Curl Up With New Books by Bob Dylan, Willie Nelson, Margo Price, and More

It’s that time of year when the world falls in love, when we dust off “Pretty Paper” for its annual spin, and of course … recollect the best work of the past year. In that spirit, here is a round-up of 16 music-related books from 2022, with topics ranging from the banjo to The Byrds.

The Birth of Rock ‘n’ Roll: The Illustrated Story of Sun Records and the 70 Recordings That Changed the World, Peter Guralnick, Colin Escott

Some would contend that Chuck Berry, not Elvis Presley, should be considered the “King of Rock and Roll.” That aside, Sun Records certainly put a stamp on the budding industry, and this book offers a look into its history with 70 iconic recordings by Elvis, Howlin’ Wolf, B.B. King, Jerry Lee Lewis, and more. Jerry Lee Lewis himself wrote the foreword.


Build a House, Rhiannon Giddens

This illustrated book celebrates the determination and triumph of Black people in the face of oppression. It follows an enslaved family that “will not be moved.” The book contains lyrics from the song Rhiannon Giddens wrote, by the same name, to commemorate the 155th anniversary of Juneteenth. Illustrations are by Monica Mikai.


The Byrds: 1964-1967, Roger McGuinn, Chris Hillman, and David Crosby

The Byrds members Roger McGuinn, Chris Hillman, and David Crosby came together to curate this hefty 400-page art book that gives a visual and oral history of (and from) the original era of the band. The book comes in three editions: a standard edition with no signatures, a deluxe edition with signatures from McGuinn and Hillman, and a super deluxe version for which Crosby even provided his John Hancock.


Deep In the South: A Music Maker Songbook, Tim Duffy, Chuck Reece, and Earle Pughe

This songbook and CD compilation from the Music Maker Foundation, a non-profit founded in 1994 to “preserve and support” roots music of the South, brings together songs, stories, photographs and sheet music/guitar tabs from the likes of Etta Baker, Little Freddie King, Alabama Slim, Beverly “Guitar” Watkins, and more. It promises to take you on “a musical road trip through the South.”


How to Write a Song That Matters, Dar Williams

Dar Williams has led songwriting retreats for both beginners and professionals for many years. Now, How to Write a Song That Matters gives songwriters access to these lessons in book format. Songwriters looking for a “formula” for writing “hit songs” can skip. Williams instead focuses on tapping into the writer’s own creativity and unique experiences to make meaningful songs.


Live Forever: The Songwriting Legacy of Billy Joe Shaver, Courtney S. Lennon

Courtney S. Lennon describes Billy Joe Shaver as “country’s music unsung hero.” Shaver wrote all but one song on Waylon Jennings’ 1973 album Honky Tonk Heroes, considered a foundational work in the genesis of the “outlaw country” subgenre. If that credential on its own isn’t enough, the author dedicates the entirety of Live Forever to shed light on Shaver’s accomplishments, giving him the credit he’s due.


Maybe We’ll Make It: A Memoir, Margo Price

Parts of Margo Price’s memoir may be relatable for aspiring singer-songwriters: long tours with little to no payoff, busking, open-mic nights, and struggling to make ends meet. But much like her music, her memoir is written with an authentic, singular voice. She opens up more about loss, motherhood, drinking, her songs, and much more.


Me and Paul: Untold Stories of a Fabled Friendship, Willie Nelson and David Ritz

Me and Paul: Untold Stories of a Fabled Friendship chronicles the relationship between Willie Nelson and his longtime drummer, Paul English. Willie’s classic song “Me and Paul,” (released on the 1971 album, Yesterday’s Wine) gave us a primer on the misadventures of these pals, but the conversational book promises to go deeper and reveal the … well… “untold stories” of their time together.


