You Gotta Hear This: Rhonda Vincent Ft. Sierra Ferrell, Plus Riley Downing, and More

Every Friday, BGS shines a light on some of our favorite new tracks in bluegrass, folk, Americana and beyond. Then we ask the artist about the inspiration behind the music and pass their wise words along to you.

This week, country fans will find a lot to like in Alicia Blue’s mysterious “Rose of Tennessee” and Riley Downing’s self-deprecating “Like I Always Was.” Virginia troubadour surprises us with a love song, while Brennan Wedl takes a wholly different approach to love songs, writing a platonic one called “Two Dollar Pistol.”

Bluegrass queen Rhonda Vincent teams up with Americana all-star Sierra Ferrell on “Would You Like to Buy Some Flowers,” a thoughtful duet that should greatly appeal to audiences of each artist. Folk fans will certainly be pulled into new tunes from Stephanie Sammons and Brittany Ann Tranbaugh, who offer a unique response to relationships that have unraveled. And taking a page from the history books, Miko Marks immerses herself in the history of Battle of Little Big Horn on “Death Rolls Like Thunder.”

We mean it when we say, You Gotta Hear This!

Alicia Blue, “Rose of Tennessee”

Artist: Alicia Blue
Hometowns: the San Bernadino line, California; McAllen, Texas; and Nashville, Tennessee
Song: “Rose of Tennessee”
Album: Country Desire
Label: A Blue Lion

In Their Words: “I love old country and folk tunes filled with all that good stuff, like death, murder and infidelity. The darker and sadder they are, the more they do it for me. ‘Lily of the West’ is an old traditional song that greatly inspired ‘Rose of Tennessee,’ although I flipped things around a bit. Rose is the anti-hero full of strength, chaos and seduction. Her self-awareness is what makes her so worthy. Aubrey Richmond brought out that Appalachian sound with the riff on her fiddle that lets you know something ominous is coming. It’s also the hook that makes the ‘Rose of Tennessee,’ whoever she may be, so memorable and forever in our minds.” — Alicia Blue


Riley Downing, “Like I Always Was”

Artist: Riley Downing
Hometown: Holt, Missouri
Song: “Like I Always Was”
Album: Landfill Poetry
Album Release Date: August 28, 2026
Label: Oh Boy Records

In Their Words: “It’s about knowing you need to do one thing but then doing another and being well aware of it but not too hard on yourself. The world is hard enough–-with this one I kinda wanted to just admit fault and then laugh about it before anyone else can, so you can get on with what you was supposed to be doing in the first place. Some of the best advice I never asked for came when I first had to get my picture taken for my passport. The first person that took one in Missouri didn’t tell me to take my hat off, but the second person I met at the office to get my passport in New Orleans did. So I went to go take a new picture as fast as I could and when I did I asked the lady who took it if I could take another one and she said, ‘No, that’s what you look like.’ Well, she wasn’t wrong and I think about her often. That’s what I look like, just like I always was.” — Riley Downing


Colby T. Helms, “Fireside Love”

Artist: Colby T. Helms
Hometown: Boones Mill, Virginia
Song: “Fireside Love”
Album: One for the Losers
Album Release Date: October 23, 2026
Label: Photo Finish Records

In Their Words: “‘Fireside Love marks a new chapter in my songwriting because it is the first happy love song I’ve ever written. As you know, Tales of Misfortune is chock-full of sad love songs. I wrote ‘Fireside Love’ with my girlfriend and partner in mind. We both work diligently at our own crafts, and more often than not, we find ourselves forgetting to stop and smell the roses. Let’s face it: we all need some time away from the hustle and bustle of the modern world. Whether it’s a romantic campfire with your sweetheart or a wild night of belting out campfire jams with the boys, ‘Fireside Love’ is sure to satisfy that primal spirit inside you that tells you to put your phone down and start gathering up a pile of kindling.” — Colby T. Helms

Miko Marks, “Death Rolls Like Thunder

Artist: Miko Marks
Hometowns: Flint, Michigan, and Oakland, California
Song: “Death Rolls Like Thunder”
Album: Hell or High Water
Album Release Date: October 30, 2026
Label: Redtone Records

In Their Words: “This song is about victory over the forces of greed, ego, inhumanity. It uses the Battle of Little Bighorn as its setting, also known as Custer’s Last Stand. The battle is an example from our own history about the power of a people defending their land and their right to remain. The devil rides in on a pale horse, his army following. Death and destruction for the people look inevitable, but the tables turn. The riders who have come to conquer are driven back and defeated. It’s a reminder of people throughout history who have fought against the undoing of their world. People who have found ways to hold on, to resist, to rebuild. Remembering these stories feels so important today, to remind us that we have that same power.” — Miko Marks


