BGS 5+5: Gabe Dixon

Artist: Gabe Dixon
Hometown: Nashville, Tennessee
Latest Album: Lay It On Me

What was the first moment that you knew you wanted to be a musician?

I think I was 11. I already loved music and had been taking piano lessons for a few years, but that summer, I went with my parents to see a music festival in downtown Nashville, and I watched a set by Béla Fleck & The Flecktones — the original group, with Béla, Victor Wooten, Future Man, and Howard Levy. Until then, I had no idea that people could be that good at playing their instruments. They were so virtuosic and fun, and the crowd loved it so much. Later that evening, I remember standing in the front yard of our house in Sylvan Park, looking up at the sky and thinking, “I want to be a musician when I grow up.”

What rituals do you have, either in the studio or before a show?

I’m not a very religious person, but before I go on stage, I always take a moment to be grateful and to ask God to work through me so that something bigger than me — love, joy, goodness, light — will shine through me and into the hearts and minds of the people I’m playing for. Sometimes I do that in the studio too. But the stakes feel higher in a live setting, so I’m looking for all the help I can get!

What’s the toughest time you ever had writing a song?

For a handful of years, I was a “staff writer” at a publishing company, and the most difficult songwriting sessions were the “blind date” country sessions they set up for me — you walk in the room, meet the other person, and your job is to write a song for “the country market.” Often you’re just hoping some big country star will cut it, and you’ll make some money, and they almost never do. Those sessions often became an exercise in putting limitations on what I wrote in hopes that it would be what some generic country singer would like. I often heard, “That line makes him sound like a wimp. Jason Aldean would never sing that.” Or, “We can’t put that chord in there, it’s too fancy-sounding.” Some people are really good at that kind of writing, but for me it was pretty soul-crushing. The only songs of mine that country artists ever ended up wanting to record were ones that I wrote for my own albums. So I mostly just write for myself now.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

It happens more than I mean for it to. The classic writing advice is to “write what you know,” but, to a certain extent you can’t help it. Even when you are trying to write from someone else’s perspective. I did this with my song “All Will Be Well,” “All Will Be Well/even after all the promises you’ve broken to yourself” and also with “Flow Like Wine.” “Why the furrow upon your brow / I see beauty between the lines / oh love, don’t you worry about our love / Let love flow like wine” were written for my wife, but when I really examine it, I realize I was probably writing to myself too.

If you had to write a mission statement for your career, what would it be?

Bring forth compassion, love, and peace through music.


Photo credit: Shervin Lainez

LISTEN: Nick Lowe, “Lay It on Me Baby”

Artist: Nick Lowe
Hometown: London, England
Song: “Lay It on Me Baby”
Album: Lay It on Me
Release Date: June 5, 2020
Label: Yep Roc Records

In Their Words: “In the late 1960s CBS had an inspired idea; they invented the ‘sampler’ LP. It was called The Rock Machine Turns You On and consisted of a dozen tracks, each one lifted from the current album releases of twelve of the label’s ‘second tier’ of talent. It was an unashamed promotional device and sold by the truckload. I had a copy, as did everyone I knew. One night in London a few years back, I had Neil Brockbank and Bobby Irwin (my late friends and collaborators), round for dinner at my house. During what might be described as the ‘port and cigars’ part of the evening, we found ourselves riffing on the idea of producing a sampler for an imaginary record label of its imaginary artists.

“We started by fancying what the names of those artists might be and what kind of music they’d do, and from there began to create likely song titles to suit them. Even though the whole idea started as a joke, we got into it pretty seriously and made copious notes as the plan unfolded. Song titles became songs. The next day when the enormous cost and limited commercial appeal of such a project became clearer, our enthusiasm soon waned and most of the fruits of the evening are now lost. Two examples however remain. They are ‘Restless Feeling’ originally written for Coastline [and released on Lowe’s The Old Magic LP] and ‘Lay It on Me Baby’ for Turk Collins.” — Nick Lowe


Photo credit: Dan Burn-Forti