BGS 5+5: Danielia Cotton

Artist: Danielia Cotton
Hometown: Hopewell, New Jersey; now New York City
Latest Album: Good Day (out March 18)

Which elements of nature do you spend the most time with and how do those impact your work?

I live in New York City and just being outside with my headphones on listening to a great song is so powerful. Walking in the city that never sleeps with a great soundtrack in your ears can almost always lead to moments of inspiration and pleasure. Many times I have taken a run on the West Side Highway in downtown Manhattan and I come home and go straight to the piano or my guitar and begin a new piece. It is always tough to write when one is uninspired. There are times you can push through, others when you put the instrument down and either find inspiration in existing music or art you like, or simply wait it out until you are struck with a spark of lyric or melody that leads you somewhere substantive.

What was the first moment that you knew you wanted to be a musician?

Right after one of my first solo performances at a “Save the Delaware” benefit in New Jersey. I had just learned to play acoustic guitar and I performed my three-chord song. It was the scariest yet one of the most exhilarating moments ever.

Which artist has influenced you the most … and how?

There is no one artist for me that encapsulates all that has influenced me. My sound has always been a bit eclectic so I pull from a few different musical genres. As far as rock goes, two huge influences are The Rolling Stones and Led Zeppelin. The Stones are soulful storytellers with serious grooves. Zeppelin for me has a depth that hit me when I was young and feeling displaced that took me somewhere else. Robert Plant’s voice was incredible at that time and his range was inspiring. When it comes to soul, I would include in my top three: Prince, Stevie Wonder and Sly and The Family Stone. Prince and Sly meshed rock and soul in a way that spoke to me as rock music sounded the way I felt. Stevie Wonder was deep. To this day Songs in The Key of Life inspires my soul, my musical theoretical side and my heart.

If you had to write a mission statement for your career, what would it be?

There was a literary critic about a hundred years ago who was asked to define what is a great work of art, and that critic said, “It’s whatever adds to the available stock of reality.” To the extent that my career might mean creating something that becomes part, however small, of someone’s memory, someone’s sense of peace, someone’s sense of solace, or someone’s sense of joy. I guess that’s my mission statement.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I almost never hide behind a character when writing a song. I generally write in first person as the honesty in performance is crucial for me as I try to take the audience to a real place. If I can’t find myself in the story or some way to personalize it, my ability to really connect with my audience becomes incredibly difficult. I am not a fan of faking it.


Photo Credit: Chia Messina

The Show on the Road – Low Cut Connie

This week, we call in to Philadelphia for a conversation with the highly-theatrical pianist and tireless, much-adored performer Adam Weiner, who for the last decade has gained a cult following around the world fronting his soulful bizarro-rock outfit, Low Cut Connie.


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Some artists have retreated into obscurity during the pandemic shut-down, some have turned lemons into personalized, livestream lemonade. But Adam Weiner took it to another level when he launched his often twice-weekly vaudevillian interactive web show “Tough Cookies” in March. Charging around his small home stage like a schvitzing piano preacher, often losing clothing along the way, Adam has learned nearly six hundred covers in the last eight months alone — from Barry Manilow to Cardi B’s “WAP” to Macho Man to an entire Little Richard set, which he performed to honor his hero after his passing. He then interviews anyone from Beyonce’s dad to members of Sly and the Family Stone. In short, it’s a rollercoaster every week — one that you kind of have to watch to believe.

Alongside his 2020 LP Private Lives, Low Cut Connie’s heartfelt and sweat-dripping sets have gained Weiner some famous supporters: Elton John for one, fellow New Jersey-born hero Bruce Springsteen for another. Up-and-coming playlist presenter Barack Obama unexpectedly placed Low Cut Connie’s defiant cabaret rocker, “Boozophilia,” on his must-listen list. Indeed, this taping, which often showed Adam jumping from his piano to his guitar to play favorites (like the Kinks-esque, “Revolution Rock N Roll”) initially had to be delayed so he could play an inauguration event for new president and Philly-piano lover Joe Biden.

While Weiner is basking in some much-earned attention, it hasn’t always been an easy road. He readily admits to scraping by on side jobs into his mid-thirties, for years playing around dim New York City piano bars as his sequined alter-ego, Ladyfingers. If Low Cut Connie has learned anything during this strange era, it’s that people desperately still need live music. In all its spur-of-the-moment, sweaty glory. One of the more moving stories he tells is seeing groups of nurses in beleaguered hospitals taking a much needed break to watch his livestreams. Much like his role model and patron Elton John, Low Cut Connie’s songs can leap from intimate folk-rock to greasy soul to bombastic musical theater and back with ease and his relentless spontaneity keeps fans waiting for that he will do next.


Photo credit: Skylar Watkins

3×3: Greg Loiacono on Puzzle Books, Plastic Man, and the Problem with Being Gary

Artist: Greg Loiacono
Hometown: Novato, CA
Latest Album: Songs from a Golden Dream
Personal Nicknames: Sweet Baby G, Papa Chu Chu, and Gary (Gary is the name that my name, Greg, gets mistaken for the most. My Mother Hips bandmates think it's funny so that's what they call me.)

 

Chico takes in @kernalmermaid and Todd Roper #songsfromagoldendream

A photo posted by Greg Loiacono (@gregloiacono) on

Your house is burning down and you can grab only one thing — what would you save?
A Guitar. But which one? I think it would have to be the guitar that my Grandpa Joe built in 1949. It is a semi-hollow body guitar with no F-holes. It has some great tone. Not the most practical guitar, but the most sentimental.

If you weren't a musician, what would you be?
Lately, I have been fantasizing about being an innkeeper on a small island in the Mediterranean Sea … so that.

If a song started playing every time you entered the room, what would you want it to be?
Well, "Dance to the Music" by Sly and the Family Stone was playing when I opened my inbox this afternoon. It felt really good. I bet you it would feel great to have that as one's permanent walk-in music.

 

#mounttamalpais #mahaliamornings

A photo posted by Greg Loiacono (@gregloiacono) on

What is the one thing you can’t survive without on tour?
It's a toss up between noise-canceling headphones and a New York Times crossword puzzle book.

If you were an instrument, which one would you be?
I think I would be a cello. I wouldn't want to have to sit between people's legs, but I am pretty sure, if I turned into an instrument right now, that is the one I would turn into. If I could choose, I might pick the contrabassoon.

Who is your favorite superhero?
Plastic Man. Seems like anything is possible with that guy.

Vinyl or digital?
Vinyl

Which primary color is the best — blue, yellow, or red?
Blue

Summer or Winter?
Summer