Tag: Béla Fleck & the Flecktones

BGS Wraps: Roots Music for the Season

Posted on by Justin Hiltner

In our eyes and to our ears, there’s no better family of musical genres to usher in the holiday season than roots music. Bluegrass, Americana, old-time, country, blues, and beyond – they’re all perfectly suited for the coziest time of year, for togetherness, for parties and gift giving and cookie icing. Whether you celebrate Christmas, Hanukkah, Kwanzaa, or Winter Solstice – or even if you feel like opting out of the ruckus altogether – there is roots music for you.

Each year, we like to share our picks for the rootsiest time of the year in BGS Wraps, a weekly collection of songs, videos, albums, shows, tours, and events that celebrate the season. We share a few of our favorites, mostly brand new but often classics and timeless selections, too. Plus, we collect all that we can into a running playlist so you’re ready when the family or party hands you the aux cable.

To kick off the season this year, we’ve got a BGS Wraps full of Good Country, jingle bells, Texas snow, holiday generosity, and plenty of glittering lights and joyous cheer. We hope you enjoy BGS Wraps and tune in the next two weeks as we continue our series celebrating the holiday season.

A Very Carper Christmas, Melissa Carper

One of our favorite purveyors of Good Country in the most legit old-school, Texas, Western swing, and outlaw styles, Melissa Carper has just launched her own album of holiday music, A Very Carper Christmas. It boasts quite a few originals and co-writes and a couple covers of classics, too. The collection is silky smooth and timeless, a perfect accompaniment to holiday cooking, decorating, gallivanting from store to store, or cozying up by the fire with your loved one of choice.

Starting December 4, Carper will join JD McPherson’s “Socks: A Rock & Roll Christmas” tour around the Southeast, East Coast, and Midwest. So don’t miss your chance to catch these Good Country seasonal songs live in person. Melissa Carper tour details here.

“When It Snows in Texas,” Chaparelle & Sierra Ferrell

Let’s keep it going with more Austin-based Good Country! Last month, alt-country supergroup Chaparelle announced a brand new co-write and collaboration with everyone’s current favorite old-time Americana goddess, Sierra Ferrell. “When It Snows in Texas” is the perfect seasonal holiday number, apt for each and every rootsy holiday playlist and certainly suited to occasions beyond just Christmas. With a languid, loping groove, it’s all wrapped up in alt sounds that remind of Nitty Gritty Dirt Band and a casual sing-along sidled up to a shiny wooden bar all at the same time. This is the country & western (heavy on the ampersand western) vibe we all crave – this time of year or anytime.

Feels Like Christmas, Mickey Guyton

Singer-songwriter and country star Mickey Guyton is no stranger to festive song releases, but Feels Like Christmas is officially her first full-length holiday album. From the adorable “Sugar Cookie” to the classic pop trappings of the title track to her “Christmas Isn’t Christmas” duet with the Michael Bolton, Feels Like Christmas feels… well, grown up. Fully realized. Ready for your moody, ambient Christmas cocktail hour or a laughter-rich, full kitchen, too. Guyton makes some of the best crisp, modern, radio-ready country around today, and this holiday collection – like most if not all of her discography – feels made to last the ages, too.

Further leaning into the festivities of the season, Guyton will also appear in a brand new Hallmark movie, A Grand Ole Opry Christmas, which is premiering this year during Hallmark Channel’s 16th annual Countdown to Christmas programming event. Guyton certainly has our number, and we’ll be camped out in front of the TV with our hot ciders and sugar cookies ready and waiting for this incredible Opry, country music, and Hallmark crossover.

I’ll Be Home for Christmas, Drew & Ellie Holcomb

Drew & Ellie Holcomb have added to their deep-and-wide catalog of holiday and seasonal music with a brand new EP entitled I’ll Be Home For Christmas. The project adds three lovely covers of Christmas favorites to the stacked roster of selections the couple and their Neighbors trot out each winter for the season. This year, they’ll perform two “Neighborly Christmas Special” shows in Tennessee – in Memphis on December 5 and in Nashville on December 12 – before heading out on their next headline tour in February. Find ticket info here, then put on I’ll Be Home For Christmas while you make your holiday lists and check them twice.