Stephanie Sammons, “Marathon”

Artist: Stephanie Sammons
Hometown: Dallas, Texas
Song: “Marathon”
Album: Head Noise
Album Release Date: August 21, 2026
Label: Point Guard Records

In Their Words: “I had finally reached the resolution that there was nothing more I could do to help a dear loved one trapped in the cycle of addiction now for two decades. She will get close to collapse and somehow manage to come back from the brink, only to self-destruct again and again. That’s when the idea for ‘Marathon’ came to me. How does the person I love so much continue to get up after going to the extreme and falling on her face? There is a special kind of resilience within her to never give up regardless of how difficult the circumstances are. Her ability to keep running this race of life with endurance in the face of recurring self-destruction, and still come out alive, is nothing short of a miracle. I wanted to write about her strength as something positive, and ‘Marathon’ is what came out.” — Stephanie Sammons


Brittany Ann Tranbaugh, “Dinner With a Divorcee”

Artist: Brittany Ann Tranbaugh
Hometown: Philadelphia, Pennsylvania
Song: “Dinner With a Divorcee”
Album: Lucky Broke Girl
Album Release Date: August 28 2026

In Their Words: “I wrote this song for an online School of Song class taught by Adrianne Lenker. The prompt was to write a song on an unfamiliar instrument and/or in an unfamiliar tuning. I picked up the banjo I had impulse bought a few years back but never learned to play, and quickly wrote this tune.

“At the time I was still living with my ex who I’d been with for a decade (we had decided to split about two months prior) and was busy apartment-hunting and reimagining my life as a single person. It was honestly a stressful and dark time, but instead of writing a sad song about how I felt in the moment I decided to write a lighthearted and funny one from the perspective of myself a year later. I imagined myself dating for the first time in over a decade, living in a new apartment with a roommate, being broke and carless, and having to explain the quirks of my continued relationship with my ex, for example staying on her health insurance and sharing custody of pets.

“When it came time to record the song, it helped to have bandmates (Shona Carr on fiddle and Liz Faure on acoustic guitar) who are veteran old-time festival jammers to give it the feel I’d been dreaming of.” — Brittany Ann Tranbaugh


Rhonda Vincent, “Would You Like to Buy Some Flowers”

Artist: Rhonda Vincent Featuring Sierra Ferrell
Hometown: Greentop, Missouri
Song: “Would You Like to Buy Some Flowers”
Album: A Possibility
Label: Upper Management Music

In Their Words: “Loved getting to record with Sierra Ferrell. The call came at 10:30 pm that she would sing the next day. She was on tour and not expected to sing her part for several months. We stayed up all night preparing a track for this very special duet. When Grammy Award-winning engineer Gary Paczosa mixed a sample of what he recorded and sent, I was amazed to hear the blend of our voices. Our voices were similar, yet there was a true distinction. I felt the song, ‘Would You Like To Buy Some Flowers,’ written by Conrad Fisher, had a true authentic sound that our voices could interpret with a rich, yet raw innocence. It seems to be a favorite from the new project A Possibility and my dream now is to perform the song with Sierra, and it would be extra special if it was on the Grand Ole Opry!” – Rhonda Vincent


Brennan Wedl, “Two Dollar Pistol”

Artist: Brennan Wedl
Hometown: Nashville, Tennessee
Song: “Two Dollar Pistol”
Album: S/T
Album Release Date: August 21, 2026
Label: ANTI-

In Their Words: “‘Two Dollar Pistol’ is a platonic love song that slowly came together over time like most dependable friendships do. I started writing it in 2023 and finished key lyrics in the studio right before recording vocals. A time crunch like that can help me buff out diamonds from lines that weigh down the song like a big bag of rocks. A little pressure can help me get out of my own way.

“This song demanded lines that show the listener what I’m singing about vs. simply telling them. I learned this trick from Writing Better Lyrics by Pat Pattison. For instance, the lyrics in verse 3 — ‘Sharpen up your teeth, become a saber tooth tiger, coming out of your cage, step in the light of desire.’ This has far more juice than what the line was in its first draft — ‘Show them your teeth, come on out of your cage, look them dead in the eye.’

