Tag: Video premiere

You Gotta Hear This: New Music From Wyatt Flores, Larry Keel, and More

Posted on by Justin Hiltner

New Music Friday is here! And here’s what we’re listening to today. You Gotta Hear This:

Kicking us off, Western North Carolina’s premier bluegrass outfit Balsam Range bring us a bluegrass classic: a train song. “Life I Left Behind” is out today, the latest single from the IBMA Award-winning group is soulful and brooding, built on strong harmonies and the clean modern bluegrass sound the band has become known for. Below, bassist and singer Tim Surrett describes how the track is personal to him and his family.

From north of the NC border and a few steps towards jamgrass, guitarist and singer-songwriter Larry Keel has dropped a new, hilarious song this week entitled “Butt Dial.” Yep, it’s about exactly what you think it’s about – and it was co-written with bluegrass legend Peter Rowan. Keel and Rowan each tell us about the song and its inspirations and you can take a listen as well.

Rachel Sumner & Traveling Light share a new music video today for “Yodelay,” a cozy and vibrant song about the afterglow of good times and fellowship. Written by Sumner and Dinty Child of Session Americana, the group tracked the song at eTown in Colorado after winning studio time at the Telluride Bluegrass Festival band contest last year. An EP, also titled Yodelay, is on the way later this month.

Country star-on-the-rise Wyatt Flores has a new single out this week as well, as he looks ahead to his next album, Scared of Heights, coming in late July. “Half The Man” showcases the level of contemplation and introspection always evident in Flores’ writing and the grit and red dirt he brings to modern, mainstream country.

Rounding out our collection this time is Memphis-via-New York singer-songwriter Kate Prascher, whose new song “Jubilee” was inspired by a stroll across an old train trestle in the Hudson River Valley. Folky in a timeless fashion with a delicious and slow sonic build, “Jubilee” carries some of the eeriness Prascher felt when writing the song walking that train track.

Trains, butt dials, good times with good friends – exactly what we want in our weekly round-up! Enjoy, ’cause You Gotta Hear This!

Balsam Range, “Life I Left Behind”

Artist: Balsam Range
Hometown: Haywood County, North Carolina
Song: “Life I Left Behind”
Release Date: June 5, 2026

In Their Words: “There has always been a connection between bluegrass and trains. It’s personal for me because my dad worked nights for 30 years on the Norfolk Southern Railroad. Sometimes he would take me to work with him so I could ride the trains all night. There is a mysterious romantic quality about the freedom of the rails, and I think this new song has a bit of that. There’s a conflict between the freedom of going and the life left behind.” – Tim Surrett

Track Credits:
Caleb Smith – Acoustic guitar, lead vocal
Tim Surrett – Upright bass, resonator guitar, harmony vocal
Marc Pruett – Banjo
Alan Bibey – Mandolin
Stephen Hudson – Fiddle, harmony vocal

Wyatt Flores, “Half The Man”

Artist: Wyatt Flores
Hometown: Stillwater, Oklahoma
Song: “Half The Man”
Album: Scared of Heights
Release Date: June 5, 2026 (single); July 31, 2026 (album)
Label: MCA/Island Records

In Their Words: “I finally feel like I know who I’m supposed to be, right here in this moment. I’m not second-guessing myself anymore on what the music’s supposed to be, what I’m supposed to be chasing, or who I’ve become. This is who I am now in 2026. Still figuring out my struggles and mental health but finally getting the confidence to step back into this and to believe in myself again.” – Wyatt Flores talking about his upcoming album, Scared of Heights.

Larry Keel, “Butt Dial”

Artist: Larry Keel
Hometown: Lexington, Virginia
Song: “Butt Dial”
Release Date: June 3, 2026

In Their Words: “‘Butt Dial’ is a real-life, happy accident story that led Peter and a friend to reconnect and have a fun, late-night phone conversation. The lyrics are mostly Peter’s and I tweaked some words and phrasing to sync with the music I wrote for the song. Collaborating with Peter is such an easy, natural process. Can’t wait for more!” – Larry Keel

“Butt dialing is one of those phenomena of the guess times we live in. Sometimes you are listening to a soundtrack of a friend’s life, like entering someone’s dream, you can only wonder what is going on! In the song the butt dialing friends finally connect! Writing with Larry Keel is like that, jumping into an unknown dream!” – Peter Rowan

Track Credits:
Larry Keel – Guitar, vocals
Winston Mitchell – Mandolin
Justin Doyle – Bass
Kyle Tuttle – Banjo

Kate Prascher, “Jubilee”

Artist: Kate Prascher
Hometown: Memphis, Tennessee
Song: “Jubilee”
Album: Sunday Afternoon
Release Date: June 3, 2026 (single); August 28, 2026 (album)
Label: First City Artists

In Their Words: “‘Jubilee’ follows a ghost train. I wrote it while walking on an old train trestle in Rosendale, New York, a town ringing with the eerie history of a stone quarry, carrying memories of my hometown across it. By the time I climbed down from the track, the song was mostly written. It’s a lyrical exploration of the word ‘jubilee’ as both a signal of celebration and of forgiveness.” – Kate Prascher

Rachel Sumner & Traveling Light, “Yodelay”

Artist: Rachel Sumner & Traveling Light
Hometown: Boston, Massachusetts
Song: “Yodelay”
Album: Yodelay
Release Date: June 5, 2026 (single); June 19, 2026 (EP)
Label: Bridge & Key

In Their Words:  “‘Yodelay’ is about having such a good night out that you decide to dwell in that feeling a little longer. Instead of jumping right back into work or the next thing on the calendar, it’s about lingering in the glow of a great evening, sleeping in, and appreciating life, love, and light. Dinty Child (Session Americana) and I wrote the song together after the chorus came to me before a show we were playing. We ended up finishing it from separate songwriting retreats, sending ideas back and forth over text. The song felt playful from the beginning and I loved the way the title seemed to carry more than one meaning. I’ve always been drawn to songs that let sound and language blur together a little bit.

“After Rachel Sumner & Traveling Light won the Telluride Bluegrass Band Contest last year, part of our prize was studio time at eTown in Boulder, Colorado. We decided to use it to record a cowboy EP featuring a mix of old songs and new originals. ‘Yodelay’ became the title track because it captures the spirit of the record so well – inviting and fun on the surface, with a little more waiting for the listener underneath.” – Rachel Sumner

Track Credits:
Rachel Sumner – Guitar, vocals, songwriter
Kat Wallace – Fiddle, vocals
Mike Siegel – Upright bass, vocals
Dinty Child – Songwriter

Video Credits: Video by Dylan Ladds.
Title artwork by Dan Blakeslee.

Photo Credit: Wyatt Flores by Matt Paskert; Larry Keel courtesy of the artist.

You Gotta Hear This: New Music From Full Cord, the Arcadian Wild, and More

Posted on by Justin Hiltner

It’s another excellent lineup for our weekly collection of premieres and just-released music! You Gotta Hear This…

Earlier this week, the Arcadian Wild announced their upcoming album, Make It Out Alive (set for release in August), with a brand new single “Cool To Know You.” Poppy and lush, its deep and vibey production style brings in varied roots influences reminding of Nickel Creek and indie-pop all at the same time, held together with a bluegrassy mandolin chop. Plus, watch a video from geologist-musician-songwriter Benny Bleu, who’s shared “March of the Mollusk” with us today. Old-time with plenty of modern twists, it’s an entrancing instrumental number inspired by the ceaseless march of time, the steady drip of existence spending or being spent. The melody – and rhythms – have that delicious “neverending song” feel, where each subsequent section of the tune has you craving to return back to the start and do it again.

Benson, husband-and-wife bluegrass and string duo Wayne and Kristin Benson, release their brand new album today, Double Dose. We’ve shared a few tracks from the project over the weeks and months in the run up to today; to celebrate release day, we’re shining a spotlight on “Banjo Radio Bounce,” a swingin’ bluegrass instrumental with a title paying tribute to bluegrass radio and streaming service BanjoRadio. Also in bluegrass, long-running Michigan band Full Cord release a new track today featuring their friend, peer, and fellow Michigander Billy Strings. The band tell us a bit about the inspirations behind “Hubris Comes to Town” below. Strings and the stalwart MI band sound great.

Jesse Smathers, who you may know from the Lonesome River Band, has more excellent solo music to share today. A new single, “Gambler’s Last Game,” is another truly timeless number from the young artist and picker. Smathers, born and raised in the old-time and bluegrass rich territory of Southwest Virginia, is one of the most compelling up-and-coming creators who can collapse time with his songs. And he can effortlessly code switch between bluegrass, old-time, string band, and more styles from the primordial ooze that birthed this genre. Not many can.

You’ll also want to watch and enjoy a new animated music video featuring a song by artist, multi-instrumentalist, and songwriter Elena Moon Park and animation by Xuan. “Nothing Is Ordinary” is a song celebrating just how extraordinary every single little detail of life really is. It’s built on a prominent sense of gratitude wrapped with a bouncy, charming vibe – and paired with a music video that perfectly encapsulates its message. It’s beautiful and certainly captures “the grand and the mundane,” both of which are extraordinary in their ways.

We hope you enjoy these songs and videos. You Gotta Hear This!

The Arcadian Wild, “Cool To Know You”

Artist: The Arcadian Wild
Hometown: Nashville, Tennessee
Song: “Cool To Know You”
Album: Make It Out Alive
Release Date: May 27, 2026 (single); August 14, 2026 (album)

In Their Words: “I have known my best friend Carly since I was 3 months old. She is truly a sister that was gifted to me. She is the coolest girl I know, and she makes me cool just by knowing her. We live very far away from each other now and we have to work really hard to stay in touch and spend time together, but it is always worth the effort. This song came out of me after she was having a tough time and I couldn’t physically be there for her, so I wanted her to know that she is seen, she is loved, and I’m a better and cooler person for knowing her.” – Bailey Warren

“We’ve typically just captured intimate acoustic performances in our past work and it was fun to remove some limitations in the studio and really give it a full send approach. It felt like we gave ourselves permission to build an actual pop song from the ground up. Drums?! Electric guitar?! Mandolin overdubs?! What?! It was a delightful process of playful discovery, and we had a blast with our producer, Micah Tawlks, putting it all together.” – Lincoln Mick

Benson, “Banjo Radio Bounce”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Banjo Radio Bounce”
Album: Double Dose
Release Date: May 29, 2026
Label: Mountain Home Music Company

In Their Words: Kristin: “‘Banjo Radio Bounce’ from our album, Double Dose, honors our good buddy Kyle Cantrell, who launched BanjoRadio around the time we recorded it. Obviously, if this is the title of the station, you know I’m gonna be a fan!” – Kristin Scott Benson

“‘Banjo Radio Bounce’ is a tune I wrote originally on electric mandolin. When Kristin heard the demo, she thought it would work well for banjo – and it did!” – Wayne Benson

Track Credits:
Wayne Benson – Mandolin
Kristin Scott Benson – Banjo
Jon Stickley – Acoustic guitar
Samantha Snyder – Fiddle
Jon Weisberger – Bass

Benny Bleu, “March of the Mollusk”

Artist: Benny Bleu
Hometown: Hemlock, New York
Song: “March of the Mollusk”
Album: When I Am a Fossil
Release Date: May 29, 2026 (video); June 5, 2026 (album)
Label: Circus Tent Records

In Their Words: “Even when I released this song as a solo banjo piece I had this drum groove in the back of my head. We all march forward whether we like it or not. Who sets our cadence? Climate change will march on whether we believe in it or not. Future generations on this planet will live simpler lives. With less stuff. They’ll live more local lives. Now that’s not necessarily all bad. To me, that sounds like the kinda place where folk and acoustic music will fit right in.” – Benny Bleu

Track Credits:
Benny Bleu – Banjo
Huck Tritsch – Drums
Eric Heveron-Smith – Bass
Gus Tritsch – Fiddle

Video Credits: Filmed at Ironwood Studio, Springwater, New York.
Filmed by Mike Martinez. Audio by Benny Bleu.

