Basic Folk: Keb’ Mo’ Defines the Blues as “Honesty Music”

We are so honored to welcome Keb’ Mo’ (aka Kevin Moore) on the show for our 350th episode! After many decades of incredible music, his new solo acoustic album, The Breakdown, was written and recorded at his home studio near Nashville following open-heart surgery and personal life changes. He’s also recently released his second collaborative album with the legendary Taj Mahal.

We were blown away by Keb’ Mo’s definition of the blues: “honesty music.” There’s a lot of debate nowadays whether the blues is something that includes a formal set of requirements. Is it a genre? Is it a type of sound that’s trapped in a particular historical era? Kevin didn’t even give the time of day to any of those gatekeeper explanations. He said if the music has that honesty, has the moan and the sense of speaking to Black experience for a Black audience who understand what it’s like to struggle, that’s what the blues is.

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There’s a spectrum of humility to ego in music. Some artists use music and performance as vehicles for their own notoriety. During this interview, I was struck by how far on the opposite end of the spectrum Keb’ Mo’ falls. Kevin went from being a kid in Compton asking his parents for a guitar, knowing how much $25 meant in those days, to now being an artist sponsored by so many guitar companies. He still remembers a time when the idea of having a collection of guitars was crazy talk.

His humility during our conversation is so present. I asked Kevin, “What does success mean to you and do you think you’ve achieved it?” His answer was, “I get to keep playing and I don’t have to get a regular job.” Even after all these years and so many accolades, it’s a privilege for him to play his own original music in front of people and to be a part of this tradition.

I just wanna shout out how generous Kevin is as a conversation partner. I came into this interview nervous because he’s one of the more legendary guests that we’ve had on the show. I found myself a number of times having to sit back and receive a compliment. He’s the first to say, “That was a great question. You’re really thoughtful. You’re killing it!” So I was really lucky to interview him.


Photo Credit: Rachel Deeb

Basic Folk: Hrishikesh Hirway

If you have been paying attention to music circles for the past 25+ years, you will be familiar with Hrishikesh Hirway. He formerly released music under the moniker The One AM Radio and has also produced and hosted the premiere music podcast of the 21st century (the only century with podcasts so far, so clearly we feel strongly): Song Exploder. Until recently, his name had not been front and center on any of his projects until his newest album, In the Last Hour of Light. Hrishi grew up in Massachusetts the son of Indian immigrants, immersed and in love with music. After releasing music as The One AM Radio until 2011, he started the podcast Song Exploder in 2014. He’s hosted and produced numerous shows and has been a crucial part of the podcasting landscape for 12 years.

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In our Basic Folk conversation, Hrishi expands on the power of grief after his mother died and how his came gradually because of her long illness. He spoke of his name and what it’s felt like to reclaim it in a public space in 2026 versus 1999, and he gives a little shout out to Obama. He gets into his feelings about his speaking voice and the person who likes it the most (his wife). We also hear from Hrishi about what it’s like to be a figure in music that can offer musicians a bigger platform with his podcasts. He is someone who enjoys connecting and collaborating with others, but I wanted to know how it felt when sometimes the equation doesn’t always add up. Overall I give this interview a 10/10! It was a pleasure getting to know the wonderful Hrishikesh Hirway.


Photo Credit: Elisha Christian