BGS 5+5: Cat Terrones

Artist: Cat Terrones
Hometown: San Pedro, California
Latest Album: Shelter in Our Beauty

Personal nicknames (or rejected band names): Cat is the nickname my best friend as a kid gave me in junior high. It got lost in the shuffle for a while in college. I went back to Cathy, or Catherine, and for a time Ginger when I sang in blues bands. But I readopted it eventually. I thought, let’s make this simple. But also it’s just more fun and direct, and brings me back to a more essential spirit I like.

Which elements of nature do you spend the most time with and how do those impact your work?

My whole life I’ve spent a lot of time around the ocean. I think the ocean teaches you to respect depth, power, mystery, and wonder. It naturally encourages curiosity, while also helping you understand there’s always more you can’t know or see. I consider myself a pearl diver — but for songs. And there’s just certain passageways, dangers, challenges you understand you’ll have to deal with, if it’s going to be anything other than an easy surface level experience. Being okay with the unknown, open and curious to see what comes next.

The ocean has somehow also taught me about time, about energy waves, sound, imagination and being able to hold whole worlds in your imagination that you may never see, building worlds, building models. Then there’s the aspect of Mother Ocean; the impermanence, the movement, the immense creative waters of the earth, getting perspective, being able to zoom in and zoom out, that natural power can be intense. The deep presence to individual life being so precious and precarious, rare but also vast. It’s rare I write a song that doesn’t at least have a water reference, whether I leave it in the lyrics or not depends on how I think the song needs to stay connected to water.

What is a genre, album, artist, musician, or song that you adore that would surprise people?

The blues. I don’t consider myself a blues singer but for a while I was trying that on and learning from local blues musicians in Southern California. I love Koko Taylor’s song, “Voodoo Woman.” Sometimes I just need to put that track on and hear her shout and own that song. The horn riff on it is so funky. Also, Memphis Minnie. I found her music and guitar playing fascinating and enigmatic, even as the songs were pretty straightforward lyrically, as per the genre. She was a real original and an originator, and I appreciated that about her.

Which artist has influenced you the most … and how?

Sinead O’Connor. I was thirteen when her big song with Prince came out, “Nothing Compares 2 U.” I sat on the floor, cross legged and read the liner notes, discovering that she wrote almost all the other songs. I remember very clearly thinking the words, “I want to do that.” It took until almost graduating high school before I realized I could sing and write my own songs. I wanted to do what she was doing: telling stories, being vulnerable and singing the truth telling. So she’s who I learned that songs are where we can say whatever we need to; painfully true things, fleeting things, big emotions or stunningly small yet profound emotions.

What’s the toughest time you ever had writing a song?

I have a song on my previous EP called Josephine, and I’d say that song was probably the toughest to navigate writing. On the one hand, the emotion was very palpable, and I think I needed to write that song (I’m sure I did) to process some aspects of grief. But it was a really heavy song for me. It tells my own story and the story of someone in my community we lost. It’s about a family who tried everything but their daughter succumbed to a tragic accidental death that was preventable. At the start, I felt compelled to write a song celebrating the beauty of these women we lost. Instead what came out was a song about the grief, survivor’s guilt, and the sense of connection that goes beyond the physical world. How it feels when tragedy cleaves into our lives and communities and changes the fabric of our experience forever. I can’t say it was comforting writing it. But now it feels somehow grounding and cathartic for me when I sing it.

What would a perfect day as an artist and creator look like to you?

In the making of this album, I had many ideal days. Sitting down with a song, being in a natural environment, like near a river or the ocean or lots of trees, playing music, singing, letting a new song come through. Then a good healthful lunch with lots of fresh veggies and tea. Then another session of working on a song before cooking dinner with friends and watching the sunset. And then a song circle with songwriters gathering around a bonfire or running off to catch fireflies.


Photo Credit: Jo Babb

BGS 5+5: Shane Pendergast

Artist: Shane Pendergast
Hometown: Corran Ban, Prince Edward Island, Canada
Latest Album: Winter Grace

Which artist has influenced you the most – and how?

I’ve really spent a lot of time studying the music of Gordon Lightfoot. From his lyrics to his intricate melodies to his fingerstyle picking, I keep coming back to him for inspiration. He was able to create strong music over a long period of time. I admire his work ethic.

What has been the best advice you’ve received in your career so far?

Al Tuck told me, “Stay humble, stay serene, keep instigating.”

Which elements of nature do you spend the most time with and how do those impact your work?

I live on a small island where the ocean is always close by. Whether it’s the rhythm of the waves or the salt in the air, I think it impacts my songwriting. I’m always thinking about how location impacts arts and culture. In terms of storytelling through song, I find myself writing a lot about things like fishing, rum-running, and the romance and ferality of the sea.

What is a genre, album, artist, musician, or song that you adore that would surprise people?

I really enjoy songs from old musicals such as The Sound of Music, Fiddler on the Roof and Oklahoma! There’s something about the playfulness and grand production of the songs that I can’t resist. Before I die I’d like to perform in a musical. Guess I’ll have to work on my dancing…

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Maybe eating PEI oysters with Stan Rogers. If my uncle, chef Robert Pendergast, was doing the shucking it would turn into a great kitchen party.


Photo Credit: Justin Rix

Caroline Cotter: Home is Where the Ocean Is

Former trumpet player and anxious adventurer Caroline Cotter had been constantly on the move performing hundreds of live shows since 2015. At the dawn of the pandemic she had a full album in the can and ready to go. When the world shut down, so did she. She set her songs to the side and didn’t pick up her guitar for a long while. She left her city of Portland, Maine and headed even farther north to the Acadia region and reconnected with nature: i.e. hugging as many trees and rocks and one woman can. Also during that time, she had the opportunity to sit with her shelved album. She discovered something amazing in that stillness: She, along with co-producer Alec Spiegelman, had made a fucking bomb record. She went forward with release plans, blew up her Kickstarter goal and finally gave us her third album, Gently as I Go, this past August.

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In our conversation, Caroline talks about what she’s like to work with in the studio (hint: she is not a relaxed and calm dreamboat) as well as her relationship to rest. As someone who has struggled with anxiety, she did not take to rest naturally, however, she’s cultivated a yoga and meditation practice in order to maintain calm. We also dig into her history: talking about how the ocean has remained a constant in her relationship to home. Growing up in Rhode Island, she and her siblings all took piano lessons. Heading to college, she majored in art with a minor in Spanish. She has a reputation for being a globe-trotter, which began in her travels to Thailand, Spain and Portugal as an international educator. She quit her day-job in 2015 to pursue music with a basically nonexistent fanbase. These days, Caroline’s fans are many and they are dedicated. You don’t find many independent musicians with such a devoted crowd as Caroline: they buy her music, they attend her shows, they put her up when she’s in town. So hello all you Cotter-Kickers, hope this conversation does your favorite songwriter justice.


Photo Credit: Katherine Emery