Ed Helms Archives - The Bluegrass Situation

Justin Hiltner Departs BGS After a Decade of Sharing His Many Talents

Posted on August 4, 2026 by Editor

Sometimes a person becomes so intrinsically engrained in something, it’s hard to distinguish how it worked before or what it might be like after them. Such is the case with our own Justin Hiltner, who has been an essential part of the BGS team for the past 10 years, most recently serving as editorial director.

Whether you realize it or not, if you’ve been part of the BGS community at any point in the last decade, you’ve interacted with Justin’s talent. From reading one of his in-depth interviews or thousands of social media posts, to seeing him emcee special events and even occasionally guesting on the banjo at a BGS Jam, there’s a good chance your life has overlapped with Justin’s work in some way.

Justin concluded his editorial tenure with BGS on July 31, though he will continue to contribute writing and assisting with the team transition until the end of August before moving on to a new career path. In a special statement to BGS readers, Justin wrote:

“After nearly 10 years working with BGS, it’s more than bittersweet to have reached the end of my time with this amazing team and the start of something new. But I am so excited for what’s next and endlessly grateful to my BGS family for their support as I leave the company and begin a new adventure in music.

“Since my time with BGS began in 2016 we’ve cracked 100k, 300k, and now are quickly approaching 600k followers across platforms. We produced shows at Bonnaroo, Newport Folk Festival, the Theatre at the Ace Hotel, and across the country and around the world. We founded a new vertical, Good Country, produced the first-ever diversity showcase in bluegrass history, and were recipients of the IBMA’s Distinguished Achievement Award, the organization’s second-highest honor. After nearly a decade, these and many more accomplishments, and hundreds and hundreds of bylines, I can say without hesitation I’m most proud of the people behind BGS. Ed, Amy, Craig, Shelby, and all of the incredible folks I’ve worked with during my time here are incomparable daily reminders of why bluegrass means so much to me – because of the people who love it, make it, and lift it up.

“I’m saddened to end my time at BGS, but I know this isn’t ‘goodbye.’ And I know I wouldn’t be who I am today, stepping into this new opportunity, without BGS and these fine folks.”

In his stead, former BGS editor Craig Shelburne returns to the editorial role, supported by creative director Shelby Williamson and co-founder/executive director Amy Reitnouer Jacobs, alongside other team members.

No doubt Justin will continue to make an impact on the bluegrass community and the world around him as he has done daily during his tenure here. We at BGS are proud to have been part of his story, and can’t wait to see what the next chapter might bring.

Lead image: (L-R) Ed Helms, Justin Hiltner, Bryan Sutton; Elli Lauren Photography

What Does “Outlaw” Really Mean?

Posted on July 21, 2026August 31, 2026 by Shelby Williamson

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms shares a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

An exciting emerging voice in indie and country, singer-songwriter and fiction author Creekbed Carter Hogan will release his second studio album, PEASANTS REVOLT!, on July 24. Toggling smoothly between twanging Americana and cozy indie-folk, it’s a collectivist country album tackling some major timely issues – war, labor rights, the climate crisis, queer survival, and the isolation of individualism. Carter reminds us all what being “outlaw” can really mean, in country and beyond.

Three-time GRAMMY winner, Fantastic Negrito doesn’t always make country music, but the music he makes is always Good Country. A genre-blender of the highest order, Fantastic Negrito (given name Xavier Amin Dphrepaulezz) is most often typified as a blues, soul, and Americana artist. But as his new live collection Alive! – out now – can attest, his albums and live shows boast just as many truly country moments as well. And, dare we say, it’s sounding pretty “outlaw” to us, too. If you know his story, you know it’s a fitting descriptor for this roots music renaissance man.

REK may be “retired,” but we’re certainly beyond happy that, indeed, “The Road Goes On Forever.” Earlier this month he released a special 25th anniversary reissue of his seminal 2001 album, Gravitational Forces, with Lost Highway Records. Available in limited edition forest green vinyl, it also features brand-new album notes penned by his daughter, Clara Rose. And that’s not all, next month Lost Highway will reissue Ready for Confetti for its 15th anniversary, as well. (That one will be available in limited edition confetti vinyl!) It’s time to add a couple more essential records to the collection, isn’t it?

