BGS 5+5: The Teskey Brothers

Band Name: Sam Teskey (of the Teskey Brothers)
Hometown: Warrandyte, AUS
Latest Album: Half Mile Harvest
Personal Nicknames: Sammy

Which artist has influenced you the most … and how?

I’ve gone through a lot of stages that different artists have influenced me more, but I would have to say B.B King has always been there, and I’ve always come back to his work.

I feel there are two elements to great music — the song and the soul behind it. The marriage of the two really is something special. For example, take the Beatles song “With a Little Help trom My Friends” and give it to Joe Cocker … say no more. B.B does this with ease in his music — simple, but great songs played in just the right way with so much soul behind it.

What was the first moment that you knew you wanted to be a musician?

Well, firstly, I saw a Jimi Hendrix DVD, and I was sold then. But also, I think growing up around St. Andrews pub (near where we grew up) got me very interested. Seeing working musicians come through every weekend showed me that it was possible if I worked at it.

What rituals do you have, either in the studio or before a show?

When we are recording, I usually get to the studio early, before the band arrives, so I can get the tape machine warmed up and aligned. It takes the length of a record to get it ready, so I choose one for the morning to also align my head and ears. Most commonly Traffic or Neil Young’s Harvest.

Which elements of nature do you spend the most time with and how do those impact your work?

We have our studio upstream of Melbourne on the Yarra River in a beautiful town called Warrandyte. This is where we all grew up, among the trees, swimming and jamming by the river. It is a very refreshing place to write music and share song ideas. There seems to be a lot of musos making music out there. Must be something in the water, or just a great space to make music. Whatever it is, we feel at home there.

What’s the weirdest, hardest, nerdiest, or other superlative thing about songwriting that most non-writers wouldn’t know?

The strangest thing about songs for me is, where do they come from? I imagine them to be something that is always floating around us like microscopic dust. Learning to write a song is like trying to catch them all and fitting them together like a puzzle. Once you’ve completed one puzzle, you don’t know how you are going to find the next one … but they always seem to find you. You just have to be open to finding them or letting them find you.

‘Bones’

To channel the White Stripes is to channel Led Zeppelin is to channel the misty mountain hop of agrarian England and the spooky science of rune stones and rock guitars. The fogs of Kent draw certain parallels to the vapory evenings of Marion County, MS: a dark night in the hollows of Jamestown is not unlike a shadowy night in Chislehurst. Add to the mix the mystery of Memphis, the dirty crossroads of Robert Johnson, and the experimental shift of jazz adventurers like Snarky Puppy, and you have an multi-hued sketch of a band imbued with passion, mindful of subtlety, and born to rock.

The most interesting music on this collection begins with the second song of the set — “Bones,” a subdued shuffle that evokes the aforementioned English blues of Danny Kirwan-era Fleetwood Mac merged with the electronic energy of Jacob Fred Jazz Odyssey (and alluringly inspired by the music of Mali and Niger). “Dust” opens with a dirty guitar line worthy of Humble Pie (but distorted like ZZ Top) and an infectious riff that follows the vocals from the opening whispers to the closing screams.

“Heavy Hammer,” the single that first got our attention, is a badass bar-buster, laced with bombastic slide guitar and one heavy-ass line of drummer’s funk. Talk of the devil notwithstanding, “In the Morning” feels a bit more lighthearted than other cuts, with just a shade of rambunctious punk in the offing. “Sometimes I Worry,” with its haunting guitar and sparse arrangement, is another highlight.

Anytime a band is credited with spanning the globe with as broad a swath of influence as the Delta Saints, it’s tempting to believe they’re just purveyors of a musical chaos. But the Saints sort it out and deliver a cohesive sound that grabs the ear. This one requires multiple listens to get all the grooves, but it’s well worth the effort.

 

3×3: William Wild on Blues, Bluegrass, and Blink 182

Artist: William Wild
Hometown: Knoxville, TN
Latest Album: Steady Now
Rejected Band Names: Newport Plain Talk. It’s the name of a paper in a neighboring city where my parents are from. The paper told me I couldn’t use the name, but now that I think about it … I should have used it.

What was the first record you ever bought with your own money?
Blink 182, Enema of the State

How many unread emails or texts currently fill your inbox?
A cumulative four messages — I’m on top of things these days!

If your life were a movie, which songs would be on the soundtrack?
"Dreams"  — Fleetwood Mac
"Pink Moon" — Nick Drake
"Nevermind" –­ Nirvana
"City Lights" — Thomas Dybdhal
"Care of Cell 44" — The Zombies
"Pardon Me" –­ Incubus
"Dogs" –­ Damien Rice
"Be Here Now" — Ray Lamontagne
Heartbreaker –­ Ryan Adams (entire record)
This is silly … I could go all day.

What brand of jeans do you wear?
Raw … as can be.

What's your go­to karaoke tune?
"Livin’ on a Prayer" or "Enter Sandman"

If you were a liquor, what would you be?
I really like to drink whiskey.

Poehler or Schumer?
Schumer, although sometimes I feel awkward.

Chocolate or vanilla?
Vanilla

Blues or bluegrass?
For some reason I want to say blues … but bluegrass!