You Gotta Hear This: Rhonda Vincent Ft. Sierra Ferrell, Plus Riley Downing, and More

Every Friday, BGS shines a light on some of our favorite new tracks in bluegrass, folk, Americana and beyond. Then we ask the artist about the inspiration behind the music and pass their wise words along to you.

This week, country fans will find a lot to like in Alicia Blue’s mysterious “Rose of Tennessee” and Riley Downing’s self-deprecating “Like I Always Was.” Virginia troubadour surprises us with a love song, while Brennan Wedl takes a wholly different approach to love songs, writing a platonic one called “Two Dollar Pistol.”

Bluegrass queen Rhonda Vincent teams up with Americana all-star Sierra Ferrell on “Would You Like to Buy Some Flowers,” a thoughtful duet that should greatly appeal to audiences of each artist. Folk fans will certainly be pulled into new tunes from Stephanie Sammons and Brittany Ann Tranbaugh, who offer a unique response to relationships that have unraveled. And taking a page from the history books, Miko Marks immerses herself in the history of Battle of Little Big Horn on “Death Rolls Like Thunder.”

We mean it when we say, You Gotta Hear This!

Alicia Blue, “Rose of Tennessee”

Artist: Alicia Blue
Hometowns: the San Bernadino line, California; McAllen, Texas; and Nashville, Tennessee
Song: “Rose of Tennessee”
Album: Country Desire
Label: A Blue Lion

In Their Words: “I love old country and folk tunes filled with all that good stuff, like death, murder and infidelity. The darker and sadder they are, the more they do it for me. ‘Lily of the West’ is an old traditional song that greatly inspired ‘Rose of Tennessee,’ although I flipped things around a bit. Rose is the anti-hero full of strength, chaos and seduction. Her self-awareness is what makes her so worthy. Aubrey Richmond brought out that Appalachian sound with the riff on her fiddle that lets you know something ominous is coming. It’s also the hook that makes the ‘Rose of Tennessee,’ whoever she may be, so memorable and forever in our minds.” — Alicia Blue


Riley Downing, “Like I Always Was”

Artist: Riley Downing
Hometown: Holt, Missouri
Song: “Like I Always Was”
Album: Landfill Poetry
Album Release Date: August 28, 2026
Label: Oh Boy Records

In Their Words: “It’s about knowing you need to do one thing but then doing another and being well aware of it but not too hard on yourself. The world is hard enough–-with this one I kinda wanted to just admit fault and then laugh about it before anyone else can, so you can get on with what you was supposed to be doing in the first place. Some of the best advice I never asked for came when I first had to get my picture taken for my passport. The first person that took one in Missouri didn’t tell me to take my hat off, but the second person I met at the office to get my passport in New Orleans did. So I went to go take a new picture as fast as I could and when I did I asked the lady who took it if I could take another one and she said, ‘No, that’s what you look like.’ Well, she wasn’t wrong and I think about her often. That’s what I look like, just like I always was.” — Riley Downing


Colby T. Helms, “Fireside Love”

Artist: Colby T. Helms
Hometown: Boones Mill, Virginia
Song: “Fireside Love”
Album: One for the Losers
Album Release Date: October 23, 2026
Label: Photo Finish Records

In Their Words: “‘Fireside Love marks a new chapter in my songwriting because it is the first happy love song I’ve ever written. As you know, Tales of Misfortune is chock-full of sad love songs. I wrote ‘Fireside Love’ with my girlfriend and partner in mind. We both work diligently at our own crafts, and more often than not, we find ourselves forgetting to stop and smell the roses. Let’s face it: we all need some time away from the hustle and bustle of the modern world. Whether it’s a romantic campfire with your sweetheart or a wild night of belting out campfire jams with the boys, ‘Fireside Love’ is sure to satisfy that primal spirit inside you that tells you to put your phone down and start gathering up a pile of kindling.” — Colby T. Helms