Speaking of outlaw, here’s a fella that does it all on his own terms. West Virginia-raised Americana singer-songwriter John R. Miller released his latest album, The Great Unknowing, in physical formats more than a month ago and now it’s available everywhere you listen to music digitally, too. It’s this sort of mindset that permeates his writing, giving his music a strong sense of community, place, connection, and folklore amid the grit and gristle of his authentic, worn-in sounds. There’s quite a few reasons he gets compared to folk songwriting luminaries like John Prine.

Get on the ground floor of this quickly rising country artist now, because he’s going places! Arkansan Waylon Wyatt’s highly anticipated debut album, Dustpiles, was just released last week. His 2024 EP, Til the Sun Goes Down, was a sensation, amassing more than 225 million streams and launching his career into the stratosphere. His streams – and view, like, and follower counts on social media – continue on almost vertical spikes driven by his catchy, thoughtful songwriting and his limitless Arkansas charm. You can read our just-published Good Country interview with Wyatt here.

Listen to this issue of Ed’s Picks in one YouTube playlist here.

Listen to the full Ed’s Picks archive playlist here.

Want more? Check out our recent Basic Folk episode with Lizzie No and Kimaya Diggs about compilation album Outlaws’ Almanac that ponders the same questions – what is an outlaw and who gets to be an outlaw?

Photo Credits: Creekbed Carter Hogan by Emily April Allen; Fantastic Negrito courtesy of the artist; John R. Miller by Larry Nieheus; Robert Earl Keen by Patrick Dunn; Waylon Wyatt by Cole Silberman.

BGS 5+5: Dustbowl Revival

Posted on July 14, 2026July 14, 2026 by Justin Hiltner

Artist: Dustbowl Revival
Hometown: Venice, California
Latest Album: Change Your Mind (released June 26, 2026)
Personal Nicknames (or rejected band names): The Atomic Mushroom Cloud of Love, The Colt 45s

(Editor’s Note: Answers supplied by Z. Lupetin.)

What’s your favorite memory from being on stage?

There was a full-circle moment when we got to open for the Preservation Hall Jazz Band out of New Orleans at the beautiful Ford Amphitheatre in LA. Seeing Del McCoury’s bluegrass band combine with that famous brass squad on a tour in 2008 or so was one of the foundational moments for us – most people thought we were crazy combining a string band and brass band – and being in that gorgeous canyon theater felt magical and surreal.

What other art forms – literature, film, dance, painting, etc. – inform your music?

Personally, I came out of university as a playwright and screenwriter hoping to break into Broadway and Hollywood telling stories. Being in a band turned out to be a much more direct way to write and have your voice heard. It’s a lonely world putting on plays in New York and LA and hoping ten folks might come. Music is the obsession that never went away and there are dialogues right in many of the songs – “Change Your Mind,” the title track of this new record, is case in point. It’s really about a relationship breaking own in real time and picking up the pieces as they fall. You can have a whole drama in one song and bring it to audiences instantly which I love.

What’s the toughest time you ever had writing a song?

“Mr. Steady” came right after I got home from the hospital when my daughter was born. I knew I had to process the horrifying events that led to my wife nearly losing her life (the birth triggered a rare syndrome), but this song was written down then hidden away for a long time. It was too raw – singing about a single parent telling their daughter what a cool mom she had and admitting that being the “stable and steady one” might be impossible. But maybe being honest about those dark days helped move me through it. And I adore how the strings recorded by our old fiddle player Connor Vance lift the song so beautifully.

What would a perfect day as an artist and creator look like to you?

