Squared Roots: Ryan Beaver Hails a Hero in Kris Kristofferson

Of all the country music legends in the world, there’s something truly special about Kris Kristofferson. He was — and is — a walking paradox. Gentle, yet rugged, poetic, but grounded, his personal spirit always pervaded his professional pursuits, bringing with it an air of wonder that reflected the sly, seemingly kind knowingness of his eyes. Whether on his solo songwriting or his Highwaymen collaborations, Kristofferson’s inscrutable gift will forever be enshrined in songs like “Sunday Mornin’ Comin’ Down,” “Jesus Was a Capricorn,” “Me and Bobby McGee,” and “Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again).”

Up-and-comer Ryan Beaver knows a hero when he hears one, and Kristofferson tops his list … so much so that his new RX LP includes an ode simply titled “Kristofferson” (replete with an intro of “Jesus Was a Capricorn”). In it, he frames the paradox in lines like, “You can’t hide a poet’s broken heart in rolled up sleeves” as he traces the life and soul of a man he deeply admires.

Scholar, soldier, songwriter, pilot, actor … they just don’t make them like Kristofferson anymore, do they?

No, they don’t and I don’t know if there ever will be another like him. He was a renaissance man and his legacy shows that.

Even after he left the Army, he split his time between pitching songs in Nashville and flying helicopters in South Louisiana. Can you imagine taking all of that on?

Ha! No, I can’t. That makes me feel like the different hats I balance aren’t too hard when comparing what I do to that schedule.

Because he had a master’s in English literature and a fondness for poetry, it might seem natural to expect a less earthy, everyman style of storytelling from him. What do you hear in his lyrics that reflects the sort of classical side of his nature?

The ability to be poetic but also relate to the common man is an exceptional gift and something I struggle with myself. It’s a true sign of integrity to the song while hitting the human heart with life experiences anyone can get.

You captured his spirit pretty well in the song you wrote about him. What sparked that?

Jessi Alexander, Jon Randall, and I got together one day to write and just started talking about Kris and his career. We could’ve easily talked about music all day, but somehow that led to us talking about moving to Nashville. We talked about how it can be such a tough town, at times, but wouldn’t change it for anything. The song really just blossomed from there. I think there is a little of all of us in that song, and it’s a tip of the hat to the great Kristofferson, as well.

It was such an honor to hear that the family asked Jessi to sing our song to kick off the recent Kristofferson Tribute. It really doesn’t get any better than that.

“Thank you and good night!”

[Laughs] Yeah. Exactly.

What would you say is the quintessential Kristofferson tune? And why?

“Sunday Mornin’ Comin’ Down” is the song for me. Who can’t relate to that feeling of hurting from the events of a big Saturday night and the abrupt Sunday morning sunrise reminder we all have from time to time? The lyrics hit me so hard: “Well, I woke up Sunday morning with no way to hang my head that didn’t hurt” … so great. It slays from the first line of the song.

With him, Glen Campbell, Merle Haggard, George Jones … what’s been your experience of watching these legends drift away?

It’s bittersweet. I feel grateful to be able to study the lives/careers of these great musicians and sad to see them go. They’re legends for a reason. Their legacy lives on through the amazing body of work they leave behind. What a blessing to get to know someone through their songs? I feel like I understand the complexity of these people with each album they made along the way. I’m reminded of the saying “Don’t cry because it’s over; smile because it happened.”

Apparently, he has claimed that he wants the opening stanza of Leonard Cohen’s “Bird on the Wire” on his tombstone: “Like a bird on the wire / Like a drunk in a midnight choir / I have tried in my way to be free.” If you had to pick some of his lyrics for your tombstone or, let’s say, your Twitter bio, what would they be?

I love what he said in the song “Jesus Was a Capricorn”: “If you can’t find somebody else, help yourself to me.” It’s the idea that I can carry the burden for others. It’s a selfless line and also relates to the story of Jesus taking on others’ sin.


Ryan Beaver photo courtesy of the artist. Kris Kristofferson photo courtesy of the public domain.

BGS Class of 2015: Songs

What an overwhelmingly fantastic year for roots music! We couldn't fit all the greatness into our album list, so we picked another 21 of our favorite songs.

