LISTEN: K.C. Jones, “Heat Rises”

Artist: K.C. Jones
Hometown: Lafayette, Louisiana
Song: “Heat Rises”
Album: Queen of the In Between
Release Date: June 18, 2021

In Their Words: “‘Heat Rises’ was my songwriting attempt at making the ending of a relationship, any relationship really, relatable through the imagery of one night around a dying campfire. Musically, I wanted the ‘campfire song’ sing-along elements to meet the cosmic psychedelia of the strangeness of the universe somewhere in beautiful harmony. I think it’s definitely one of the ‘twangier’ cuts on the album but it’s kind of thematically the one that brings my love of classic country and singing with friends around a campfire together with the dreamier and more outlandish aspects of the way I write songs and the other genres of music that inspire me.” — K.C Jones


Photo credit: Olivia Perillo

WATCH: Runner of the Woods, “Acadiana Girls”

Artist: Runner of the Woods
Hometown: Nashville, Tennessee
Song: “Acadiana Girls”
Release Date: March 5, 2019
Label: Twinpost Music

In Their Words: “Who doesn’t love watching a bunch of accordions being smashed to bits? I wanted to celebrate the release of our new single, ‘Acadiana Girls,’ with a video depicting the chaos that ensues when children discover a stash of prized instruments. Acadiana is the Cajun region of Louisiana and the home of the song’s narrator. With its rich musical heritage, cuisine, and close family ties, it’s a place he loves deep down but needs to leave for now. This need to escape from Lafayette, Louisiana, ties in with the video’s theme of accordions being destroyed. I can definitely relate to this as an accordionist who loves Cajun music but also writes tunes for different genres. I feel that same push-pull between the urge to write original songs and the need to perform traditional music that never fails to pack a dance floor. That said, smashing these instruments with my two sons is probably the most fun I’ve ever had!” — Nicolas Beaudoing, Runner of the Woods


Photo credit: Michael Ernst

‘Long Gone Time’

Of his last album, 2012’s Gloryland, singer/songwriter Kevin Gordon said he likes “the unfinished ending — the story that just continues when the song’s over.” With his newest piece, a 12-song set called Long Gone Time, Gordon continues to construct his characters with an air of mystery, leaving the listener to imagine how, exactly, one came to “selling honey off the hood of your LTD.”

That’s the story of “All in the Mystery,” the blues-laden, honky tonk shuffle that kicks off the proceedings. There’s more dirty blues on the “Memphis in the Meantime” meets commander Cody gallop of “GTO” and the slow groove of “Letter to Shreveport,” wherein Gordon paints pictures of “coffee in a tin percolator,” “dry biscuits on the stove,” and “Johnny Horton on the radio.” With the fourth cut of the festivities, Gordon goes folkie with the waltzy “Walking on the Levee,” a beautiful sketch where “water's moving fast (and) streets are slow.” It’s not often one hears Gethsemane and Lawrence Welk name-dropped in the same song, but Gordon gets them both down on paper on the unnerving “Shotgun Behind the Door.” The simple openness of “Crowville” and “Goodnight Brownie Ford” embody the lyrical essence of the Deep South, narratives that speak to the textures of rural America, both nature made and human born. “Immigrant,” with its sparse bass drum thump and guitar chime, and the similarly slender “Cajun with a K” close the record covered in muddy Mississippi silt.

Gordon’s gift for portraying the poetic imagery of the American South is well-documented on his previous records. This one expands his repertoire with equal, if not greater, mastery.