Unlike many musicians, I tend to love the feeling of recording a song right after you learn it, like when you’re still in love with it and you’re white-knuckling it a bit through the changes, totally un-jaded, just going for it. Some of the songs on our new record like “Listen, Come On Try” are full of excitement and live-take fear – just hold on and nail it! I would love a day to write, record, and put out a song, no breaks! OK, maybe a good lunch in between.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I do get a bit crazy about finding the best food on the road. Korean specialities are my all time favorite. Maybe an epic KBBQ meet up with Paul McCartney would be fun? Hell, let’s get Paul and Bob Dylan together and let them chat over banchan – that would be heaven.

Photo Credit: Molly Hudelson

Country + Disco?
Country + Bluegrass?

Posted on June 12, 2026June 23, 2026 by Shelby Williamson

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms shares a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

A premier modern bluegrass duo, Dailey & Vincent return today with a brand-new album, A Beautiful Life. Their harmonies, polish, and showmanship are unparalleled in bluegrass – and beyond. Yes, they have bluegrass and string band music in their bones, but limiting them to just ‘grass would be selling them short. They’re also country, gospel, Americana, and so much more.

Watch for more coverage of Dailey & Vincent and A Beautiful Life coming soon to BGS.

From Sturgill Simpson to Abbie Callahan, from the Cowgays to Miranda Lambert, the intersection of country and disco is a hoppin’ address at the moment! Lambert’s quippy, light, and fun track built on a portmanteau of the two genres is as Southern as it gets, from vegetable shortening to the dance floor sparkling under a disco ball. Country-disco is a decades-old tradition and we’re here for this resurgence.

Speaking of blending styles, the Red Clay Strays are doing it better than almost anyone these days. To the GC team, the skyrocketing Alabama outfit always sound like country, but it’s obvious their sound is so much more – rockabilly, soul, grunge, punk, golden-era rock and roll, garage country. Whatever they infuse into their music, it always feels right at home in Good Country. Their brand new album, Grateful, is out now.

Last month, Texan country crooner Joshua Ray Walker returned with a new LP, Ain’t Dead Yet. Don’t be dissuaded by the thread of winking mortality and silly macabre that he continues to trace through his songs; after his own brush with death – he was diagnosed with cancer in 2024 – Walker’s sardonic and witty style of country & western has found a charming and entertaining edge by staring the shortness of life dead in the eye. (Pun intended?) Another excellent set from an essential contemporary traditionalist.

Another excellent artist who bridges country, bluegrass, and more – but perhaps from the opposite end of the continuum from Dailey & Vincent. Bella White’s music feels elemental, channeled from across time, but never anachronistic. Her songwriting and style feels in the vein of other country oracles like Gillian Welch, Iris DeMent, and Lucinda Williams. But it’s also all her own. Her latest album, A Sign In The Weather, was released June 5.

Listen to this issue of Ed’s Picks in one YouTube playlist here.

Listen to the full Ed’s Picks archive playlist here.

Photo Credits: Dailey & Vincent by Gregg Roth; Miranda Lambert by Robert Ascroft; The Red Clay Strays, Grateful album cover; Joshua Ray Walker by Mike Dunn; Bella White by Tamara Flemming

Alt-Country, the Blues, and Oklahoma

Posted on May 18, 2026June 23, 2026 by Shelby Williamson

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms shares a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

Great news from a roots-country legend, Rodney Crowell returns with a “new/old” album on June 26, Then Again. Largely recorded over two decades ago in the early 2000s with Steuart Smith co-producing and completed with Dan Knobler stepping in, its lead single, “Are You One of Us?,” is the final recording by Crowell and his friend and compatriot Guy Clark. It’s a track perfectly suited for these divided times we’re living in, bringing wisdom and wit like only Crowell and Clark could. We can’t wait to hear more from Then Again!

We’ve known, covered, and collaborated with our friend Alejandro for years and years, so we’re especially excited to have him as our current BGS Artist of the Month, celebrating his brand new album Fondness, Etc. For an artist who’s adept at sonic and aesthetic reinvention, his music still always sounds exactly like himself – even as he bends and breaks the barriers of alt-country, neo-folk, Americana, and western to his liking. This is one of our favorite Shakey eras yet.

