25 Roots Artists Under 25

Roots music has long been known as a family affair, with folks gathered on porches or around campfires pickin’ and pluckin’. For that reason, players often get started at a very young age so, by the time they hit 25, they are well on their way to greatness. To prove this point, we’ve gathered 25 of the best roots artists still under the ripe young age of 25. Check out the whole playlist below, after hitting some of the highlights: 

Sarah Jarosz — “House of Mercy”

From Sarah Jarosz’s most recent album, Undercurrents, this cut is reminiscent of Fleetwood Mac’s “Gold Dust Woman” with open chords, eerie bends, and powerful harmonies topping off the quietly epic feel. As if that was not enough, about a minute before its end, Jarosz lets loose on an acoustic guitar solo that is much better heard than it is described. Even with all the amazing women that are gracing the roots music scene today, Jarosz still stands in a league of her own, and she proves that in this song. 

Jake Bugg — “On My One”

Jake Bugg exploded onto the scene with “Lightning Bolt,” the lead track from his self-titled debut album in 2012, and toured heavily for the years that followed. This track, “On My One,” and the collection of songs on the 2016 album by the same name, tells a story of loneliness on the road and the often unclear path to finding oneself. Bugg tones down his guitar playing and his singing throughout the album, with the natural grit of his voice taking care of the trademark sound he’s come to be known for.

Sammy Brue — “Once a Lover”

At just 15 years old, Sammy Brue has wisdom and maturity, as conveyed through this calming and somber tune, that are truly unbelievable. The story feels like it could only have come from someone who has lived and learned for many years. Brue, instead, merely listens and observes, then puts those stories into his music, somehow making it feel genuine and capturing every ounce of emotion necessary to make a great song. Look out for Brue — who knows what kinds of music he will continue to make as he grows and has his own experiences to draw from.

Lillie Mae — “Over the Hill and Through the Woods”

A classic country voice with a badass rock ‘n’ roll presence can be found in Lillie Mae and on this song. The twang of the electric guitar cuts through as the rest of the instrumentation fills the space elegantly, with Mae’s voice and accompanying harmonies adding even more beauty. The balance of grit and grace is what makes Mae such an exciting talent, and at the age of 25, this is only the beginning. With glowing endorsements from Jack White and many others, Mae is poised to become a powerhouse in music for many years to come. 

First Aid Kit — “You are the Problem Here”

After a three-year hiatus, the Swedish sisters are back with “You Are the Problem Here,” a track that switches out their usual charming harmonies for rage-driven, sociopolitical vocals with heavy guitars to match. Lead vocalist Klara Soderberg bluntly tells her audience how she feels about the patriarchy and sexual assault in the world today, evidenced most clearly at the end of the first verse: “When did you come to think refusal was sexy? Can’t you see the tears in her eyes? How did you ever think you had the right to put your entitled hands up her thighs?” It’s a powerful, important, and timely message. And, yes, half the duo is not under 25, but a little First Aid Kit never hurt anyone, right?

Gig Bag: Sammy Brue

Welcome to Gig Bag, a BGS feature that peeks into the touring essentials of some of our favorite artists. This time around, we look at what teen phenom Sammy Brue has to have handy when he’s out on the road.

Wet Brush: When you have as much hair as me, you have to have this brush to tame the mane. If not, I get dreadlocks bigger than Bob Marley. I’m a total man-bun guy when I travel, so right before a show, there is a 20-minute ritual we do to get my hair straight. I’ve tried others, but they usually tear my hair out.

 

Camera: Even though my phone has a camera that works well for social media, I always bring my Sony camera for portrait-style shots around the cities I’m in. I also do Vlogging with it, and the quality is great. Coolest part is that I can send my photos directly to my phone after I shoot. 

The Loar: I’ve been playing my Loar guitars for around five years now. I take my LO-16 with me everywhere. It gives me the ability to write new songs or practice anywhere. It’s usually in open D tuning to keep me motivated. 

Auxiliary Cord: This is a must! When you’re stuck in rental cars as much as me, you need a way to make it enjoyable. If you don’t have the aux cord, you are at the mercy of anyone that can reach the radio! 


Lede photo credit: Joshua Black Wilkins

7 Acts to Catch at SXSW

When we think of SXSW, we’re reminded of that old saying, “It’s a marathon, not a sprint.” Because if ever there were a festival akin to running a marathon, it’s the massive, 10-day festival/conference/gigantic party that descends upon Austin, Texas, like a badge-wearing plague every March. (This year, it’s March 10 – 19, to be exact.) Although we’d head South to see Vice President Joe Biden alone, this year’s massive music lineup is quite the draw, too. 