I try to write songs that have ample square footage. There’s not much room to party when every little detail is being described in a song. Letting the listener fill in the gaps is much more exciting.” — Brennan Wedl


Photo Credit: Linden Stackley (Rhonda Vincent), Tori Mills (Riley Downing)

You Gotta Hear This: Chris Pierce, Humbird, and More

Every Friday, BGS shines a light on some of our favorite new tracks in bluegrass, folk, Americana and beyond. Then we ask the artist about the inspiration behind the music and pass their wise words along to you.

This week, enjoy new music from the longtime favorite Bay Area bluegrass band The Brothers Comatose, thoughtful Los Angeles singer-songwriter Malena Cadiz, and poetic Midwestern musician Humbird. Showing their reverence for the land, we also have a new tune from Upstate New York’s folk-inspired group Sara Milonovich & Daisycutter and a lovely video from Canadian songwriter Mimi O’Bonsawin. In addition, Los Angeles singer-songwriter Chris Pierce shares a song he wishes he didn’t have to write, while Eli Paperboy Reed keeps the home fires burning with the help of his producer, Swamp Dogg.

As always, You Gotta Hear This!

The Brothers Comatose, “High Hoping”

Artist: The Brothers Comatose
Hometown: San Francisco, California
Song: “High Hoping”
Single Release Date: August 20, 2026
Label: Swamp Jam Records

In Their Words: “‘High Hoping’ started with a single concept: ‘whatif-ism.’ But instead of the normal doom-and-gloom ‘what ifs’ (‘What if it doesn’t work out?’ or ‘What if we fail?’) we decided to turn the concept on its head and instead ask ourselves, ‘What if it DOES work out?’ or ‘What if we SUCCEED?’ These days it’s so easy (and understandable) to feel like the sky is falling; this is a song that lets us imagine that just maybe…..it isn’t.” — Addie Levy, The Brothers Comatose


Malena Cadiz, “Fragile”

Artist: Malena Cadiz
Hometown: Los Angeles, California
Song: “Fragile”
Album: Fragile
Album Release Date: August 28, 2026
Label: Sad Mall

In Their Words: “‘Fragile’ was inspired by the first party after COVID lockdown. I remember feeling really wobbly and vulnerable that night and sensing everyone else might feel the same – our usual social armor was impaired from lack of practice. There was an unrestrained joy at being together and also an awkwardness — do I shake your hand? Do I stand this close? How do I make polite conversation with people I’ve just met?

“In writing the lyrics I was inspired by the one-sided conversational format of George Strait’s ‘The Chair. He’s at a bar hitting on a woman, leaving space for the responses so we as listeners fill in the blanks. It’s campy and hilarious and strangely poetic. I wanted ‘Fragile’ to have a similar earnestness and humor: ‘No, I don’t think I’ll try the punch…Well alright, maybe just a touch. I’m out of practice at making polite conversation… Did I shake your hand too hard?’” — Malena Cadiz

Track Credits:
Malena Cadiz – Acoustic guitar
Jason A. Roberts – Acoustic guitar
Aaron Stern – Bass
Leeann Skoda – Background vocals
Andrew Maguire – Drums & percussion


Humbird, “Hey Big Dipper”

Artist: Humbird
Hometown: Minneapolis, Minnesota
Song: “Hey Big Dipper”
Album: Morning When It Comes
Album Release Date: September 9, 2026
Label: Nettwerk

In Their Words: “‘Hey Big Dipper’ is an existential lullaby–an ongoing conversation with the stars that took place when I was struggling to find my footing in the world and heartbroken over global events. Lyrically, it’s an acknowledgement of confusion, sorrow and also hope, while reckoning with the way Starlink and other billionaire-funded efforts pollute our planet and the night sky.

“Luke Callen was my co-writer to finish the song, helping me sculpt the final few pieces into a structure that felt soft and strong. I love how Shane Leonard’s percussion part in the recorded version feels like a living, breathing presence within the arrangement. The quiet piano was me, messing around on a scratch take to convey an idea, but to my delight, the messiness was the right fit and we chose to keep it, imperfect and honest.” — Humbird


Sara Milonovich & Daisycutter, “Planting and Harvest”

Artist: Sara Milonovich & Daisycutter
Original hometown: Amsterdam, New York
Current hometown: Beacon, New York)
Song: “Planting and Harvest”
Single Release Date: August 28, 2026
Label: Loonymusik

In Their Words: “I wrote this song as a tribute to long, enduring relationships, to love and partnerships that last through thick and thin. ‘I vow to love you even through planting and harvest’ is painted on a little sign that hangs in the kitchen of my family’s farmhouse in Upstate New York. Growing up on a farm, I can tell you that planting and harvest are the two most stressful seasons of the year, with the longest hours (even by farming standards!) and the most intense time, weather, and financial pressures all converging at once. The results can determine the success or failure of an entire year’s hopes and efforts.

