Tag: Henry Jamison

MIXTAPE: The Musical Inspirations Behind Darlingside’s New Album

Posted on by Justin Hiltner

Our past albums were written very collaboratively and we sang together almost all the time, whether in harmony or unison, trying to create a unified voice where individuals were difficult to pinpoint. For our new album Everything Is Alive, we made a conscious effort to let the individual voices and minds of our four singers/writers show through. Here are some of the recorded songs by other artists that inspired us in writing and producing the album, to give you (and maybe each other?) a sense of where we were coming from and who to blame if you don’t enjoy the results! – Darlingside

“Cecilia” – Simon & Garfunkel

I enjoy how the energy of this song comes from snaps, claps, and non-traditional-drum-kit percussion — it’s uptempo, but also sparse. I referenced it a number of times while working on “Eliza I See,” whose percussion is mainly the sound of slapping my legs and banging on a desk in my bedroom. – Harris Paseltiner

“A Rose for Emily” – The Zombies

I’ve always been sweet on the key change into the chorus here combined with the entrance of the harmony vocals. I love a moment in a song where I get transported into a whole new place, even while the basic instrumentation maintains course — that’s the same basic move I tried on our song “Darkening Hour,” where the minor chord you’ve been hearing in the verse pivots to major right at the downbeat of the chorus and the harmonies drop in all at once right on top. – Don Mitchell

“King of Carrot Flowers Pt. 1” – Neutral Milk Hotel

There’s so much in this track that I love, but the two easiest things to point to are the double-tracked vocal and the louder-than-expected Uilleann pipes that come in at 0:46. “Right Friend” features both double-tracked (triple-tracked, even!) vocals and a loud, buzzy pad coming in on the second verse. – Auyon Mukharji

“I Love You Always Forever” – Donna Lewis

I heard this song for the first time in years at a friend’s wedding and was reminded of how incredible it is. A few days later I asked Don (middle name Lewis, no relation) to come up with a “Don(na) Lewis” guitar part (mimicking the guitar that comes in at 0:38) for “All the Lights In the City,” and he did, and I love it! – Dave Senft

“Simple Man” – Graham Nash

I’ve always loved the distant, nostalgic piano sound at the beginning of this song — it brings memories immediately back to life, like the sound of my brother practicing piano down the hallway in another room of the house. For our song “Sea Dogs” we decided to stick with a distant iPhone recording of the piano rather than a hi-fi recording because it had this same quality. – HP

“Santa Fe” – Beirut

I love how angular and buzzy the brass is on this track — it was definitely in the back of my head while I was putting an early, MIDI, brass-heavy demo of “Baking Soda” together. – AM

“We Did It When We Were Young” – Gaslight Anthem

We listened to this song on a loop when our band was in its early youth, and something about that insistent eighth-note pulse stayed lodged deep in our brains. A decade later, Auyon was learning guitar and sent out a voice memo with that familiar rhythmic feel which became the starting point for “Lose the Keys.” (The vocal melody doubled in octaves later in the song also points back to Gaslight origins!) – DM

“If You Could Read My Mind” – Henry Jamison, written by Gordon Lightfoot

This song was a guiding light for me while I was working on “Can’t Help Falling Apart,” and I think it influenced “All the Lights In the City” a bit as well. It feels honest and confessional and unresolved in a way that I’ve always admired and just feels like an emotional gut punch to me. I love the original, but the version I have been listening to more recently is this great cover by Henry Jamison. – DS

“Amie” – Damien Rice

There were a good few months of my early 20s wherein I was listening to this track daily. The plaintive, orchestral strings in “Down Here” can claim lineage. – AM

“Gulf War Song” – Moxy Fruvous

I think of this song as the gold standard for handling controversial/political subject matter in an effective way. “How Long Again” was very consciously informed by it from its inception. – DS

“Dancing and Blood” – Low
Some songs make me feel things by sounding “real” — humans playing music in a room. This song goes the opposite direction: Everything is surreal and a little unsettling and it seems like things are about to go off the rails at any moment. I think this Low album inspired me to push the boundaries a bit with gated/distorted/off-kilter sounds around the margins of songs that still have a real human performance at the core. – DM

