.

Pappy’s jam-grass background, informed by his time with popular Scranton-based string band, Cabinet, informs his banjo playing in so many unexpected and exciting ways, bringing the free, unencumbered, exploratory tendencies of more jammy acts into what already feels familiar: The breakdown’s foundational bluegrass sensibilities, its solid picking, and Pappy’s hard-driving (though deliciously oddball) banjo.