Another legend of American roots music, Taj Mahal is woefully underappreciated and undersung, even while being rightfully worshipped by so many as a keystone of blues, Americana, string band, and country musics. His new album, Time, released with his Phantom Blues Band on Resonatin’ Records/Thirty Tigers, shows that he remains as dynamic and innovative as ever. The title track is a deep-pocketed and smooth never-before-heard Bill Withers number that Taj makes his own. If you’re used to his gritty, playful, and down home blues, the sound here may surprise you – but damn, that’s Good Country, isn’t it?

Our queen of country, Oklahoma, and corn dogs is celebrating her 50-year groundbreaking, iconic career with new music – lucky for all of us! A brand new track, “One Night In Tulsa,” leads off an EP that encapsulates a few of her musical tributes to her home state from over the years: “Tulsa Time,” “Oklahoma Swing” featuring Vince Gill, “Does the Wind Still Blow in Oklahoma” with Ronnie Dunn, and the excellent Buddy Cannon-produced “No U in Oklahoma.” “One Night In Tulsa” is a soaring, dramatic, and longing love song to Tulsa and beyond, uttered like only Reba could. This version is the just-released live performance video of the song shot live at Reba’s Place, her restaurant, gift shop, and music venue in Atoka, OK.

Jobi Riccio charmed the country universe with her 2023 debut, Whiplash, but hold onto your necks, ‘cause her brand new album, Face the Feeling, finds the Coloradoan singer-songwriter evolving her production styles and genre descriptors in a big way. She’s infused grunge, alt-folk, and country-rock into these new songs; the results vary from straight-down-the-middle Southern rock to expansive, electronic indie-twang. We especially find Good Country touches in songs like “Pilar, NM” and “Wildfire Season,” but they can be found throughout the rockin’ project.

Listen to this issue of Ed’s Picks in one YouTube playlist here.

Listen to the full Ed’s Picks archive playlist here.

Want more Good Country? Sign up to receive our monthly email newsletter – and much more music! – direct to your inbox.

Photo Credits: Rodney Crowell by Claudia Church; Shakey Graves by Jonathan Terrell; Taj Mahal by Mike Coeyman; Reba McEntire, One Night in Tulsa album cover; Jobi Riccio by Rett Rogers.

Friends New and Old

Posted on April 17, 2026June 23, 2026 by Shelby Williamson

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms shares a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

Suzanne Cox (of the GRAMMY-winning bluegrass band the Cox Family) and her son, country singer-songwriter Brandon Ratcliff, are taking the internet by storm with their lovely and tender familial harmonies. Their duets have racked up millions of views and likes on social media, leading to a new EP, Mother/Son Volume 1, and a recent appearance on the Grand Ole Opry. Those voices!

You may have seen, I’ve had the good fortune of getting to spend a lot of quality time making a film – and doing plenty of banjo pickin’! – with Rhiannon Giddens recently. Since shooting An Ode to Mary Jo together, I keep going back to Rhiannon’s catalog of recordings and cannot get enough. This duet with fiddler Justin Robinson is from her most recent release, 2025’s What Did the Blackbird Say to the Crow. Fantastic old-fashioned, down-home fiddle and banjo music drawn from North Carolina.

I’m with I’m With Her, too. One of our favorite trios in Americana and bluegrass released a brand new live album today, Sing Me Alive, packed with 20 tracks captured at performances across the country and in Canada. Many familiar favorites can be found alongside cover songs and tracks they’ve never released before. Here, they’re joined by Ye Vagabonds in Rocky Mount, Virginia, on “Rhododendron” in November of 2025.

Our Good Country and BGS Artist of the Month, Tenille Townes, released the first full-length album of her independent era last week. As she describes in our exclusive Artist of the Month interview, she took a much different approach to recording this music, doing most of the tracking herself, alone. The songs are deep, meaningful, and cathartic – and damn good. But it’s not an entirely solo album, as I’m With Her (how perfect) and Lori McKenna both feature on tracks. Hear McKenna join Townes on the title track, “the acrobat.”

