10 of the Best Jo Dee Messina Songs

It’s been a minute since Jo Dee Messina graced us all with an album of new material.

The flame-haired singer from Framingham, Massachusetts, made an immediate splash on the country music scene with her self-titled 1996 debut. Her 1998 sophomore set, I’m Alright, was even more successful. Messina became the first female country artist to have three multiple-week, chart-topping singles from the same album. Burn, which arrived in 2000, was also a smash, delivering the popular title track and the Tim McGraw collaboration, “Bring on the Rain.”

Admittedly, Messina has been less prolific over the past 25 years or so. Her fourth studio outing, Delicious Surprise, came out in 2005. Record company challenges preceded the release of Unmistakable, which was supposed to be her next album; instead, it wound up being a series of three EPs. Her next proper studio album, which was simply called Me, did not appear until 2014.

Messina returned on June 5 with her long-awaited sixth album, Bridges, released through her own label. She has weathered a number of personal and professional ups and downs in the dozen years between the new album and Me – and some of that is reflected in the lyrics of her new songs. Bridges is Messina’s most personal disc to date, and she wrote (or cowrote) all but one of its 11 songs herself.

To coincide with the release of Bridges, and to celebrate her being our Artist of the Month, we’ve gathered 10 of Jo Dee Messina’s best songs – from her debut to the present.

“Some Bridges” (2026)

The track that inspired the title of her new album, “Some Bridges” is a slow-building statement of purpose and offers hard-won perspective. “Some bridges are meant to build,” sings Messina. “But some bridges are meant to burn.”


“Message In A Bottle” (2026)

Also from Bridges, “Message In A Bottle” is pretty catchy for a song about alcoholism. “Feeling 10 feet tall on 80 proof/ But the midnight lies, ain’t it the truth?” she sings. And you know she’s singing from experience.


“Don’t Let Them Hide Your Beautiful” (2026)

The centerpiece of her new album, “Don’t Let Them Hide Your Beautiful” is a moving, midtempo ode to being yourself. It’s a common theme across Messina’s entire career and discography.


“A Woman’s Rant” (2014)

The underrated “A Woman’s Rant” appeared on Me, Messina’s first studio album after a lengthy break. It pairs an old-time, bluegrass sound with a more modern, feminist lyric. To wit: “Husband, kids, work all day, I got PMS and PTA/ Find the thing my kid can’t find, I need a drink but there’s no time.”


“Bring On the Rain” (2000)

“Bring On the Rain,” a contemplative duet with Tim McGraw, is from Messina’s third album, Burn. It’s a true modern classic, having peaked at No. 1 on the Billboard Hot Country Songs chart, been certified Gold, and garnering tens of millions of streams. McGraw also co-produced the GRAMMY-nominated vocal event with Byron Gallimore.


“Downtime” (2000)

Another one from Burn – and a good song to listen to in the aftermath of a breakup. “I’ve been down this road a time or two/ I’ll get on my feet and over you,” Messina sings over electric guitars. “I’m just goin’ through a little downtime.”


“Because You Love Me” (1998)

From Messina’s sophomore set I’m Alright, “Because You Love Me” is a song about a love that stood the test of time. It proved that Messina could also pull off ballads. The double-platinum success of I’m Alright also helped Messina collect the 1999 CMA Horizon Award.


“Bye Bye” (1998)

The ridiculously catchy “Bye Bye,” also from I’m Alright and written by Phil Vassar and Rory Michael Bourke, scored Messina another big hit. A rollicking kiss-off to a former guy who is noncommittal, it finds her singing “Bye-bye, love, I’ll catch you later/ Got a lead foot down on my accelerator…” And suddenly we’re all singing along!


“You’re Not in Kansas Anymore” (1996)

The opening song from her debut LP, “You’re Not in Kansas Anymore” is another upbeat tune about a guy who left the Midwest for the Hollywood lights. It contains the great opening line, “He said, ‘I grew up in Wichita, in a Mayberry kind of town.’”


