WATCH: Vance Gilbert, “Black Rochelle”

Artist: Vance Gilbert
Hometown: Arlington, Massachusetts
Song: “Black Rochelle”
Album: The Mother of Trouble
Release Date: May 5, 2023

In Their Words: “It’s a true story. The cruelest kids are often the kids who have been treated most cruelly. One of the easiest and hardest songs ever to write. I am proud that I heard that melody so clearly in my head even as the words were cutting my chest wide open. Lori McKenna again foils with background vocal perfection.

“As for the video itself, the videographer Jon Sachs and I decided it would be most effective to do it in one pass, the only video break during Joey Landreth’s heartbreaking solo over the bridge. Don’t let anyone ever tell you that lip-synching is easy, or that real life feelings don’t happen with the sing-along-to-self. It was like double illumination, and I was shocked at how it struck me.

“Part of my job as a singer-songwriter is to be a vessel of sorts, the story coming through me, while it’s the listeners’ job — if I’ve done my part with any facility at all — to be moved. I was trying not to indicate or show all kinds of feels in my face to the camera. That said, I did all I could to keep it together, because I had to. When the concept finally came alive with the music and selected images, the brokenheartedness really was replaced by a sense of accomplishment at a story well-told.” — Vance Gilbert


Photo Credit: Rob Mattson

BGS 5+5: Vance Gilbert

Artist: Vance Gilbert
Hometown: Born in the Philadelphia area, but Boston has been home for the last 40 years
Latest album: Good Good Man
Personal nicknames (or rejected band names): Bentfield Hucks

What other art forms — literature, film, dance, painting, etc — inform your music?

I see much of my songwriting as writing a great script for a movie. I’m most often intent on telling a story and making it as visual as I can muster. However, literature plays a great role too, as word usage and wordplay get the tongue’s mind involved. I remember reading Louis de Bernières’ Corelli’s Mandolin, and wanting to sing the whole thing when I was done, like some slightly overweight Black Homer.

What was the first moment that you knew you wanted to be a musician?

My freshman year, while I was at Connecticut College in New London, Connecticut, a crew of us piled into a classmate’s yellow tonneau-topped Pontiac Sunbird and drove the 2 hours to Boston. We parked at another classmate’s house and took the MTA into town. At one of the stops on the “Red Line,” there was a guy playing jazz standards on a vibraphone, and I simply don’t remember the rest of my stay there (save for the lo mein in Chinatown). From that moment on, I wanted to be in Boston playing music.

What’s the toughest time you ever had writing a song?

That would be writing “The Day Before November,” the closing piece to my new album, Good Good Man. OK, you asked — the tough part was fear. I had a storyline in mind, like a Rod Serling sci-fi movie about a neighborhood “spooky-old-man-in-that-house” and a loving prank a small, parentally-abused little boy plays on him at the urging of his group of friends. It has ended up as a spoken word piece, but I was afraid to even begin the thing for fear of screwing it up. Isn’t that something? To not even begin to create something for fear of doing it badly? The storybones of the piece existed in notebook after notebook and in my head for about 12 years. Yes, 12 years. Once I rolled it out in some kind of pentameter it took about 2 weeks to write and 2 1/2 months to memorize.

My poor dogs. Memorization repeats happened during late evening walks in the fall of 2016. Now that I think of it, neighborhood windows were open — maybe I should be apologizing to some neighbors too…

If you had to write a mission statement for your career, what would it be?

Never mind the calendar. Things happen when they happen. If it takes 40+ years to figure out how to sing with nuance instead of bluster, write to tell the story rather than to just spit out alliteration, and to stop comparing myself to others that seem to have the whole package together at 23 years old, then that’s how long it takes.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

It would most certainly be chicken wings with some sort of awesome sauce/rub, a root beer, sweet potato fries with just a little heat, and Richard Thompson just hanging out and playing tunes at the table. I’d even share my wings with him. Do you know how far out of my zone that would be? Particularly the sharing the wings part? NO ONE, not even Richard Thompson, better reach across that plate uninvited. NO ONE. …What fool would do that to a brother anyway?