Full Cord, “Hubris Came to Town” Featuring Billy Strings

Artist: Full Cord
Hometown: Grand Haven, Michigan
Song: “Hubris Came to Town” (featuring Billy Strings)
Release Date: May 29, 2026

In Their Words: “‘Hubris Came to Town’ is a song that has many inspirations. Its structure and harmonic interest are similar to a song I wrote 11 years ago called ‘Downtown.’ The chorus has the vocal harmonies, chords, and darkness from the likeness of System of a Down, while the jam section is lightly inspired by Béla Fleck’s “Charm School.” Rhythmically inspired by the second movement of Shostakovich’s 10th string quartet. The lyric content could be construed as age-old rhetoric about anyone in your life that has these certain qualities. This is the kind of music I like to write for bluegrass, in an effort to put my own stamp on the genre with (primarily) harmonic interest and edgy lyrics. With Billy Strings and the band absolutely ripping throughout the entire song, it now has the aggressive demeanor I intended. All the guys in Full Cord made this version of the song what it is and I am very pleased with the track.” – Brian Oberlin

Track Credits:
Brian Oberlin – Mandolin, lead vocals, songwriter
Chase Potter – Fiddle, harmony vocals
Todd Kirchner – Bass
Eric Langejans – Guitar, harmony vocals
Max Allard – Banjo
Billy Strings – Guitar

Elena Moon Park, “Nothing Is Ordinary”


Artist: Elena Moon Park
Hometown: Oak Ridge, Tennessee
Song: “Nothing Is Ordinary”
Album: Nothing Is Ordinary
Release Date: May 29, 2026
Label: Adhyâropa Records

In Their Words: “This song, the title track of my new album, celebrates the idea that everything around us is magical, while also being oh-so common. We wake up and hear a bird song; in the evening stars appear in the sky. Nothing is ordinary, yet everything is ordinary. Or perhaps, everything is extraordinary. When I embrace this thought, I remember that my greatest joy is in noticing both the grand and the mundane, and listening to the stories around me. Inspired by a piece of art made by my friend Kristiana Pärn and accompanied by a truly magical video by Xuan, the song features an eclectic group of musical friends who encourage us to find our own stories and sing them out loud.” – Elena Moon Park

Track Credits:
Elena Moon Park – Vocals, jarana, Omnichord
Brett Parnell – Guitar, pedal steel
Nathan Koci – Horns, trumpet
Colin Brooks – Drums
Yoshi Waki – Bass
Michael Bellar – Synths
John Foti – Vocals
Sonia De Los Santos – Vocals
Devin Greenwood – Sounds
Chorus: Philippa, Roger and Marianna Thompson, Lyla, Ezra and Sruly Lazaros, Shai Fuller, Jay and Tearin Kim

Video Credits: Written, directed, and animated by Xuan.

Jesse Smathers, “Gambler’s Last Game”

Artist: Jesse Smathers
Hometown: Floyd, Virginia
Song: “Gambler’s Last Game”
Release Date: May 29, 2026
Label: Mountain Home Music Company

In Their Words: “‘Gambler’s Last Game’ was written by my talented pal Mason Via and myself. The modern-day ballad tells of a traveling gambler whose true love won’t settle down with him, so he heartbreakingly stays on the go. This tune was stripped down to the instrumental accompaniment of only Hunter Berry’s fiddle and Corbin Hayslett’s banjo. They did a tremendous job, weaving in and out of each other’s waltzing rhythm with their note selections. Ballad singing and fiddle and banjo interplay is such an important part of string band music tradition. Though this is a new song, its story, form, and melody was approached the same way I tackle learning songs that are 200 years old. It truly transports me to another time. I hope everyone is similarly transported hearing ‘Gambler’s Last Game.'” – Jesse Smathers

Track Credits:
Jesse Smathers – Vocal
Hunter Berry – Fiddle
Corbin Hayslett – Low-tuned banjo

Photo Credit: Full Cord by Karuna Photo; the Arcadian Wild by Shelby Mick.

You Gotta Hear This: Thomas Cassell, Greenwood Rye, and More

Posted on by Justin Hiltner

Another weekly roundup is here! You Gotta Hear This.

To get us started, Thomas Cassell reveals another track from his upcoming duo album. “Makin’ Some Noise” features his longtime friend and shredder Trey Hensley joining in on a Tom Petty & the Heartbreakers track with just enough of a Bill Monroe flair to excel with the bluegrass treatment. Plus, Colorado-based bluegrass band Jake Leg preview their new album with its title track, “No One Lives Here Anymore.” It’s an apt harbinger for the thoughtful, lonesome, and melancholic songs found on their upcoming collection – due to drop in June.

From elsewhere in bluegrass, the Lonesome River Band debut “Back When,” a song dripping with nostalgia that was co-written by LRB member Jesse Smathers with Nick Goad and Barry Hutchens. The track features a traditional instrument all too rare in bluegrass these days – the electric guitar! Nashville bluegrass outfit Greenwood Rye call on some mighty collaborators for their new song, too. “Ready to Burn” is indeed a barn burner, boasting features by Mason Via (who co-wrote the song with Greenwood’s Shawn Spencer), Vince Herman of Leftover Salmon, and IBMA Award winner Vickie Vaughn. It’s jammin’, energetic, and certainly fiery.

Don’t miss folk and Americana duo Great Willow included below as well. Their new song, “Age of Reason,” speaks to these highly divided times we’re living through – and everyone is talking about. “[We] don’t remember a time when the America we love has felt quite this disconnected and hostile against itself,” the duo tells us via email. “Americans can be so sweet and generous – you’d see it in every region as a traveling musician. How did we all fall so far so fast?” Their indie-folk track – lush with sounds and styles of the ’60s, ’70s, and Laurel Canyon – is charming in its consideration of such an existential question.

Singer-songwriter Kyle LaLone encourages all of us to “Slow Down” on his new Americana track. Inspired by quite literally running on fumes, LaLone speaks to the need we all face on the day-to-day to be present, to take deep breaths, and more. Sometimes all you need is to slow down. And make sure to hear the latest from singer-songwriter Mia Kelly, as well. “Big Time Roller Coaster Feeling” is about the highs and lows of having an all-encompassing crush, leaning into that free-falling feeling – of love and rollercoasters, both. It’s vibing and modern indie/acoustic folk that really enables the lyric and stories Kelly tells to shine.

There’s plenty to enjoy! You know what we think – You Gotta Hear This…

Thomas Cassell, “Makin’ Some Noise” (Featuring Trey Hensley)

Artist: Thomas Cassell
Hometown: Nashville, Tennessee via Norton, Virginia
Song: “Makin’ Some Noise” (featuring Trey Hensley)
Album: Guitar Collection
Release Date: May 18, 2026 (single); August 21, 2026 (album)
Label: Common Loon Records

In Their Words: “Trey Hensley has been a longtime favorite of mine and more recently a great friend that I’ve been fortunate to make lots of music with. When I started to plan this collaborative album, Trey was one of the first calls I made. We are both huge Tom Petty fans, so it was natural to choose something from his catalog. This 1990s Heartbreakers track was on my mind as there was something about Mike Campbell’s guitar riff that was so Bill Monroe. It was a pleasure to work with Trey on this track – he’s truly one of the best singers and guitar players to ever do it and every time I stand next to him, I realize that in a whole new way. Hopefully this track is as fun to listen to as it was to make!” – Thomas Cassell

Track Credits:
Thomas Cassell – Mandolin, lead vocal
Trey Hensley – Guitar, lead vocal
Jeff Picker – Bass

Great Willow, “Age of Reason”

Artist: Great Willow
Hometown: Los Angeles, California
Song: “Age of Reason”
Release Date: May 22, 2026

In Their Words: “Erin and I don’t remember a time when the America we love has felt quite this disconnected and hostile against itself. Americans can be so sweet and generous – you’d see it in every region as a traveling musician. How did we all fall so far so fast? Our song is a lament for that lost open-heartedness and a call to hopefully return to it. Maybe reconnecting with the beautiful natural world is a start.” – James Combs

“We recorded ‘Age of Reason’ in producer Susan James’ home studio out in California horse country – with avocado trees and exotic chickens on the hill out back and her hairless Sphynx cat crawling through our cases and being hilarious inside. Susan is a preternaturally gifted artist, arranger and producer. We loved working with her. And we love the amazing Dobro and slide Ben Peeler (Mavericks, Wallflowers) played on our song. It’s the special sauce the puts it over the edge.” – Erin Hawkins

Track Credits: 
Erin Hawkins – Cello, vocal, songwriter
James Combs – Guitar, vocal, songwriter
Susan James – Organ, producer
Ben Peeler – Dobro, slide guitar

Greenwood Rye & Mason Via, “Ready to Burn”

Artist: Greenwood Rye, Mason Via, Vince Herman, Vickie Vaughn
Hometown: Nashville, Tennessee
Song: “Ready to Burn”
Release Date: May 15, 2026

In Their Words: “‘Ready to Burn’ is a jammy bluegrass party song! When Mason Via and I got together to write it, we were both in a place where we had put a ton of effort into our respective albums and everything we were doing was very serious. So we wanted to shift gears a little bit and make something purely for fun. We wrote a song about getting together with our friends and preparing to have an epic barn burner. The recording of the song started as us wanting to get together to make some social media content. We ended up doing it at Parlor Studio where our friend Ethan Greek was working as an engineer. It snowballed into a full studio recording and then we thought, ‘Why stop there? Let’s get some features.’ So we called two of our favorite Nashville bluegrassers, who we love to jam with, Vince Herman (Leftover Salmon) and Vickie Vaughn (Della Mae), and asked them to join the party!” – Shawn Spencer

Track Credits:
Shawn Spencer – Guitar, vocals, songwriter, producer
Mason Via – Guitar, vocals, songwriter
Taylor Shuck – Banjo
Cat McDonald – Fiddle
David Freeman – Mandolin, BGVs
Larry Cook – Bass
Vince Herman – Vocals
Vickie Vaughn – Vocals
Sasha Ostrovsky – Dobro

Mia Kelly, “Big Time Roller Coaster Feeling”

Artist: Mia Kelly
Hometown: Gatineau, Quebec, Canada
Song: “Big Time Roller Coaster Feeling”
Album: Big Time Roller Coaster Feeling
Release Date: May 22, 2026 (album)

In Their Words: “‘Big Time Roller Coaster Feeling’ is a song that details all the instances in which I have fallen for someone. As playful as it is personal, each verse describes a crush. When it came the time to make the video we decided to depict each of these crushes as a classic date, with the date’s face obscured by something ludicrous. The chorus draws from that joyful free-fall, that tummy-flipping feeling you get when you’re in love.” – Mia Kelly

Track Credits:
Mia Kelly – Lead vocals, acoustic guitar
Connor Seidel – Bass, piano, organ, slide guitar, percussion
Olivier Fairfield – Drums, percussion
Ben Plotnick – Fiddle
Aaron Collis – Mandolin, accordion
Adam Brisbin – Electric Guitar, slide

Video Credits: Randy Kelly – Videographer, director, editor

Kyle LaLone, “Slow Down”