“Heads Carolina, Tails California” (1996)

Messina’s first single, from her self-titled debut. This upbeat jam about hitting the road reached the Top 10 on both the U.S. and Canada country charts. A definite fan favorite, it’s also the title of a 2023 greatest hits collection. Certified platinum, it’s easily landed in the 200 million-plus streams category – it’s such an iconic song, it’s birthed other country songs that reference it. Namely Cole Swindell’s 2022 track, “She Had Me at Heads Carolina.”


Explore more of our Artist of the Month content on Jo Dee Messina here.

Photo Credit: Madison Sharp

The Songs of Nickel Creek’s ‘Reasons Why (The Very Best),’ Ranked

 

Ah, Nickel Creek. The originally-a-bluegrass band, almost-bluegrass band that defined and fostered an entire generation of young roots music fans. Their five album catalog is chock-full of incredible songs, but for our purposes we’re going to rank their greatest hits as released on their 2006 compilation album, Reasons Why (The Very Best). Let’s start at the bottom, just to stir the pot right off the bat.

14. “The Fox”

When your audiences eventually universally devolve into nothing better than a non-Newtonian fluid that aggressively shouts “THE FOOOOOOOOOX” incessantly, it’s time to maybe consider that a “hit” isn’t necessarily a good thing. And if you ever attended a Nickel Creek concert during their heyday and you weren’t one of the ones yelling, you probably came to that conclusion, too. The band certainly has. And that poor goose…

13. “The Lighthouse’s Tale”

Look, you knew it was next. If Chris Thile himself openly mocks the song onstage, perhaps it doesn’t deserve a higher slot. Personification of a lighthouse though. Groundbreaking. Or should we say, sand-breaking. (Too soon?)

12. “Somebody More Like You”

Just because Sean’s early 2000s, punk-esque vocal choices are somewhat… jarring.

11. “Helena”

This song doesn’t seem to have aged well… A man uses not one, but two women and he’s so goddamn flippant about it. Is that love?? Dang if it’s not a catchy song though. Number eleven feels right.

10. “Can’t Complain”

Another in the “As a teen I shouted along with the words from the bottom of my heart and now I take pause” category. “…Made her wanna die / But she can’t complain she can’t complain.” Can’t she!?

9. “Should’ve Known Better”

See numbers eleven and ten. They should’ve known better. HaHA!

8. “You Don’t Have to Move that Mountain”

A cover that was previously unreleased by the band, this one is neither lackluster nor exactly awe-inspiring. Solid, for sure, but eight feels like the right spot. Especially given its “hit” status being ascribed only by its inclusion on the album alone. Are we all good with this praxis? Great. (Check that Mark Schatz bass solo though, okay?)

7. “Out of the Woods”

So vibey and lush. Spooky and ethereal. Like the woods from a Bronté novel. It’s a good one, perfect for the middle of the pack.

6. “Reasons Why”

Why number six, you may ask? I have my reasons why: mainly the space-age neo-folk vocal arrangements, with those tight tight tight harmonies. Makes me want to shake fists at the sky!

5. “This Side”

“You dream of colors that have never been made” was perhaps the deepest, most profound line on the Grammy-winning album, This Side, by the opinion of this writer, who wore out the CD oh, almost two decades ago.

4. “Smoothie Song”

Not as good as “Scotch & Chocolate” or “Stumptown,” but still. A bop.

3. “When in Rome”

Asking the tough questions, one by one. A manifesto for teenage bluegrass fans exploring music on the fringes of the familiar. Also, stomping in puddles. When in Rome, after all…

2. “Jealous of the Moon”

Devastatingly melancholy, but with a hopeful message. Pure poetry. Just remember, you don’t need to call anyone to save you. The problem is simple: “There’s nothing you can do / If you’re too scared to try.”

1. “When You Come Back Down”

One reason we could count this as the number one song in and among Nickel Creek’s greatest hits is that IT ISN’T AVAILABLE ON SPOTIFY. Travesty. The true reason, though, is that this is unimpeachably the best of the trio’s greatest hits. Sure, it can read like a song ripe for overuse at high school graduations, but it’s beautiful, it’s simple, it’s straightforward, and it’s almost literally uplifting. Take every chance you dare.