The Greatest Christmas On Earth, Robert Earl Keen

Now this right here sounds like our kind of Americana Christmas circus! Robert Earl Keen kicks off his “The Greatest Christmas On Earth” tour this week, crisscrossing the South and Southeast through the month of December spreading cheer, joy, silliness, and light – and keeping the party going down the road forever, as he does.

The tour will kick off on December 4 in REK’s hometown of Kerrville, Texas, and you can be sure each night will feature his paean to the beauty and dysfunction of families at the holidays, “Merry Christmas From The Family.” Put all your own rowdy relatives in the van and don’t miss these shows. Ticket info here.

“Dream a Dream of Christmas,” Lydia Luce

Lydia Luce just released her excellent brand new album, Mammoth, in late October, but even before the project’s release she was looking ahead to the winter and holiday seasons with a A-side / B-side single release, “Dream a Dream of Christmas.” Like her songs in general, the A-side selection is contemplative, emotional, and rich with text painting and lush piano and vocals. Resonant strings play along with the contours of her vocal, punctuated by Christmas-y percussion and scoring, like Hollywood holiday offerings of the ’50s and ’60s. The track’s B-side is a delightful rendition of the beloved carol “Silent Night” that’s dramatic and rich – and features guest vocals by Caroline Spence. Both songs would be excellent additions to your themed playlists for the season.

OCMS XMAS, Old Crow Medicine Show

It’s hard to believe one of bluegrass and old-time’s longest running party string bands, Old Crow Medicine Show, have just released their first holiday album this year – but it’s true! OCMS XMAS is zany, rollicking, and unhinged. (As it should be.) It’s a collection of stories, songs, and tableaus that are just as fantastic and engaging as any of their rip-roaring live shows or any of their adored albums from their stacked discography. It’s a Christmas album as only Old Crow could make, and frontman Ketch Secor’s fingerprints are all over the track listing. From “Corn Whiskey Christmas” to “Breakin’ Up Xmas” to “Krampus Night” and beyond, this set of material will certainly be a Holiday Hootenanny on stage. Catch their Holiday Hootenanny on tour through December 20, before the band returns yet again to the Ryman Auditorium for their iconic annual New Year’s celebration performances to close out the year.

Sweet Relief’s Annual Holiday Auction

Sweet Relief is a non-profit organization with a mission that we all – in the music industry and outside of it – can get behind. For more than 30 years Sweet Relief has worked to provide financial assistance to musicians and music industry workers who are facing illness, disability, or age-related challenges. Just last week, they launched their annual holiday auction yet again, offering signed memorabilia and in-person experiences with a variety of artists in roots music and beyond, all of which benefit their important mission and vital work supporting music professionals’ mental and physical health.

Folks can bid on offerings from artists and musicians like Billy Strings, Hozier, Pearl Jam, Walker Hayes, The Decemberists, the Black Keys, Amanda Shires, Gregory Alan Isakov, and many, many more. If you’re planning your Giving Tuesday donations and also wondering what to get the music lover in your life who already has everything, perhaps you can check two things off your list in one go by supporting Sweet Relief. Learn more and view the auction items here.

Jingle All The Way Tour, Béla Fleck & the Flecktones

No holiday season would be complete without regularly returning to one of the best roots holiday albums ever made, Béla Fleck & the Flecktones’ Jingle All The Way. Released in 2008, the GRAMMY Award-winning album is beloved in and outside of roots music spheres – it even landed a mention in Oprah’s O Magazine back in ’08! Now, Fleck and the band – including Victor Wooten, Roy “Future Man” Wooten, Howard Levy, and special guests Jeff Coffin, Alash, and Sierra Hull (on select dates) – are taking their virtuosic cheer back on the road with a full slate of Jingle All The Way Tour shows. The tour kicked off in Nashville and will continue through December 20 hitting performing arts centers and theaters in the Midwest and across the Eastern U.S. To mark the occasion, Fleck & the Flecktones released their first holiday music since Jingle All The Way, a single medley of “The First Noel/Joy To The World.” If you can’t make the shows, put the original album and new single on the stereo – but we really recommend snagging tickets and seeing them live, with this superlative lineup, if you can.