“Needless to say, this puts a great deal of strain on any relationship during those times. (I’m sure other industries have equivalent situations – I know the music business does!) The song is from the point of view of a couple looking back on all they’ve weathered together, reminiscing about the past and wondering about what the future holds. It’s an ode to resilient love and the work that goes into making a lasting relationship, about commitment to the land, to the lifestyle, and to each other through it all.” — Sara Milonovich

Track Credits:
Sara Milonovich – Lead vocal, fiddle, acoustic guitar
Leigh Gibson – Harmony vocal
Abbie Gardner – Dobro
Cody Kilby – Mandolin, resonator guitar
Greg Anderson – Electric bass
Justin Guip – Drums
Greg Anderson – Producer


Mimi O’Bonsawin, “Worthy”

Artist: Mimi O’Bonsawin
Hometown: Ottawa Valley, Ontario, Canada
Song: “Worthy”
Album: Evoke
Release Date: August 28, 2026

In Their Words: “‘Worthy” is a love note for overthinkers like me, for anyone who spends too much time worrying about being judged or comparing themselves to others. I wrote it during a time I was fighting against the current instead of listening to myself. I wanted it to feel like an anthem, like the warm breeze that rushes through the trees on a summer day.

“My husband, who is also my drummer and co-producer, and I first played this song while touring Australia, where audiences helped shape its final form. Hearing them sing ‘Into my body, out of my mind’ with such conviction made us realize ‘Worthy’ would become the heart of this album. We’ve since watched it bring people together through singing, dancing, and shared emotion.

“As food growers and touring musicians, finding balance isn’t always easy. This song feels like the reward. It reflects the healing we experience on the land and in our garden, offering something honest, human, and deeply felt. Every time we play it, I’m reminded to return to my heart and hold up the things that are truly important in my life.” — Mimi O’Bonsawin

Track Credits:
Mimi O’Bonsawin: Vocals, Mele Guitarlele, Mele Ukulele, acoustic guitar, synth
Ryan Schurman: SJC Drums & Sabian Cymbals, percussion, electric guitar
Miranda Mulholland: Violin

Video Credits:
Directed by The Trenches Media Inc.


Chris Pierce, “First Day of School”

Artist: Chris Pierce
Hometown: Pasadena, California
Song: “First Day of School”
Album: Songs for the Heavy Hearted
Album Release Date: August 21, 2026

In Their Words: “‘First Day of School’ is a song I wish there were no reason to write. Sending a child to school should be one of the most ordinary and hopeful moments in a family’s life. You pack their lunch, straighten their collar, kiss them goodbye and send them out into the world believing they’ll come walking back through that door. But too many parents in this country have been asked to carry a fear that should be unthinkable.

“I wanted to write from inside that moment, not from politics or statistics, but from the heart of a parent saying a prayer as their child walks through those doors. It’s one of the heavy hearts I found myself writing for on Songs for the Heavy Hearted. Folk music has always gone where people are hurting, and sometimes a song has to stand there with them and tell the truth. ‘First Day of School’ is a prayer, but it’s also a call to our conscience. A prayer should move us. Love should move us. Our children deserve the freedom to grow up.” — Chris Pierce

Track Credits:
Chris Pierce – Vocal, acoustic guitar
Stella Mozgawa – Drums
Reggie Hamilton – Bass
Doug Pettibone – Guitars
Gabe Witcher – Fiddle
Dave Palmer – Grand piano
Phil Parlapiano – Wurlitzer


Eli Paperboy Reed, “Like We Used To”

Artist: Eli Paperboy Reed
Hometown: A Boston native who has called Brooklyn home for the past two decades.
Song: “Like We Used To”
Album: Getting There (produced by Swamp Dogg)
Album Release Date: September 11, 2026
Label: Yep Roc Records

In Their Words: “This song has been kicking around for a minute, but it began to hit different for me as I entered the second decade of my marriage. This is a song about making time to make time. When work, school, childcare, doctor’s appointments and all the rest keep getting in the way, you have to remember the spark that started it all in the first place. For me, that’s remembering what it was like to be 23 years old and jumping in a borrowed car to race to Brooklyn from Boston after a certain someone requested my presence. With all that’s changed between then and now, that certain someone is still the same and so am I, sometimes it just takes a reminder.

