Basic Folk: The Mammals

Mike Merenda and Ruth Ungar Merenda have been making music together as the Mammals since 2001, with a little break in 2008 to play as Mike & Ruthy. They’ve been back as the Mammals since 2017 with a couple of great albums, most recently Touch Grass Vol. 1 and Vol. 2. Mike, born and raised in New Hampshire, picked up the banjo after he met fiddler Ruth Ungar. Ruth is the daughter of Jay Ungar, a much-loved folk musician who is best known for his composition, “Ashokan Farewell,” used as the theme tune to the Ken Burns 1990 documentary The Civil War, which you now have playing in your head. Essentially, Ruth grew up surrounded by folk music, which she talked all about on her previous appearance on Basic Folk.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

This time around, we dig into a few of the songs on their double album Touch Grass. There are A LOT to choose from: seventeen tracks in all. It was a four-year project recorded at their Humble Abode studio in the Catskills. The songs offer a mix of socially conscious “daytime” folk-rock and introspective “nighttime” Americana. We get into the gospel influence on “O The Cruelty,” the bare-bones arrangements of “Old Friend,” and keeping the sadness in check with “Doldrums.” They also talk a bit about their home venue, the Ashokan Center, where their musical festival the Hoot takes place. Let it be known that the center has a ton of old farm equipment and no, they do not want any more, so don’t ask them to take it. Thanks, Mike & Ruthy!


Photo Credit: Lead image and vertical alternate image by Wayne Gibbous; square alternate image by Tanya Barricklo.

LISTEN: The Glass Hours, “Same Old You”

Artist: The Glass Hours
Hometown: Red Hook, New York
Song: “Same Old You”
Album: The Glass Hours
Release Date: March 1, 2024
Label: Cornelius Chapel Records

In Their Words: “‘Same Old You’ started out as a straightforward observation of how hard it can be to change, even when we keep hitting the same proverbial wall. It then evolved into a diary of sorts about life on the road as a musician. As is often the case, the monetary yield of creativity turns out to be much slimmer than the soul yield. But in the end, we make art because we’re called to the process, and that’s really the spirit of the album.” – Megan Barbera

“Touring has always been pretty rough. Surprise. We used to stay at campgrounds to keep the money in the gas tank. There was always something so beautiful and romantic about that and about the lies we tell ourselves to justify keeping on with it. Reminds me of a line by Oberst about some sad singers playing tragic. But that doesn’t make it any less true.” – Brad Armstrong


Photo Credit: Braden Chattman