The Music Never Stops: What Putting on 10,000 Shows Has Taught Me About Life, Liberty, and the Pursuit of Magic, Peter Shapiro with Dean Budnick

Have you ever wondered what goes into putting on shows for the most celebrated acts in the music industry and what really goes on behind the scenes? Well, Peter Shapiro has been there, and in this book he shares the story of how he became one of the most successful concert promoters in the business. Looking back on 50 of his iconic concerts, Shapiro shares backstage stories, photographs, and insights to what it’s like working with big names such as Bob Dylan, The Grateful Dead, U2, Lauryn Hill, Al Green, The Roots, Jason Isbell, Robert Plant, Leonard Cohen, and more.


The Philosophy of Modern Song, Bob Dylan

So… Dylan may have not “personally” hand-signed the copies that customers of the $600 edition expected. Nonetheless, it seems he put a lot of work and thought into writing the actual book. According to publisher Simon & Schuster, Dylan began penning it back in 2010. The book contains over 60 essays that dissect songs by other artists, including Nina Simone, Elvis Costello, and Hank Williams. The music Dylan explores spans many genres. He even finds common ground with bluegrass and heavy metal.


Rock’s In My Head: Encounters With Phil Spector, John & Yoko, Brian Wilson, and a Host of Other People Who Should Be Just as Famous, Art Fein

Art Fein has held many roles in the music industry. He’s been a music journalist, album producer, worked for labels, hosted a music-themed public access TV show (Art Fein’s Poker Party), and more. In this book, Art shares some of the wild experiences he’s had in his career including spending a week with John Lennon and Yoko Ono, coaching Lennon on “old rock and roll” that he wasn’t exposed to in Liverpool.


Rudy Lyle: The Unsung Hero of the Five-String Banjo, Max Wareham

Max Wareham shares the legacy of a lesser-known banjo player, Rudy Lyle, through interviews with other prominent banjo players and members of Lyle’s family. The book analyzes 19 instrumental breaks Lyle played with the legendary Bill Monroe. BGS wrote about, and previewed a chapter of Rudy Lyle: The Unsung Hero of the Five-String Banjo ahead of its August release.


This Is What It Sounds Like: What the Music You Love Says About You, Susan Rogers and Ogi Ogas

Susan Rogers has a fascinating résumé. She was the lead engineer on Prince’s Purple Rain and worked on records by The Barenaked Ladies and David Byrne (to name a few). She’s also an award-winning professor of cognitive neuroscience. It’s this unique set of experiences that gives her the ability to, as she says, determine one’s “listener profile,” and scientifically dissect why certain songs move certain people.


Unspeakable: Surviving My Childhood and Finding My Voice, Jessica Willis Fisher

Jessica Willis Fisher fronted a band made up of her parents and her 11 siblings. The Willis Clan found fame on America’s Got Talent in 2014. During that performance, the children charmed America while their fundamentalist Christian father lurked backstage, hiding an ugly truth. In this memoir, Fisher discusses finding her voice after years of being silenced by her abusive father, Toby Willis.


Well of Souls: Uncovering the Banjo’s Hidden History, Kristina R. Gaddy

Kristina Gaddy traces the banjo’s roots back to the 17th century when enslaved people with African descent created them from gourds, calabashes or wood. As future generations were sold to slave owners in other countries, the banjo became prevalent around the world, even though its origins are often overlooked and misunderstood today. Through archival research and seeking out letters and diaries, Gaddy describes the banjo’s journey over the last 200 years and educates the reader of the instrument’s place in American slave gatherings and Blackface routines. Rhiannon Giddens offers a foreword.


Word for Word, Rodney Crowell

After publishing a memoir in 2012, Rodney Crowell now gives readers a peek into a legendary songwriter’s process and history. The book documents his handwritten lyrics, the notes he made while writing the songs, and numerous personal photos. It also features commentary from Rosanne Cash, whom he worked with both before and after their 13-year marriage. Crowell shares, in his own words, his memories of collaborations with Guy Clark, Emmylou Harris, and others throughout his illustrious career.

The String – Peter Guralnick

Journalist and author Peter Guralnick is regarded by many as America’s premiere chronicler of roots music. Besides his influential profiles, compiled into classic volumes in the 1970s and 80s, he wrote magisterial biographies of Elvis Presley, Sam Cooke and Sam Phillips.


