Yamaha Guitars Have Guided These Musicians to Their Unique Sound

Yamaha is on a never-ending pursuit to inspire players to find their unique sound and express their own distinctive, individual musical art. The original FG180 became a bestseller in America, setting a foundation for the development of the L Series and the A series, as well as the FG Red Label series in 2019.

Yamaha leverages their second-to-none technology and traditional luthier craftsmanship to offer high-end acoustic guitars that rival other premium guitar manufacturers. In fact, Guitar Division said of Yamaha, “Their high-end professional grade guitars are made with attention to detail, and even down to their midrange and beginner series you will see quality at least as good as any other popular brand.” Meanwhile, Sixstringacoustic.com observed, “Throughout its history the company has been dedicated to providing novices and professionals with the high-quality guitars, without being too much of a hit on their wallets.”

There may be a number of artists you never knew played a Yamaha Guitar. Since the 1960s, Yamaha acoustic guitars have influenced and inspired many top musicians.

Designed to John Lennon‘s exacting standards in 1977, his custom CJ52 is constructed with a red dragon inlaid on the black body of the guitar. According to Guitar World, “The inlay work employed a traditional Japanese technique called Maki-e, a style of inlay not usually employed on musical instruments because it requires the use of a high-humidity steam kiln that wreaks havoc on the music-making properties of wood. Yamaha’s custom guitars builders found a way to pull it off, creating the dragon from a drawing by Lennon himself. The instrument is the most expensive Yamaha guitar ever made.”

Lennon formulated the idea of that guitar after playing Paul Simon‘s Custom CJ52. Jimmy Page toured with a CJ52 from the 1975 Led Zeppelin World Tour to the 1998 Page/Plant “Unledded” Tour. In addition his own fondness for the Custom CJ52, John Denver often performed with his beautiful L-53 throughout the 1970s (check out that beautiful Yamaha headstock in the video above) Bruce Springsteen‘s CJ52 from 1987 became part of his musical identity at the height of his popularity.

Yamaha made American music history as “Country Joe” McDonald played an FG150 on stage at Woodstock (you can glimpse it briefly around 1:26 in the video below). James Taylor incorporated his L-55 Custom and FG2000 into his exceptional albums and tours in the 1970s.

Yamaha’s current cache of artists is no less diverse or impressive. The acclaimed singer-songwriter Butch Walker, who plays an FGX5, was named by Rolling Stone as Producer of the Year in 2005. He speaks about his producing guitar in this video interview. In addition, David Ryan Harris is an accomplished solo artist and guitarist who tours and records with John Mayer using his Yamaha FSX5. He showed off the Yamaha A5R ARE in a series of videos for the brand.

Yamaha continues to capture the imagination of rising artists, including The Arcadian Wild’s Isaak Horn and Stillhouse Junkies’ Fred Kosak. Don’t miss our Yamaha x BGS Artist Sessions with both bands below.

Yamaha is not finished with their never-ending pursuit of the masterpiece. Senior luthier Andrew Enns in Yamaha’s Calabasas, California, custom shop is teaming up with the master technicians in Hamamatsu, Japan, to develop even more advanced acoustic guitars that will soar to even greater heights. The bluegrass community eagerly awaits their next level guitars that are expected to set a new standard of tone, quality, and playability.

Singer-songwriter Laura Jane Grace of Against Me! and the Devouring Mothers, who plays a Yamaha LL16 and CSF3M, said in a recent interview with the brand, “I believe every guitar has a soul; not quite a consciousness but pretty close to it.”  When it comes to beautiful custom instruments, we couldn’t put it better ourselves.

Discover more about Yamaha Guitars and their custom shop at YamahaGuitars.com

BGS 5+5: Anna Rose

Artist: Anna Rose
Hometown: New York, New York
Latest album: In the Flesh: Side A & Side B
Personal nicknames (or rejected band names): The Electric Child, AR

Which artist has influenced you the most … and how?

It’s impossibly hard to pick just one, as so much of my love for the creation of music has to do with the understanding of its history and the shoulders I stand upon. I’ve looked a lot to The Beatles, Joni Mitchell, Tom Petty, Kurt Cobain, Warren Zevon, Sheryl Crow, Jackson Browne, and Dolly Parton as songwriters, though again I feel like it’s almost criminal to stop there. As a guitarist, I’ve idolized Jimi Hendrix, Tom Morello, Jimmy Page, Jack White, Son House, Muddy Waters, Sister Rosetta Tharpe and Bonnie Raitt. As a vocalist and as a performer, Robert Plant, Prince, Janis Joplin, Stevie Nicks & Fleetwood Mac as a whole, Alison Mosshart / The Kills, Tina Turner, Debby Harry, Stevie Wonder … again, these lists are endless and only speak to the tiniest tip of the iceberg. A mentor of mine once told me that there can never be too much good music in the world and I believe that to be true, now more than ever.

Which elements of nature do you spend the most time with and how do those impact your work?

The woods and the water — I can survive without both if I’m on the road or stuck in a city, but I think I am the best version of myself when I’m in nature. I’m a more present person when I can go for walk in the woods or sit by a river or swim in the ocean and I think that helps my writing. Taking care of animals is also a big part of my connection to the natural world, as well as riding horses.

What’s your favorite memory from being on stage?

I’ve been touring for a long time and so much of my life has been lived out on stage, the good moments, and the darker ones. I don’t often get to perform with my dad and those shows hold a special place in my heart, for sure. Many years ago, I got to open for Jackson Browne … I’ve been thinking a lot about that show lately. I was so young and completely in awe of him.

I guess recently the most precious memory I’m holding onto, though, is one from my last tour before quarantine at the beginning of March with the late, great Justin Townes Earle. Our last show of the run was in Asheville, North Carolina, at Salvage Station and Justin came out during my set, sat down on stage, and just listened to me. When I finished the song he stood up, got on the mic and said, “Girl’s got balls like church bells.” For him to come out and hype me up to the crowd like that meant a lot and I hold that tour very close to my heart. He was a truly brilliant artist and songwriter.

 

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What other art forms — literature, film, dance, painting, etc — inform your music?

I really try to experience many different forms of art pretty often, but I find myself most inspired by dance, film, poetry, and theater. I was a professional dancer and choreographer for a long time and my mom was a dancer, as well, so if I’m writing and I can picture movement it informs the direction of a song a lot. It’s sort of ingrained in my spirit.

I also grew up around film and theater and work in those fields currently, so I find myself influenced a lot by strong, captivating characters on screen/stage and wanting to write songs for them. On the poetry front, I circle back to the beat poets all the time — Jack Kerouac and Allen Ginsberg have always been two of my favorites.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I think writing for a character is not hiding, first of all. Assuming a character can be a really powerful way of working and getting outside of your own perspective, or expressing certain parts that might not come out when thinking of yourself in the most habitual context. It can be like wearing a costume on Halloween. So, I guess the answer is that I write for characters all the time but those characters often have aspects of my own personality and I’m not trying to “hide” any of that. Some dream experts believe that you are everyone in your dreams and I think of it that way, sometimes.


Photo credit: Shervin Lainez