Our old pal Charlie Worsham is back at it – though he truly never stops. A sideman, radio and podcast host, session player, songwriter, and artist, Charlie does it all. He’s got new music of his own out and the GC team can’t wait for more. As he usually does, he’s once again calling on his superlative cohort of friends in Music City. On his most recent single, “They Never Do,” it’s Lainey Wilson joining in. From some teases on social media, though, we’re expecting many more special guests on Charlie’s outings in the future!

Listen to this issue of Ed’s Picks in one YouTube playlist here.

Listen to the full Ed’s Picks archive playlist here.

Want more Good Country? Sign up to receive our monthly email newsletter – and much more music! – direct to your inbox.

Photo Credits: Suzanne Cox & Brandon Ratcliff by Chase Hentges; Rhiannon Giddens by Karen Cox; I’m With Her by Alysse Gafkjen; Tenille Townes by Madison Rensing; Charlie Worsham courtesy of the artist.

Country Ain’t a Man’s World

Posted on March 23, 2026June 23, 2026 by Shelby Williamson

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms will share a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

We loved Cat Clyde’s 2023 release, Down Rounder, and on her brand new album Mud Blood Bone the Canadian singer-songwriter turns the dial a few more clicks toward alt-country, indie, and rockabilly. There’s a raw, gritty quality to the collection that’s remarkably refined for how unhinged it lands – and very country, too.

Ella Langley’s megalith hit, “Choosin’ Texas,” has brought her to the top of the charts, but we’re zooming in on a new single she just released a little over a month ago. “Be Her,” one of four tracks unveiled so far from her upcoming April release, Dandelion, might end up being the best mainstream country song of the year. Delightfully coy, jealous, and longing, it’s a bop that’s as deep and thoughtful as it is fun.

No one is making mainstream, crispy, hyper-stylized country like Megan Moroney. Her new album, Cloud 9, is certain to lift you up. With a lyric video showcasing beaches, palm trees, and Los Angeles sunshine, the title track perfectly illustrates how Moroney combines pop and twang, city and rural into a country style all her own. Right at home on Top 40 radio, but certainly Good Country, too.

Kacey Musgraves ended her post-Deeper Well dry spell with “Dry Spell,” a hilarious, catchy, and craveable song to bridge eras and albums. Her next LP, Middle of Nowhere (coming May 1), will expand the rat-race-opt-out universe Musgraves began building with Deeper Well. And we’re more than happy to see dashes of the wit and wordplay of Same Trailer, Different Park and Pageant Material infused in the lead single.

An Americana, Southern rock, and modern blues supergroup, Tedeschi Trucks Band’s 12-person ensemble returns with another no-misses album, Future Soul, released Friday. The project is strikingly diverse sonically and while it features some more genre exploration and subdued moments than you may expect from their stage shows, it’s still an absolute banger. The group kicked off their album release tour beginning a 10-show residency at the Beacon Theatre in New York City that runs through March 28 before they take the show on the road in the spring, summer, and beyond.

Want more Good Country? Sign up to receive our monthly email newsletter – and much more music! – direct to your inbox.

Photo Credits: Cat Clyde by Julio Assis; Ella Langley courtesy of the artist; Megan Moroney by Cece Dawson; Kacey Musgraves by Kelly Christine Sutton; Tedeschi Trucks Band by Chapman Baehler.

Country Rocks,
Country Rules

Posted on February 20, 2026June 23, 2026 by Shelby Williamson

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms will share a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

Ashley McBryde gets the year started off right with a soaring, anthemic new single. As you’ll see with “What If We Don’t,” Good Country and arena country aren’t mutually exclusive styles. Garage rock, country grit, and stadium-ready flair – McBryde is doing it better than almost anyone else out there.

Not your mamaw’s “Ring of Fire.” Big Thief’s Buck Meek launches his upcoming solo album, The Mirror, in just a couple of weeks. Its songs were grown where alternative, indie, folk, and country overlap, though each feels just outside of reach of any single one of those terms. Featuring Adrienne Lenker on BGVs, “Ring of Fire,” like Johnny’s classic by the same name, is about love and connection – but is perhaps the flipside of the Cash coin.