Miko Marks, “Death Rolls Like Thunder

Artist: Miko Marks
Hometowns: Flint, Michigan, and Oakland, California
Song: “Death Rolls Like Thunder”
Album: Hell or High Water
Album Release Date: October 30, 2026
Label: Redtone Records

In Their Words: “This song is about victory over the forces of greed, ego, inhumanity. It uses the Battle of Little Bighorn as its setting, also known as Custer’s Last Stand. The battle is an example from our own history about the power of a people defending their land and their right to remain. The devil rides in on a pale horse, his army following. Death and destruction for the people look inevitable, but the tables turn. The riders who have come to conquer are driven back and defeated. It’s a reminder of people throughout history who have fought against the undoing of their world. People who have found ways to hold on, to resist, to rebuild. Remembering these stories feels so important today, to remind us that we have that same power.” — Miko Marks


Stephanie Sammons, “Marathon”

Artist: Stephanie Sammons
Hometown: Dallas, Texas
Song: “Marathon”
Album: Head Noise
Album Release Date: August 21, 2026
Label: Point Guard Records

In Their Words: “I had finally reached the resolution that there was nothing more I could do to help a dear loved one trapped in the cycle of addiction now for two decades. She will get close to collapse and somehow manage to come back from the brink, only to self-destruct again and again. That’s when the idea for ‘Marathon’ came to me. How does the person I love so much continue to get up after going to the extreme and falling on her face? There is a special kind of resilience within her to never give up regardless of how difficult the circumstances are. Her ability to keep running this race of life with endurance in the face of recurring self-destruction, and still come out alive, is nothing short of a miracle. I wanted to write about her strength as something positive, and ‘Marathon’ is what came out.” — Stephanie Sammons


Brittany Ann Tranbaugh, “Dinner With a Divorcee”

Artist: Brittany Ann Tranbaugh
Hometown: Philadelphia, Pennsylvania
Song: “Dinner With a Divorcee”
Album: Lucky Broke Girl
Album Release Date: August 28 2026

In Their Words: “I wrote this song for an online School of Song class taught by Adrianne Lenker. The prompt was to write a song on an unfamiliar instrument and/or in an unfamiliar tuning. I picked up the banjo I had impulse bought a few years back but never learned to play, and quickly wrote this tune.

“At the time I was still living with my ex who I’d been with for a decade (we had decided to split about two months prior) and was busy apartment-hunting and reimagining my life as a single person. It was honestly a stressful and dark time, but instead of writing a sad song about how I felt in the moment I decided to write a lighthearted and funny one from the perspective of myself a year later. I imagined myself dating for the first time in over a decade, living in a new apartment with a roommate, being broke and carless, and having to explain the quirks of my continued relationship with my ex, for example staying on her health insurance and sharing custody of pets.

“When it came time to record the song, it helped to have bandmates (Shona Carr on fiddle and Liz Faure on acoustic guitar) who are veteran old-time festival jammers to give it the feel I’d been dreaming of.” — Brittany Ann Tranbaugh


Rhonda Vincent, “Would You Like to Buy Some Flowers”

Artist: Rhonda Vincent Featuring Sierra Ferrell
Hometown: Greentop, Missouri
Song: “Would You Like to Buy Some Flowers”
Album: A Possibility
Label: Upper Management Music

In Their Words: “Loved getting to record with Sierra Ferrell. The call came at 10:30 pm that she would sing the next day. She was on tour and not expected to sing her part for several months. We stayed up all night preparing a track for this very special duet. When Grammy Award-winning engineer Gary Paczosa mixed a sample of what he recorded and sent, I was amazed to hear the blend of our voices. Our voices were similar, yet there was a true distinction. I felt the song, ‘Would You Like To Buy Some Flowers,’ written by Conrad Fisher, had a true authentic sound that our voices could interpret with a rich, yet raw innocence. It seems to be a favorite from the new project A Possibility and my dream now is to perform the song with Sierra, and it would be extra special if it was on the Grand Ole Opry!” – Rhonda Vincent


Brennan Wedl, “Two Dollar Pistol”

Artist: Brennan Wedl
Hometown: Nashville, Tennessee
Song: “Two Dollar Pistol”
Album: S/T
Album Release Date: August 21, 2026
Label: ANTI-

In Their Words: “‘Two Dollar Pistol’ is a platonic love song that slowly came together over time like most dependable friendships do. I started writing it in 2023 and finished key lyrics in the studio right before recording vocals. A time crunch like that can help me buff out diamonds from lines that weigh down the song like a big bag of rocks. A little pressure can help me get out of my own way.