Artist: Kyle LaLone
Hometown: Diamond Bar, California
Song: “Slow Down”
Album: Make My Own Way
Release Date: May 15, 2026 (single); June 12, 2026 (album)

In Their Words: “Another song that started with the title and whose lyrics were sparked by a specific event. One morning I had to drive to catch a flight to an out-of-town gig after having played a gig the night before. Once I got in my car I realized I was really low on gas and wouldn’t have enough time to stop to fill up on my way there. Luckily I made it to the parking garage near the airport but knew I would be running on fumes to find a gas station before the drive home. That situation inspired the first verse and got me thinking about my tendency to just keep going until I’m out of gas figuratively and literally when what I really need to do sometimes is slow down.” – Kyle LaLone

Jake Leg, “No One Lives Here Anymore”

Artist: Jake Leg
Hometown: Lyons, Colorado
Song: “No One Lives Here Anymore”
Album: No One Lives Here Anymore
Release Date: May 15, 2026 (single); June 13, 2026 (album)

In Their Words: “‘No One Lives Here Anymore’ is the first single and title track from our sophomore album coming out on June 13. It was probably one of the first songs written for this album and touches on the themes of sadness and isolation that show up throughout this collection of songs. I’ve always really loved and connected with sad songs so that tends to show in my writing fairly often. ‘No One Lives Here Anymore’ is sort of an ‘anti-story’ of someone who has lost connection with the aspects of life that make it fulfilling and has fallen into the pattern of observing life as it goes by rather than participating in it. Musically, the chord progression kind of folds around on itself and I think is representative of the cyclical nature of some of these feelings that we experience throughout life.” – Dylan McCarthy

Track Credits:
Eric Wiggs – Guitar, vocals
Dylan McCarthy – Mandolin, vocals, songwriter
Justin Hoffenberg – Fiddle
Aaron Hoffenberg – Bass

Lonesome River Band, “Back When”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Back When”
Release Date: May 15, 2026
Label: Mountain Home Music Company

In Their Words: “I’m so proud to have had a hand in writing ‘Back When’ with my pals Nick Goad and Barry Hutchens. As we had a conversation on Barry’s back porch we reminisced about our youth, the mischief we got into, and of course being musicians, our first chords, and songs we learned. Looking back, those moments are so sentimental and they made me into who I am today. It’s important to be aware of those subtle reminders that take us to our formative years way ‘back when.'” – Jesse Smathers, songwriter, guitarist

“The essence of ‘Back When’ is how the least little thing – a conversation with an old friend, a song, etc. – can cause memories to come flooding back. It was a real privilege for me to have the opportunity to write it with Jesse and Nick. They are both such talented writers and musicians. It’s one of those songs that came about simply by the three of us sitting around and reminiscing about when we were kids and growing up playing music.” – Barry Hutchens, songwriter

Track Credits:
Adam Miller – Mandolin, lead vocal
Sammy Shelor – Banjo, harmony vocal
Jesse Smathers – Acoustic guitar, harmony vocal
Mike Hartgrove – Fiddle
Kameron Keller – Upright bass
Rod Riley – Electric guitar

Photo Credit: Thomas Cassell by Scott Simontacchi; Greenwood Rye courtesy of the artist.

You Gotta Hear This: Margo Price, Darren Nicholson, and More

Posted on by Justin Hiltner

A fresh batch of roots music has arrived! You Gotta Hear This.

To kick off our weekly roundup of new music, singer-songwriter Jacob Augustine shares a music video for “Halfway to Harlem,” a jangling, twanging, and bluesy roots track with post-apocalyptic vibes – and the video to match. For how forbidding the video and lyrics are in their subject matter, the song is still charming and inviting. You’ll also enjoy a new song from Swedish roots duo Orange Oak. “well, well, well” is tender and contemplative and, as they put it themselves, it “explores the struggles of confronting yourself after a period of avoidance and inner conflict.” Still, there’s ample redemption to be found in the alt-folk track.

For a bit of troubadour storytelling, Pennsylvania’s Jeff Mamett unveils “Like Old Uncle Jim.” With a bit of dark country & western tinge, it’s a story song that pays tribute to larger-than-life figures and finds truth even in fiction and mythology. Mamett’s baritone vocal is rich and engaging. Plus, Irish artist Helen O’Shea, who’s now based in New Jersey, calls on her friends the Carlile Family Band for her new track and lyric video for “There Will Be Days.” It’s Americana with a party vibe, but the subject matter is much more deep and involved, passing on wisdom and considering the many cycles of living life. It’s ripe for a sing along!

In bluegrass, mandolinist and singer-songwriter Darren Nicholson launches his new album, Lonesome Trails and Tall Tales, today. To celebrate, we’re sharing “All Trains Must Come to Pass” for release day. It’s a barn-burning traditional bluegrass number that Nicholson co-wrote with Charles Humphrey III and Thomm Jutz. And don’t miss the latest duo recording from Bryan Sutton, this time featuring guitar wizard Tommy Emmanuel alongside. “Don’t Let Your Deal Go Down” is a common choice by Sutton, but in this arrangement with Emmanuel there are equal infusions of jazz and swing alongside bluegrass and flatpicking.

Also out today is a new tribute album to Guy Clark produced by Dan Knobler and released by Truly Handmade Records. Old No. 1 Revisited features performances by Jade Bird, Erin Rae, Brennen Leigh, Kelsey Waldon, Logan Ledger, and more. For our roundup, we’re sharing Margo Price’s rendition of “Rita Ballou.” Both Price and Knobler tell us their stories of how the track came to be below – it’s an absolutely lovely tribute to a songwriting and Americana legend.

There’s so much to enjoy! You Gotta Hear This…

Jacob Augustine, “Halfway to Harlem”

Artist: Jacob Augustine
Hometown: Portland, Maine
Song: “Halfway to Harlem”
Album: I Love You Forever
Release Date: April 29, 2026 (single); May 22, 2026 (album)
Label: Team Love Records

In Their Words: “Post-apocalyptic survivor studies. Car alarms serenading the cities of America to dead battery silence.

“What is it to fall in love, raise a child, and save the world all at the same time? This song explores these themes and questions. Questions I don’t really have the answers to. But questions that need to be asked I think.” – Jacob Augustine

Video Credits:
Directed by Jacob Augustine.
Co-directed, filmed, and edited by Joshua Powers, Wavin AM.
Starring Brandon Wardwell.
Produced by Wavin AM.

Jeff Mamett, “Like Old Uncle Jim”

Artist: Jeff Mamett
Hometown: Central Pennsylvania
Song: Like Old Uncle Jim
Album: Fortunate Son
Release Date: May 1, 2026 (single); August 21, 2026 (album)

In Their Words: “I grew up around people like this – the kind of man whose stories don’t always land the same way depending on who’s listening. With Uncle Jim, I was interested in that gap between what people say about somebody and what you see for yourself. As a kid, you don’t question it the same way, you just take it in.

“The details were important to me – the cigarette, the pony ride, the way he carried himself. Those things felt more honest than trying to explain him. By the end, the truth is there if you’re paying attention, but it doesn’t come out and announce itself. It just sits in the room. I think that’s how a lot of people are. You don’t always know who they are unless you’re looking closely.” – Jeff Mamett

Darren Nicholson, “All Trains Come to Pass”

Artist: Darren Nicholson
Hometown: Canton, North Carolina
Song: “All Trains Come to Pass”
Album: Lonesome Trails and Tall Tales
Release Date: May 1, 2026
Label: Mountain Home Music Company

In Their Words: “‘All Trains Come to Pass’ is a barn-burner! It was written by Thomm Jutz, Charles Humphrey III, and myself. The song speaks metaphorically about the passing of time and how important it is to live in every moment. Breathe it in. The band is kicking on this one, and it was so much fun to record! We hope you enjoy listening to it as much as we did creating it.” – Darren Nicholson

Track Credits:
Darren Nicholson – Mandolin, lead vocal
Kristin Scott Benson – Banjo
Mark Fain – Upright bass
David Johnson – Acoustic guitar
Tony Creasman – Drums
Deanie Richardson – Fiddle
Kevin Sluder – Harmony vocal
Avery Welter – Harmony vocal
Jennifer Nicholson – Harmony vocal

Orange Oak, “well, well, well”

Artist: Orange Oak
Hometown: Stockholm, Sweden
Song: “well, well, well”
Album: almost, I thought to myself
Release Date: May 1, 2026 (song); September 11, 2026 (album)
Label: Nettwerk Music Group

In Their Words: “This song explores the struggles of confronting yourself after a period of avoidance and inner conflict. It moves between self-criticism and a quiet desire for change; realizing escape is no longer sustainable. There’s tension between wanting control and accepting vulnerability. There’s strain in letting go of anger and returning to life with a new sense of honesty. At its core, ‘well, well, well’ is about self-reflection, reconciliation, and finding the courage to begin again and again and again.” – Filippa Frisell and Erik Olsson, Orange Oak

Helen O’Shea, “There Will Be Days”

Artist: Helen O’Shea
Hometown: Born in Limerick, Ireland; living in Long Branch, New Jersey
Song: “There Will Be Days”
Album: Songs In The Key Of O
Release Date: May 1, 2026
Label: White Butterfly Music

In Their Words: “The song ‘There Will Be Days’ started out in a conversation between Caroline Carlile and myself. She was starting out as a young artist with tremendous potential and I was telling her that there will be days when she feels the world is against her, but that is exactly when she must let her starlight shine through. First this line became a poem and then Caroline and I decided to write a song about it together, with help from Jay Carlile and Marc Swersky. The result is this beautiful duet between Caroline and myself with Jay on harmonica and the Carlile Family Band on backing vocals against the music of Andrew Carillo (Joan Osborne), Rob Clores (Jesse Malin), and Aaron Comess (Spin Doctors).” – Helen O’Shea

Track Credits:
Helen O’Shea – Vocals, songwriter
Caroline Carlile – Vocals, songwriter
The Carlile Family Band – Background vocals
Marc Swersky – Producer, songwriter
Andrew Carillo – Guitars
Rob Clores – Keys
Aaron Comess – Drums
Jay Carlile – Harmonica, songwriter

Video Credits: Story & Bone

Margo Price, “Rita Ballou”

Artist: Margo Price
Song: “Rita Ballou”
Album: Old No. 1 Revisited
Release Date: May 1, 2026
Label: Truly Handmade Records

In Their Words: “Many years ago, I was lucky enough to find Guy’s Clark’s perfectly crafted album, Old No. 1, while shuffling through the jukebox at the Devil’s Backbone Tavern in Fischer, Texas. His fingerpicking and storytelling on ‘Rita Ballou’ pulled me in. And I was hooked.