Anderson East, Delilah, "Find 'Em, Fool 'Em, and Forget 'Em"


A song from the heart of Southern soul music, AndersonEast found this little George Jackson/Rick Hall gem hiding down in Muscle Shoals and made it his own.

Brandi Carlile, The Firewatcher's Daughter, "The Stranger at My Door"

While "The Eye" would be the obviously outstanding song to pick, this little ditty is sneakily special and captures so much of what is great about Brandi Carlile.

Dave Rawlings Machine, Nashville Obsolete, "The Weekend"


It's always a good year when we get new music from Dave Rawlings Machine, and this opening track from Nashville Obsolete expresses a sentiment we can likely all relate to: hitting the weekend like a freight.

David Ramirez, Fables, "Harder to Lie"


This is one of those tunes that absolutely rocks you back on your heels with its unabashed forthrightness. Good luck getting past it to hear the rest of the record.

Drew Holcomb, Medicine, "American Beauty"


Drew Holcomb captured lightning in a bottle with "American Beauty" — a love song for anyone who has had to let go sooner than they wanted.

Glen Campbell, I'll Be Me, "I'm Not Gonna Miss You"


One of Campbell's final recordings, "I'm Not Gonna Miss You" may, at first listen, sound like a kiss-off to a former lover, but it was actually inspired by the legendary songwriter's ongoing battle with Alzheimer's, a fact that makes the depth of the lyrics and quality of the song all the more impressive.

HoneyHoney, 3, "Big Man"


Never did a song about the death of a "Big Man" sound so sweet. Suzanne Santo's voice is just about perfect … and the fiddle-laced song ain't too shabby, either.

Indigo Girls, One Lost Day, "Fishtails"


Amy Ray crafted some mighty fine tunes for the latest Indigo Girls' record, including this stunner that shows how powerful a well-placed horn part can be.

JD McPherson, Let the Good Times Roll, "Head Over Heels"


This Oklahoma boy knows how to rock ’n’ roll! Under the production guidance of Mark Neill, “Head Over Heels” sounds like the Flamingos went on an extended acid trip. Vibrato Fender dreams oscillate behind McPherson’s crooning, a chorus of handclaps, and a tack piano from Hell. Oh yeah, it’ll make you dance, too.

Julien Baker, Sprained Ankle, "Sprained Ankle"


“Wish I could write songs about anything other than death,” Julien Baker sings within the first seconds of this crippling ballad, led by an electric guitar and tritone anxiety. Having grown up in Memphis, the songwriter has the lyrical talent of a serious Delta blues player, but her music is darker and more daring than much of what Tennessee knows.

Kacey Musgraves, Pageant Material, "Good Ol' Boys Club"


Less outwardly biting than the album’s title track, this cut from Pageant Material stands out in a year dominated by a ridiculous question: Just where do women belong in the salad that is country music? Plus, that inside baseball slap-in-the-face to Big Machine is pretty rad.

LP, Muddy Waters, "Muddy Waters"


LP really knocked this darkly plodding one out of the park. Elements of it echo back to her pop past, but her bluesy roots are also showing.

Mavis Staples, Your Good Fortune, "Fight"


A collaboration with Son Little, this groovy track from Mavis Staples' EP snaps and snakes, using gospel-inspired backing vocals to drive it all home.

Nathaniel Rateliff & The Night Sweats, S/T, "S.O.B."


Ladies and germs, Nathaniel Rateliff has finally arrived. The Midwestern singer was bound to hit a new level of popularity with each year that passed — but that moment never seemed to arrive. That is, until Rateliff traded folk music for soul. Now you simply can’t escape that "S.O.B." This Stax-approved prison pen jam gets in its licks early, and washes it down with dirty bourbon.

Rayland Baxter, Imaginary Man, "Freakin Me Out"


We’re all losing our minds … some of us are just more freaked out by it than others. Rayland Baxter provides the sing-along anthem for those of us on the “more” end of the spectrum.

Rhiannon Giddens, Tomorrow Is My Turn, "Black Is the Color"


Rhiannon Giddens is known for her work with the Carolina Chocolate Drops, but she is also a formidable solo artist. This cover of an Appalachian folk tune — the excellent accompanying video for which was shot at historic Fisk University — shows off all Giddens has to offer: her soulful voice, knack for finding a groove, and ear for interpretation.