“This song demanded lines that show the listener what I’m singing about vs. simply telling them. I learned this trick from Writing Better Lyrics by Pat Pattison. For instance, the lyrics in verse 3 — ‘Sharpen up your teeth, become a saber tooth tiger, coming out of your cage, step in the light of desire.’ This has far more juice than what the line was in its first draft — ‘Show them your teeth, come on out of your cage, look them dead in the eye.’

I try to write songs that have ample square footage. There’s not much room to party when every little detail is being described in a song. Letting the listener fill in the gaps is much more exciting.” — Brennan Wedl


Photo Credit: Linden Stackley (Rhonda Vincent), Tori Mills (Riley Downing)

MIXTAPE: Tony Kamel’s “We’re All Gonna Live” Playlist

Life is weird. In the words of Dan Reeder, “What the fuck is that about?”

Everyone tells me I seem mellow and laid back – and I am. That said, if anyone were to take one step into my head, they’d be bombarded with a maelstrom of wonderings about death, intrusive thoughts, forgotten location of keys and wallets, constant attempts (mostly failures) at descriptive alliteration, wildly sweeping feeling of love, wildly sweeping feelings of grief – and constant hunger. All of which eventually spin back around to complete peace and acceptance.

Music tends to get me back to that point. These songs bring peace to my ’90s-fuzzy-porn-like mess of a mind by reminding me (in one way or another) that it’s somewhat preposterous that we exist at all. A lot of these tracks are attached to personal moments in my own timeline, but hope they bring you peace too. – Tony Kamel

“Deep Breath” – Riley Downing

“Take a deep breath, it’ll be alright…”

I love this guy’s tunes. He has a poignant way of presenting life’s weirdness. Also as a recent yogi, it’s a good reminder to come back to my breath.

“Monster Truck” – Ramsay Midwood

“You don’t like it, you can kiss my ass. ‘Cause I drive a monster truck…”

This record, Shootout at the OK Chinese Restaurant, is funny, odd, and just a fantastic timeless reflection on the insanity we’ll always exist inside. Is he celebrating or making fun of these people? I don’t know. I don’t care. It’s funny.

“People Talkin’” – Hurray for the Riff Raff 

“People, they’re trying to tear us apart…”

Alynda Segarra is a national treasure. This record just blows my mind and has been a staple for me for a long time. It reminds me that I’m old now and I’m glad to be.

“Sue” – Tony Kamel

“If you’re livin’ and breathing, and doing that right, you ought to be lovin’ with all of your might…”

The second verse of this tune holds the keystone to my upcoming record, We’re All Gonna Live. Obviously, our relationships with other people define much of our lives. Sue was a wonderful person. I miss her dearly.

“Waxing and Waning” – Melissa Carper

“Waxing and waning, wishing and waiting…”

Melissa is one of the best writers and singers out there. Her retro voice puts me at ease.

“Don’t Tell the Boys” – Petey USA

“Lets talk about how childhood trauma guides our actions as adults…”

This tune reminds me of me and my old buddies. I’m lucky to have them. We’ve been friends for 30+ years and we can be ourselves and tell each other anything without fear or judgment – something I treasure deeply.

 “Louie” – Arcy Drive

“Baby remember, this is our December…”

I just love this song and it’s reminiscent of ’90s alternative rock Weezer era. It makes me happy to see Gen Z-ers throwing down with a rockin’ live band like this. It feels cyclical.

