Hawktail, “Padiddle”

Impossible combinations. Hawktail makes them seamlessly, time and again, with their effortless-while-labyrinthine brand of instrumental string band music. Their brand new album, Formations, is their first conceived and executed wholly as a four-piece. Mandolinist Dominick Leslie joined the lineup of Paul Kowert on bass, Brittany Haas on fiddle, and Jordan Tice on guitar after Hawktail developed most of Unless, their debut, as a trio. Confidence and ease permeate the new record, along with a palpable sense of intense listening and a feeling of space, openness, and synchronization. With virtuosos such as these it’s hard to imagine that they could possibly grow closer, become tighter, more enmeshed — but it would seem after little more than a year these four certainly have.

 Tice introduces “Padiddle,” Formations’ penultimate track, combining a bouncy, folk-rock inflected melodic hook with a smoldering, bluegrass-born conviction. An all too rare pairing in string band music, these modern, impetuous musical ideas don’t always emulsify with age-old, dyed-in-the-wool techniques. With each of the six originals on the record (and, of course, the Väsen cover, too) Hawktail are, as always, daringly inventive. But on Formations they’re distinctly proud to be catchy as well, flirting playfully with pop while still constantly reinforcing the deep roots of their collective pedigrees in fiddle music, old-time, bluegrass, and plain ol’ pickin’. An overarching impossible combination coloring the entire collection of tunes must be this: That something so timeless is also remarkably contemporary.

LISTEN: Carrie Newcomer, “Shelter of the Sky”

Artist: Carrie Newcomer
Hometown: Bloomington, Indiana
Song: “The Shelter of the Sky”
Album: The Point of Arrival
Release Date: March 22, 2019
Label: Available Light Records

In Their Words: “Growing up near Lake Michigan, you learn to love expanses of sky and freshwater, so I have always felt a certain kind of homecoming under the dome of an expansive sky. No matter where I am, there is the dome, the wide arms of something always changing but timeless. Because I am a touring musician, I am often a stranger who is far from home. It is easy to get ungrounded when you travel so much. But everywhere I go, there it is again, my feet on the earth and the dome of the sky above.

“The musicianship on this album and this song is nothing less than joyous. What a delight to work with such brilliant and totally original artists — Jordan Tice, Tristan Clarridge, Alex Hargreaves, Moira Smiley, Joe Phillips and Gary Walters. Together it felt like we created something that moved and expanded like fast-moving cloud banks, opening up into solos that felt like flying.” –Carrie Newcomer


Photo credit: Hugh Syme

Hawktail, ‘El Camino Pt. 2’

Not long ago, the bluegrass-meets-old-time-plus-chamber-music supertrio that consisted of fiddler Brittany Haas, bassist Paul Kowert, and guitarist Jordan Tice stopped simply billing themselves by their last names, added mandolinist Dominick Leslie to the fold, and renamed their outfit Hawktail. Their debut album, Unless, solidifies their status as a concrete ensemble — a grown, autonomous entity, more than just a collection of friends and string band experts who happen to enjoy playing tunes together here and there, when tour schedules allowed and stars aligned. Fortunately, that solidification was not predicated upon the elimination of the spontaneity, whimsy, and kineticism that shone through their picking as they grew from a pick-up band to an established trio to this, their current, matured form.

On “El Camino Pt. 2,” you can hear the live audience responding to this kineticism, watching in palpable awe while these four young paragons of acoustic music dialogue with each other. As they ebb and flow, rise and fall, they demonstrate to every listener that that feeling among the crowd, the exciting premonition that everything could, at any point, careen off the rails, is purposeful and under precise control. After all, this is one reason why old-time and bluegrass are so appealing: When you are in the presence of true virtuosos, players whose musicality transcend their instruments, quite literally anything can happen. The fact that Hawktail never forsake their exquisite taste, their sometimes quirky, funky, or nerdy personalities, their supremely traditional influences, or their penchant for everybody-hold-onto-your-hats fun while maintaining their deliberate, cohesive voice as an ensemble makes it even more adventuresome to follow wherever they may lead.

WATCH: Hawktail, ‘Abbzug’

Artist: Hawktail (formerly known as Haas Kowert Tice)
Hometown: Nashville, TN
Song: “Abbzug”
Album: TBD
Release Date: April 2018

In Their Words: “Fiddle tune with a walking bass line. Britt wrote the melody. Her title is a tribute to Edward Abbey. This video is from the recording session of our forthcoming record at Downtown Presbyterian Church in Nashville.” — Paul Kowert


Photo credit: Jody March

STREAM: Jordan Tice, ‘Horse County’

Artist: Jordan Tice
Hometown: Nashville, TN
Album: Horse County
Release Date: July 12
Label: Patuxent Music

In Their Words: "Here's what happened: I wrote six songs and five instrumentals, and got some really good pickers to play them with me. I'm talkin' Paul Kowert-Mike Witcher-Dominick Leslie-Brittany Haas-Shad Cobb-Noam Pikelny good. Chris 'Critter' Eldridge and I co-produced it and saw the thing through. There's a little something for everyone on here — old, new, sad, goofy, a rag — and it's all rolled in that Horse County dirt." — Jordan Tice


Photo by Emilia Paré. Design by Loren Witcher.