Russell Moore and IIIrd Tyme Out, It's About Tyme, "Brown County Red"


This Kyle Burnett-penned tune is filled with danger, bootlegin’, and cold-blooded murder on the banks of the Ohio River. When a moonshiner emerges from his secret corn liquor corner, he has an unfortunate run-in with the law, killing dead a few deputies. It’s the bluegrass equivalent to Juice. Kid just can’t stop killing! The best part about “Brown County Red,” is that it’s cast upon a major key backdrop. Surreal does not begin to describe it.

Ryan Culwell, Flatlands, "Flatlands"


Hailing from the great expanse of nothingness known as the Panhandle of Texas, Ryan Culwell speaks fondly of his childhood home and its understated beauty. “Take me back where I can see miles of dirt in front of me,” he sings. It’s something every God-fearing Midwesterner/Southerner knows to be true: Life is easier in the heat and emptiness of the flatlands … but we left them anyway.

Sufjan Stevens, Carrie & Lowell, "The Only Thing"


The sonic equivalent of David Foster Wallace’s “Good Old Neon,” the important distinction being that Stevens’ narrator sees Perseus twinkling in the clear night sky just in time to correct the steering wheel. 

The Weather Station, Loyalty, "Way It Is, Way It Could Be"


From the mind of Canadian songwriter Tamara Lindeman comes this tune, “Way It Is, Way It Could Be” — a meditation on the other side of the fence. The place where the grass always seems to be greenest. The song, off the fabulous Loyalty, has the snowy imagery of an Edith Wharton novel and the leary suspicion of Virginia Woolf. Lindeman sings in falsetto equanimity: “Was it a look in your eye? I wasn’t sure. The way it is and the way it could be both are.” Painted with images of frozen Quebec, this opening track sets the mood for the Weather Station’s best album yet.

Wilco, Star Wars, "Random Name Generator"


Wilco’s surprise album also had a few surprise hits, like “Random Name Generator.” Like the song’s “flame creator” protagonist, this tune packs plenty of dirt and burn. “I think I miss my family I found,” Jeff Tweedy laments, resigning himself as a father who simply names things. It is one of recent Wilco’s most affecting songs.

For more musical goodness, check out the full Class of 2015. Follow the playlist on Spotify and add your own favorite songs to it:

8 Netflix Documentaries to Stream in Your Post-Turkey Coma

Thanksgiving approacheth and, if you haven't already planned out exactly what you're going to binge watch after you binge eat, you better get to adding to that queue ASAP before the carb coma kicks in. Allow us to help you out a bit by providing a handful of our favorite documentaries currently streaming on Netflix.

Chef's Table

Go behind-the-scenes with some of the world's most acclaimed chefs in this original series from Netflix. That is, if you can handle a show about food after you've eaten your body weight in stuffing.

How to Grow a Band

Join Chris Thile and the Punch Brothers in the early stages of their days together as a band. Chock full of performance footage and clips of the guys writing and recording, this is a must-see for any Punch Brothers fan.

How We Got to Now with Steven Johnson

Do you ever wonder how we went from cave-dwelling knuckle-draggers to tiny house-building iPhone zombies? This series from PBS and BBC 2 shines a light on a handful of the great ideas that got us there.

Glen Campbell: I'll Be Me

We don't really need to explain why you need to watch this one. It's Glen Campbell. Just do it.

Hey Bartender

In case you didn't know, bartending is not an easy job. Go behind the bar with some of the world's top mixologists as they mix and serve some seriously amazing cocktails.

Muscle Shoals

One of the best music documentaries to come out in a long time, Muscle Shoals looks at the history of one of the best must towns in, well, ever. 

The Battered Bastards of Baseball

If you like your baseball a little more ragtag and a little less 'roid rage, you'll love this portrait of a now-defunct minor league team in Portland, OR.

Austin to Boston

What's life on the road really like for touring musicians? Find out in this documentary, which follows Ben Howard, Nathaniel Rateliff, and more across the United States.


Lede photo credit: keirstenmarie / Foter.com / CC BY