ANNOUNCING: The 2017 BGS Bonnaroo Line-Up

That’s right, folks! It’s (one of) the most wonderful day(s) of the year — the day we roll out the roster for Bonnaroo 2017. In addition to the whole B’roo she-bang that features U2, the Head and the Heart, Michael Kiwanuka, Joseph, Preservation Hall Jazz Band, and so many more fantastic artists, we’ll be back in That Tent on Sunday, June 11 for the BGS Stage and Superjam hosted by Ed Helms. Last year’s line-up and Superjam included John Moreland, Steep Canyon Rangers, Sara Watkins, Amanda Shires, Lee Ann Womack, the Wood Brothers, and more bringing the roots to the ‘roo. This year …

THE BLUEGRASS SITUATION STAGE AT BONNAROO 2017

River Whyless
Mandolin Orange
Aaron Lee Tasjan
Greensky Bluegrass
The 5th Annual BGS Superjam hosted by Ed Helms and Friends

 

Bonnaroo Music & Arts Festival takes place June 8-11 in Manchester, Tennessee. Click here to buy tickets.

The BGS Sweet 16: More Albums We’re Excited About in 2016

Amanda Shires: My Piece of Land

Lori McKenna: The BIrd & the Rifle

Ben Glover: The Emigrant

Kelsey Waldon: I've Got a Way

The Coal Men: Pushed to the Side

Brent Cobb: Shine on Rainy Day

Cricket Tell the Weather: Tell the Story Right

River Whyless: We All the Light

— Kelly McCartney

* * *

St. Paul & the Broken Bones: Sea of Noise

Ryley Walker: Golden Sings That Have Been Sung

Haley Bonar: Impossible Dream

Adam Torres: Pearls to Swine

Lydia Loveless: Real

Okkervil River: Away

Angel Olsen: My Woman

Billy Bragg & Joe Henry: Shine a Light: Field Recordings from the Great American Railroad

Amanda Shires: My Piece of Land

Chatham County Line: Autumn

— Stephen Deusner

* * *

St. Paul & the Broken Bones: Sea of Noise

Amanda Shires: My Piece of Land

Ryley Walker: Golden Sings That Have Been Sung

John Paul White: Beulah

National Park Radio: The Great Divide

— Amanda Wicks

* * *

John Paul White: Beulah

St. Paul & the Broken Bones: Sea of Noise

Aaron Lee Tasjan: Silver Tears

Nikki Lane: Highway Queen

Shovels & Rope: Little Seeds

Kelsey Waldon: I've Got a Way

— Marissa R. Moss

* * *

Lori McKenna: The Bird & The Rifle

Kelsey Waldon: I've Got a Way

Butch Walker: Stay Gold

John Paul White: Beulah

Trent Dabbs: The Optimist

American Band: Drive-By Truckers

— Brittney McKenna

MIXTAPE: Bruce Warren’s Americana Roots

I was raised in the '70s — the greatest decade of music ever. Here’s a playlist of songs that I put together built on the new and the old, all tied to the music I grew up on — from the singers and the songwriters to the classic rockers, plus some new tunes from musicians carrying on the traditions I fell in love with as a high school kid. — Bruce Warren, Program Director for WXPN

Aaron Lee Tasjan — Memphis Rain”

With repeated listens, Tasjan’s new album, Silver Tears, unfolds like a great book, with great stories and photographs that linger long after the song ends. This is one of them.

Little Feat — Skin It Back”

I had no idea who Little Feat were when I bought their 1974 album Feats Don’t Fail Me Now as a high schooler based solely on the cover art by legendary illustrator Neon Park. But, man, did it change my life. This album is like the grandfather of Americana records, in the purest, broadest sense of the genre as roots music. It was R&B, soul, rock, and gritty and swampy, and this band could play like my nobody’s business. Lowell George on slide and funky guitar and that rhythm section pulsing out deep grooves … Mmm-mmm.

Yola Carter — Fly Away”

One of this year’s outstanding showcases in Nashville at the Americana Festival was British singer/songwriter Yola Carter. She’s sung with Massive Attack, and cites Dolly Parton and Emmylou Harris as major influences. She’s a star. Hold on.

The Dream Syndicate — “Tell Me When it’s Over”

Psychedelic, punk, and pre-Americana all coming together in one place at one time on one glorious record — The Days of Wine and Roses by Steve Wynn and his pals, in 1982.

The Allman Brothers — Southbound”

You can make 100 mixtapes of music for driving and this is the song you’d want to put on every single wione of them. Shout out to Chuck Leavell on that piano, though.

Michael Kiwanuka — “Love & Hate”

British soul-folk singer Kiwanuka delivered one of the best albums this year on which he mined the spirit of Marvin Gaye’s What’s Going On and the soul-folk work of Terry Callier.

Terry Callier — 900 Miles” and “It’s About Time”

Speaking of Callier, there are any number of musical places you can start with the Chicago folk/soul/jazz singer/songwriter whose music shared spiritual commonalities with Tim Buckley and his Chi-town kindred spirit Curtis Mayfield. Start with his 1968 The New Folk Sound of Terry Callier, an American music masterpiece not given its full due.

Norah Jones — “Don’t Be Denied”

Norah drops a very respectable cover of a Neil Young song that originally appeared on my second favorite Neil album, Time Fades Away. (My very favorite Neil record being On the Beach.)

