MIXTAPE: The Wilder Blue’s Smooth Harmony Jams

Something special happens when multiple human voices intertwine. Maybe it stirs something in our DNA, some echo of countless lost generations and the songs they sang together on countless fire-lit nights. All I know is that people love it. It’s the part of our show people remark upon the most afterward, often adding something along the lines of “You just don’t hear harmonies like that much anymore.” While it does seem to be true that solo artists tend to dominate the charts these days, there are still a lot of groups out there keeping harmonies alive. Here are some of our favorites from both past and present. — The Wilder Blue


From Paul Eason, lead guitar

Alison Krauss & Union Station – “Maybe” (from Live From The Louisville Palace, Kentucky)

These harmonies (which are performed live!) are just super interesting and not predictable. I love how the first chorus is just a single harmony and the second adds the third part.

Punch Brothers – “My Oh My”

These guys are just some of the best musicians alive, and their harmonies match their virtuosic instrumentalism. I have seen them do it live, and it seems they are incapable of singing even slightly off pitch.

Darrell Scott – “No Love in Arkansas”

I don’t know if I love the harmonies as much as I just love this song. It has the feel of a live recording — but a real, real good live recording. I get the impression that Darrell surrounded himself with players as effortlessly musical as he is, and the song just came out the way it was supposed to be.


from Andy Rogers, multi-instrumentalist

Bluegrass Album Band – “So Happy I’ll Be”

I grew up singing bluegrass gospel music with my family and this tune always stuck out to me. I love the call-and-response singing and of course that sweet guitar pickin’.

I’m With Her – “See You Around”

I can’t say enough good things about these three artists’ solo work, but putting them together and hearing those beautiful three-part female harmonies is just magical to me. They sort of remind of a more modern sounding Trio.

The Brother Brothers – “On the Road Again”

I found this group through a friend’s suggestion and just instantly loved it. I mean, does it get much better than sibling harmony? They are incredible songwriters as well. I often send this tune out to the guys in the band when we’ve been off the road for a little too long, at least in my opinion, lol.


from Sean Rodriguez, bassist

The Band – “Time to Kill”

I think it’s pretty undeniable the effect The Band had on harmony-driven bands in America, despite everyone but Levon Helm being Canadian. This great Richard Manuel-led song I think is underrated in their catalog and has great harmony parts throughout.

Billy Preston – “Let the Music Play”

After watching The Beatles doc Get Back, I couldn’t resist the urge to dive further into Billy Preston’s catalog. The vocal arrangements here bit me hard and haven’t let go.

The Staples Singers – “Respect Yourself”

There’s just something special about a family that sings harmony together. The blend of the voices can’t be beat, not to mention the message here. Respect yourself, baby!


from Zach Williams, frontman

Brandi Carlile – “The Eye”

This was the song that got me hooked on Brandi. I was instantly roped in by the beautiful stripped-down harmonies and The Firewatcher’s Daughter is still my favorite album of hers.

Alabama – “I’m in a Hurry (And Don’t Know Why)”

There were a lot of great harmony-based country groups in the ’90s. I could’ve picked Diamond Rio, Blackhawk, Little Texas, or any number of others. But this is the one that came to mind, and I remember jamming along with it back in my college days.

Acappella – “I Feel Good”

Speaking of my college days, I was raised in the church of Christ and went to Abilene Christian University. Churches of Christ traditionally don’t use instruments in worship and the whole congregation sings together in four-part harmony. My first paying gig as a musician was singing bass and beat-boxing in an all-vocal group at ACU, and I only wished I could sing bass like the guy in this premier C of C singing outfit… Acappella


from Lyndon Hughes, drummer

Eagles – “Witchy Woman”

This is one of my favorite Eagles tunes. The way they break it down on the bridge to just vocals, drums and bass is absolutely brilliant. #BandGoals

Dan Fogelberg – “Leader of the Band”

Oh the smooth harmonies of Dan Fogelberg. Nothing too complicated… just crystal clear vocals and guitars (and a bonus horn solo).

The Beatles – “Because”

Here is a beautiful and eerie song by a little known band called The Beatles. Over 50 years later… the harmonies never get old.


Photo Credit: Cal and Aly

The Essential Dan Fogelberg Playlist

Contrary to what it sounds like on his records, Dan Fogelberg wasn’t born in Colorado. He was born in Peoria, IL, the son of a classically trained pianist mom and a high school band director dad (the person who inspired Fogelberg’s hit, “Leader of the Band”). As a teenager, Fogelberg played in the requisite Beatles cover bands before trying his hand at the folk music circuit around Chicago during the early '70s. It was there, at the famed Red Herring Café, that REO Speedwagon’s manager and future label exec, Irving Azoff, discovered him and signed him to a record deal.

Transplanted in Nashville, Fogelberg tracked his first record, Home Free, with Norbert Putnam behind the wheel. It pretty well tanked commercially (though has since gone platinum) but it encouraged Epic Records to stick with him and assign him a second session (with the strange bedfellow Joe Walsh as producer). Souvenirs — recorded with a cadre of L.A. session players plus Graham Nash and guys from both America and the Eagles — reached the Top 20, the single “Part of the Plan” made the Top 40, and Fogelberg’s career achieved liftoff.

Starting with Souvenirs, Fogelberg recorded five straight multi-platinum albums, wrapped up the '80s with a pair of platinum records, and became the unofficial voice of the Colorado snows (second only to John Denver). His 1985 album, High Country Snows, is a fine record of songs in the bluegrass tradition and, mixed in with his solo albums, he tracked two sets with jazz flautist Tim Weisberg, the first of which — Twin Sons from Different Mothers — is considered an acoustic classic.

Though some would categorize the late singer as nothing more than an MOR pablum pusher — which was true on a few occasions — Fogelberg was a well-loved performer, a respected songwriter among his peers, and a guy who made a melody sing. Herein, we offer an essential playlist of his best songs, a mix of those pop radio classics and some deep album cuts.


Photo courtesy of DanFogelberg.com