MIXTAPE: Kitchen Dwellers & Daniel Donato’s Cosmic Cattle Drive

Back when cowboys were king, ranchers used to have to make regular pilgrimages across long, winding trails to sell their cattle at stockyards and make their living. One such trail, known as the “Goodnight-Loving Trail,” extended all the way from central Texas to Cheyenne, Wyoming, and has been immortalized many times over in movies and songs. The journey involved with moving these cattle countless miles on horseback was known as a cattle drive. This fall we’ll be hitting the road on the Kitchen Dwellers and Daniel Donato tour, and we’d like to think of it as a bit of our own “Cosmic Cattle Drive.” We hope you enjoy and hope to see you out on the road this fall.

Selections 1-6: Torrin Daniels, Kitchen Dwellers
Selections 7-12: Daniel Donato

Colter Wall – “Cowpoke”

One of the oldest and most famous cowboy songs to date, this one tells the story of the life of a ‘cowpoke.’ Colter Wall did a damn fine version here, with each country-western instrument beautifully represented — but what really sells it is the ‘cattle call’ in the chorus.

Daniel Donato – “Justice”

This tune was my introduction to Daniel’s music, way back in the spring of 2020. Nothing screams western psychedelia quite like that opening guitar riff, and right off the bat it shows that these boys are masters of their realm in a place of no space and time. Plus the chorus got that Gangstarr reference.

Gram Parsons – “Return of the Grievous Angel”

Gram Parsons is the father of country-rock and maybe the first person to coin the term “cosmic country.” With references to “truckers, kickers, and cowboy angels” and “lighting out for some desert town” — as far as road songs go, this one’s got it all.

King Gizzard and The Lizard Wizard – “Billabong Valley”

“Outlaws on the run, faster than a stolen gun.” KGLW are gurus of many things across the musical spectrum, but above all, they have mastered the dark art of “evil guitar.” That same style of gained up, tremolo-drenched guitar which can be heard across the soundtracks of countless western movies.

Billy Strings – “Heartbeat of America”

As a musician on any road trip, it’s an inevitable fact that you’re eventually gonna start listening to your buddies’ music. Billy and the boys really knocked it outta the park with this one, with instrumental sections that are both bluegrass-laden and psychedelic in nature. We can only hope that once we embark on our journey, we may begin to hear the heartbeat of America out there on the road.

Chris LeDoux – “Horses and Cattle”

Chris Ledoux was sort of a family friend of ours growing up. I was going to his shows long before I was old enough to realize the legend that he was. I honestly don’t know of any other country musicians that can hold both a Grammy nomination AND a Pro-Rodeo Bareback World Championship as accolades. The guy was as western as it gets, and so is his music.

Kitchen Dwellers – “Guilty”

This song is a prime example of how music can be a harmony of light and dark, hard and soft, and reflective and joyful. Emotional content not considered, the arrangement and musicianship The Dwellers play with is inspiring and transcendent.

Jimmy Wakely – “Moon Over Montana”

This song is a transportation device into a Tarantino movie taking place in a spacious and vast unknown Big Sky prairie where the search for the light through the darkness of troubles and sorrow every hero finds on their journey is about to begin.

Waylon Jennings – “T For Texas”

There was a time when country was astonishing in its danger and sensibility of pocket and edge. This live track should satiate any live music experience fix of that special vibe that a listener should have, but in a musical context that is Honky Tonk and Twangy.

Marty Robbins – “Big Iron”

The story is the framework for dark and light, love and sorrow, and life and death. The story that creates the experience that is within this song is pungent and captivating. Also note the fantastic Grady Martin picking the nylon string guitar throughout the song and story.

Khruangbin – “So We Won’t Forget”

There are few things more magnetic than music being made live by a band that understands listening and arrangement, in a format that is easy to access and feel. This song captures a myriad of emotions that feel like nostalgia, joy, and vulnerability.

Little Feat – “New Delhi Freight Train”

Lowell George was a genius in capturing a feeling, and communicating it through his sensibility of arrangement, orchestration, and singing, with these lyrics written by Terry Allen. This song feels like an adventure, like something new is on the horizon, and for all of us, this is the case in this very moment.


Photos Provided by Big Hassle Media

BGS 5+5: Corb Lund

Artist: Corb Lund
Hometown: Taber, Alberta, Canada
Latest Album: Agricultural Tragic (June 26, 2020)
Personal nicknames (or rejected band names): My full name is Corby. My outfit sometimes calls me ‘El Presidente’. Ian Tyson calls me ‘Corbo.’

What other art forms — literature, film, dance, painting, etc — inform your music?

I read a lot and that seeps in for sure. At a pretty granular level, but it definitely has a big impact. I’m a history nut also. When I was younger I used to draw and paint quite a lot, but there’s no time for that stuff anymore, too busy touring. I’d also like to try live theatre. Some other lifetime, probably.

What’s the toughest time you ever had writing a song?

It took me about five years to write “Bible on the Dash.” I had to recruit my old buddy Hayes [Carll] to help me finish it. I had a verse and chorus FOREVER and I was stuck. When Hayes got hold of it we wrapped up the rest in a couple hours.

What rituals do you have, either in the studio or before a show?

The few hours between soundcheck and the show are pretty important to me. The venue and the green room are empty because everyone is out eating, so that’s my only real time on the road to work on my voice or new songs or guitar playing. I jealously guard it. And I don’t really eat food anyway and dislike restaurants.

If you had to write a mission statement for your career, what would it be?

Two things. First, I’ve always been very committed to doing my own thing musically. I’ve always wanted to be able to look back at a solid body of unique work and be proud of it. It’s important to me to get my voice and perspective and culture into my music at all levels. Secondly, to just roll up my sleeves and do things myself. I have plenty of excellent help now, but in the earlier, leaner part of my career I swore that I’d never wait around on the music industry. I just made my own records and booked my own tours and printed my own T-shirts and fixed up my own van. Unless you win the record deal lottery at 22, no one’s going to do that stuff for you. There’s a grand tradition of that, from SNFU to Chris LeDoux.

Which elements of nature do you spend the most time with and how do those impact your work?

I spend as much time as I can on our family ranch in foothills of the Alberta Rockies. My great grandfather homesteaded there in 1898 and it’s a huge part of my psyche and my art. That area comes up pretty often in my songs. It’s pretty country.


Photo credit: Scott Slusher