A New Children’s Book Welcomes Youngsters to the Grand Ole Opry

Last month, we celebrated the 100th anniversary of the Grand Ole Opry as our Artist of the Month. We dove into the history of the world’s longest running radio show, we celebrated the music made on its hallowed stages, and we spoke to author Craig Shelburne about undertaking the gargantuan task of squeezing all of that rich history into a book, 100 Years of Grand Ole Opry. That coffee-table-ready tome is 350+ pages of photos, stories, interviews, and Opry lore.

Now, imagine the same task for Opry employee, archivist and content manager Emily Frans – but squeezed into a children’s book. The new title, Howdy! Welcome to the Grand Ole Opry! does just that. One hundred years of history, illustrated gorgeously and fantastically by Susanna Chapman alongside words and story by Frans, it distills the magic of the Grand Ole Opry for its tiniest audience members and fans. With a foreword by Lainey Wilson and stories from Dolly Parton, Lauren Alaina, and more, it’s an Opry 100 celebration that can be appreciated by country music fans of any/all ages.

Whether a gift for the holidays, an everyday present for the youngsters in your life, or pro-country-music propaganda (which we can always get behind), the new kids’ book is certain to inspire oncoming generations of would-be stars, pickers, and songwriters, seeding dreams of someday stepping into that hallowed circle on the Opry House stage. We spoke to author Emily Frans about the project and the special balance of telling a complete Opry history that engages, inspires, and stokes the imagination of children all around the world.

It must have been a difficult enough task for your colleagues to write the 350+ page 100 Years of Grand Ole Opry book that distills the immense history of the Opry into a single volume — it’s hard to imagine condensing all of that history, all of those stories, and all of that music into an even smaller space, a kids’ book! How did you go about it?

Emily Frans: You’re right! After pouring so much time into artist interviews, research, and trying to cover 100 years of history in as much detail and photography that a 350+ page book will allow, shifting gears into a children’s book was a completely different challenge. The biggest task was figuring out what not to include.

With kids, it’s all about clarity, pacing, and imagination, so I asked myself: What moments spark imagination? Which people feel larger than life? What stories can light a fire in a young mind? I tried to frame the story as kind of an adventure that kids could really imagine themselves experiencing while still including historical facts and details that they could learn from.

What do you see as the essential “nuts and bolts” of the Opry story that could – or should – be translated to country fans of all ages? What is the central idea or mission here, as far as putting this incredible, respected show in front of its youngest audience?

As a parent to young daughters, I realize how important it is for the youngest generation to understand not just what the Opry is, but why it matters. This book was written to bridge that gap and to spark wonder, inspiration, and to continue cultivating the tradition that we all cherish. In an age where attention spans are short and kids can choose their entertainment with a swipe of a screen, creating a book to share the Opry with children felt more important than ever.

The Opry is different than any other stage because of the way it connects people – artists to fans, parents to kids, and one generation of country music to the next. That emotional connection is the heartbeat of the Opry, and why, at 100 years old, it continues to thrive. I wrote this book with the goal of sparking that connection with our youngest generation.

The book has a foreword by Lainey Wilson and includes Opry stories from folks like Lauren Alaina, Dolly Parton, Kelsea Ballerini, and more. Country artists often have very special, down-to-earth relationships with their younger fans — these artists especially. Can you talk about curating the artist stories for the book and what Lainey Wilson brought to it with her foreword?

The artists featured in the book all share a genuine connection to the Opry and a real heart for their younger fans. I wanted to include messages that would almost feel like a little spark of mentorship coming straight from the stage, conveying the gravity of being asked to perform on the Opry while also making it sound achievable.

Lainey Wilson embodies that spirit so naturally. Her message is all about believing in yourself and honoring the roots that helped shape you. When she talks about stepping into the circle, she makes it sound magical, but also achievable. That tone set the stage for the rest of the book beautifully.

The book was illustrated by Susanna Chapman — the Grand Ole Opry and its history, especially its visuals, branding, costumes, and pageantry, are simply perfect for a children’s book like this, aren’t they?

