Tag: video game

LISTEN: Wes Corbett, “Boss Fight”

Posted on by Editor

Artist: Wes Corbett
Hometown: Bainbridge island, Washington; now Nashville, Tennessee
Song: “Boss Fight”
Album: Cascade
Release Date: December 4, 2020
Label: Padiddle

In Their Words: “‘Boss Fight’ was written in 2014 while I was still a professor at Berklee College of Music in Boston. I set out to write a high-energy minor melody in the style of Ronnie McCoury, knowing that I would use it when I finally made this record. It remained unnamed until we finished tracking it in the studio, and while talking over edits we all agreed it felt like the music you hear when you fight the final boss in a video game, thus the title ‘Boss Fight’ was born. Another memory from that day is how I found myself in disbelief hearing how much life this incredible group of my peers breathed into this track, and the whole record for that matter. Chris Eldridge, who produced Cascade, in particular had some invaluable insight on how to make this tune move the way it does. I am so grateful for everyone who made this music possible!” — Wes Corbett

Photo credit: Kaitlyn Raitz

The Hit Points, ‘Guile’s Theme’

Posted on by Justin Hiltner

Bluegrass, as a genre, is built upon nostalgia. Especially in its contemporary iterations. Modern bluegrass plays like a primer of the form itself, referencing the genre’s founders, its historical moments, its popular songs, and all of its favorite themes and buzzwords, no matter how trope-ish — because nostalgia is a commodity.

But, what’s that sound? It’s not pining for the hills and home, it’s nostalgia for an entirely different time, place, and feeling. The feeling being a creeping dread at the inevitability of your loss at the hands of Ryu, E. Honda, or Chun-Li. The decadent, joyful nostalgia that The Hit Points — fiddler guru Eli Bishop (Lee Ann Womack, the Deadly Gentlemen) and banjo wizard Matt Menefee (Cadillac Sky, ChessBoxer) — conjure on their blazing cover of “Guile’s Theme,” from Nintendo’s iconic video game, Street Fighter, will send you careening back in time. You’ll land on a couch, or high pile carpet, or flimsy futon in front of a TV, where as youths (or as youthfuls), you consumed hours and hours of video game entertainment. And with it, you also consumed hours and hours of incredible music, without ever realizing that the otherworldly, impossibly complicated tunes could actually be performed by human beings. Let alone by bluegrass musicians, on bluegrass instruments, with such ease and aplomb that it would nearly strike listeners as just another new acoustic, Dawg-grass tune.

The Hit Points’ debut, self-titled project is chock-full of nearly note-for-note covers of 8-bit music, crafted with loving care and aggressive creativity — and surrounded by a talented cast that includes Jake Stargel (Mountain Heart), Sierra Hull, Royal Masat (Billy Strings), and Paul Kowert (Punch Brothers), it shouldn’t be a surprise. This is instrumental acoustic music and bluegrass pickin’ at its best.