Lead Image: Mickey Guyton, Feels Like Christmas; Melissa Carper by Lyza Renee; Old Crow Medicine Show courtesy of the artist.

BGS 5+5: Gabe Dixon

Posted on by Editor

Artist: Gabe Dixon
Hometown: Nashville, Tennessee
Latest Album: Lay It On Me

What was the first moment that you knew you wanted to be a musician?

I think I was 11. I already loved music and had been taking piano lessons for a few years, but that summer, I went with my parents to see a music festival in downtown Nashville, and I watched a set by Béla Fleck & The Flecktones — the original group, with Béla, Victor Wooten, Future Man, and Howard Levy. Until then, I had no idea that people could be that good at playing their instruments. They were so virtuosic and fun, and the crowd loved it so much. Later that evening, I remember standing in the front yard of our house in Sylvan Park, looking up at the sky and thinking, “I want to be a musician when I grow up.”

What rituals do you have, either in the studio or before a show?

I’m not a very religious person, but before I go on stage, I always take a moment to be grateful and to ask God to work through me so that something bigger than me — love, joy, goodness, light — will shine through me and into the hearts and minds of the people I’m playing for. Sometimes I do that in the studio too. But the stakes feel higher in a live setting, so I’m looking for all the help I can get!

What’s the toughest time you ever had writing a song?

For a handful of years, I was a “staff writer” at a publishing company, and the most difficult songwriting sessions were the “blind date” country sessions they set up for me — you walk in the room, meet the other person, and your job is to write a song for “the country market.” Often you’re just hoping some big country star will cut it, and you’ll make some money, and they almost never do. Those sessions often became an exercise in putting limitations on what I wrote in hopes that it would be what some generic country singer would like. I often heard, “That line makes him sound like a wimp. Jason Aldean would never sing that.” Or, “We can’t put that chord in there, it’s too fancy-sounding.” Some people are really good at that kind of writing, but for me it was pretty soul-crushing. The only songs of mine that country artists ever ended up wanting to record were ones that I wrote for my own albums. So I mostly just write for myself now.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

It happens more than I mean for it to. The classic writing advice is to “write what you know,” but, to a certain extent you can’t help it. Even when you are trying to write from someone else’s perspective. I did this with my song “All Will Be Well,” “All Will Be Well/even after all the promises you’ve broken to yourself” and also with “Flow Like Wine.” “Why the furrow upon your brow / I see beauty between the lines / oh love, don’t you worry about our love / Let love flow like wine” were written for my wife, but when I really examine it, I realize I was probably writing to myself too.

If you had to write a mission statement for your career, what would it be?

Bring forth compassion, love, and peace through music.

Photo credit: Shervin Lainez

MIXTAPE: Songs That Changed Jon Stickley’s Life and Still Blow His Mind

Posted on by Editor

When I was a senior in high school, my lacrosse teammate Andy Thorn loaned me a couple CDs and a mandolin. The two CDs were the original David Grisman Quintet album and Sam Bush’s Glamour and Grits. I was an angsty teen drummer in a punk band, and when I popped the Grisman album in my Sony Discman and pushed play, my life changed forever.

We started a little band and I started learning mandolin and making weekly trips to the local record store to buy every “newgrass” album I could. I didn’t know anything, so searching through the bluegrass/country section was an adventure of discovery. I learned to recognize the font that Rounder Records used and started using liner notes to find other musicians to listen to.

A lot of the tracks on this list are track #1 on the album, and I think that’s because when I heard them for the first time, they magically seared themselves into my brain. When I hear them today they inspire the same excitement as they did when I first heard them, and they have had an enormous impact on the music that I create for the Jon Stickley Trio. — Jon Stickley

David Grisman – “E.M.D.”

