LISTEN: Bill and the Belles, “Gotta Get Drunk”

Artist: Bill and the Belles
Hometown: Johnson City, Tennessee
Song: “Gotta Get Drunk”
Album: To Willie From Billy
Release Date: September 8, 2023
Label: Ditty Boom Records

In Their Words: “Our upcoming album, To Willie From Billy, is a tribute to Willie Nelson, released in honor of the icon turning 90. We like to think it’s a bold and playful meeting of our string band origins and genre-defying arrangements, and a celebration of Nelson’s songwriting and musical ethos. It is that musical ethos that ties Willie and Billy together: A commitment to timelessness and simplicity, with a good dose of rebellion. Picking out just 12 tunes from Willie Nelson’s catalogue proved to be tough if not impossible, but eventually we got there. Most of the tunes are lesser known cuts from Nelson with a few hits thrown in for good measure. ‘Gotta Get Drunk,’ a raucous bar shout, wobbles and sways right in the middle.” – Kris Truelsen


Photo Credit: Billie Wheeler

BGS 5+5: Bill and the Belles

Artist: Bill and the Belles
Hometown: Johnson City, Tennessee
Latest Album: Happy Again
Personal Nicknames: I renamed myself Spike (inspired by the bulldog with a spiked collar in Heathcliff) in the first grade and all the kids called me Spike for a few months. That was a big win. — Kris Truelsen

My name can be tricky for people (it’s like Kahlúa, but “kuh-LEE-uh”) and nicknames weren’t much of a thing until Game of Thrones came out and Khaleesi happened. — Kalia Yeagle

Which artist has influenced you the most … and how?

It’s a no brainer: Jimmie Rodgers. He’s been one of our main inspirations for years. His effortless skill in combining the sounds of the blues, jazz, and country will forever be inspiring. My favorite songs from Jimmie are the syrupy love ballads with strings and horns that lean towards being straight pop music of the time like “The Hills of Tennessee” or “Miss the Mississippi and You.” Brilliant stuff. Though I still sing many of his songs, more than ever I use his music as inspiration to break rules and to find the courage to make something unique, not tied to genre or emulating somebody else, but rather trying to be original. — Kris

Jimmie Rodgers was a huge influence on this band. More broadly, that big field of “early country music” (or whatever else you want to call it) is so full of genre-busting sounds and earnest musical experiments. Forming this band, we were very inspired by the folks that used what they had in creative ways, and worked with real fervor. — Kalia

What’s your favorite memory from being on stage?

A little over six years ago at the opening of the Birthplace of Country Music Museum in Bristol, Virginia, we shot the pilot episode of Farm and Fun Time, the PBS television show we host. At sound check I stood at the side of the stage and watched Ralph Stanley sing the entirety of “O Death” in an empty theater. It was literally just me, the sound engineer Josh, and Ralph Stanley in this tiny 100-seat theater. It was absolute magic. — Kris

Similarly, another impactful not-quite-on-stage moment for me was when we shot an audience-less Farm and Fun Time from Kris’s front porch during the pandemic. This was early on enough that folks were still figuring out how to get the most out of livestreams, but late enough that we were all feeling scared about what the pandemic meant for our families and communities, and what it meant for our relationship with live music. Sitting on Kris’s front porch listening to local legend Ed Snodderly sing his songs smacked me good, right in the heart. It had been months since I’d experienced live music, and I don’t think I’ve ever felt so grateful and moved. — Kalia

What other art forms — literature, film, dance, painting, etc. — inform your music?

I’m informed by art that says what it means, and simple, impactful works that don’t feel overwrought. That’s because my head’s a pretty busy place, and I sometimes struggle to distill my thoughts and emotions. I also think that artists can see art everywhere, so yes of course a beautiful piece of writing or gut-wrenching brushstroke can stir up the feels. And so can the chalk drawings neighbor kids make, the way this lampshade shoots light up the wall, or the angles this broom maker created when they gathered the bristles. I’m a pretty emotion-full person, but there have been periods of time when making music was just a motion and not emotion. I’m working on treating music-making more like those little moments of surprising beauty, by staying present and approaching things more playfully. — Kalia

What’s the toughest time you ever had writing a song?

Well, a lot of songs end up in the trash after being reworked to death, but I’m getting better at knowing when to move on and putting less pressure on myself to produce, which inevitably makes the work I do finish stronger. The toughest song I’ve ever written that successfully saw the light of day was probably a jingle I wrote for the regionally beloved soda pop company Dr. Enuf. It’s an herbal, lemon-lime sort of thing like Kentucky’s Ale-8. People in East Tennessee lose their minds for “the Dr.” Not to mention it’s got vitamins. It took me ages to get the jingle honed in just right, but when I did I really nailed it. The hook goes “It’s the lemon-in’, lime-a-nin’, rich in vitamin, original pick me up.” I’ve written over 50 jingles and this one is undoubtedly my favorite. — Kris

If you had to write a mission statement for your career, what would it be?

