Basic Folk: Raye Zaragoza

The headline for Los Angeles-based Raye Zaragoza’s new album Hold That Spirit is that after she broke off her engagement, she used her wedding budget to fund the recording. She wrote the songs the year she turned 30 while she was thinking of the expectations placed on women in society to have everything together at a certain age: marriage, kids, career, etc. She’s decided to let those expectations go and live in the joy that life offers, and explores her newfound freedom and indigenous identity in these new songs. She’s moving forward as a role model in Los Angeles’ indigenous community, which she has been a part of since she was 14 years old.

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We go through the album track by track covering topics of social justice, eating disorders and perfectionism. She worked exclusively with female collaborators on Hold That Spirit, which allowed Raye a vulnerability in her writing sessions and studio time that she had yet to experience. She found co-writing with other women an easy space to feel emotionally safe. Working with like-minded feminists and activists fueled this album, which has allowed Raye to begin to break through those unfair expectations society places on women. In our conversation, Raye is thoughtful and serious, yet fun and playful even with such heavy topics addressed. Thank you, Raye!


Photo Credit: Bolora Munkhbold

BGS 5+5: Raye Zaragoza

Artist: Raye Zaragoza
Hometown: Greenwich Village, Manhattan, NYC
Latest album: Woman In Color (Rebel River Records)
Personal nicknames (or rejected band names): Ray was my nickname for my whole life. My full name is Rayanna. I added the e when I started playing music!

What’s your favorite memory from being on stage?

My favorite memory of being on stage was when I was in the third grade and I was performing “I Can Do That” from A Chorus Line in my school’s talent show. I had my tap shoes on and everything. But I had what was probably bronchitis. I hardly had a voice and had a terrible cough. I guess my parents thought I was still ok to perform! I gargled salt water every five minutes while I waited for my turn. I got on stage and could barely get any of the song out. It was just low muffled coughs and groans and then tap dance breaks. I asked my friend how I sounded after and she said, “It was pretty bad.” Since then, I have never really had stage fright, and don’t really stress when I have to perform sick. I conquered bombing a set very early on in my stage career. I am so grateful for that!

What rituals do you have, either in the studio or before a show?

I love rituals. Before a show, I always stretch, which feels funny because I just stand there and play guitar and sing! I am not doing any dance moves or anything like that, haha. But when I was a kid, going on stage meant that I was dancing, so I feel like something is wrong if I don’t stretch before going on stage. I also always drink hot water before a show (even in the summer) and say a little prayer and land acknowledgment with my crew.

What was the first moment that you knew you wanted to be a musician?

I was always music obsessed as a kid. I always had headphones on and thought songwriting was the absolute coolest thing anyone could do. But I knew I wanted to be a career musician at my first real gig. I played House of Blues (restaurant stage) in Hollywood when I was 19 (2012). It was one of those “pay to play”-type deals that I my roll my eyes at so deeply now. I ended up selling the place out with all of my co-workers from my hostess job and got up there to play the four original songs I had written to date and some covers. It was the first time I played my own songs for people at a real performance. I had this crazy feeling during the first song. I felt like I was on the best drug trip ever. I felt happier than I’d ever felt in my life. It was a magical feeling and I’ve never stopped chasing it since.

If you had to write a mission statement for your career, what would it be?

Be the role model you wish you had as a kid. Make your ancestors proud. But don’t take yourself too seriously.

Which elements of nature do you spend the most time with and how do those impact your work?

I moved to Long Beach, California, in January and have recently become obsessed with swimming in the ocean. I honestly had very little exposure to nature as a kid growing up in New York City. Central Park was my nature. I now live three blocks from the ocean and go almost every day. The ocean calms and grounds me. It brings me to that grounded place where I can create best. And on the other extreme, I love the desert. The desert and ocean both make me feel so small and alone in a way that inspires me to create.


Photo credit: Jimmy Hines