BGS 5+5: Kerry Hart

Artist: Kerry Hart
Hometown: Los Angeles, California
Latest album: I Know a Gun
Personal nicknames (or rejected band names): KerBear

Which artist has influenced you the most … and how?

I have been most influenced musically by Peter Gabriel. The record I first burned into my brain was So. Each song dances, a lush landscape of emotion and movement and melody. The sounds painted visuals for me, the percussion is ever present but gentle, structural and textured, the layers of melody and counter melody, the sense of time and place. His voice is used not just to tell the story, but to give it depth and color. The significance of the lyrics, a feeling of humanness, and a lack of perfectionism. These are all things I took into my expression of my experience of the world.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I was fortunate to grow up in New Jersey, just outside of New York City, and I was exposed early in my life to live theater, to actors and plays, to paintings by the masters, to poetry and to poets and to live jazz. I always possessed a love for novels and I really tend to think that each of my songs happens in a time and place to a “someone,” a character if you will, and I can see clearly that my expression in music has been absolutely altered by my exposure to artists in real time, expressing themselves right before my eyes. My live performance aesthetic is definitely inspired by the sensation that what you are about to share with us will only ever happen now, in this time and space. It’s ephemeral. You have to be there or you will miss the bolt of lightening in our hands.

What rituals do you have, either in the studio or before a show?

I have a very consistent meditation practice that is the basis of my well-being. Before any musical work, writing, rehearsing, vocalizing, tracking, or a performance for an audience, I do my meditation to really drop into my center column and root into the Earth and awaken my breath and my vision. I sort of leave myself to a degree, I leave the me that is bound to my story, bound to my life’s joys and burdens, and I breathe into more of an everyman space. I like to move in music from a place of high compassion and passion, so I come to the work both more awake and more in a dream. In music, there is incredible latitude to welcome the truth. I really try and honor that, as I believe it serves the songs.

What’s the toughest time you ever had writing a song?

I think each and every song has a moment where there is something tough about it, except for those gems that land fully formed like gifts. There is no room for playing small with songs. The song and the audience need me in humility and in power to properly honor taking up their sweet time with my creation. I think living in that resonance is a challenge, staying positive against life’s lesser fortunes – and that is before you get to the heavy lifting of crafting a verse, refining your hook, editing out what is superfluous to the flow of the thing. But wow, I love the hard days as much as the best ones. Song life is a trip.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I never feel like I am hiding when I play the character that is the singer of the song. Each one is me, thru different colors of the kaleidoscope. Which is not to say my songs are autobiographical. Most are not, but in each one I find the kernel of truth where I can align with the narrator of the song’s tale, and then I leap from there with total abandon. There are single lines in the work that are right from my direct experiences but truly most often, the blend of my emotions from life with the way others move through time and space is where the magic tends to happen. Writing for me is a sacred process. What I need to come through usually does, for me and for the characters in each composition. I love to meet the pieces of the puzzle.


Photo credit: Lauren Dukoff

BGS 5+5: Dustbowl Revival

Artist: Dustbowl Revival
Hometown: Los Angeles, CA
Latest Album: Is It You, Is It Me
Rejected Band Names or Nicknames: “When I was first trying to figure out the band name, we asked the audience at the first ‘show’ we played at the old Brown Derby in LA. I almost went with the name of the first album, The Atomic Mushroom of Love, but that would have been too much.”

Answers by Z. Lupetin of Dustbowl Revival

What’s your favorite memory from being on stage?

As nerve-wracking as it was, I’m super glad we had the cajones to try and record our live record Lampshade On at The Troubadour in LA and The Great American Music Hall in San Francisco. Both spots have such history and it felt like we were floating while doing it. Two of the most intense, rowdy, and giving crowds we’ve ever played for. Truly I almost freaked out and messed up the first few songs at The Troubadour — it meant so much to me to be there — but the energy is palpable on the record and that was worth it. Recording live is like trying to play music on a tightrope with your eyes closed.

What other art forms — literature, film, dance, painting, etc — inform your music?

I can never stay in one medium for long. It’s like only eating Italian every meal for the rest of your days — there are so many storytelling mediums that are so worth our time. Short stories are a forever favorite. I am also a playwright and I’ve always seen a lot of overlap between performing music and creating dialogue and stories for theatre. Why can’t conversations be had in the middle of a song?

I’ve always had a macabre sense of humor and the work of writers like Edward Albee, Christopher Durang, Sam Shepard and poets like James Tate and short story masters like Etgar Keret and Peter Orner seem to scratch an itch I try to get to with my songwriting — telling stories of normal people in deeply strange and emotionally epic situations trying to figure things out the best they can. Can magical realism be a genre in music instead of Americana?