Write songs that defy boundaries, keep evolving, have faith, and quit working so damn hard all the time. — Kris

Ask, “How is your work serving others? How is it serving you?” And always celebrate growth and abundance. — Kalia


Photo credit: Billie Wheeler

IBMA Special Awards and Momentum Awards Nominees Announced

The International Bluegrass Music Association (IBMA) announced the nominees for this year’s Special Awards and Momentum Awards.

The Special Awards nominees are selected by specially appointed committees made up of bluegrass music professionals who possess significant knowledge of that field. The recipient of each award is decided on by the Panel of Electors, an anonymous group of over 200 veteran bluegrass music professionals selected by the IBMA Board of Directors.

The 2018 Special Awards nominees are:

Graphic Design

Drew Bolen & Whitney Beard: Old Salt Union by Old Salt Union
Lou Everhart: A Heart Never Knows by The Price Sisters
Richard Hakalski: Portraits and Fiddles by Mike Barnett
Corey Johnson: Sounds of Kentucky by Carolina Blue
Karen Key: Big Bend Killing: The Appalachian Ballad Tradition by Various Artists

Liner Notes

Craig Havighurst: The Story We Tell by Joe Mullins & The Radio Ramblers
Steve Martin: The Long Awaited Album by Steve Martin & The Steep Canyon Rangers
Joe Mullins: Sounds of Kentucky Grass by Carolina Blue
Ted Olson: Big Bend Killing: The Appalachian Ballad Tradition by Various Artists
Peter Wernick: Carter Stanley’s Eyes by Peter Rowan

Bluegrass Broadcaster of the Year

Larry Carter
Michelle Lee
Steve Martin
Alan Tompkins
Kris Truelsen

Print Media Person of the Year

Derek Halsey
Chris Jones
Ted Lehmann
David Morris
Neil Rosenberg

Songwriter of the Year

Becky Buller
Thomm Jutz
Jerry Salley
Donna Ulisse
Jon Weisberger

Event of the Year

Bluegrass on the Green – Frankfort, Illinois
County Bluegrass – Fort Fairfield, Maine
Emelin Theatre – Mamaroneck, New York
Flagler Museum’s Bluegrass in the Pavilion – Palm Beach, Florida
FreshGrass Festival – North Adams, Massachusetts

Sound Engineer of the Year

Dave Sinko
Stephen Mougin
Gary Paczosa
Tim Reitnouer
Ben Surratt

The Momentum Awards recognize both musicians and bluegrass industry professionals who, in the early stages of their careers, are making significant contributions to or are having a significant influence upon bluegrass music. These contributions can be to bluegrass music in general, or to a specific sector of the industry. The Mentor Award, in contrast to the other Momentum Awards, recognizes a bluegrass professional who has made a significant impact on the lives and careers of newcomers to the bluegrass industry.

Starting with recommendations from the IBMA membership, nominees are chosen through a multi-stage process by committees made up of respected musicians and industry leaders in the bluegrass world.

The 2018 Momentum Award nominees are:

Festival/Event/Venue

Anderson Bluegrass Festival – South Carolina
Farm & Fun Time – Virginia
Hovander Homestead Bluegrass Festival – Washington
Red Wing Roots Music Festival – Virginia
SamJam Bluegrass Festival – Ohio

Industry Involvement

Megan Lynch Chowning and Adam Chowning
Justin Hiltner
Kris Truelsen

Mentor

Daniel Boner
Cathy Fink
Scott Napier
Jon Weisberger
Pete Wernick

Band

Cane Mill Road – Nort Carolina
Man About a Horse – Pennsylvania
Midnight Skyracer – United Kingdom
The Trailblazers – North Carolina
Wood Belly – Colorado

Vocalist

Ellie Hakanson (Jeff Scroggins & Colorado, Greg Blake Band)
Will Jones (Terry Baucom & the Dukes of Drive)
AJ Lee (AJ Lee & Blue Summit)
Evan Murphy (Mile Twelve)
Daniel Thrailkill (The Trailblazers)

Instrumentalist [three are chosen in this category]

Tabitha Agnew (Midnight Skyracer)
David Benedict (Mile Twelve)
Catherine (“BB”) Bowness (Mile Twelve)
Thomas Cassell (Circus No. 9)
Hasee Ciaccio (Molly Tuttle Band)
Matthew Davis (Circus No. 9)
Bronwyn Keith-Hynes (Mile Twelve)
Aynsley Porchak (Carolina Blue)
Trajan Wellington (Cane Mill Road)

The 2018 Special Awards are sponsored by the California Bluegrass Association and Homespun Music Instruction, while the 2018 Momentum Awards are sponsored by the Bluegrass Situation.

The recipients of the 2018 Momentum Awards will be presented with their awards at a luncheon on Wednesday, September 26, and the recipients of the 2018 Special Awards will be presented with their awards at a luncheon on Thursday, September 27 in Raleigh, North Carolina, as part of IBMA’s World of Bluegrass event.