“Guy’s a carpenter in every sense of the word and every song he builds is ornate, solid, and reliable. It’s an honor to interpret his songwriting for this tribute, alongside producer and guitar virtuoso Dan Knobler, harmonies by my talented bandmate Logan Ledger, and the incredible, top-tier musicians that played on this track.” – Margo Price

“Margo Price was the immediate and obvious choice to extol the charms of ‘Rita Ballou.’ These songs do the work, all we have to do is cast them appropriately. So in that spirit I appointed the tracking room at Good Wishes with a proverbial joy carnival of musicians: octopus double drums from Jamie Dick and Dom Billett, powerhouse Jen Gunderman at the keys, the legend Russ Pahl walking into the studio with his steel on his shoulder, Will Honaker holding it down on bass, me strumming and picking. Margo stood out on the floor with us and nailed the song to the wall. Logan Ledger and Nicki Bluhm provided the backup choruses and a good time was had by all.” – Dan Knobler, producer

Track Credits:
Margo Price – Vocals
Logan Ledger – Harmony vocal
Nicki Bluhm – Harmony vocal
Maya de Vitry – Additional harmony vocals
Rachael Davis – Additional harmony vocals
Dan Knobler – Acoustic guitars, electric guitar
Jen Gunderman – Piano, organ, Wurlitzer
Russ Pahl – Pedal steel
Will Honaker – Bass
Jamie Dick – Drums, percussion
Dom Billett – Drums, percussion

Bryan Sutton, “Don’t Let Your Deal Go Down” with Tommy Emmanuel

Artist: Bryan Sutton with Tommy Emmanuel
Hometown: Nashville, Tennessee
Song: “Don’t Let Your Deal Go Down”
Album: From Roots to Branches
Release Date: May 1, 2026 (single)
Label: Mountain Home Music Company

In Their Words: “[Tommy is] another guy that’s just been gracious to me over the years… a big pal and he’s a big energy. Every time he sees me, you just get all of his attention … he’s a wonderful friend and a lovely dude. Certainly, the world knows how strong a musician he is, but you know, the choice for that song, something with energy, that sort of comes from more of a bluegrass background. Those chord changes lend a little more to the swing and jazz world, and that’s where he and I have spent a lot of time playing other songs together.

“I was a partner on his duet record some years ago. We did ‘C Jam Blues’ and some other swing music like that. Trying to choose songs that sort of honor a certain angle of our relationship, musically, so that mix of bluegrass and jazz and swing is where Tommy Emmanuel and I find some common ground.” – Bryan Sutton

Track Credits:
Bryan Sutton – Acoustic guitar, lead vocal
Tommy Emmanuel – Acoustic guitar, vocal

Photo Credit: Margo Price by Yana Yatsuk; Darren Nicholson by Jeff Smith.

You Gotta Hear This: New Music From Charlie Worsham, Maya de Vitry, and More

Posted on by Justin Hiltner

New Music Friday is here! Our final Friday of April finds our roundup sharing excellent country, folk, and Americana. You Gotta Hear This.

To start, Los Angeles based neo-folk artist Malena Cadiz has released a very cool track, “Smoke Rings.” It’s a Les Paul cover recorded on the original Les Paul recording console. Music nerds will get the importance of the first-ever multi-tracking console and how apropos the song selection is, too, with Cadiz offering her own rendition of a song by Paul and Mary Ford. It’s jazzy and lazy – deliciously relaxed. Also based in LA, Dominique and the Diamonds launch a vibing and glittery honky-tonkin’ song, “I Don’t Mind,” to announce their upcoming album Honky Tonk Queen. It evokes California in a sonic package that shines like it’s covered edge-to-edge in sequins, pulled forward by Dominique Gomez’s lush voice.

Earlier this week, Irish artist Glen Hansard released a gorgeous live video for “Don’t Settle,” the title track for his new album out today, Don+t Settle – Transmissions East. Hansard and his ensemble perform the impassioned song in the round, surrounding each other and surrounded by their audience and a circle of shadows. It’s dramatic and compelling. Out in the sunshine, singer-songwriter Maya de Vitry announces her new upcoming album with a fresh song, “Confidence of the Sun.” Written in the warm and soft sunlight of the Texas Hill Country, the track showcases de Vitry’s penchant for finding redemption in herself, in breaking old habits, and in being present – within music and without – to do so. It’s a lovely harbinger for what’s to come.

Texan Jacob McCoy shares a new song with us today, as well. “All Our Days” is rich with deeply stacked vocal tracks and a country-meets-indie twang. One of the last songs written for his EP, Deep Deep Water, it’s also one of the singer-songwriter’s favorite tracks he’s written to date. His EP is out everywhere today. To round us out and finish us off, our old pal Charlie Worsham – country’s modern renaissance man – returns with a new single, “Grass,” out now. It’s a tribute to his favorite pastime (mowing), his favorite surface for walking barefoot, and his rowdy 20s (IYKYK). With a heaping helping of the humor he’s often known for, “Grass” is a summer anthem perfect for farmers tans and coming in the house smelling like a fresh-trimmed lawn. As Worsham performs at Stagecoach this weekend, we’ll be cheering him on and enjoying “Grass” right here on BGS.

There’s so much to enjoy below. Get listenin’, because You Gotta Hear This:

Malena Cadiz, “Smoke Rings”

Artist: Malena Cadiz
Hometown: Los Angeles, California
Song: “Smoke Rings”
Release Date: April 20, 2026
Label: Sad Mall

In Their Words: “A few months back, an old friend from NYC, Tom Camuso, reached out that he was in LA working on an exciting new project. Tom, who’s worked with Lenny Kravitz, Blondie, and Steve Earle, was in charge of refurbishing the original Les Paul recording console. For music nerds this is HUGE. Les Paul created the very first multi-tracking console in 1957 and it now has a new home in the historic United Studios in LA.

“He invited my band and I to track a few songs on the console to test the gear – this was the first time anyone had recorded on this machine since it had been put in storage decades ago. We were obviously over the moon to be invited and decided the first track recorded on Les Paul’s console after all these years should be a Les Paul song. We chose to do a version of Les Paul and Mary Ford’s ‘Smoke Rings.’ I’ve loved this song forever for its dreamy, whimsical quality and Mary Ford’s gorgeous performance.

“My buds Jason A. Roberts (Norah Jones, Spoon, Bedouine), Leeann Skoda (Noah Cyrus), and Aaron Stern (Curtis Harding) came into the studio with me and I do not exaggerate when I say it was a semi-spiritual experience to get to record in this legendary space – they even got to play Les’s original guitars for the recording.” – Malena Cadiz

Maya de Vitry, “Confidence of the Sun”

Artist: Maya de Vitry
Hometown: Lancaster, Pennsylvania
Song: “Confidence of the Sun”
Album: All My Faith
Release Date: May 1, 2026 (single); July 24, 2026 (album)
Label: Mad Maker Studio

In Their Words: “Over the years, I have shed what feels like many skins. When I wrote the first lines of this song, ‘It took me a long time to recognize peace as a place I belong,’ it felt healing just to sing it and own that truth. It’s taken years for me to begin to rewire some painful patterns, some deep grooves of self-doubt and self-sabotage. For anyone who has ever been through periods of interpersonal chaos, times of loud endings and quiet beginnings, an era of coming back to honesty in your body and spirit after going through the motions – it can be hard to actually see and feel and appreciate in your bones just how far we’ve come, you know?

“I wrote this song in the unapologetically bright-yet-soft sunlight of the Texas Hill Country, in spring, at the Blue Rock Artist Ranch & Studio. I received a gift of attending a writing residency there, and it allowed me the space and time to slow down and listen to my own heart. I love this arrangement so much, the way it feels like home for me to rest my vocals in Dom Billett’s drum groove, the way the band rises and falls in energy together because this all happened in one whole live take, and the comfort and camaraderie of singing in unison with Shelby Means and Joel Timmons before we split into some joyous three-part harmony towards the end of the song.” – Maya de Vitry

Track Credits:
Maya de Vitry – Vocals, acoustic guitar
Shelby Means – Harmony vocals
Joel Timmons – Harmony vocals
Jo Schornikow – Keys
Ethan Ballinger – Electric guitar
Spencer Cullum – Pedal steel
Ethan Jodziewicz – Fretless electric bass
Dom Billett – Drums

Dominique and the Diamonds, “I Don’t Mind”

Artist: Dominique and the Diamonds
Hometown: Los Angeles, California
Song: “I Don’t Mind”
Album: Honky Tonk Queen
Release Date: April 24, 2026 (single); June 26, 2026 (album)

In Their Words: “Before moving to LA, I lived in a small farm town on the coast of Northern California. I didn’t want to leave, but I had to escape a dangerous relationship I was in. I was heartbroken for having to leave the town, not so much the relationship itself. I had plans of making it back one day and settling down, but when I found out my ex had planted roots out there, I knew it wouldn’t be safe for me to go back. I felt like he took a dream of mine away from me. I wanted this song to sound like that coastal town I was living in; a song that could transport you to that same beach where the sea touches the redwoods of Muir Woods. It might seem contrary for the song’s title to be ‘I Don’t Mind,’ but it’s how I feel about everything now. Moving to LA was the best decision of my life and unfortunately I don’t think I would have ended up here if I hadn’t experienced all of those terrible things up north. There would be no Dominique and the Diamonds, this incredible, dreamlike life that I live now because of this project would have never existed. So in the end, I don’t mind that my ex took my old dream away from me. This is exactly where I was meant to be.” – Dominique Gomez

Track Credits:
Dominique Gomez – Vocals, acoustic guitar
Hamilton Boyce – BGVs, bass
Tyler English – Pedal steel
Craig Jacobs – Drums
Glenn Brigman – Piano, producer
Dominique and the Diamonds – Producer

Glen Hansard, “Don’t Settle”

Artist: Glen Hansard
Hometown: Dublin, Ireland
Song: “Don’t Settle”
Album: Don+t Settle – Transmissions East
Release Date: April 21, 2026 (video); April 24, 2025 (album)
Label: Plateau/Secretly Distribution

In Their Words: “‘Don’t Settle’ is a song I wrote to a younger version of myself, the song came quite fast. A kind of roadmap of dos and don’ts for the sometimes treacherous tightrope that is one’s life in music. Stay the road, know your north. Listen only to your own heart and gut. Your road is your road. You’ll know the signs. Don’t deviate. And when you do, deviate completely. Don’t settle for less than you envisioned.” – Glen Hansard

Video Credits:
Frank Machel – Director, editor
Markus Mörtz – Producer, editor
Sara Kelly-Husain – Documentary, unit manager
Vincent Chmiel – Documentary
Martin Ullrich – DOP
Eric Poß – Camera
Armin Riedel – Camera
Stephan Bodner – Technical assistance, camera

Jacob McCoy, “All Our Days”

Artist: Jacob McCoy
Hometown: Amarillo, Texas
Song: “All Our Days”
Album: Deep Deep Water (EP)
Release Date: April 24, 2026

In Their Words: “‘All Our Days’ was one of the last songs written for the EP, and to date is one of my favorite songs I’ve written. I wrote it with friend and fiddle player Coral Bradshaw just a few weeks prior to recording. Something about it contains this seasoned, hard-earned romantic intimacy that just immediately drew me in like a lot of old country songs do. The song moves through all of the seasons of a long love – summer’s ease, winter’s frozen hope, and the slow return of spring – before landing somewhere that feels genuinely hard-won.

“Sam and I cut it on the first day of recording in his small above-garage studio in Nashville and it came together very organically. Syncopated fingerstyle guitar provides the foundation for the entire song and almost immediately you become immersed in intimate harmonies, with a waltzing bass line and support from an upright piano that provides some forward motion. For the interludes, I ended up playing my mother-in-law’s old cheap classical [guitar] from the ’70s that almost gave it a Willie Nelson feel, which given that he was always playing somewhere in the background growing up, I absolutely love. It might be my favorite musical moment on the entire project.” – Jacob McCoy

Track Credits:
Jacob McCoy – Vocals, acoustic guitar, classical guitar, bass
Sam Westhoff – Upright piano, producer

Charlie Worsham, “Grass”

Artist: Charlie Worsham
Hometown: Grenada, Mississippi
Song: “Grass”
Release Date: April 24, 2026

In Their Words: “‘Grass’ is an ode to my favorite surface to walk on barefoot, my favorite domestic pastime (mowing), and maybe a wink to a certain favorite pastime of my 20s, IYKYK…

“More than that, ‘Grass’ represents the blend of blues and bluegrass influences that raised me. I play that song and it takes me back to drinking from the water hose, attending my first MerleFest, walking out to the lawn seats at amphitheaters across the country, whether I was playing the show that night or catching a show with my friends.