“Problem Solver” – Slimdan

“Maybe I should be someone who listens and not try to fix it/ … You don’t want a problem solver…”

This is a beautiful love song about being a typical dude and doing typical dude things like I tend to do in my marriage. I’ve come a long way though… so has this guy.

“Joyful” – Kelley Mickwee

“The beauty of life is the movement of change…”

Kelley rocks and this album rocks. That’s all.

“The Illinois River Song” – The Brother Brothers

“I proclaim the Illinois River gonna swallow me up whole and not a soul will know that I am missing…”

I’m a sucker for a good river/life metaphor. The melodies that weave in and out of this tune are infectious. It could be about anything and I’d love it.

“Everything Is Everything” – Cappadonna

“Everything that you see ain’t reality, they’re just illusions…”

Hip-hop on a bluegrass website? Duh. Can always count on a member of the Wu-Tang Clan to remind you that we might live in a simulation.

“They’ll Never Keep Us Down” – Hazel Dickens 

“We won’t be bought, we won’t be sold…”

Just because everything is uncontrollable bullshit doesn’t mean we don’t fight. This tune speaks for itself. Bless Hazel Dickens.

“Born a Worm” – Dan Reeder

“Born a worm, spins a cocoon, goes to sleep, wakes up a butterfly. What the fuck is that about?”

I do not know, Dan. None of us do. I implore everyone reading this to listen to Dan Reeder’s songs.

“We’re All Gonna Live” – Tony Kamel

Yes we are.

I’m tired of talking about myself. Y’all can figure it out. Love you.


Photo Credit: Josh Abel

The Show On The Road – The Deslondes

This week, the show is back in New Orleans for a special talk with Sam Doores, one of the talented founders of well-traveled roots-rockers The Deslondes. We dive into their newest LP Ways & Means and how California-born Sam — who plays various instruments from electric guitar to keys, and sings in seven bands and counting throughout the Crescent City — collected many of its slow-burn soul-adjacent songs like “Five Year Plan” while holed up in a storage unit studio squat, questioning his place as an adult with real responsibilities who also happens to be a soul-searching artist criss-crossing our beautiful (or crumbling) almost-post-pandemic world.

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Imagine if you will, you walk into a saloon lost somewhere between 1930 and 1975. The band onstage has three distinct lead singers, and the songs feel like hard lived-in tales that could live in a TV western or the soundtrack to Boogie Nights, with vibes that would inspire both Ray Charles and Woody Guthrie, Tom Waits and The Beatles. If you’re confused, good. Algorithms can force music upon you at any time these days and I’ll admit, Spotify wants me to listen to The Deslondes, at all hours. They’re not wrong. If I have one job in this podcast it’s to share the music that lights a fire in me as a fellow songwriter and has me grasping for genre-descriptor straws. I have no idea, clearly, how to describe this band. I will say, songs like “Howl at the Moon” make me feel like I’m somehow still proud to be an American, plying my trade somewhere in the still kind of Wild West.

Starting with their charmingly ramshackle and bluesy self-titled debut in 2015, the band, which formed in New Orleans’ Lower Ninth Ward, has always made a point to write democratically and spread songs around to their singers. Sam for one, Dan Cutler (bass) for another and notably the always compelling Riley Downing, whose ancient deep drawl sounds like it should be its own character in Yellowstone — and all harmonize gorgeously together. Downing and Doores also both have duo and solo albums which are lovely, but what they create here in The Deslondes — especially in timeless story songs like “South Dakota Wild One” about Riley’s wandering youth — are special in the way accidental supergroups make music that somehow shouldn’t exist.

It was a pleasure getting together with Sam for a rare in-person chat just off Frenchmen Street. If there’s one thing I love most about New Orleans, it’s that it creates new artists that seem to follow the beat of their own drummer, genres be-damned. Give Ways & Means a spin — it might transport you somewhere you need to go.