You can always trust the John Prine-founded Oh Boy Records to put out amazing music by generational songwriters. Emily Scott Robinson is certainly one. Her new album, Appalachia, embodies her heart-forward, community-minded approach to songcraft and musicmaking. Stand outs include “Hymn for the Unholy,” “The Time for Flowers,” the album’s title track “Appalachia,” and this lovely duet with John Paul White, “Cast Iron Heart.”

Read our recent interview with Emily Scott Robinson here.

Speaking of rock ‘n’ roll, our old pal Langhorne plugs in and turns up on his new album, The Dreamin’ Kind, which was produced by Greta Van Fleet’s Sam F. Kiszka. Slim’s personality – and the signature, charming touches that made us all fall in love with his music – is front and center on the new collection, however far into rockin’ territory he brings his Americana and folk sensibilities.

Find out more about The Dreamin’ Kind in our recent Cover Story interview.

He started as a bluegrass picker in a family band and a Keith Whitley and Tony Rice diehard. Now everyone’s favorite trad country revivalist is a GRAMMY Award winner. Top took home the trophy for Best Traditional Country Album for his sophomore release, Ain’t In It for My Health earlier this month. He’s the first awardee in the buzzed-about new category opposite Best Contemporary Country Album. Well deserved!

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Photo Credits: Ashley McBryde by Nathan Chapman; Buck Meek by Germaine Dunes; Emily Scott Robinson by Angelina Castillo; Langhorne Slim by Savannah Lauren; Zach Top by Getty Images for the Recording Academy.

2025: Another Year of Ed’s Picks

Posted on December 19, 2025June 23, 2026 by Shelby Williamson

As our second year of Good Country comes to a close, we’re reflecting on another 12 months’ worth of the best in country music. Whether Americana, bluegrass, or string band, blues, outlaw, or Western swing – or any of the many styles of country we know and love – there’s been plenty of excellent picks from my ear buds directly to your inboxes and playlists.

We sampled post-modern Mississippian country from KIRBY, got funky and soulful with Memphis family band and GRAMMY nominees Southern Avenue. We celebrated Suzy Bogguss’ invitation to join the Grand Ole Opry and traveled to the remote center of the Pacific Ocean for Maoli’s particular twang.

Fiery twin fiddle by Jason Carter & Michael Cleveland had our jaws on the floor, while we were surprised – but not really – at how well Brooks & Dunn went together with the Earls of Leicester. Huge stars like Billy Strings, Warren Zeiders, Sabrina Carpenter, and Carín León were enjoyed alongside everyday working musicians like Jordan Tice, The Creekers, Nick Shoulders, Sunny War, and more.

That depth and breadth – of artists and styles, of notoriety, or approach – is exactly what we’re going for with Good Country.

Good Country isn’t any one thing. It’s a feeling. It’s a place. We’ll be chasing more Good Country feelings and places in 2026, and we’re so grateful to have you along for the ride. Look back at all of Ed’s Picks for 2025 with our master playlist.

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Artist of the Month:
Doc in December

Posted on December 3, 2025December 11, 2025 by Justin Hiltner

For the past few years, as the music industry goes quiet, spooling itself down for a two-week sleep over the Christmas and New Year’s holidays, the team here at BGS has taken the opportunity to utilize December to spotlight a few of our heroes. We began the series with Dylan in December in 2018 and followed up the success of that nontraditional “Artist of the Month” pick in following years with Dolly in December, Del in December, Dawg in December, and last year’s incredibly popular Dead in December.

What better way to spend a cozy, holiday-filled, wintry month than celebrating some of the legends – artists, songwriters, musicians, and bands – that have made our roots music scene what it is today? This year, it’s clear who our December Artist of the Month should be: “Doc” Arthel Watson, himself.