“Some people like sand. Some people like snow. Some people like the concrete, where ain’t nothing grows. But I’d rather be… sweatin’ all summer on a John Deere stacking up cash cash cash…” – Charlie Worsham

Photo Credit: Charlie Worsham by PJ Brown; Maya de Vitry by Ethan Jodziewicz.

You Gotta Hear This: New Music From Don Williams, Victoria Bailey, and More

Posted on by Justin Hiltner

This week it’s absolutely packed in our weekly roundup of new roots music! You Gotta Hear This…

From the Blue Ridge Mountains of Western North Carolina, the Asheville Mountain Boys kick us off with a new performance video for “Don’t Take Me Back Again.” It’s a track from their debut self-titled album, which was just released in February. It’s straight-ahead bluegrass that will transport you right back to their beautiful home turf in Southern Appalachia. Also in bluegrass, from just down the ridge from NC in Boiling Springs, South Carolina, husband-and-wife duo Benson (Wayne and Kristin Scott Benson) have a new single out today, “Maybe It’s You.” Featuring their friend Heath Williams on the lead vocal, it’s a clean and crisp example of modern bluegrass with traditional bones.

You’ll also get to hear a lovely bluegrass-gospel-western rendition of a Randy Travis cut, “He’s My Rock, My Sword, My Shield” below, brought to us by Southern California singer-songwriter and roots artist Victoria Bailey. She effortlessly combines bluegrass, classic country, country & western, and gospel with her version of the familiar tune. The loping, cowgirl feel is just perfect. Plus, impeccable fiddler and multi-instrumentalist Andy Leftwich has a new album out today, Aced. To celebrate, we’re sharing “Crossville” from that collection, a tune from the catalog of Ricky Skaggs – Leftwich’s former boss, who’s a friend and a mentor – that has a transatlantic and somewhat Celtic feel. It features Leftwich on both fiddle and mandolin.

From further territory on the roots genre map, Paula Boggs Band calls on both Blind Boys of Alabama and Valerie June as special guests on their recording of “Ain’t Gonna Let Nobody Turn Me ‘Round.” Soulful string band folk is a perfect backdrop for the languid, marching track – one that remains all too timely and applicable in 2026. Watch a new lyric video for the song below and join the sing-along party, and the struggle for justice, too. Don’t miss Serafima and the Shakedowns’ paean to Seattle, the Queen of the Pacific Northwest. “Shivers” is a chill and vibing Americana track with lush guitars backing gentle ruminations on friendship, community, and place. Whether you have or haven’t felt the “shivers” in a while, this song will be there for you when you do again.

Keep scrolling, as there’s more gold to find. For instance, Gregory Alan Isakov and Sylvan Esso released a track together earlier this week, “Fade Into You.” It’s a lovely cover song of the cult favorite ’80s and ’90s alt-rock band Mazzy Star. For a while, Isakov wasn’t sure the track was finished – that is, until he called upon Amelia Meath of Sylvan Esso to complete the number with her vocals. Like Isakov, we love how it turned out. Finally, a legend of country music returns, posthumously, with a new album on May 29. Don Williams passed away in 2017, but his powerful legacy lives on. We spoke to his son, Tim Williams, about the latest single from Epilogue: The Cellar Tapes, a collection of found recordings made by Don himself dating back to the ’70s. The new single is an alternate version of a favorite track, “I’m The One,” that puts a magical focus on Williams’ vocals. You won’t want to miss it.

So much to love and enjoy is waiting for you below – You Gotta Hear This!

The Asheville Mountain Boys, “Don’t Take Me Back Again”

Artist: The Asheville Mountain Boys
Hometown: Asheville, North Carolina
Song: “Don’t Take Me Back Again”
Album: The Asheville Mountain Boys
Release Date: February 12, 2026 (album)

In Their Words: “‘Don’t Take Me Back Again’ is an original song written by our guitar player, Marshall Brown, and is featured on our new self-titled LP. Marshall brought the song to the group about a year ago and we had so much fun working it up into an early ’50s-style bluegrass song. Zeb and I wrote exchanging mandolin and banjo riffs for the song instead of normal solos; we felt that was an homage to how early Jimmy Martin songs would have more melody-based riffs than conventional solos. We shot the video at Asheville Guitar Pedals in West Asheville as sort of a tongue in cheek reference to our motto: ‘No Plugs No Pedals Only Bluegrass.’ We loved working with Rebecca Jones (video) and Carter Giegerich (audio) on this in-person, fully live take of the song. “ – John Duncan

Track Credits:
Marshall Brown – Lead vocal, guitar
Jacob Brewer – Tenor vocal, bass
John Duncan – Banjo, baritone vocal
Zeb Gambill – Mandolin

Video Credit: Videography by Rebecca Branson Jones, audio by Carter Giegerich. 

Victoria Bailey, “He’s My Rock, My Sword, My Shield”

Artist: Victoria Bailey
Hometown: Huntington Beach, California
Song: “He’s My Rock, My Sword, My Shield”
Release Date: April 24, 2026

In Their Words: “My cover of this Randy’s Travis gospel song, ‘He’s My Rock, My Sword, My Shield,’ truly sets the tone for where I am in music and with my faith. It’s been a few years since my album release (A Cowgirl Rides On) and I continue to grow a deep love for bluegrass and gospel. It only made sense to go in and record one of my all-time favorites by Randy Travis before I dive into my next record.

“This song was recorded live in studio with my bluegrass band at Station House Studio in Los Angeles, produced by my good friend Brian Whelan. It was a sweet reunion being back in that room and to honor such a beautiful, spiritual song. I often describe my sound as ‘a little bit gospel, a little bit bluegrass, and everything in between.’ This next single is a perfect recipe of all those things and I’m looking forward to more of it this year!” – Victoria Bailey

Track Credits:
Victoria Bailey – Vocals
Brian Whelan – Producer, lead guitar, BGVs
Ted Russell Kamp – Bass
Luke Adams – Drums
Philip Glenn – Fiddle
Leeann Skoda – BGVs

Benson, “Maybe It’s You”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Maybe It’s You”
Release Date: April 17, 2026
Label: Mountain Home Music Company

In Their Words: “We love the tried-and-true themes of classic bluegrass songs. Cabins, farms, and mountains were relevant to the writers then. In fact, if you can find a new song that is reminiscent of those standards, it’s a real find. I think ‘Maybe It’s You’ is a nice representation of a modern bluegrass song, lyrically. Troubled relationships are timeless, but this is a contemporary take on that same theme.” – Kristin Scott Benson

“Heath Williams sang lead on ‘Maybe It’s You’ and we are so lucky to work with him. He has been a huge part of many Benson songs, like ‘Oh Me of Little Faith’ and ‘Lay ‘Em Down.’ He’s not from a bluegrass background, but is perfectly suited for it and has a really fresh, special take. In fact, Terry Herd, one of the co-writers, specifically mentioned him because Terry thought his approach would be ideal. After years of going to church with Heath and playing with him on occasion, it’s a joy to be recording with him now.” – Wayne Benson

Track Credits:
Heath Williams – Lead vocal
Wayne Benson – Mandolin
Kristin Scott Benson – Banjo
Cody Kilby – Acoustic
Kevin McKinnon – Bass
Zack Arnold – Harmony vocals

Paula Boggs Band, “Ain’t Gonna Let Nobody Turn Me ‘Round”

Artist: Paula Boggs Band
Hometown: Seattle, Washington
Song: “Ain’t Gonna Let Nobody Turn Me ‘Round” featuring Blind Boys of Alabama and Valerie June
Album: Sumatra
Release Date: March 27, 2026 (album)
Label: Boggs Media LLC

In Their Words: “Our cover of the civil rights anthem, ‘Ain’t Gonna Let Nobody Turn Me ‘Round,’ feels more relevant today than when we recorded it. To highlight its American roots heritage, we incorporated bluegrass instruments like banjo and fiddle. The featured artists, Blind Boys of Alabama and Valerie June, further enhance the song’s messages of hope and determination. The lyric video grounds the song in present times.” – Paula Boggs

Track Credits:
Paula Boggs – Lead vocals
Tor Dietrichson – Percussion
Jacob Evans – Drums, percussion
Darren Loucas – Acoustic guitar, Dobro, banjo, ukulele
Paul Matthew Moore – Acoustic piano, percussion
David Salonen – Upright bass, fiddle
Blind Boys of Alabama (Ricky McKinnie, Sterling Glass, J.W. Smith, Joey Williams) – Co-lead vocals
Valerie June – Co-lead vocals

Gregory Alan Isakov and Sylvan Esso, “Fade Into You”

Artist: Gregory Alan Isakov and Sylvan Esso
Hometown: Gregory Alan Isakov: Born in Johannesburg, South Africa; grew up in Philadelphia, Pennsylvania. Sylvan Esso: Durham, North Carolina
Song: “Fade Into You”
Release Date: April 16, 2026
Label: Dualtone

In Their Words: “I grew up listening to Mazzy Star and sort of sketched this song out one afternoon. I had read an article about Hope Sandoval (the singer of Mazzy Star) the week before and there was this paragraph about how she played a few shows at the Sydney Opera House in almost complete darkness. Some of the crowd was super disgruntled about it and walked out. I remember thinking, ‘Wow, what a hero.’ I sat on the recording I made for a long time, thinking it wasn’t quite finished, and reached out to Amelia of Sylvan Esso. She has one of my favorite voices of all time. Once I heard her on it, it felt ready. I really love how it came out.” – Gregory Alan Isakov

Andy Leftwich, “Crossville”

Artist: Andy Leftwich
Hometown: Carthage, Tennessee
Song: “Crossville”
Album: Aced
Release Date: April 17, 2026
Label: Mountain Home Music Company

In Their Words: “One of the greatest joys of playing music with Ricky Skaggs was getting a chance to jam on his original instrumentals! They all have great melodies and are structured in a way that gives you an opportunity to stretch out and push yourself. This song is certainly that. Ricky has always inspired me with his creativity and heart behind each note that he plays and I always looked forward to playing this one with him each night! It’s one of my favorites! I thought I’d pay homage to my friend and former boss by recording one of his wonderful compositions, ‘Crossville.'” – Andy Leftwich

Track Credits:
Andy Leftwich – Fiddle, mandolin
Byron House – Upright bass
Cody Kilby – Acoustic guitar
Matt Menefee – Banjo

Serafima and the Shakedowns, “Shivers”

Artist: Serafima and The Shakedowns
Hometown: Seattle, Washington
Song: “Shivers”
Album: Ride Easy
Release Date: April 14, 2026 (single); May 1, 2026 (album)
Label: BWGiBWGAN

In Their Words: “‘Shivers’ is an ode to Seattle, Queen of the Pacific Northwest – a cloud-soaked rumination that finds the song’s lonely voice wondering, is there anyone out there? My friends have left the city and I’ve heard I’m supposed to have a guardian angel – but where is she? Maybe she’s hiding behind the marine layer.

“This is a song about the city I grew up in, missing all your friends that have moved far away, feeling like they lied to you about stuff like having a guardian angel, and wondering if heaven is a real place – either up there or down here.” – Serafima Healy

Track Credits:
Serafima Healy – Vocals, guitar
Sam Burrows – Guitar
Joe McPhee – Bass
Jules Tennyson – Drums
Finn O’Hea – Trumpet
Aaron Khawaja – Piano
Jay Kardong – Pedal steel

Video Credits: Hand animations by Serafima Healy.