“Bloom” – Radiohead

This song is built on a few measures of extemporaneous piano noodling looped over and over, like an infinitely repeating moment of humanness. For our song “Green Light” we used an old voice memo of a mandocello that I was trying to learn how to play in Dave’s basement, which, when looped, resulted in the rhythmic core of the song. – HP

Photo Credit: Shervin Lainez

Mixtape: Davis John Patton’s Playlist for Making Sense of Things

Posted on by Editor

I could be mistaken, but we all share a few deeply rooted questions about ourselves, right? Who am I? What am I doing here? Why is it that I exist, rather than not existing? Over the years, I’ve found myself drawn to songs that invite me to make sense of these things. These songs hold a tension as they intelligently consider life and death while also expressing the candid emotions of one living in this strange existence. Additionally, I’ve included a few songs that don’t explicitly consider existence, but they tell stories and ask questions that even still invite me to make sense of them, piecing the puzzle together verse by verse.

At the end of the day, is it not supremely important how we answer these deeply rooted questions about ourselves and others? I hope these songs help you ponder and make sense of things as they have for me. — Davis John Patton

Gregory Alan Isakov – “This Empty Northern Hemisphere”

The imagery of the first chorus captivates me: adorning a home with radio wires to hear voices from beyond. A glimpse of something past this emptiness.

Henry Jamison – “Boys”

This song, and the album it accompanies, confronts our cultural idea of masculinity, but even more just the general process of reconsidering our very identity and the sources that built it. “Spring is coming; let me be like the cherry tree, renewed and fruitful.”

Penny & Sparrow – “Double Heart”

Our existential ponderings can only remain external for so long; eventually we look inward. I honestly couldn’t tell you what most of this song means, but hearing the cry of “double heart” reminds me that incredible brokenness and evil isn’t only in the world, but also in me.

Josh Garrels – “Wash Me Clean”

The production and instrumentation of this song are so thoroughly beautiful that it took me multiple listens to have the headspace to even listen to the lyrics. This song is a deeply personal cry that we and the “earth groan in pain,” a common landing place in existential wonder. Is this the final destination?

Phoebe Bridgers – “Chinese Satellite”

I could write pages on this song; it holds some of the most authentic and heartbreaking lyrics on existence I’ve ever heard. Who hasn’t felt the absolute wickedness of the world and cried out alongside Bridgers that we must have been meant for somewhere better: “I want to go home.”

S. Carey – “Have You Stopped to Notice”

A song of rest amidst the hopelessness of other ponderings. Carey brings listeners back to the life before them, and comforts: “We all want the answers, but we only find a few. Look at all you have still in front of you.”

Alaskan Tapes – “We”

After quoting the lyrics of six consecutive songs, I now bring an instrumental piece. A song with space to think.

Henry Jamison – “Witness Trees”

If I was forced to pick a perfect song, I’d probably pick this one. There is much to make sense of in this song, but I particularly love the lyrical and musical beauty when Jamison sings, “I see a sign in the breeze, in the wind, in the trees, in the skies over Austin.”

Benjamin Francis Leftwich – “Elephant”

One of the most repetitive songs I’ve ever heard, but it works so powerfully. What is the elephant in the room for me? “I know you know, it is easier to shy away… but I know that you won’t go away.” It seems we can only ignore our deepest longings for so long.

Noah Gundersen / Phoebe Bridgers – “Atlantis”

This song is the Knives Out of mysterious songs… When you make it through the first listen, you immediately want to listen back for clues at what exactly is going on. Catchy, to be sure, along with ominous stories with glimmers of longing that conclude with the listener being set free… ? Much to make sense of.

Penny & Sparrow – A Kind of Hunger

A lesson in existential pondering: eventually you come face to face with the reality of death. What do you do with that? Penny & Sparrow offer two profound thoughts: “Breath, in the end, is a thing to be spent.” / “Dying’s just a kind of hunger.”

S. Carey – “Meadow Song”

The best songs in the world are the songs that conclude great albums, right? I think this song is reflecting on a lost loved one, but in the spirit of making sense of things, I have literally no idea if I’m right. Give this song a listen, Google the lyrics which are essentially a poem, and make some sense of it.