Wilco — “Sunken Treasure”

Side three, track one, Being There. For me, the sonic and songwriting genius of Wilco records like Yankee Hotel Foxtrot and A Ghost Is Born can be traced back to this song. That final verse, however, is super inspiring, even though the song is an emotional sad sack.

“Music is my savior
I was maimed by rock and roll
I was maimed by rock and roll
I was tamed by rock and roll
I got my name from rock and roll”

John Moreland — High on Tulsa Heat”

Prior to this year’s Americana Music Fest, singer/songwriter John Moreland was barely on my radar. But when Taylor Goldsmith raved about him on the stage of the Ryman during the awards, I went back to my hotel and bought a copy of High on Tulsa Heat. It’s been in heavy rotation on my personal stereo since. Moreland is an amazing storyteller and lyricist. Here’s hoping his music reaches more people.

Bonnie Raitt — “Give It Up or Let Me Go”

Still making music after all these years, Bonnie’s second album, released in 1972, is one of those records you can go back to time and time again, and it continues to sound great. Sure, she covered Jackson Browne, Barbara George, Chris Smither, and Eric Kaz and Libby Titus’s gorgeous “Love Has No Pride,” but it is her self-penned title song that sets the tone of this record.

Mekons — Hard to Be Human Again”

Insurgent country starts here, with Mekons’ punk and country masterpiece 1985’s Fear And Whiskey.

Gig Bag: Aaron Lee Tasjan

Welcome to Gig Bag, a BGS feature that peeks into the touring essentials of some of our favorite artists. This time around, we look at what Aaron Lee Tasjan has to have handy when he's out on the road.

Silver Beatle boots: I got these silver Beatle boots as a gift from my friend, Kim Buie. They are essential for traveling, especially where we go, like Wisconsin or Gatlinburg. You gotta have style and it helps to have class. Obviously these boots fall under the "git you a girl who can do both" category.


Goldie: Goldie, as you may have noticed, is a van … but not just any van. It's a custom, like-brand-new-for-sale-as-is van that I bought off a fake minister in East Nashville. Fake ministers are the only people you can trust when it comes to buying a vehicle. What are some of the custom features? How about an original Nintendo "Minister" Terry said we could have but then took out of the van secretly before we picked it up? Or how about power locks that work almost most of the time? Would you care to listen to the radio? We wouldn't either and, thankfully, we don't have to because it doesn't work. Also, there used to be a custom hole in the gas tank, but we changed that custom feature to a different one with just a regular gas tank. 

Brian Wright: Whenever I go on tour, I try to take Brian Wright with me. He is one of the best songwriters I've ever heard and he loves to eat third-rate Mexican food and mad dog anyone who crosses him. I've seen him do the following things just in the last three months: break his finger from partying; use a piano as a foot stool; quit smoking; start smoking; come up with the idea for John Mayer to go skydiving and have it photographically documented by world famous sky diving photographer John Mayer; invent a can't-lose fighting move called 'The Elephant of Surprise.' All true. 100 percent.

The Tailgater: The tailgater is a 50-watt speaker that we use to listen to music in the van and make general announcements on because it came with a free microphone for some reason. These babies are $119 at Walmart and, let me tell you, it is a tour ESSENTIAL. What do you think Mick Jagger uses to warm up for every Stones gig? The Tailgater. Plus, you don't have to feel lame at the drive-thru anymore because now you have a mic, too. The Tailgater. Know it. Love it. Own it.


Lede photo by Curtis Wayne Millard

LISTEN, Aaron Lee Tasjan, ‘Lucinda’s Room’

Artist: Aaron Lee Tasjan
Hometown: Nashville, TN
Song: “Lucinda’s Room"
Album: In the Blazes
Release Date: October 6
Label: First of 3 Records

In Their Words: "Two summers ago, I was hired to play a week-long gig in Portland, OR, at this place called the Crystal Hotel. Part of the deal is that they put you up in the hotel for the week, and each room is named after a different musician. I ended up in the Drunken Angel room, aka the Lucinda Williams room. While this song is not really about Lucinda herself, there are definite references to her throughout the lyrics.

I love that she wrote a song like 'Drunken Angel' about Blaze Foley. Blaze and Lucinda are two writers I've definitely studied and admired a bunch. I think there's a great lineage of artists paying tribute to their heroes in song — Bob Dylan's 'Song For Woody,' Don McLean's tribute to Ritchie Valens, Buddy Holly, and JP Richardson that he did in 'American Pie.' I guess, in some ways, I was trying to do that on 'Lucinda's Room.' I just kept thinking about Blaze and his songs and the tragic but ultimately mythic way in which he passed, and how someone like Lucinda Williams could illuminate the sentiment of all these things in such a simple way.

It never really gets me down, but I admit I kind of feel lost in the shuffle, sometimes, as an artist. I know I'm a bit of an 'acquired taste,' as Ray Wylie Hubbard would say, and I identify with folks like Lucinda and Blaze who, to me, will always be remembered by everyone because — even though they never became Elvis or anything like that — they have these amazing bodies of work that clearly show they're masters of their thing. And I aspire to be that way because that's a far more comfortable and useful approach to life than worrying about whether I'm on some chart or sold a bunch of records. I just want to make a song that maybe somewhere along the way will be remembered — not because it was a big hit, but because it said something true that made somebody happy, and maybe helped make me a better person in the process of its creation." — Aaron Lee Tasjan


Photo credit: Stacie Huckeba