Don Williams, “I’m The One (Alternate Version)”

Artist: Don Williams
Hometown: Nashville, Tennessee
Song: “I’m The One (Alternate Version)”
Album: Epilogue: The Cellar Tapes
Release Date: April 17, 2026 (single); May 29, 2026 (album)
Label: Craft Recordings

In Their Words: “I remember this song very well from when I was 13-14 years old. I always loved the song. Obviously, Daddy did too, or there would not have been strings on it. Strings are always about the last thing before mixing (sometimes percussion). When I realized that it was one of the songs on the tapes in the cellar, I was excited. I did, though, want to take a crack at stripping it down a bit or making a little more room for Dad’s vocal, which was my intention and the approach I took. The original version is definitely cool and pretty complicated, actually, but I wanted a version that would be a platform from which maybe there’d be a little more focus on the vocals.” – Tim Williams, son of Don Williams

Photo Credit: Don Williams by Jim McGuire via the Grand Ole Opry Archives; Victoria Bailey by Dylan Gordon.

You Gotta Hear This: New Music From Jarrod Walker, Dailey & Vincent, and More

Posted on by Justin Hiltner

Welcome to another edition of our weekly round-up of new roots music! You Gotta Hear This…

To get us started this week, Dailey & Vincent continue to tease tracks from their upcoming album, A Beautiful Life, which will arrive on June 12. In the meantime, they’re sharing a music video for “Moon Shines on the Still,” another delightfully bluegrassy number for the country-and-gospel-and-bluegrass powerhouse duo. The fresh single’s breakneck tempo doesn’t stymie any of the fine pickers who shred throughout the feisty song about moonshine running and that good ol’ mountain dew. For another bluegrass duo, check out fiddlers Deanie Richardson & Kimber Ludiker launching their new track, “Rutland’s Reel.” It’s an acrobatic and challenging tune by Howdy Forrester with several complicated parts, but these two turned it into a stellar twin fiddle number anyway. What, like it’s hard?

From Asheville, North Carolina, Appalachian string band TANASI infuse their songs and tunes with influences from around the world. “Give Me Love (Give Me Peace On Earth)” is their timely rendition of a George Harrison song, on which Dobroist and multi-instrumentalist Billy Cardine plays a chaturangui, a slide instrument that draws from Indian classical music traditions. Watch a performance video for their cover below. Singer-songwriter Maisy Owen has shared a new music video today, too. “Dark On A Sunny Day” is lush indie folk wrapped in a sonic dreamscape, with a slightly dark and gritty tinge to pair perfecdtly with her evocative lyrics. The beat pulses forward, pushing and pulling the track ahead.

Plus, mandolinist Jarrod Walker – who you may know from Billy Strings’ band – just this week announced an upcoming solo album, Nighthawk, his first release as an artist in his own right. Prior to the album announcement Wednesday, Walker unveiled an upcoming tour in May. Now the lead single/title track from his debut LP is available everywhere, and we’re sharing the lyric video visualizer for the remarkably straight-ahead bluegrass number below. Nighthawk arrives in full on May 8.

Bluegrass, folk, and indie; mandolins, fiddles, and banjos; moonshine, darkness, and emotions – there’s something for everyone to enjoy. You Gotta Hear This:

Dailey & Vincent, “Moon Shines on the Still”

Artist: Dailey & Vincent
Hometown: Nashville, Tennessee
Song: “Moon Shines on the Still”
Album: A Beautiful Life
Release Date: April 10, 2026 (single); June 12, 2026 (album)
Label: Pillar Stone Records

In Their Words: “‘Moon Shines on the Still’ is a fun, up-tempo song with a lot of personality. It’s the kind of record that makes you want to roll the windows down and enjoy the ride.” – Jamie Dailey

“We had a blast recording this one. ‘Moon Shines on the Still’ has energy, heart, and a sound that feels both fresh and true to who we are.” – Darrin Vincent

Maisy Owen, “Dark On A Sunny Day”

Artist: Maisy Owen
Hometown: Nashville, Tennessee
Song: “Dark On A Sunny Day”
Album: Dark On A Sunny Day
Release Date: April 10, 2026 (single); May 1, 2026 (album)
Label: Tompkins Square

In Their Words: “There was a period of time two years ago in the summer when I was writing almost every night. ‘Dark On A Sunny Day’ was one of the first songs I kept. There’s a kind of honesty that comes with someone’s early work, something I always look for when I deep dive into a new musical obsession. Something early is something pure. This is the only song on the album with a full band arrangement. The instrumentation is dark and unceasing. There is no metaphor or veil regarding the lyrics, they are candid.” – Maisy Owen

Deanie Richardson & Kimber Ludiker, “Rutland’s Reel”

Artist: Deanie Richardson & Kimber Ludiker
Song: “Rutland’s Reel”
Release Date: April 10, 2026
Label: Mountain Home Music Company

In Their Words: “‘Rutland’s Reel’ was written by one of my ultimate fiddle heroes, Howdy Forrester. In typical Howdy fashion, it’s got several parts and is challenging to play. It was a lot to take this one on as a twin fiddle piece and Kimber took on the challenge of learning the harmony part. She nailed it! I’m so proud to have this tune on our record honoring the great Howdy Forrester.” – Deanie Richardson

Track Credits:
Deanie Richardson – Fiddle
Kimber Ludiker – Fiddle
Cody Kilby – Acoustic guitar
Hasee Ciaccio – Upright bass
Tristan Scroggins – Mandolin
Kristin Scott Benson – Banjo

TANASI, “Give Me Love (Give Me Peace On Earth)”

Artist: TANASI
Hometown: Asheville, North Carolina
Song: “Give Me Love (Give Me Peace On Earth)”
Album: TANASI
Release Date: April 9, 2026 (single); May 8, 2026 (album)

In Their Words: “This song by George Harrison feels especially relevant right now – we need as many songs about peace and love as possible in difficult times. It echoes both backward and forward, carrying layers of meaning that resonate personally and globally. In addition to honoring the song itself, we wanted to pay tribute to Harrison’s influence – particularly his role in bringing classical Indian instruments like the sitar into popular music. Alongside his signature Dobro, Billy Cardine plays the chaturangui, a slide instrument developed by his teacher in India, Debashish Bhattacharya. With its 22 strings, it creates a rich, shimmering tone reminiscent of the textures heard in many of Harrison’s recordings. Mary Lucey and Anya Hinkle share the lead throughout, trading lines and weaving their voices together in sister-like harmony.” – TANASI

Track Credits:
Billy Cardine – Dobro, chaturangui
Mary Lucey – Bass, vocals
Anya Hinkle – Guitar, vocals

Jarrod Walker, “Nighthawk”

Artist: Jarrod Walker
Hometown: Lithia, Florida
Song: Nighthawk
Album: Nighthawk
Release Date: April 8, 2026 (single); May 8, 2026 (album)

In Their Words: “A few years back, I stumbled upon the word ‘Nighthawk’ in The Dictionary of Obscure Sorrows, a collection of definitions for newly invented words that describe unnamed emotions, feelings, and experiences. Initially, ‘Nighthawk’ began as a moody, vibey track, but Christian Ward and I soon realized it worked better as a straight up bluegrass song. Once we committed to that approach we were able to lock down a couple verses, a chorus, and everything started to take shape. One of the trickest parts of songwriting is revisiting an unfinished song, returning to that headspace to add final touches Eventually we added a third verse which tied it all together with a big ribbon and bow. Now I couldn’t imagine it without it. I find that with trad bluegrass it’s best to keep things close to home or else you risk losing the essence of the song. I say that now, but ask me how I feel next year. The band knocked this one out in a few takes and later Billy [Strings] added a killer tenor harmony. Ultimately, ‘Nighthawk’ wound up being by far one of the grassiest tracks on the record.” – Jarrod Walker

Track Credits:
Jarrod Walker – Vocals, mandolin
Cory Walker – Banjo
Jamie Dick – Drums
Christian Ward – Fiddle
Jake Stargel – Guitar
Royal Masat – Upright bass
Billy Strings – Background vocals

Photo Credit: Jarrod Walker by Jesse Faatz; Dailey & Vincent by Gregg Roth.

You Gotta Hear This: New Music From John R. Miller, Eilen Jewell, and More

Posted on by Justin Hiltner

Welcome to another edition of our weekly roundup of new roots music! You Gotta Hear This…

First up, country singer-songwriter Erin Gibney gives us a preview of a brand new version of “Risk It,” one of the first true love songs she had ever written. In this iteration, it’s stripped back to a more simple and acoustic approach, but still with a pop country sheen and plenty of big, energetic moments. Also in country, Carly King has announced her upcoming album, Loving You Is Easy, with a lovely and tender lead single, “Three Martinis.” King wrote the song about a fated trip to New York City where she fell in love with the man who would become her fiancé. It’s full of memories, nostalgia, and lush with imagery of falling head over heels, all wrapped in a cozy and gauzy folk-country package.

In the bluegrass world, North Carolina’s Unspoken Tradition highlight their working-class bluegrass bent with a new single, “Company Man,” which celebrates and interrogates the reality of blue-collar, hard working folks in this day and age. As they describe it, “The song tells the story of a man who seems to live to work, not work to live. There’s pride in that, but also a sense of stoic sadness.” Also speaking to the social and political climate of today, folk artist and singer-songwriter Eilen Jewell has released her own version of Woody Guthrie’s important and sadly still applicable song, “Deportee.” Jewell’s rendition is twangy, honky-tonking, and plaintive, drawing inspiration from the first time she ever heard the song as a teenager. She tells us that story – and about how the number has “haunted” her since – below.

Roots music fans will also enjoy watching singer-songwriter Adam Klein perform “Burnin’ Love,” an original song, in a brand new music video. Previously released in 2015, Klein returned to the track with collaborator Adam Poulin for a simple duo, acoustic reimagination of the song, which Klein wrote while on a Peace Corps mission in Mali in West Africa. And be sure you don’t miss a brand new single – and live performance video, to boot! – from West Virginian Americana troubadour John R. Miller. “If You Could Only See Me Now” is Miller’s take on a song written by a dear friend and musical compatriot, William Matheny. It’s another two-stepping, honky-tonk ready track perfect for sliding across the shiny floorboards or leaving a tear in your beer. Miller inhabits the lyric intuitively, with languid and laid back phrasing while the lyric, fiddle, and pedal steels pull him along.

There’s plenty to listen to and love. You Gotta Hear This!

Erin Gibney, “Risk It (Stripped)”

Artist: Erin Gibney
Hometown: Southington, Connecticut and Nashville, Tennessee
Song: “Risk It (Stripped)”
Release Date: April 3, 2026
Label: Rock Ridge Music

In Their Words: “I wrote this song after meeting my now-fiancé and it is one of the first true love songs I have ever written. ‘Risk It’ really describes the feeling of falling in love knowing that it could either end in marriage or the greatest heartbreak of your life. During the beginning of the relationship, I felt all the fears and excitement that come in the early stages of love. I brought this experience to Kipp Williams when we began working together and this became the first song we created. It was so much fun to not only try something new with my sound, but explore new themes in my music. This song is so close to my heart and I can’t wait for the world to hear this reimagined version of it!” – Erin Gibney

Track Credits:
Kipp Williams – Producer, songwriter, all instruments
Erin Gibney – Vocals, songwriter

Eilen Jewell, “Deportee”

Artist: Eilen Jewell
Hometown: Boise, Idaho
Song: “Deportee”
Release Date: March 24, 2026
Label: Signature Sounds

In Their Words: “I first heard ‘Deportee’ when I was a teenager. I can’t recall which version it was, but I remember I was babysitting a little girl who was about six years old. She put it in the CD player, cranked it up, and started singing along loudly in a sweet and mournful tone. I could tell it really resonated with her so I listened closely and realized it resonated with me too – the grief in the sudden separation of friends, the ripping away of a shared humanity – it’s haunted me ever since. I’ve heard just about every version of it there is, searching for one as anguished as the one in my memory of that night with the little girl howling along.