The first track I ever heard in the vein of bluegrass/newgrass. I heard David Count “1,2,3,4…” just like the Ramones! Then they launch into the most indescribable, unbelievable, clean, rockin’ jam I’ve ever heard. Also my first introduction to my guitar hero, Tony Rice. Nothing compares to this track!

Sam Bush – “Whayasay”

Another leading cut. This was my introduction to the one and only Sam Bush. His kickoff tells you everything you need to know about Sam’s music. It’s masterful, tasteful, and it freakin’ ROCKS. Then he goes totally Mark Knopfler at the end. Blew my young mind!

Jerry Douglas, Russ Barenburg & Edgar Meyer – “Big Sciota”

I picked this record up at the store because, on the back cover, they are dressed in gorilla suits. I thought, these dudes MUST be cool. Something about the tone of this record is unparalleled. It’s just the nicest-sounding acoustic record I’ve ever heard. Still cook dinner to it almost every night and my wife walked down the aisle to another track from the album called “The Years Between.”

Ricky Skaggs & Kentucky Thunder – “Pig In A Pen”

Holy crap. This is another album I bought blind at the record shop knowing absolute nothing about the music. To this day I have never heard anything rock this hard! Also, my first intro to a big guitar hero, Bryan Sutton.

Bryan Sutton – “Decision At Glady Fork”

Senior year of high school my uncle Pat took me to the Béla Fleck Bluegrass Sessions concert. I knew who Sam Bush and Béla were, but it was my first time hearing Jerry Douglas, Stuart Duncan, and the young Bryan Sutton. They played this song and the audience pooped their pants!

Béla Fleck – “Blue Mountain Hop”

The ultimate supergroup in my opinion. This song got me thinking about composition and arrangement in a new way. It seems like each new part of the song was written with each individual soloist in mind. Also the giggles and growls in the intro remind you that they’re having a ball.

Béla Fleck & the Flecktones – “Sinister Minister”

Two words. Victor Wooten. Blew. My. Young. Mind! I’ve listened to this version of this song more times than I can count, and it’s one of the covers that we do in the trio. The Flecktones probably had more of an impact on our trio than anyone else out there.

The Bluegrass Album Band – “Blue Ridge Cabin Home”

This is another album where I had no idea what I was buying. It wasn’t until I looked at the back of the CD that I realized that Tony Rice was on it. It was my introduction to J.D. Crowe, Doyle Lawson, Bobby Hicks, and Todd Phillips. I fell in love with bluegrass banjo by listening to this song, and I was thrilled to find out there were five more volumes!!!

The Nashville Bluegrass Band – “Dog Remembers Bacon”

Another record store score that I grabbed just because “bluegrass” was in the title. LOL. These guys became my favorite group for years and this was always one of my favorite tracks. I learned about Gillian Welch from this album. Stuart Duncan is the best fiddler in the world!

Acoustic Syndicate – “No Time”

Man, I love these dudes SO much. My Uncle Pat gave this album to my dad around ‘98, and I promptly stole it. The chill energy of this album really spoke to me and I feel like it really embodies the spirit of the North Carolina festival scene. Super sentimental band for me!

Tracks from our new album “Scripting the Flip” that draw heavy on these influences:

Jon Stickley Trio – “Scripting the Flip”

This song is pretty much a bluegrass fiddle tune turned on its head. It reminds me of some of my favorite newgrass instrumentals that take the music somewhere new.

Jon Stickley Trio – “Driver”

Well, given that my buddy Andy Thorn got me into this music waaaaay back in the day, I had to bring it full circle and write a tune for him to come in and play on. This piece definitely draws on the music of the Flecktones and some of the tunes they play in odd meters.

Jon Stickley Trio – “Bluegrass in the Backwoods”

Kenny Baker, Bill Monroe’s longtime fiddler, was surprisingly one of the most innovative of the classic bluegrass pickers! He is thought of as a traditional fiddler, but his music is really anything but. I think this tune was way ahead of its time and we love the elements of gypsy jazz and Latin music in the melody. We HAD to cover this on at some point and it was so much fun!

Photo credit: Sandlin Gaither