WATCH: Head For The Hills, “Say Your Mind”

Artist: Head For The Hills
Hometown: Fort Collins, Colorado
Song: “Say Your Mind”
Album: Say Your Mind EP
Release Date: March 22, 2019

In Their Words: “Inspired by my daughter, this is a song about holding near those who you can’t always be with. I feel this is something we all can relate to in some way. I wanted to write it from a very distant or beyond-the-grave perspective.” — Adam Kinghorn, Head for the Hills

“The video follows Boots, an estranged father figure, as he gets ready and goes to a big shindig. He’s unsure of how he’ll be received, somewhat nervous but determined. Beautiful cinematography highlights his journey across Fort Collins and arrival at the party, where he’s warmly welcomed with open arms. There’s old cars, cute kids — a little something for everyone.

Our story is one of unconditional love and reconciliation, features some of our close friends and family and was filmed in Fort Collins this winter. Lots of love went into this, we’re really excited to share it with you!” — Matt Loewen, Head for the Hills


3X3: Head for the Hills on Mescal, Mountains, and a Minimum Number of Pillows

Artist: Matt Loewen (of Head for the Hills)
Hometown: Fort Collins, CO
Latest Album: Potions and Poisons
Personal Nicknames: Lokedog, Loewend, Lothar, Action Bronson

If your life were a movie, which songs would be on the soundtrack?

“High, Wide, and Handsome” and Johnny Guitar Watson’s “Ain’t That a Bitch.” 

How many unread emails or texts currently fill your inbox?

376 + a Facebook account I haven’t logged into for two years.

How many pillows do you sleep with? 

Good question! Three minimum. Two for the head, one to grab and grasp with ferocity while I toss around. 

 

01.27.17 @aggietheatre Ft. Collins, CO: Joe Rodriguez @jrodcamp #h4th2017

A post shared by headforthehillsmusic (@headforthehillsmusic) on

How many pairs of shoes do you own?

19.3333

Which mountains are your favorite — Smoky, Blue Ridge, Rocky, Appalachian, or Catskill?

Trick question, it’s the San Juans.

If you were a liquor, what would you be?

Mescal. Definitely mescal. 

Fate or free will?

Free will, but it’s illusory!

Sweet or sour?

Sour sour sour. 

Sunrise or sunset?

Sunset. 

SHOW PREVIEW: Head for the Hills

“You better head forthe hills, folks! Or you’ll be up to your armpits in Martians!”  – BugsBunny

The cartoon world’s most mischievous yet beloved rabbit maynot be your stereotypical symbol of modern bluegrass, but I’ll quote that bunnyevery chance I get.  It doesn’thurt to take advice from the same animal that convinced Elmer Fudd it wasalways duck season.  But it’s Aprilin Los Angeles, and the air is still cold and crisp.  Duck Season? Rabbit season?  Put yourfirearms away, Mr. Fudd.  It’sstill Rocky Mountain Bluegrass Season in the Southland.

Head For The Hills returns to Los Angeles for a specialevening of picking at The Mint on Wednesday, April 4th.  The Fort Collins, CO quartet may havetaken its name from the writers of LooneyTunes, but there’s nothing childish or cartoonish about the rising stars ofthe acoustic string scene.  Thepast months have brought major changes into the bluegrass community: thepassing of Earl Scruggs, the return of Howard Levy to the original Flecktoneslineup, the growing popularity of roots-rock groups such as Old Crow MedicineShow and The Avett Brothers, and the list continues.  While America experiences this musical transformation, theColorado scene has always offered top shelf string picking.

I briefly spoke with Joe Lessard (fiddle) and Matt Loewen(bass) last weekend.  Taking notesfrom traditional pickers but also Colorado’s current acoustic genre breakerssuch as Bill Nershi and Drew Emmitt, Head for The Hills gives more than thetypical bluegrass performance. Mike Chappell (mandolin) and Adam Kinghorn (guitar) complete thequartet.  Head for The Hills begantheir journey at Colorado State University and have been pushing forward eversince their days in college.  Thequartet will travel up the coast and through the Midwest with stops atWakarusa, Telluride Bluegrass Festival and Dead on The Creek to name a fewselect dates.  These largerfestivals will result in a bigger audience, but The Mint has never failed tobring a dedicated fanbase.  Lessardand Loewen explain, “LA is certainly a center for music, culture andentertainment.  It’s great to beable to bring our mix of sounds and songs to that kind of audience.”

While we can expect a set of songs selected from 2010’s Head For the Hills and 2007’s debut Robber’s Roost, Head for The Hills takespride in their non-bluegrass influences; We may be treated to renditions ofPink Floyd’s Fearless or Ray Charles’ Unchain My Heart.  Lessard and Loewen claim:

Wetry to make a set list that reflects the atmosphere of a given show. We playour style of music regardless, but we might not play the Iron Maiden cover forthe sit-down bluegrass crowd… We love any show where the audience is returning the energy we’re puttinginto the music. Those seem to be the concerts that best represent our band and what we’re really trying to do.