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His newest collection, Looking To Get Lost: Adventures In Music And Writing, revisits some of his longtime subjects and adds some important new ones in a work that reveals more about the writer himself than anything he’s published so far. Peter is a literary hero of mine, so this was an exciting conversation.

Peter Cooper Offers Behind-the-Scenes Look at Nashville in Forthcoming Book

Peter Cooper knows a thing or two about country music. A songwriter, journalist, and current Country Music Hall of Fame writer/editor (among other things), Cooper has spent decades studying country music and picking the brains of the genre’s biggest luminaries. In April, he’ll release a new book — Johnny’s Cash and Charley’s Pride: Lasting Legends and Untold Adventures in Country Music — via Spring House Press. Complete with a foreward from legendary music writer Peter Guralnick, the book is a collection of essays detailing some of Cooper’s most storied encounters, from his time spent with the late Cowboy Jack Clement to trading thoughts on songwriting with Taylor Swift.

“Part of it was inspired by all of these people streaming into Nashville anew who don’t really have an understanding of the people who built this Music City,” Cooper says of his impetus to write Johnny’s Cash. “The book begins with Cowboy Jack Clement, because I think he’s the guy that everybody would be better off having met and been around. He’s just one of the most purely creative souls I’ve ever been around.”

Unlike many books about country music, Cooper’s doesn’t seek to serve as a definitive history of the genre. Instead, he lets his stories do the talking, offering color commentary on some of country’s most colorful characters. He wrote the bulk of the collection in the order it appears in its final published version, with one anecdote or interview lending itself to the telling of another in a conversational, almost stream-of-consciousness style of writing. There are also personal moments, where readers are treated to passages that read more like memoir than encyclopedia entry.

“A lot of things in the book are similar to stories I might tell somebody if I’m sitting next to them on an airplane or at a bar,” he explains. “They ask about Nashville characters like Cowboy Jack, Bobby Bare, Tom T. Hall. Rather than present any sort of linear history — and rather than have straight profiles of people — I just wanted to tell stories about storytellers and offer up what some of my interactions have been with them. A lot of times, when you get to know these people, they’ll trickle out some good hillbilly wisdom, and I was trying to remember those moments. I really want to tell [readers] it’s a self-help book. It’s really good advice from some really smart people, with some funny stories thrown in there.”

He did add one chapter, though — “Don Light and the Impossibility of Unscrambling Eggs” (“Don Light was fond of saying, ‘You can’t unscramble eggs,'” Cooper laughs, when asked about Nashville’s explosive growth in recent years.) — at the behest of Guralnick himself. “[Guralnick] had known Don Light very well and he knew that I had spent some time around him typing down the things that Don Light said,” he explains. “Don Light was this fascinating, kind of creative pragmatist who found a way to get Jimmy Buffett a record deal. He was the first independent talent agent in town. He brought Keith Whitley to Nashville and got him a record deal. He helped found the Gospel Music Association. He started the Jesus business and the ‘my head hurts, my feet stink, and I don’t love Jesus’ business.”

While readers will be hard-pressed to find a selection in Cooper’s book that lacks humor and humanity, one story about beloved country artist Lee Ann Womack has a special place in his heart. “There’s a story about Lee Ann Womack threatening bodily harm upon me that I thought was cute,” he laughs. “Heck of a singer and a wonderful person, as well, but she was dissatisfied with a largely positive review I’d written about her and threatened me late at night on a cell phone. She’s one of the best singers I’ve ever heard. In a room with her without a microphone, when there’s nothing between her voice and your ears, it’s just staggering.”

If there is a theme running throughout Cooper’s book, it’s that storytelling is at the heart of good songwriting, and that sharing stories about songs can’t be done without putting at least some of one’s heart on the page. “If you’re unbiased about music, or objective about music, then you’re not going to write anything good about music,” he says. “If you can’t listen to Emmylou Harris and be moved by it on some level and you stay cold and calculating at a distance, then you aren’t going to write anything of value.”