“When Swamp and I first got together to talk about songs and plans, this is one of the early demos I played for him. He immediately began his trademark sway that indicates that the song is moving him, followed by the highest of Swamp Dogg praise – ‘That one’s a motherf*cker.'” — Eli Paperboy Reed

Track Credits:
Eli Paperboy Reed – Vocals and electric piano, songwriter
Michael “Ish” Montgomery – Bass, background vocals
Noah Rubin – Drums, percussion
Jonny Lam – Electric and acoustic guitar, steel guitar
Morgan Price – Saxophones
Carter Yasutake – Trumpet


Photo Credits: Gabriel Barreto (Chris Pierce); Kendall Rock (Humbird)

Out Now: Palmyra

Palmyra is one of those bands you discover and can’t help but continue to come back to. They are not easily forgotten. They write lyrics that are poetic while being relatable – a duality that is not easy to accomplish. 

The musicality of these three highly skilled instrumentalists – Teddy, Manoa, and Sasha – is strong and their energy is quirky, fun, and engaging. Lately, they’ve been touring all over the East Coast, recording, working with artists like Liv Greene and Jobi Riccio, who was previously featured on our column. If you can’t tell yet, the queer music industry is incredibly small and interconnected! 

Palmyra uses their innovative songwriting and performance skills to transform traditional folk instruments and three-part harmonies into something you’ve never heard before. We hope you enjoy our Out Now interview featuring Palmyra.

(Editor’s Notes: Interview answers supplied by Sasha Them)

Who are your favorite LGBTQ+ artists and bands?

Among my absolute favorite things about our touring over the last few years are the moments that we get to share stages with other queer artists. Liv Greene is a personal favorite mine; all of their songs exist in their own world of brilliance and masterful craft. Brittany Ann Tranbaugh has songs that absolutely wreck me. Another artist that’s constantly on repeat in the van for us is Brennan Wedl! Their song “Bag of Bones” is one of the most incredible songs I have ever heard and turns me into a pulp every single time I revisit it.

For anyone reading this who might not be out of the closet, were there any specific people, musicians, or resources that helped you find yourself as a queer individual?

Yes! I am an out-and-proud queer person now, but it took quite a while to settle into the person I am today. There are so many artists that helped move the needle for me; particularly the abundance of queer and trans folks I connected with online during the lockdown. Backxwash is top of the list for me; she’s a killin’ rapper and producer based out of Canada and her music helped me to understand that as artists we can channel complicated emotions and inner turmoil to create something empowering and badass and beautiful.

What are your release and touring plans for the next year?

Touring has been our full time job for two-and-a-half years now, and we plan on continuing to hit the road in full force in 2024. Our hope is to branch out to some new regions and cities, and I am sure we’ll be visiting all of our favorite places along the East Coast, from Maine to Georgia. Now that I say that, I’m realizing that, as a band, we kind of follow the Appalachian Trail in our tour routing…

We’ve got two more singles coming out this year, and are planning on putting out a few projects in 2024. I am so excited to share the music we’ve been working on.

This year, you’ve been sharing stages with bands like Watchhouse, playing festivals, and touring all over the East Coast of the U.S. What has that been like for you?

This year has definitely been our wildest one yet. Some of the experiences we’ve had, like opening for Watchhouse, have been so surreal to me. It feels like the work we’ve been putting in for so long has started to pay off in very real ways. Getting to play Newport Folk Festival is one of the highest honors any of us have ever had and it is beyond cool to get to connect with folks all over just by doing the thing we all love most – playing and writing songs.

What does your songwriting process look like? You have incredibly strong lyrics that are both relatable and poetic. Do you map out the structure and content of the song first? Do you think about song structure and tools like prosody, lyrical placement, and rhyme types? Do you spend a lot of time editing?

The songwriting process looks pretty different for all three of us, but each song typically starts with one writer and then is brought to the group to arrange and flesh out. There’s a very special (and sometimes uncomfortable) moment that has to happen when one of us brings a song to the group; you have to be able to release ownership of the thing you’ve created so that it can become a collective version that everybody has had their hands on.

For me, I usually start with one line that comes to me when I’m away from any instruments – typically when I’m out driving or walking! I am very particular about what words feel good coming out of my mouth and what feels the most authentic to my own personhood. Prosody and internal rhyme schemes are almost always on my mind, especially when I’m reworking a tune. I love getting into the nitty gritty parts of a song, and I love the moment I am able to zoom out when a song is finished and take care to make sure everything fits together.


Photo Credit: Joey Wharton

Out Now is a partnership of Queerfest and BGS authored by Queerfest founder and director Sara Gougeon.