Which elements of nature do you spend the most time with and how do those impact your work?

I adore hiking up mountains when I can and maybe it’s the Pisces in me, but I have a visceral need to be near an ocean or a big old body of water (I grew up by Lake Michigan). Jumping in lakes, ponds, oceans, weird hotel pools, you name it, I do it as much as possible to reset my brain. Riding waves thirty blocks from my house is among the most purely joyful things I know to do. I find myself bringing the sea and the sky and the limitlessness of space into a lot of songs accidentally. My grandfather was a part of the space program so maybe his curiosity was passed down to me in some way.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I’d love to share a few hot dogs and some fries with John Prine. I share his love of a good dog — being from Chicago, the simplicity and perfection of a Vienna beef sausage on a steamed poppy seed bun with all the fixins and the spicy sport peppers for extra crunch and tang — it just can’t be beat. It’s the first thing I get in the Chicago Midway airport on layovers. Also John is a lesson in well-spiced simplicity!

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

This is a tough one as my bandmates (and my mom) will often question if a song and its story are personal or simply a fantastical vision of something I wished could happen or feared might happen. Initially the opening song on our new record, ‘Dreaming,’ was about a baseball closer who blows the biggest game of his life. It wasn’t personal at all of course, and when we changed it up to be more about a performer who panics in the bright lights it did feel more grounded and emotionally real, because it came back to being a version of me. Not me exactly.

I do get nervous before shows. I’ve never almost died out there (not yet!), but I strongly feel starting with a seed of truth and letting your imagination (or paranoia) run wild creates the most unique story. I’m very lucky — I came from an insanely supportive and artistically curious family — but that doesn’t mean I don’t see the tragedy and darkness that lurks within our family history if one looks hard enough. People are complicated and often don’t reveal what’s really going on. I tried to uncover that in our tune ‘Sonic Boom.’ What if you told the person you loved most what was really going on inside? Stretching the truth can still be personal — and creating fantasies maybe can help us find out who we really are.


Photo credit: Shervin Lainez

The Show On The Road – Jason Hawk Harris

This week on the show, Z. meets up with cerebral, Texas-born roots rocker Jason Hawk Harris, who has recently struck out on his own, poking one foot through the torn tinsel of a Houston honky tonk and another through a haunted, California Black Mirror episode set in a tilted sci-fi future.

LISTEN: APPLE PODCASTSMP3

While most songwriters hide behind walls and trapdoors of metaphor, Harris isn’t afraid to openly process his recent family traumas and loss on his stunning (and aptly titled) debut solo album, Love & The Dark, released by Bloodshot Records in 2019. Despite his youth, Harris has much to tell us and if this equally sensitive and swaggering sound is where the future of modern country music is headed, we’re in.

LISTEN: The Mastersons, “Eyes Open Wide”

Artist: The Mastersons
Hometown: Los Angeles, California
Song: “Eyes Open Wide”
Album: No Time for Love Songs
Release Date: March 6, 2020
Label: Red House Records

In Their Words: “‘Eyes Open Wide’ was one of the first tunes we wrote for the record. It took on a Byrds/Gene Clark feel the moment the Rickenbacker 12 string came out, which seemed apropos for a record cut in LA at Sunset Sound. Once Shooter Jennings had Bonnie Whitmore and Mark Stepro add their harmonies it added a Fleetwood Mac vibe and turned into a pretty fun track. It also feels like a song for the times as we can’t bury our heads in the sand with so much going on in the world. It’s tempting to check out with so much bad news every day, but it’s time for all hands on deck.” — The Mastersons


Photo credit: Curtis Wayne Millard

BGS WRAPS: Coco Reilly, “Christmas With You”

Artist: Coco Reilly
Song: “Christmas With You” (single)

In Their Words: “I didn’t set out to write a Christmas song, but as I was playing through this new chord progression Christmas lyrics just started coming to mind and it was done within an hour. At first I thought maybe it was a little silly, but it was stuck in my head for a whole week so I decided to give it a whirl. I have to thank Todd Stopera for recording this so last minute (we recorded this right before Thanksgiving, which is extremely late to be making a Christmas record!) He was so easy to work with and it came out almost exactly as I heard the production in my head.

“I knew I wanted to fully lean into a feel-good holiday vibe with a lot of percussion and warm harmonies. When the song was finished it made it made its way to Peter Asher, who I met via my manager since moving to LA. He has worked with some of my favorite artists of all time, so receiving such kind words from him is an incredible compliment. I can’t think of a better stamp of approval. Writing a holiday song is really intimidating, there are so many amazing ones out there already and it feels bold to throw my hat in the ring but it was so much fun to make and I only hope people are as happy listening to it as I was making it.” — Coco Reilly