With pages and pages of showcasing artists to sift through, choosing just who you want to see may be more exhausting than four back-to-back day parties. We’ve done some of the legwork for you and found a few BGS favorites who are slated to perform.

Nicole Atkins

Nicole Atkins is one of the newest signees to Single Lock Records — the Florence, Alabama-based label run by John Paul White and the Alabama Shakes’ Ben Tanner. Her forthcoming album, Goodnight Rhonda Lee, marries ’50s girl group vibes and vintage soul with modern production a a little bit of twang.

Sammy Brue

Sammy Brue is only 15 years old, but the Ogden, Utah, songwriter has already earned a lot more live experience than a good chunk of his older contemporaries. Now signed to New West Records, the precocious folk singer/songwriter and Justin Townes Earle protégé is prepping a new album for release this summer.

The Kernal

Another Single Lock-er, the Kernal cut his teeth as a sideman for left-of-center country arists like Andrew Combs and Jonny Fritz. His recently released album, Light Country, considers his family legacy — his father played the Grand Ole Opry — as well as how it shaped his identity as a musician.

Andrew Combs

We’re always excited to catch Andrew Combs live, but we’re especially stoked on the heels of his announcement of Canyons of Mind, a new album coming out April 7. Combs’s poetic lyrics and haunting vocals make him one of our favorite songwriters around today.

Max Gomez

Taos, New Mexico, songwiter Max Gomez first got attention when he released his debut album, Rule the World, to critical acclaim in 2013. Now, fresh off a run of dates with the inimitiable Chuck Prophet, he’s preparing to release Me & Joe, a new collection that builds on the Western-tinged storytelling of his first.

Sunny Sweeney

Sunny Sweeney is one of our finest working songwriters, country or otherwise. Her new album, Trophy, is her best work yet, a stunning collection of deeply human songs that reminds us just affecting good music can be. She’s an Austinite, too, so don’t miss this chance to catch her on her home turf.

Valerie June

If psych-soul rocker Valerie June’s singular voice isn’t enough of a draw (and it should be), her nine-piece band ought to get your attention. When June hits SX, she’ll be fresh off the release of her new album, The Order of Time, so keep an ear out for new tunes.


Lede photo by Danny Clinch

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6 Punk Rock Players Reshaping Roots Music, Part Two

Last year, we highlighted some of our favorite up-and-coming roots musicians who, acoustic instruments aside, embody the punk rock spirit. From one man band Possessed by Paul James to punk-turned-troubadour John Moreland, the nine players listed shared many of the qualities essential to punk music: DIY mindsets, balls-to-the-wall shredding, and a tendency toward the political. 

Since then, we've seen a number of new acts who, regardless of whether their actual sound makes you want to listen to mclusky, are carrying the punk torch just as loud and proud as that first batch. Check out a handful of our favorites:

The Bones of J.R. Jones

 

Similar to Possessed by Paul James from our first installment, New York-based artist Jonathan Linaberry, known to fans as the Bones of J.R. Jones, has been known to play guitar and drums while singing his eerie, blues-influenced folk songs. His latest album, Spirit's Furnace, marries the DIY ethic of his live show with the knack for storytelling for which he has come to be known.

Parker Millsap

 

Parker Millsap may be making waves in the Americana world with his raw vocals and wry tales of evangelical truck drivers, but it's "Heaven Sent," a tune from his most recent album, The Very Last Day, that earns him a spot here. The song finds Millsap inhabiting the mind of a young, Christian, gay man seeking reassurance from both his father and his Father, making for a statement that feels far more personal than political.

Margo Price

 

Much ado has been made about Margo Price and her debut album, Midwest Farmer's Daughter, but it's the 13-year journey — fraught with waiting tables and waiting on a big break — that brought Price to Third Man Records and the Saturday Night Live stage that makes her one of the most punk rock artists in our community. That, and those hard-scrabble songs about drinking and jail.

Sam Gleaves

 

A lot of punk players show off their cred with their gear, and West Virginia player Sam Gleaves is no exception with his rainbow-colored banjo strap. On "Ain't We Brothers," the openly gay Gleaves, whose grassroots efforts have earned him the attention of outlets like NPR, explores the struggles of homosexuality in small-town life, making him one of the first Applachian voices to do so.

Sammy Brue

 

Getting the attention of outlets like The FADER and Rolling Stone at the wee age of 14 thanks to some stellar at-home recordings, Sammy Brue, a Utah-by-the-way-of-Portland songwriter who pals around with Justin Townes Earle and has the songwriting chops to boot, is about as DIY as you can get. 

Julien Baker

While many hear the word "punk" and think angry, Julien Baker — who wrote most of her stellar debut album, Sprained Ankle, in her dorm room at MTSU — reminds us it has a sad side, too, one that is as thoughtful as it is emotive.