WATCH: Blake Reid Band, ‘No Roads In’

Artist: Blake Reid Band
Hometown: Dogpound, Alberta
Song: “No Roads In” (Live at NMC Showcase)
Album Title: No Roads In
Release Date: 2018

In Their Words: “The making of the No Roads In documentary film and album was a much needed inspirational breath for all involved. The old, abandoned farmhouse felt like a beacon pulling us together in an ocean of wheat, allowing us to find the center of our musical souls without apology. Composing and recording an album amidst the wind, heat, and summer storms was a tremendous challenge, and to hear those ambient sounds woven within the recording is incredible. One of the best accomplishments of my career.” — Blake Reid

WATCH: The Barrel Boys, ‘Find Yourself Again’

Artist: The Barrel Boys
Hometown: Toronto, Ontario
Song: "Find Yourself Again"
Album: TBA
Release Date: June 2017

In Their Words: "‘Find Yourself Again’ was written toward the end of a wild and unforgettable tour of Canada’s east coast. The song speaks to the cycles that are felt and lived when we find ourselves travelling in familiar places, and the experiences that collect like dirt under our fingernails." — Tim O’Reilly


Photo credit: Ally Payetta

LISTEN: The Small Glories, ‘Holding On’ (alternate take)

Artist: The Small Glories
Hometown: Winnipeg, MB
Song: "Holding On” (alternate take)
Album: Wondrous Traveler
Label: TSG Music

In Their Words: "Here's an alternate take on our song 'Holding On.' The funny thing is that it's actually the original version of the song. I co-wrote it with a wonderful Alberta-based writer named Karla Anderson, and it was just banjo and voice. As JD and I were getting ready to record our debut album, we brought the song to our producer (Neil Osborne) and presented it the way it had been written, adding a second vocal part (JD's harmony). Neil absorbed the song and then said, 'Cara, are you willing to go on a journey with me?'

I had worked with Neil before and I knew he was about to take the song apart and have me re-visit it. His thinking was that the banjo version didn't serve the lyrics. He reminded me that the song is actually quite sad, that there's a depth to it that he felt was being overlooked when played up tempo with the banjo. He had us slow the tempo right down, throw in minor chords, and play it on guitar. It was an interesting experience then to have to tap into what the song was really about and to re-visit it in a different 'voice,' so to speak. And I think he was right.

As a writer, I often find myself composing something and not being completely aware of what I'm writing about, and that was the case with this song. I hadn't realized how sad I actually was, how alone I felt, how disconnected I felt. I was masking the content of the lyrics behind the happiness of the banjo sound. But we've also come to love the original version of the song, and we all agree that the original still has merit, still is beautiful, and still has power." — Cara Luft


Photo credit: Stefanie Atkinson

WATCH: Fortunate Ones, ‘Lay Me Down’

Artist: Fortunate Ones
Hometown: St. John's Newfoundland, Canada
Song: "Lay Me Down"
Album: The Bliss
Label: Old Farm Pony Records

In Their Words: "The theme of 'Lay Me Down' is a poignant one in Newfoundland, where we come from. We live on an island, so there's a rich maritime history with lots of stories and songs of love lost at sea. This is also a darker song for us, and we wanted to capture that visually. The Brought To You By team really nailed the mood we were going for to bring the song to life in the video." — Catherine Allan


Photo credit: Graham Kennedy

LISTEN: Yves Lambert Trio, ‘Karabin’

Artist: Yves Lambert Trio
Hometown: Montreal, Quebec
Song: "Karabin"
Album: Laissez courir les chiens
Release Date: June 24
Label: La Pruche Libre

In Their Words: "'Karabin’ is the name of a dog, and the dog is a metaphor to express our servitude. In an era where everything is regulated, formatted, and standardized, the dog is faithful, but is still captive, just like the exploited citizens manipulated at the service of industrial totalitarianism.” — Yves Lambert


Photo credit: Josue Bertolino

LISTEN: The Slocan Ramblers, ‘Call Me Long Gone’

Though the Slocan Ramblers might sound like they hail from the rolling hills of Tennessee, they actually come from the West End of Toronto, an area of the multi-cultural city populated primarily with Koreans, Portuguese, and Italians. Toronto is a rough-and-tumble, salt-of-the-earth kind of town, though, so the Ramblers' rowdy roots music does well there.

For their new album, Coffee Creek, the Slocan Ramblers turned to local banjo man Chris Coole of the Foggy Hogtown Boys to produce. Coole and the group — Frank Evans on banjo, Adrian Gross on mandolin, Darryl Poulsen on guitar, and Alastair Whitehead on bass — focused on capturing the band in the raw or, as Coole calls it in the album's liner notes, in “the fragile moment.” He writes, “The fragile moment used to be a big part of what made an album cool — Monroe singing just beyond the edge of his voice, the moment right before you realize Vassar isn’t lost — the moment on and beyond the edge.”

The Ramblers looked to the past not just for technique, but for content, as well. Whitehead says, “'Call Me Long Gone' is an old classic by one of the unsung heroes of bluegrass music — Dave Evans. One of our favorites, and somewhat of a living legend, Dave Evans is a definite influence on the band's sound and songwriting. 'Call Me Long Gone' is a particular favorite of ours. As our producer Chris Coole puts it, 'It’s a song about the happiest hobo that ever lived.'”