“My search never yielded one that quite fit so I altered the song a bit by putting it in a minor key and choosing only the verses that felt closest to the bone. It’s disheartening to think that Woody Guthrie wrote ‘Deportee’ nearly 80 years ago and it still rings true. What can I do but join him in fighting fascism the only way I know how? With my conscience, with my guitar, with my voice.” – Eilen Jewell

Track Credits:
Eilen Jewell – Acoustic guitar, vocals
Jason Beek – Drums, vocals
Jerry Miller – Electric guitar
Matt Murphy – Upright bass

Carly King, “Three Martinis”

Artist: Carly King
Hometown: New Jersey and Nashville, Tennessee
Song: “Three Martinis”
Album: Loving You Is Easy
Release Date: March 25, 2026 (single); May 15, 2026 (album)
Label: First City Artists

In Their Words: “I wrote this song about the first time I went to New York with my fiancé, who at the time was my boyfriend of one month and my brother’s best friend of 15 years. We stayed in a tiny hotel room and spent the whole day wandering Manhattan, falling in love, and ducking into dive-y music shops. I found a guitar I fell in love with and bought it and we carried it around the city all day – well, mostly he did. I remember feeling how simple and lucky everything was. Later, over martinis at the Carlyle Hotel (my namesake), guitar beside us, we talked deeply about our past, our families, and our future, and I knew I wanted to build a life with him around music. This song is the first date – it’s the taxi cab that takes you into the album.” – Carly King

Adam Klein, “Burnin’ Love”

Artist: Adam Klein
Hometown: Tucker, Georgia
Song: “Burnin’ Love”
Album: Live at Leesta Vall Sound Recordings
Release Date: April 3, 2026
Label: Cowboy Angel Music

In Their Words: “This album is a mix of previously released and unreleased songs. ‘Burnin’ Love’ was originally released on my 2015 album, Archer’s Arrow, with a full band presentation. Here, like all the songs on this new record, it’s stripped back to just acoustic guitar, vocals, and violin. But it still feels like it packs a punch. It randomly occurred to me to play it on tour in this duo format a couple nights before the session at Leesta Vall, so it’s fresh and a bit off the cuff. If the Archer’s Arrow version gave a nod to Neil Young & Crazy Horse in the sound of the electric guitar, somehow Adam Poulin’s fiddle playing here achieves something similar in its abandon.

“The song itself was written on my first full day in the village I lived in for two years during my Peace Corps service in rural Mali in West Africa. I was listening to the metal roof of my two-room mud house crackle from the blistering sunlight and questioning all my decisions – did I really want to spend two years here on my own in this curious land? It all loomed before me like a joke. I remember thinking of the feeling of solitude and emptiness that accompanies the end of love, and channeled it into this two-chord song.” – Adam Klein

Track Credits:
Adam Klein – Acoustic guitar, vocals
Adam Poulin – Violin, vocals

Video Credits: Filmed and edited by Jeff Shipman.

John R. Miller, “If You Could Only See Me Now”

Artist: John R. Miller
Hometown: West Virginia
Song: “If You Could Only See Me Now”
Release Date: March 27, 2026
Label: Rounder Records

In Their Words: “I’ve been fortunate to collaborate with William Matheny for a majority of my musical life at this point. Probably 15 years or so now, definitely in the widest variety of musical situations. The first time I saw him play at 123 Pleasant Street in Morgantown, West Virginia, in 2004 I passed out on a bench and somehow remembered his set that night. I’d get to meet him a few years later and we’ve been playing shows together ever since.

“William’s been playing in bands since he was in the single digits, and his body of work as a songwriter is huge and detailed, with recurring motifs and great riffs. His way of zooming in on the minutiae of viscerally familiar settings in his writing is something I have always admired, and his songs are imbued with literary and philosophical references that reward repeated listening.

“This is my take on a country song of his, one that we recorded some years back for his album That Grand, Old Feeling. I’ve always loved this song, feels like some unearthed forgotten classic country gem every time I hear it. It’s an evocative, tongue-in-cheek ode to the gutter that reads like a drunk postcard to a lost loved one back home.” – John R. Miller

“I’ve played a lot of music with John R. Miller over the years. Sometimes it was my band, sometimes it was his, and sometimes it was something else entirely. When the subject comes up, I usually tell people that we’ve been giving each other the same hundred dollars back and forth for 15 years. I say that completely in jest, of course. We’ve only recently started making that kind of money. When John played [the song] for me, I was incredibly flattered. I mean, it’s certainly not as if he’s hurting for material. On a completely selfish level, I got a huge kick out of hearing such a great singer interpret it and the Tulsa players putting their own spin on it.

“I love songs that bury the lede on the listener a little bit. Stuff like Tom Waits’ ‘Christmas Card From a Hooker in Minneapolis,’ Tom T. Hall’s ‘The Homecoming’ or ‘The Green, Green Grass of Home’ by Tom Jones. I didn’t want to let guys named Tom have all the fun, so I wrote this.” – William Matheny

Unspoken Tradition, “Company Man”

Artist: Unspoken Tradition
Hometown: Western North Carolina
Song: “Company Man”
Release Date: March 27, 2026
Label: Mountain Home Music Company

In Their Words: “When Unspoken Tradition first started trying to find our niche, we branded ourselves as ‘working class bluegrass.’ Though we’ve grown and evolved, that is still very much who we are. ‘Company Man’ perfectly exemplifies this slogan. Our nation was built by folks just like the man portrayed in this song. I’ve known and was even raised by a few of them. I’d like to think that the men and women this song was written about would appreciate our music.

“The song tells the story of a man who seems to live to work, not work to live. There’s pride in that, but also a sense of stoic sadness. The lines, ‘Only thing waiting is a watch and chain’ and, ‘Old men are really what the company makes’ hit so hard, and could have only been written by Tim Stafford and Mark Bumgarner. These guys are two incredibly talented songwriters and we’re honored they shared this song with us. Evoking images of the hard-working people we all know and love, this song is a bittersweet reminder to work hard but not make work your master.” – Audie McGinnis

Track Credits:
Audie McGinnis – Acoustic guitar, lead vocal
Sav Sankaran – Upright bass, harmony vocal
Tim Gardner – Fiddle, harmony vocal
Ty Gilpin – Mandolin
Zane McGinnis – Banjo

Photo Credit: John R. Miller by Larry Nieuhes; Eilen Jewell by Damu Malik.

You Gotta Hear This: Steep Canyon Rangers, Jim Lauderdale, and More

Posted on by Justin Hiltner

Welcome to the conclusion of another week. With it, we’re once again sharing our weekly roundup of brand-new tracks, singles, videos, and more. You Gotta Hear This!

To start us off, Kentuckian singer-songwriter and instrumentalist Adam Chaffins shares a lyric video for “Sugarcoat It,” a new original song about the temptation and believability in misinformation these days. Chaffins and his collaborators leverage groove and catchy hooks for a meaningful and oh-so-timely message in the rockin’ Americana track. Also bringing a topical and cutting central thesis are Joe Troop & the Truth Machine, who have released a new live performance video for “Billionaires.” Bluegrass and old-time stemming from Southwest Virginia are the musical trappings for a funny, satirical song taking the 1% of the 1% to task. Troop and his queer cohort are well equipped to proffer their message with silliness, joy, and string band music.

From across the Atlantic, Spanish (via Amsterdam) singer-songwriter Liza Lo shares “Birdsong,” a tender and vibing alt-folk number zooming in on the present moment. “Life can get overwhelming and the simple things are quickly forgotten or overlooked,” she explains to BGS, using the song to remind all of us – and herself – not to lose sight of the beauty in the simplest of everyday things.

Bluegrassers Chris Jones & the Night Drivers have a new single out today. “Steal My Today” is the band’s first recording released with their latest member, Nelson Williams, playing the bass. Plus, Italian resonator guitarist Paolo Ercoli guests on the track, which also features banjoist Grace van’t Hof throwing some accordion into the mix. It’s also a song about the present moment, and not letting it be soiled by another. Meanwhile, perhaps the most prolific recording artist in roots music has announced a new project. Jim Lauderdale once again teams up with the Po’ Ramblin’ Boys, this time on his upcoming album The Birds Know – out in April. The lead single, “We Look At Things In Different Ways,” furthers our unofficial theme today of examining societal discourse, by pointing out you actually can love and care for another even with disparate points of view.

And, you won’t want to miss the latest from Western North Carolina’s bluegrass troubadours the Steep Canyon Rangers. Earlier this week they launched “Rumble Strips” a new single that will be included on their May Yep Roc Records release, Next Act. Written by Aaron Burdett, it’s a straight ahead bluegrass jam about getting back on track after you’ve wandered a bit from your lane and hit the rumble strips. But hope need not be lost, as Burdett points out, often you “maybe only need a little course correction to get back on the right path.”

Just in time for St. Patrick’s Day next week, country rockers Reckless Kelly share a reimagined, “evolved” acoustic version of “Seven Nights in Eire.” They originally released the song in 2005 on Wicked Twisted Road and it’s since become a fan favorite. This new edition of the track features mandolin, fiddle, pedal steel, and more combining country, Celtic, and string band in a pub-ready blend.

Check it all out below, right here on BGS. You Gotta Hear This!