Absolutely. The Opry has always been visually rich – from stage lights to rhinestone suits to the red barn set, it was practically begging to be illustrated! Susanna Chapman did an incredible job and brought a wonderful balance of authenticity and imagination. She captured the physical space of the Opry and infused her illustrations with movement, color, and emotion.

In fact, she spent time with one of my daughters during an Opry show trying to understand which elements of the sights, sounds, and even smells stood out to her so that she could create illustrations that really make the reader feel like they were there. The words are important, but it is the visuals that really draw kids to a book and Susanna knocked it out of the park.

So many kids have made appearances on the Grand Ole Opry — Sierra Hull, Wyatt Ellis, Charlie Worsham, Vassar McCoury, and many others — do you think this book will birth a new generation of youngsters itching to step into the circle?

I really hope so. One of my goals with this book was to show kids that the circle isn’t just for legends, it’s for dreamers, too. The Opry encompasses the past and present of country music, but also its future. If even one child reads this book and thinks, “Maybe that could be me someday,” whether they imagine themselves on stage or in a seat, then it’s done its job.

Why do you think the Grand Ole Opry has such broad appeal — across identities, geography, genres, communities, and age groups?

I think the Opry continues to thrive because it offers authenticity, tradition, and genuine connection all while continuing to evolve. On any given night, you can see legends, today’s hitmakers, and up-and-coming artists sharing the same stage. That blend of past, present, and future gives the Opry a real uniqueness and, unlike a typical concert, provides a platform for guests to discover music they may have otherwise missed out on. And the emotional connection is what brings both artists and fans back night after night. When an artist steps into the circle for the first time, guests can feel it. They can sense the history, the honor, and the gratitude and that the artists are there because it matters to them. That kind of sincerity creates a powerful bond between the stage and the seats.


All images courtesy of Ryman Hospitality Properties, illustrations by Susanna Chapman.

Explore more content on the Grand Ole Opry here.

Spotlight: Badly Drawn Authors

Illustrator Sean Ryan is best known for his popular Instagram account Badly Drawn Models, which boasts nearly 80,000 followers and features black and white caricature-esque portaits of everyone from Kendall Jenner to designer Raf Simons. What Ryan's followers may not know, however, is that the illustrator is at the helm of his own Badly Drawn empire, one that also interprets portraits of authors, musicians, rappers, and other public figures. 

Based in Liverpool, Ryan was called out by Dazed as "fashion's favourite illustrator." A self-described "artist, slacker, and pizza fan," Ryan has been profiled by everyone from Elle to the Guardian for work that ranges from fashion's elite to the finest footballers. We, however, took particular interest in his Badly Drawn Authors series… admittedly a less popular collection thanks to its lack of any Kardashian-Jenners. 

"A few years ago, I was visiting my parents' house and my mum had a pile of my old things that she wanted to throw out," Ryan tells the BGS. "Most of it was junk, but I found an old football sticker book, which I kept. I don't really know why, but I started to draw the footballers within it, spending about 30 seconds on each one. I uploaded a few to Facebook and, to my shock, people seemed to like them, so I turned it into a project called 'Badly Drawn Footballers.'

I'm pretty unoriginal with my ideas, so I started thinking about other groups of people who would make interesting 'badly drawn' subjects. A few days later I was reading something about William H. Gass and thought his face would be great to draw. Thus, badly drawn authors was born!"

Ryan takes iconic photos of literary giants and distills them to black and white line drawings that, while perhaps not offering the most flattering image of each author in question, are still somehow instantly recognizable. We've rounded up a handful of our favorite author portraits, all of which are available in his Badly Drawn Authors Etsy shop. Be sure to check out the rest of his work, too, and feel free to send me this Badly Drawn portrait of Mariah Carey, if you're really feeling the holiday spirit. 

Nobel Prize winner and all-around badass Alice Munro

Papa Hemingway himself

Everyone's (least) favorite batshit faux-losopher — Ayn Rand 

James Joyce, Patron Saint of "Oh Yeah, I Totally Read It All…"

Poet and fiction writer Sylvia Plath

BONUS: Ryan graciously drew the Lonesome Trio, the bluegrass project of our own Ed Helms, just for the BGS. We're feeling pretty special.