BGS 5+5: Blitzen Trapper

Artist: Blitzen Trapper
Hometown: Portland, Oregon
Latest album: Holy Smokes Future Jokes
Release Date: September 25, 2020

Answers provided by Eric Earley

Which artist has influenced you the most … and how?

Michael Stipe was my favorite songwriter as a kid, his lyrics were so strange and uncanny. I’m thinking of Reckoning and Murmur, some of the most anachronistic lyrical content ever. There were no lyric sheets or online lookups back then so I was always trying to figure out what he was saying. His songs always had the feeling of a riddle or a magical text, the imagery was dreamlike and over the years I’ve tried to emulate that in certain ways. Tom Waits was a large influence later in my twenties, his bizarre comical lyrical storytelling and character voices were inspiring, I’m thinking of Rain Dogs in particular.

What’s your favorite memory from being on stage?

There isn’t any favorite, lots of weird amazing ones for sure, playing “Heard It Thru the Grapevine” with Stephen Malkmus trading weird, collapsing solos with Stephen as he made up the words because we were too lazy to learn the lyrics. I think we were in Cleveland, but I could be wrong. Playing Big Star’s “Feel” with Jody Stephens on drums and Mike Mills on backing vocals in Austin, Texas, that was surreal.

What other art forms — literature, film, dance, painting, etc — inform your music?

Most of my favorite songs have literary origins, whether it’s a particular Cormac McCarthy novel like Blood Meridian (“Black River Killer”) or a general religious text like the Bardo Thodol (the new record is based largely on this book). Biblical imagery has made its way into countless songs I’ve written as a result of childhood influences and pervasive cultural resonances. I’ve also started writing a lot of songs from reading specific poets, using their wordplay to inspire different turns of phrase. Seamus Heaney, Mary Oliver, to name a couple, I’ve also used Finnegan’s Wake and Gravity’s Rainbow to generate wordplay and imagery.

What was the first moment that you knew you wanted to be a musician?

I’ve been playing music since I was a child, so being a musician was never really a choice. I didn’t think of it as a career for a long time. I went to college for physics and math, studied painting, learned classical fingerstyle, became a sous chef. Finally in my late twenties I decided to drop everything and play music, mostly because all the songs I was writing were keeping me up at night, but I didn’t have any vision for the business part of it. Spent seven years playing unattended shows in Portland. Got a record deal off a random song on Myspace and suddenly was touring and making money.

If you had to write a mission statement for your career, what would it be?

Experimentation is the only way to realize the vision of reality you want to hear, so never grow static in style or voice, always move forward, never sit still sonically. Don’t write angry, only from a place of emptiness without sentimentality, nostalgia without regret. Don’t try to please anyone, only follow your instincts.


Photo credit: Jason Quigley

SHIFT LIST: Chef John Currence Shares the Soundtrack of his Rock ‘n’ Roll Life

Long before John Currence won a James Beard Award for his forward-thinking Southern cooking at City Grocery in Oxford, Mississippi, and earned the nickname the Big Bad Chef, he was pursuing a far more rock ‘n’ roll career. It all started when he attended a Beatles concert in New Orleans’ City Park in 1964. “Well, I was in utero, but technically I was there,” he clarifies. “I blame that for my lifelong fascination with music.”

As a kid, he devoured an impressively diverse swath of music –- from The White Album and Johnny’s Cash’s At San Quentin to Mozart and John Philip Sousa. When he fell hard for an artist, an album, or a song, he obsessed over it. “My brother and I listened to ‘Benny and the Jets’ over and over on a five-hour trip to the beach with my mom and dad,” he says. “The cassette player was smashed before the trip was over.”

Currence played drums in high school in New Orleans, but when he attended Hampden-Sydney College in central Virginia, he picked up the mic to front a band he and three friends dubbed Chapter Two. “It was the stupidest, most flaccid name,” he says. Their first gig was all covers, including Elvis Costello’s “Welcome to the Working Week,” “I’ll Be There” by the Spinners, the Beatles’ “Paperback Writer,” a punked-up version of Louis Armstrong’s “What a Wonderful World,” and the theme song from The Mary Tyler Moore Show. Friends urged them to write original material, which culminated in an indie record deal in the mid-'80s and endless touring. It turned into “six years of riding around the country in a broken down van and sleeping on pool tables,” says Currence.

The band relocated to Chapel Hill, North Carolina, where they wound up recording with legendary producer Mitch Easter, who had helmed R.E.M.’s earliest recordings. Easter’s relationship with the indie pioneers led to a surreal moment at one of Chapter Two’s own sessions. The band was at his house one day, trying to get a sound effect down on tape in his driveway, when a car pulled up. “We were in the middle of a take and we were like, ‘Who is this asshole?’” says Currence. “And then Mike Mills [of R.E.M.] gets out of the car, so our tune changed a bit.” The bassist stuck around and even helped with the session, creating a rhythm component for a song by hitting a baseball mitt with a ping-pong paddle.

Chapter Two ultimately released two now long-out-of-print albums, though copies sometimes pop up on eBay. During his time with the band, Currence worked a series of kitchen jobs. In the late '80s, his longtime friend, Larkin Selman, offered him a job as a sous chef at Gautreau’s, a restaurant he was opening back in their hometown of New Orleans. “I felt like, if I didn’t take it, I’d never leave Chapel Hill,” says Currence. From there, he helped opened Ralph Brennan’s Bacco before moving to Oxford, Mississippi, to make his own mark with City Grocery and its sister restaurants, including Big Bad Breakfast, Nacho Mama’s, and Bouré.

His musical past still echoes through his work. In his 2013 cookbook, Pickles, Pigs & Whiskey, he paired every recipe with a song. “I was always bothered by cookbooks that paired wine with the food,” he says. “Who is actually going to go out and find these esoteric wines to go along with cooking a dish? It seems stupid to me.”

When picking his Shift List playlist, he thought about the songs that hit him the hardest. “This is the soundtrack to my life, though it’s missing the Pixies and the Sex Pistols,” he says. “The best music is about honest life experience. It’s about heartbreak, vice, angst and agony. I’ve been through it all.”