Dan Whitener: Six of the Best Tips for Touring the UK

I love playing banjo in the UK. By the end of my latest British tour with Gangstagrass, I started thinking that next time I should stay for longer. Maybe I’ll get a Leicester flat.

Fortunately, Man About a Horse is heading out on our first UK tour. To help my bandmates adjust to the culture shock, I’ve identified a few key differences between our nations from observations during my time abroad. I hope this resource proves helpful to other touring bands and to the readers of the Bluegrass Situation. — Dan Whitener, Man About a Horse

The political system is different.

It’s important to be sensitive to the current political climate when you are a visitor, especially if you have to interact with large groups of people on a daily basis. What you should know is that there was a contentious vote in 2016 that stoked xenophobia, sowed distrust of government, drove a wedge between groups of citizens, and separated the country from the world community in a meaningful way. The country is still navigating the effects of this vote, as well as experiencing ongoing turbulence and the occasional unseating of high-ranking government officials.

How will Americans possibly understand what that’s like?

The green rooms are different.

The green rooms have tea. The hotels have tea. Every place has tea. Somewhere, a British scientist is working on a tea pipeline to have it come out of the tap. Which reminds me, washing your hands is an art that takes the better part of half an hour. The sink, or washbasin, has separate taps for hot and cold water, and you mix them to the perfect temperature in the basin, which you stopper and fill. This process serves as a reminder of why we don’t take baths in America.

These differences in your daily routine may slow you down, but you might find yourself becoming more contemplative while soaking your hands in a basin of hot tea.

The language is different.

Here in America, we sometimes make the mistake of thinking we speak a language called English. Having visited England, I can tell you that we do not speak English. Having visited Scotland, I can also tell you that they do not speak English. For instance, musicians use the word “gig” to refer to a show we’re going to play, but fans in the UK also use it to describe a show they’re going to see. This will only enhance your existing suspicion that everyone else has more gigs than you!

It’s always a good idea when visiting a foreign country to learn a few key words and phrases. This is true of the UK. To practice conversing like a local, you should first determine what’s on your mind, and then make sure not to say it.

The driving is different.

The UK is one of those places where you drive on the left side of the road. Accordingly, the driver sits on the right side, left turns are much easier, and sometimes I wake up from road naps disoriented and screaming about incoming traffic.

Calculating distance and gas economy can be confusing as well. The gas (called “petrol,” unless you’re using diesel) is sometimes measured in litres (not liters, unless it’s gallons), while distance is still measured in miles (unless it’s kilometres, not kilometers). All you need to know is that the venues are still as far apart as they need to be, according to the radius clause.

The crowd is different.

You may have some difficulty assessing the audience reaction. One time I played a show in England for a good-sized crowd who clapped for every song. However, not a single person danced. In fact, everyone plastered themselves against the back wall the entire time. At the end of the show, we went out to say hi, and asked if everyone had been having fun. “Oh, we did,” they reassured us, “but no one wanted to be the first to start dancing.”

You might also find it unsettling to not hear constant talking from the audience. They are doing something they call “listening.” You’ll get used to it.

You are different.

Remember not to blend in too much! British people may seem foreign and exciting to you, but in the UK, you are the stranger, which means you are foreign and exciting to them! So, instead of trying to perfect your British accent, just speak the way you normally do. The same goes for your music.

Imagine this: some British fans are already wild about American folk music without ever having heard an American musician play it in person. You get to play for a knowledgeable audience with fresh ears.


Editor’s Note: Man About A Horse are playing in the UK until 14 July. Get all of their tour dates here.

Britain’s Got Bluegrass: July 2019

Get off your couch and go hear some live music with Britain’s Got Bluegrass! Here’s the BGS-UK monthly guide to the best gigs in the UK and Ireland in July.

The Brother Brothers, 3 to 7 July, nationwide

You want authenticity? We give you a band of brothers who are actually brothers. Even better than that, the Brother Brothers are identical twins. Adam and David Moss’s beautiful vocal harmonies are all the better for their shared DNA, not to mention the fact they’ve been singing together since they were kids growing up in Illinois. Their Milk Carton Kids vibe and fraternal stage presence will gladden the heart and restore the soul, and you can hear them touring their album Some People I Know in London, Folkestone, Saltaire, Whistable, and at the Maverick Festival in Suffolk.