Photo credit: Bobbi Wernig

BGS 5+5: Riley Downing

Artist: Riley Downing
Hometown: Kansas City, MO
Latest album: Start It Over

Which artist has influenced you the most … and how?

It is hard to pick just one artist that has influenced me the most. I am a fan of all kinds of music and genres as well as underdog musicians, current and long since lost in time. It might sound cliché, but if I had to pick one who influenced me the most it’s gonna be Woody Guthrie. If it weren’t for finding Woody Guthrie in high school, I never would have started to appreciate folk, blues, and roots music that made me think the same way that punk rock did at the time. I also never would have ventured out to Okemah, Oklahoma for the Woody Guthrie Folk Festival when I was 18 and met the guys that eventually would form the Deslondes. Woody is an American hero who tried to save the world with a song that gave people hope, morals, an education, a good laugh, and thoughts to chew on to get them through lean times. Woody, as simple as some of his music seems, was much, much more than just a musician. I never stop finding more and more meaning and inspiration from his life’s work. I always loved his copyright law, too. He basically said, warning, if you sing these songs you might just be a friend of mine, which I do and I am.

What’s your favorite memory from being on stage?

I have a lot of good memories of being on stage, whether late at night in a small club or a backyard or opening up for and getting to hear some of my favorite musicians every night. But I will never forget the first time we got to play the New Orleans Jazz Festival. That was kind of an epitome of all the hard work and hard traveling the band had done in the previous years all leading up to that one moment. It felt good to be accepted and supported by the New Orleans music community all those years and finally playing the biggest show you can really get down there. It was a surreal honor and never stopped being or feeling like it.

What was the first moment that you knew you wanted to be a musician?

The first moment I knew I wanted to be a musician was probably when I learned how to finally tune the guitar. Ha ha. I got my first electric when I was 13 and would just smash my fingers all over the strings and thought to myself, this almost sounds like I’m shredding. I thought all strings must have different sounds and tried out different kinds until my cousin finally showed me how to tune the guitar. Then came the power chords and once I was able to put a few together, I knew I needed to write words over them and attempt to sing them even though I didn’t know how to do that either. I did it anyway. Then came the buddies who also wanted to play music as well as different instruments and the realization that this is what we really love to do. I have been hooked ever since and honestly the process of doing that and the joy I get from it hasn’t changed much.

Which elements of nature do you spend the most time with and how do those impact your work?

The elements of nature that I spend the most time in that affect my work are in the rolling hills of Missouri. I love small town life, sitting in the sun fishing all day, or on a back deck BBQing and taking my time driving slow through the backroads that I don’t have to look up GPS, or listening to music or just making up songs and singing a line over and over until I have to stop and write it down. It is true, there is no place like home. I traveled all over the US and world, wide-eyed and wondering where I should end up, but Missouri is home and I always feel a great weight lifted off my shoulders when I’m there. Even when I’m not there I can always write a song that takes me back. I am sad I missed morel mushroom season this year though, but hopefully that means there will be more to find next year.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Food and music do go hand and hand. If I had to make a pairing it would be a small BBQ festival that all my friends bands could come play at and ‘lightheartedly’ compete for who does it right. My Alabama buddies will tell you it’s all about the white sauce and my North Carolina friends will argue that it’s all about the hot pepper vinegar or Carolina Gold sauce. I grew up with a BBQ squirt bottle in my hand and it’s one of my favorite pastimes and meals. Whenever people ask me where to get the best BBQ in Kansas City I have a hard time answering that question because the answer is at my house. I’m not sure who invented the red sauce but I first had it in South Carolina and pick it up any chance I get. I am loyal to KC, but South Carolina definitely gives us a run for our money. KC is spoiled though with wide variety of BBQ sauces and seasoning selections at grocery/hardware stores. I have almost successfully left or sent a bottle of Head Country, an affordable Oklahoma dry rub, to all of my friends’ houses all over the US so when I visit it’s always within reach.


Photo credit: Joshua Black Wilkins