Born in Deep Gap, North Carolina, in the heart of Appalachia in 1923, Doc Watson started playing guitar – and other instruments, too – as a child. Doc lost his vision in his youth, but would go on to become one of the most important American guitarists in history even with his disability. His position in modern roots music, especially in bluegrass, old-time, and folk, is canon. He is a legend to any and all, from the diehard lifelong acolytes to the recently initiated neonates. He’s one of our Americana music figures who tends to get lost, like the forest for its trees, within his own ubiquity and universal adoration. But no matter from which angle you drill down into his career, discography, artistry, and legacy there’s always more to find. To explore. And to enjoy, of course.

Over the course of December, we’ll be doing just that. Our writers and contributors will offer new articles considering Doc’s songs and output and his career as an American guitar hero. And, how even after his passing in 2012, he continues to be a definitional stylist on flat-top, flatpicked guitar. But don’t sell him short, either. Though most known for his fiddle tunes, folk songs, and old-time and bluegrass licks, Watson was accomplished in many genres across the roots continuum; he dabbled in and conquered sounds from hillbilly and rockabilly, electric guitars, blues, ragtime, fingerstyle, chicken pickin’, and more. He collaborated with artists from well within his own circle and far outside it – sonically, socially, and geographically. Watson was incredibly dynamic, a characteristic that has contributed greatly to his lasting, ongoing appeal.

We will also be dipping back into our BGS archives to share past features, playlists, and articles about Doc, and his son Merle; about his festival MerleFest, which continues to this day; and about the albums and offerings celebrating the 100th anniversary of his birth that were released in 2023. Truthfully, there’s nearly an endless supply of BGS content that touches on, focuses on, or mentions Doc. Because of course there is – these genres we all love and hold dear wouldn’t be what they are today without him.

You also won’t want to miss perhaps the most exciting aspect of our Doc in December Artist of the Month celebration. In 2023, BGS was invited to Bryan Sutton’s Blue Ridge Guitar Camp in Brevard, North Carolina. Sutton, alongside his friend and peer Billy Strings, is one of the most prominent proselytizers for Watson in the 21st century, so it’s no surprise his annual camp just up the mountains from Watson’s hometown of Deep Gap is usually dripping with Doc’s music.

That year, one of Doc’s most famous guitars, “Ol’ Hoss” – a 1968 G-50 Gallagher Guitar Watson played in the late ’60s and early ’70s and on many recordings – was also at the Blue Ridge Guitar Camp. The instrument was one of the first of a few Gallaghers that Doc owned. BGS made the trip to Brevard to capture special video performances and interviews with many of the event’s instructors and pickers, each of whom played Doc tunes and shared stories and memories while picking Ol’ Hoss. It was a magical week in the mountains. Now, for the very first time, we’re making select songs from these tapings available in a new series, the Ol’ Hoss Sessions. Three sessions pulled from the shoot celebrates Doc in December and features Bryan Sutton, Courtney Hartman, and will also feature Billy Strings. Stay tuned as we share those videos right here on BGS and on our YouTube channel throughout the month.

It’s not that Doc Watson is underappreciated or underrated, or that he needs any of the visibility that being a BGS Artist of the Month might afford. In our neck of the woods, seemingly everyone knows and loves Doc Watson already. But with so many folks and institutions shouting Watson’s praises from the rooftops lately – artists like Sutton, Strings, and a host of guitar pickers and roots musicians from across our community and scene; the folks who put on and attend MerleFest; the communities of Boone and Deep Gap, North Carolina; projects like I Am a Pilgrim: Doc Watson at 100 – it’s clear there’s always more to learn, love, and enjoy about Arthel Lane Watson.

Get started with Doc in December with our Essential Doc Watson Playlist, below. Plus, follow along right here on BGS and on social media as we share Doc Watson content throughout the month. We’ll have a new feature on Watson’s status as American guitar hero, and you can see our YouTube playlist of his incredible musical collaborations here. Plus, of course, our very special Ol’ Hoss Sessions, exclusively available right here on the Bluegrass Situation. (Watch Bryan Sutton here. Watch Courtney Hartman here.) Plus, we’ll be combing through the BGS archives for everything Doc Watson for y’all to enjoy. Buckle up for a mighty month of guitar pickin’ glory, it’s Doc in December!

Lead image courtesy of MerleFest.