Man About A Horse, to 14 July, nationwide

Last year was a breakthrough for the high-energy quintet Man About a Horse, one of the standout new bluegrass bands of recent years in the US. Now they’re making their way across the ocean for their debut UK tour. Their songs and lyrics treat modern life with the sepia tone of the classics – they’ve even got their own 21st century version of a train wreck song. Their 16 dates around the country include Maverick Festival in Suffolk and an intimate gig at The Bear Club, a Luton venue whose vibe will perfectly match their music.


Graham Nash, from 16 July, nationwide

It’s amazing to think that Crosby, Stills and Nash were actually together for about 20 months when its members wrote all those classic hits. However, Graham Nash’s five-decade career has extended far beyond that seminal songwriting era. A Grammy winner and member of the Rock & Roll Hall of Fame twice over (the other time with the Hollies), he has done all there is to do in his 75 years on the planet, from environmental activism to accruing an impressive art and photography collection. And he knows how to turn his experiences into music at its most profound. Catch him in Southport, Halifax, Bath, Cardiff, Oxford or Folkestone before he heads abroad.


Josh Ritter, 21-28 July, nationwide

We didn’t just make Josh Ritter our BGS Artist of the Month for nothing, you know. The incredibly potency of Ritter’s songwriting has been the trademark of his career — chances are, you know a lot of more of his work than you even realise. And his latest album, Fever Breaks, is charged with a political urgency that he describes as the “weird, dark rhythm” of our current times. He’s also a brilliant collaborator, and the fact he’s picked Ida Mae as his support for this tour is about the best endorsement the duo could have. If you can get to Brighton, London, Edinburgh or Glasgow, these are don’t-miss dates.


Lucinda Williams, from 27 July, nationwide

Seriously, how good is this month? It’s just one big hitter after another. Lucinda Williams continues paying tribute to the 20th anniversary of Car Wheels on a Gravel Road — her first album to go gold, back in 1999 — and the show has been such a hit she’s had to keep adding shows. But this is really the last chance to catch a very unique and special event, so if you want to hear the songs that NME said first turned American roots music into an “unabashedly sexy art form,” find your nearest city from her seven-date UK tour.


IBMA Special Awards and Momentum Awards Nominees Announced

The International Bluegrass Music Association (IBMA) announced the nominees for this year’s Special Awards and Momentum Awards.

The Special Awards nominees are selected by specially appointed committees made up of bluegrass music professionals who possess significant knowledge of that field. The recipient of each award is decided on by the Panel of Electors, an anonymous group of over 200 veteran bluegrass music professionals selected by the IBMA Board of Directors.

The 2018 Special Awards nominees are:

Graphic Design

Drew Bolen & Whitney Beard: Old Salt Union by Old Salt Union
Lou Everhart: A Heart Never Knows by The Price Sisters
Richard Hakalski: Portraits and Fiddles by Mike Barnett
Corey Johnson: Sounds of Kentucky by Carolina Blue
Karen Key: Big Bend Killing: The Appalachian Ballad Tradition by Various Artists

Liner Notes

Craig Havighurst: The Story We Tell by Joe Mullins & The Radio Ramblers
Steve Martin: The Long Awaited Album by Steve Martin & The Steep Canyon Rangers
Joe Mullins: Sounds of Kentucky Grass by Carolina Blue
Ted Olson: Big Bend Killing: The Appalachian Ballad Tradition by Various Artists
Peter Wernick: Carter Stanley’s Eyes by Peter Rowan

Bluegrass Broadcaster of the Year

Larry Carter
Michelle Lee
Steve Martin
Alan Tompkins
Kris Truelsen

Print Media Person of the Year

Derek Halsey
Chris Jones
Ted Lehmann
David Morris
Neil Rosenberg

Songwriter of the Year

Becky Buller
Thomm Jutz
Jerry Salley
Donna Ulisse
Jon Weisberger

Event of the Year

Bluegrass on the Green – Frankfort, Illinois
County Bluegrass – Fort Fairfield, Maine
Emelin Theatre – Mamaroneck, New York
Flagler Museum’s Bluegrass in the Pavilion – Palm Beach, Florida
FreshGrass Festival – North Adams, Massachusetts

Sound Engineer of the Year

Dave Sinko
Stephen Mougin
Gary Paczosa
Tim Reitnouer
Ben Surratt

The Momentum Awards recognize both musicians and bluegrass industry professionals who, in the early stages of their careers, are making significant contributions to or are having a significant influence upon bluegrass music. These contributions can be to bluegrass music in general, or to a specific sector of the industry. The Mentor Award, in contrast to the other Momentum Awards, recognizes a bluegrass professional who has made a significant impact on the lives and careers of newcomers to the bluegrass industry.