It’s difficult to pick a favorite cover among such a diverselist of songs, but it’s the instrumental jams that highlight the band’s trueskill.  While the debut albumfeatured gems such as Robbers Roost andHornets Nest, the compositions gotmuch tighter and more soulful in the sophomore release.  The nearly seven minute Nooks and Crannies is arranged with thecomplexity of a Flecktones’ jam that also flirts with the despair of TheAnimals’ House of the Rising Sun.  Bluegrass traditionalists, do not beafraid.  Head for The Hills stillhave a number of songs about cold days, railroads, mountain towns and othercommon themes of the genre, but you surely cannot forget these wildinstrumentals.

The busy tour schedule brings good news at the end of thetunnel.  The band explains:

Weare just finishing a live record that will be coming out in May. Five showswere recorded in Colorado and we’ve culled the best material for what will beour first live record. A new studio album is also in the works; we’ll bestarting on that later this spring/early summer. We’ll be playing some of thosesongs at The Mint on the 4th!

Join the BluegrassLAfamily for Head For The Hills at The Mint on Wednesday evening at 9 pm.  

That’s all, folks.

 –Brian @ BGLA

PREVIEW: Head for the Hills

Exciting news, Situation Readers!  Our Colorado pickin’ friends, Head for The Hills have given us early access to their newest LP: Live.  The Sitch’s Brian Hepp spoke with bassist Matt Loewen about the album and what’s up next for the band…

What motivated you to record a live album instead of another studio album?

Like most of the bands in our corner of the universe, we’re primarily a ‘live’ act. That’s to say we write and record mostly with the idea that the songs will be performed live, and we improvise–sometimes a little, sometimes more–within those songs, so the live record was a natural move. Also we wanted to provide fans with a high quality great sounding live recording, something that far surpasses the quality of readily available audience recordings. But we’ll be back in the studio at the end of the month, so the next thing isn’t far off.

Tell us about your new track ‘Bosun Ridley’.

Adam, our guitar player, wrote ‘Bosun’ after reading the classic Allen Moore graphic novel Watchmen. Taken from a story within the story, the song relates the tale of Bosun Ridley and his tragic last voyage, complete with a raft made of corpses!  Fun stuff! The narrative form is certainly a classic bluegrass thing.  Adam takes it to a slightly different place with this surreal story.

You can hear the crowd’s excitement at the beginning of ‘One Foot in The Grave’.  Is this a band favorite as well?  What is it about this song that hits the audience the way it does?

It is a band favorite, and hearing the crowd reaction is always great. I think people respond to the themes of longing and regret set to a sunny melody. And it’s catchy!  That always helps.

Tell us about your covers – David Bromberg, Iron Maiden and more.  Who did you cover on this album and why?

David Bromberg is an old favorite. We’ve been playing his song ‘New Lee Highway Blues’ for years, and it was an easy choice for the record. We also cover a Johnny Cash tune and some instrumental numbers by John Reischman and Liz Carroll. As listeners we’re eclectic and we like to bring that into the cover choices as well; Johnny Cash to Iron Maiden may seem like a leap to some but we enjoy finding the common ground and exposing the audience to sounds they may not have thought about combining before.

Why did you pick these specific venues to feature on the album?

We’re lucky enough to have some really quality venues on the front range of Colorado, and we wanted to take advantage.  Places like The Boulder Theater and The Mishawaka Amphitheater (our ‘home’ venue) have wonderful histories in addition to great vibes, exactly what you want for a live record.

Where will Head for The Hills be one year from now?

Gearing up for another festival season and continuing to write, record and perform and spread our sound as far and wide as possible!

Many have called you ‘modern acoustic’.  Does that term still fit your band or have you evolved into something else?  If so, what would be a better way to describe your sound?

This is something we always struggle with and honestly I’m not sure if we’ve gotten it right yet. Progressive bluegrass and bluegrass fusion have been used.  Really what we’re getting at is the idea of starting in bluegrass but reaching far beyond into jazz, rock, folk, world music and anything else we can absorb.

Final words about the album?

I said earlier that we’re eclectic and I think this record does a good job of sewing those myriad threads together to paint a good picture of what we do live. These things always take longer than you’d like to finish; we’ve been working on this release for over a year, so needless to say we’re excited for people to actually hear it!  The new record, entitled Live, is available for pre-order from our website. Each pre-order copy is signed and there are some other cool incentives including a limited run screen print poster. Enjoy!

Stream the rousing rendition of “Fire on The Mountain” and watch “Lost in The Loop” before the official release on May 29th!