Adam Chaffins, “Sugarcoat It”

Artist: Adam Chaffins
Hometown: Nashville, Tennessee, via Louisa, Kentucky
Song: “Sugarcoat It”
Release Date: March 13, 2026 (single)
Label: Spirit Nashville Recordings / Fluid Music Revolution

In Their Words: “Lately it just feels harder and harder to tell what’s real and what isn’t with so much information flying at us all the time. Sometimes, you hear something so outrageous you assume it can’t possibly be true – until you realize it is. That tension really shaped the song. It’s got sweet, sugary, sticky hooks and a groove you can’t help but move to, while shining a little light on how the truth can sometimes be deceiving. It was a lot of fun to track this playing upright bass. Along with Frank Rogers and the crew we really brought it to life. We’ve got a lot of new music on the way and we’re really excited to kick it off with this one.” – Adam Chaffins

Chris Jones & the Night Drivers, “Steal My Today”

Artist: Chris Jones & the Night Drivers
Hometown: Nashville, Tennessee
Song: “Steal My Today”
Release Date: March 13, 2026 (single)
Label: Mountain Home Music Company

In Their Words: “This song represents some firsts for us: it’s our first release to feature Nelson Williams on the bass (including some bowed bass). He’s the newest Night Driver, though he’s already been with us for over two years. It’s also our first time to feature Italian Dobro player Paolo Ercoli as a musical guest. He and I have been doing duo tours in Europe and in the U.S. for a few years now. Grace van’t Hof and I co-wrote the song, one about not letting the material loss of a breakup take away the joy of the present moment. Grace also played banjo and even added some accordion to the recording.” – Chris Jones

Track Credits:
Chris Jones – Acoustic guitar, lead vocal
Nelson Williams – Bass
Mark Stoffel – Mandolin, harmony vocal
Grace van’t Hof – Banjo, accordion, harmony vocal
Tony Creasman – Drums
Paolo Ercoli – Resonator guitar

Jim Lauderdale, “We Look At Things In Different Ways”

Artist: Jim Lauderdale & the Po’ Ramblin’ Boys
Hometown: Troutman, North Carolina
Song: “We Look At Things In Different Ways”
Album: The Birds Know
Release Date: March 13, 2026 (single); April 24, 2026 (album)

In Their Words: “This song came through me to speak to these times of divisiveness in our world. It was an important message I wanted to get out: that you can still love somebody even though your views might differ.” – Jim Lauderdale

Liza Lo, “Birdsong”

Artist: Liza Lo
Hometown: Amsterdam, the Netherlands
Song: “Birdsong”
Release Date: March 18, 2026
Label: Gearbox Records

In Their Words: “‘Birdsong’ reminds me of a new love, a gentle morning walk, or a hug from a friend. Life can get overwhelming and the simple things are quickly forgotten or overlooked. First morning coffees, meeting someone new, real connection, holding hands, song of birds in the garden, the smell of spring air, sunlight on your face after a long period of rain and grey. ‘Birdsong’ is written to remember the beauty in the smallest of things life gives us, I hope it can be this reminder for you too.” – Liza Lo

Track Credits:
Sean Rogan – Acoustic guitar
Chris Rabbits – Double bass
Owen Spafford – Fiddle
Liza Lo Hoek – Vocals, acoustic guitar

Reckless Kelly, “Seven Nights In Eire (Alternate Routes)”

Artist: Reckless Kelly
Hometown: Austin, Texas
Song: “Seven Nights in Eire (Alternate Routes)”
Album: Alternate Routes
Release Date: March 13, 2026 (single)
Label: No Big Deal Records

In Their Words: “‘Seven Nights In Eire’ is a collection of stories based on trips taken to Ireland by myself, my dad Muzzie, and our old friend Pinto Bennett. We had all been there individually a time or two and had had some amazing experiences that we wanted to write about. We got together at Pinto’s house in Boise, Idaho, and after a couple hours and a few beers, we had the song down. We basically just sat around swapping stories and telling jokes and working them into the verses that became the song as you know it today.

“The original version was recorded for our 2005 release, Wicked Twisted Road. Over the years it’s become a fan favorite and one of our most popular songs, so we decided to include it in its new evolved version on Alternate Routes. We had our friend Kym Warner come play some mandolin on it and we did the version we’ve been playing live over the last several years. It’s a little different from the OG, but it’s one of those songs that has stood the test of time and will definitely continue to be a staple on the set list.” – Willy Braun

Steep Canyon Rangers, “Rumble Strips”

Artist: Steep Canyon Rangers
Hometown: Asheville, North Carolina
Song: “Rumble Strips”
Album: Next Act
Release Date: March 10, 2026 (single); May 22, 2026 (album)
Label: Yep Roc Records

In Their Words: “My friend Nate is fond of saying when a person has gotten off track a little bit and notices they’ve ‘hit the rumble strips’ and maybe only need a little course correction to get back on the right path. I took this imagery and applied it to a relationship. Some ongoing conversations between Graham [Sharp] and I filled this one out.” – Aaron Burdett, songwriter, guitarist, vocalist

Joe Troop & the Truth Machine, “Billionaires”

Artist: Joe Troop & the Truth Machine
Hometown: Winston-Salem, North Carolina
Song: “Billionaires”
Album: The Truth Machine (EP)
Release Date: March 13 2026 (video); April 3 2026 (EP)

In Their Words: “I formed this band with friends that I made at the Galax Fiddlers Convention many moons ago. This track has Southwest Virginia written all over it. It’s Southern bluegrass gospel with four-part vocal harmonies in the Stanley Brothers style.

“Lyrically, it’s unabashed political satire, a high lonesome roasting of MAGA and their principal talking points. But funnily enough, people often approach me after gigs to thank me for singing it without realizing it’s satire. Yikes! Is media literacy a problem in this country? On occasion, some folks have walked out on our show during this song. One couple told the presenter that they didn’t pay to be insulted – they work hard for their money! And while we aren’t ragging on anyone for accumulating wealth, to add some perspective: a million seconds is 11 days. A billion seconds is 32 years. Who needs that much money!? What could you possibly spend it on?! Election meddling, propagating divisive talking points? Beyond partisan politics, the wealth disparity in this country ought to alarm everyone. We plebs are not that different. Let’s rally together around music, laughter, and class justice in this billionaire-induced hellscape of a country. It’s time for a change!

“‘Billionaires’ is part The Truth Machine, a five-track EP that drops everywhere on April 3, 2026. It is available for preorder now on my website.” – Joe Troop

Track Credits:
Joe Troop – Banjo, vocals
Lu Furtado – Guitar, vocals
Malia Furtado – Fiddle
Olivia Fernandez – Mandolin, vocals
Jimmy Washington – Bass, vocals

Video Credits: 
Kayla L Oelhafen – Producer
Alexei Mejouev – Videographer
Andy Augustyn – Gaffer
Larry Vellani, Toni Murray – Location coordinators

Photo Credit: Steep Canyon Rangers by Jay Strausser; Jim Lauderdale by Jeff Fasano.

You Gotta Hear This: New Music From Brit Taylor, Trey Hensley, and More

Posted on by Justin Hiltner

Happy Friday! We have new music for you to enjoy and, as always, You Gotta Hear This.

To start us off, Chicago Farmer (singer-songwriter Cody Diekhoff), shares a nostalgic and stripped-down country song, “The Twenty Dollar Bill,” that pays tribute to his grandparents and the “family roots” that he takes with him wherever he goes. The track is from his brand new album, Homeaid, which is out today. Kentuckian country singer, songwriter, and artist Brit Taylor has a new album today as well, Land of the Forgotten. To celebrate, we’re sharing “Done Pretending,” a song from the project co-written by Taylor, Adam Wright, and Jon Decious that decries relationships that are all “take” and no “give.”

There’s plenty of excellent guitar picking included here, too. Bryan Sutton returns to the roundup, this time with blues guitarist Joe Bonamassa in tow. The pair duet on Bill Monroe’s “Blue Night,” acoustic and electric guitars in shred-tastic dialogue on the classic number. The track comes from Sutton’s upcoming duets album, From Roots to Branches. Then, bluegrass and Americana flatpicker Trey Hensley calls on his friend and fellow guitarist Molly Tuttle for his new single, “Going and Gone.” Hensley penned the song with Bobby Starnes and features the bluesy, breakneck picking for which he has become known.

To wrap up, we have a new music video featuring lush and groovin’ Americana from YARN, a genre blurring-and-blending outfit that has been performing and recording for more than 20 years. For a song considering existence, fate, and the rat race at large, “Might as Well Be King” has an exquisite, gritty vibe – an excellent harbinger for the group’s new album, Saturday Night Sermon, arriving in April.

Whether your tastes lean towards bluegrass, blues, country, or Americana – You Gotta Hear This!

Chicago Farmer, “The Twenty Dollar Bill”

Artist: Chicago Farmer
Hometown: Delavan, Illinois
Song: “The Twenty Dollar Bill”
Album: Homeaid
Release Date: March 6, 2026
Label: LoHi Records

In Their Words: “When I was in high school my grandma started giving me a $5 bill to keep in my shoe for emergencies. When I told her I was going to be a musician she upped it to a $10. When I told her I was moving to Chicago she said, ‘You’re going to need a $20.’

“My grandfather lived pretty much his whole life in the same farmhouse that he grew up in. He was a storyteller from a small town and sharp as a tack. Grandma was a city girl, she grew in Peoria, Illinois. The home of Richard Pryor. She rode the city bus and had street smarts. Together, there wasn’t much they didn’t know or couldn’t fix or remedy. Grandpa passed away a few years ago just shy of 102. Grandma will be 98 this summer. They’re farmers, they’re veterans, and they’re my family roots that I take with me wherever I go. In song and in my heart. This song is for them.” – Cody Diekhoff, Chicago Farmer

Trey Hensley, “Going and Gone” Featuring Molly Tuttle

Artist: Trey Hensley
Hometown: Jonesborough, Tennessee
Song: “Going and Gone” featuring Molly Tuttle
Album: Can’t Outrun The Blues
Release Date: March 6, 2026 (album)
Label: Pinecastle Records

In Their Words: “I wrote ‘Going and Gone’ with Bobby Starnes the same day that he and I wrote ‘Can’t Outrun the Blues.’ And I immediately loved both of those songs. It’s one of those story songs that just falls together and paints a picture without spelling out every detail. ‘Going and Gone’ was the first song we recorded for the project – and I was thrilled to get my friend and one of my favorite guitar players and singer-songwriters, Molly Tuttle, to join in on guitar and vocals. We had a blast getting to work together in the studio and I think that comes through in the final recording!” – Trey Hensley

Bryan Sutton, “Blue Night” with Joe Bonamassa

Artist: Bryan Sutton
Hometown: Nashville, Tennessee
Song: “Blue Night” with Joe Bonamassa
Album: From Roots to Branches
Release Date: March 6, 2026 (single)
Label: Mountain Home Music Company

In Their Words: “I couldn’t be more thrilled to have Joe Bonamassa on this duets project. I’ve been a fan of his for a long time. I wasn’t sure what he would play when we cut this song, because all of this was acoustic. I love that he played electric guitar. I love the fact that it’s a different kind of song for this record and being able to interpret an old Bill Monroe song like this was just really, really fun.” – Bryan Sutton

Track Credits:
Bryan Sutton – Acoustic guitar, vocal
Joe Bonamassa – Electric guitar

Brit Taylor, “Done Pretending”

Artist: Brit Taylor
Hometown: Hindman, Kentucky
Song: “Done Pretending”
Album: Land of the Forgotten
Release Date: March 6, 2026
Label: RidgeTone Records, distributed by Thirty Tigers

In Their Words: “I wrote this tune with Adam Wright and Jon Decious – two of the most clever humans I know.

“I don’t know if other women have ever felt this way, but I have been in more than a few relationships that were a whole lot of take and basically no give. Then I realized that once you’ve given all you can give and done all you can do, you reach a point where there’s nothing left. No sadness, no anger, no regret – you are just done. That’s where the character is at in this song. She’s basically emotionless about it. She’s just done and she’s at peace with it.” – Brit Taylor

YARN, “Might As Well Be King”

Artist: YARN
Hometown: New York City, New York
Song: “Might As Well Be King”
Album: Saturday Night Sermon
Release Date: March 6, 2026 (single); April 24, 2026 (album)
Label: 333 Entertainment

In Their Words: “Let the good times roll. We don’t know why we’re here or how any of this existence even works. Is it all fated? Is it all free will? So many folks in competition with each other fighting over some made up ‘green god,’ because they’re taught that is the way. But, it’s entirely up to us as individuals to define our own way. Nothing is law, there are no rules, this is whatever we make it. So the point of this song is nothing more than, don’t put too much stock in these ridiculous systems we’ve created. Have fun being human, embrace your human form and being able to do whatever you want with it; it doesn’t last long.” – Blake Christiana

Track Credits:
Blake Christiana – Lead vocals, guitar
Andy Thomas – Lead guitar, backing vocals
Rick Bugel – Bass
Robert Bonhomme – Drums
Damian Calcagne – Hammond B3

Photo Credit: Brit Taylor by Sammy Hearn; Trey Hensley by Cora Wagoner.