Starting with recommendations from the IBMA membership, nominees are chosen through a multi-stage process by committees made up of respected musicians and industry leaders in the bluegrass world.

The 2018 Momentum Award nominees are:

Festival/Event/Venue

Anderson Bluegrass Festival – South Carolina
Farm & Fun Time – Virginia
Hovander Homestead Bluegrass Festival – Washington
Red Wing Roots Music Festival – Virginia
SamJam Bluegrass Festival – Ohio

Industry Involvement

Megan Lynch Chowning and Adam Chowning
Justin Hiltner
Kris Truelsen

Mentor

Daniel Boner
Cathy Fink
Scott Napier
Jon Weisberger
Pete Wernick

Band

Cane Mill Road – Nort Carolina
Man About a Horse – Pennsylvania
Midnight Skyracer – United Kingdom
The Trailblazers – North Carolina
Wood Belly – Colorado

Vocalist

Ellie Hakanson (Jeff Scroggins & Colorado, Greg Blake Band)
Will Jones (Terry Baucom & the Dukes of Drive)
AJ Lee (AJ Lee & Blue Summit)
Evan Murphy (Mile Twelve)
Daniel Thrailkill (The Trailblazers)

Instrumentalist [three are chosen in this category]

Tabitha Agnew (Midnight Skyracer)
David Benedict (Mile Twelve)
Catherine (“BB”) Bowness (Mile Twelve)
Thomas Cassell (Circus No. 9)
Hasee Ciaccio (Molly Tuttle Band)
Matthew Davis (Circus No. 9)
Bronwyn Keith-Hynes (Mile Twelve)
Aynsley Porchak (Carolina Blue)
Trajan Wellington (Cane Mill Road)

The 2018 Special Awards are sponsored by the California Bluegrass Association and Homespun Music Instruction, while the 2018 Momentum Awards are sponsored by the Bluegrass Situation.

The recipients of the 2018 Momentum Awards will be presented with their awards at a luncheon on Wednesday, September 26, and the recipients of the 2018 Special Awards will be presented with their awards at a luncheon on Thursday, September 27 in Raleigh, North Carolina, as part of IBMA’s World of Bluegrass event.

3X3: Man About a Horse on Dress Codes, Death Marches, and Wooly Mammoths

Artist: Man About a Horse
Hometown: Philadelphia, PA
Latest Album: Man About a Horse
Rejected Band Name: We were going to call the band “Cannibal Death March,” but apparently that’s already taken. Which is a shame, because we thought it really fit our sound.

If you could safely have any animal in the world as a pet, which would you choose?

We would like science to get off its haunches and resurrect the wooly mammoth, then miniaturize it. One teacup mammoth, please. We’d teach it to play a tiny gong when visitors come for brunch.

Do your socks always match?

Yes, we adhere to a strict band dress code at all times.

If you could have a superpower, what would you choose?

(beams you the answer telepathically)

Which describes you as a kid — tree climber, video gamer, or book reader?

We would climb into the library to play video games about trees.

Who was the best teacher you ever had — and why?

There was this old drifter who would spend a few weeks living under the bridge in town each summer. He taught us a lot of stuff we still use day in and day out: how to gut a fish with a can-opener, how to make casual loafers out of banana peels and plastic bags, how to love.

What’s your favorite city?

Philly? We have to say Philly here, right? It’s Philly. 100 percent. (But also Austin.)

 

*Much* #latergram. Forgot to post this shot of MT rocking the mic at Philly Bierfest last weekend. Happy Friday!

A post shared by Man About a Horse (@manabout.horse) on

Boots or sneakers?

Casual loafers only. Sorry. It’s that dang dress code.

Which brothers do you prefer — Avett, Wood, Stanley, Comatose, or Louvin?

We have to go Stanley on this one … though it’s a pretty tough call. Especially if the Avetts want us to open for them?

Head or heart?

The Head AND the Heart! Love that band! One time, we went to see them open for someone and they played all this incredibly beautiful and delicate music and the crowd talked over them the whole time. It was really special.