The Black Atlantic – “I Shall Cross This River”

Here’s where we conclude, on a somewhat hopeful note. The bitter realities of existence are faced, externally and internally. But if there is one great enough to “see not this bitter man… see not this failure,” then “when my darkness leaves, when my fall is complete, I shall cross this river.”

Photo Credit: Austin Goode

LISTEN: Henry Jamison, “Ether Garden”

Posted on by Editor

Artist: Henry Jamison
Hometown: Burlington, Vermont
Song: “Ether Garden”
Album: Gloria Duplex
Release Date: February 8, 2019
Label: Akira Records

In Their Words: “This song looks ‘under the hood’ of the record, or ‘behind the veil.’ The ether garden is a psychological space in which countervailing forces move, where time is collapsed or even reversed in a dreamlike way, but with more consciousness attending it. The closest I’ve come to seeing it is through Thomas Wilfred’s art, light contraptions that throw veils of moving color up on a matte screen. The song’s relationship to the rest of the record is basically one of being a depth below the problems the other songs address, the depth at which an actual change could happen.” –Henry Jamison

Photo credit: Patrick McCormack

MIXTAPE: The Brother Brothers, Tunes to Get Us Down the Road

Posted on by Editor

If you’ve looked at our tour schedule recently, you’ll notice that it’s jam-packed, and each place is hours from the next. One of us will be on driving duty and the other on the tunes/podcasts. This is a list of tunes that have found their way onto our speakers in times of natural serenity, boredom, inspiration, or just plain “Ooh, I want to listen to that song.” They consist of friends, heroes, and people we admire — if it were all of them it would go on for hours. Here is a quick list for now, and it may get longer by the day.

“Ditch” – Sam Baker

There are many modern songwriters that can spin a story that makes the listener feel like they’re living it, but Sam is really one of the coolest and relaxed. Every time I hear one of his songs I feel like I’m remembering a dream I’ve just awoken from.

“Dad’s Gonna Kill Me” – Richard Thompson

Needless to say that Richard is one of the most influential songwriters of all, and this is a song that has really hit me hard recently. Songs of fighting war are a common theme in songwriting, and this one is very effective.

“Katie Dear” – The Blue Sky Boys

When you do research to learn harmonies, you stop here.

“Down in a Willow Garden” – The Kossoy Sisters with Erik Darling

Boy is this just good and in the way like not much else.

“Willie O’ Winsbury” – Anne Briggs

I remember the first time I heard this version. I’d listened to many others before and then the clouds parted but the rain kept pouring down and I was in heaven

“If You Ain’t Got Love” – The Revelers

What is there to say about the essence of country? This is where it lies for me. It is kind of the perfect song.

“Tired of Your Tears” – Feufollet

After attending the Black Pot Festival in Lafayette, LA we heard this band. To describe a better time listening to music would be very few and far between. What a great dance band and group of musicians

“Diggin’ Holes” – Brent Cobb

There are very few times that you hear a song and decide it’s time to quit music because you could never be as clever or sincere or capture a feeling to its core as Brent does in this song. I hate how good this song is.

“Fool Me” – Buck Meek

Listening to Terry Allen and Michael Hurley is one thing, and our pal Buck does it so very well with this song. It’s so perfect.

“Jonathan” – Adrianne Lenker

There are times that I sit down to write a song and just can’t because this song haunts me. It is the stars I am shooting for.

“Take Me Back” – Sarah Jarosz

We had the wonderful opportunity to do a bunch of opening shows with Sarah and this is the song that has stuck with me all this time. I wake up with it sometimes and can’t seem to get enough of it.

“Cosmic Doo Doo” – Blaze Foley

What can I say, but how great is this song?

“Real Peach” – Henry Jamison

He doesn’t remember how, but Adam found out about Henry, and we listened to his album every day in the car for weeks. It’s so good.

“Ain’t That Bad” – Timmy the Teeth

This is just a hit and I love the sentiment. His voice and the vibe and the words, it just is the butter that makes you want another.

“Emmylou” – First Aid Kit

We heard three different bands cover this song before we checked out the original. Then we listened to it over and over again. It’s just one of those earworms that gets in both ears.

“The King’s Shilling” – Karan Casey

When you visit Scotland and the UK you just end up falling in love with it all, and this is one of my favorite songs I’ve heard that isn’t twenty minutes long.

Photo credit: Erika Kapin