MIXTAPE: Bob Sumner’s Intro to Canadiana

What a joy to be asked to create a playlist for the Bluegrass Situation. It did not take long to land on the theme of Canadian music. The only difficult part was keeping it short. We have such a deep well of incredible Americana – or as some call it up here, ‘Canadiana’ – to pull from north of the border.

I struggled leaving out Neil Young, Joni Mitchell, and Gordon Lightfoot. But I hope to introduce BGS’s fine readership to some new music they might not already be hip to. I had to flex a little muscle and throw in a tune (a very Canadian one at that) by The Band. I would hope that a fair few of the folks digging into this playlist might be familiar with Ian Tyson, if only from his biggest number, “Four Strong Winds.” However, some might not be as acquainted with his cowboy records, the greatest of which is arguably Cowboyography.

Some of these folks you’ll find here are dear friends, others acquaintances, one is my big brother, a few are my heroes, all of them are among the finest songwriters on the planet. I hope that you will discover something new that you will love and cherish for years to come. What a pleasure it is to share the gift of music. – Bob Sumner

“Wide Open Plain” – Doug Paisley

Doug Paisley is a national treasure. A marvelous flatpicker. A songwriter’s songwriter. It is rare that I care to hear one of my favorite songs by an artist re-recorded. With “Wide Open Plain,” Doug takes a classic and reinvents it without losing the meat that made the original such a mainstay.

“Acadian Driftwood” – The Band

We here in Canada are very proud of the 4/5ths Canadian membership of one of the greatest bands to grace the airwaves. We love Levon, too, of course. A lot.

“Trucker Speed” – Fred Eaglesmith 

Fred Eaglesmith at his finest here in all of his ragged glory. When Fred sings you believe him.

“Cut Fence (Let God Sort Em Out)” – Richard Inman

Inman is a remarkable songwriter. Here he is telling the story of a ranch fire. “Cut fence, let God sort em out, let them horses all run free.”

“All I Know” – Elliot C Way

Recorded in a tiny farm house. With intention Elliot captured the loose groove of Link Wray’s self titled record. Fiddle, acoustic guitar, steel and poetry.

“Dayton” – Fiver 

Fiver (Simone Schmidt) is a terrifying artist. An artist whom every time I listen to her music I am reminded of why I began writing songs. For the songs themselves. Art for art’s sake. Purity.

“That Sweet Orchestra Song” – Kacy & Clayton

Pure joy, this track. Kacy’s soaring, meandering, frankly perfect vocal dancing atop cousin Clayton’s singular virtuosic guitar work.

“Lonnie’s on rhythm, Bud Romanski’s on bass/
McGlynn plays the steel guitar/
Commence with a four-count and the crack of a drum/
Turn around at the end of the bar…”

What fun.

“Empty Husk” – Daniel Romano 

Exquisitely beautiful. Bold. I have a hunch if we opened up and had a peek inside Daniel Romano we might find an alien being, or a cyborg. It just doesn’t track that one man could be so incredibly exceptional at whatever it is he sets his heart and mind to.

“Born in Spring” – Chaya Harvey

You heard her here first. Bask in the joy of being in the club. Chaya won’t be underground for long. Soon she will be breaking hearts the world over with her tender and vulnerable voice of an angel.

“The Place I Left Behind” – The Deep Dark Woods

If you know, then you know. If The Woods are new to you, then boy are you in for a treat. A deep discography lay before you full of sonic riches.

“Summer Wages” – Ian Tyson

A finer cowboy singer you won’t find the world over. The author of “Four Strong Winds.” Here he is with “Summer Wages,” a gem of a song. Bobby Bare recorded an excellent version of this one on his 1981 record, As Is.

“For a Long While” – Colter Wall

It seems the more the world asks of Colter Wall, the more he would prefer to retreat to cowboy work on his Canadian prairie ranch. This one is from his latest record of cowboy songs, Little Songs. A beauty of a tune.

“Too Late” – Ben Arsenault

Ben Arsenault has just released a masterclass of a classic country record. These songs have it all. One after the other. The refrain, “It’s too late now, it was too late then/ it’s too late, it’s always been’/” will roll around in your head long after the needle leaves the vinyl. A shiny little nugget of country gold.

“Motel Room” – Bob Sumner 

People seem to be diggin’ this one. It grooves. It hooks. Dobro, fiddle, telecaster. If words are your thing, they’re here too. An old friendship trying to survive the wilds of alcoholism. Nostalgia. Reminiscing.

“Bad Habits” – Johnny 99

Vibes. Johnny 99 gets the vibes. This one goes well with a late night toke. Only Johnny 99 (well, maybe Snoop) could get away with the lyric, “Yeah, I’m talking ’bout that weed smoke.”

“Born to Lose” – Brian Sumner 

My big brother Brian. Years ago, his wife from his first marriage left quite suddenly. Brian holed up in their empty apartment and wrote a record. The songs run the gamut of the mourning process. Anger, sadness, forgiveness, understanding. Finally this incredible collection of songs has seen the light of day with Brian’s quiet little release of the demo’s from that time.


Photo Credit: Tianna Franks

MIXTAPE: Doug Paisley’s Merle Watson Memorial Festival 1994 Playlist

It’s terrifying to imagine now that when I was 18 I got in a station wagon with six other teenagers and drove 12 hours from Toronto to Wilkesboro, North Carolina, to the Merle Watson Memorial Festival. Terrifying because I don’t think any of us had much driving experience, money or sense. I had a big crush on one of the other passengers and would have gotten into the car whichever festival it was going to, but now when I look at the lineup for that year (1994), I’m glad we made it. Over the weekend that crush turned into a romance that lasted for what amounts to a lifetime at age 18, so most of my memories are not of the performers I was listening to who came to dominate my ears for years to come. But the moon-eyed haze I was floating around in tied up my first experience of bluegrass with all the intensity and longing of love and the freedom and excitement of traveling.

I like that bluegrass means such different things to its adherents, but that they all feel it strongly. It can be an exercise in authenticity, an article of faith, a technical jungle gym and an emblem of a time and place in history. It’s a genre that’s small and quirky enough that some people feel they can inhabit, protect and partly own it. Now it’s so embedded in my musical history that I don’t know if I can speak about it intelligibly with anyone who doesn’t already love it as much as I do. Here are some of my favourite songs by some of the artists that were playing at the Merle Watson Memorial Festival in 1994. — Doug Paisley

Alison Krauss – “Endless Highway”

I’m deeply attached to this album and feel that it’s some of the most emotional bluegrass singing. I also love Jeff White’s guitar playing.

Tony Rice – “Walls”

Tony Rice more than anyone else is the reason I am a guitar player and a musician. His many layers of musicality and his broader interests from modern acoustic instrumental music to restoring Accutron watches to his appearance on stage to his insights and comments in interviews make him a fascinating character. I’m so grateful for his time on earth.

Seldom Scene – “Wait a Minute”

When I began to play bluegrass, the high-water mark of what a bluegrass group could be was for me the Seldom Scene. They were such an assemblage of distinct characters. John Starling and John Duffey are two of my favourite singers.

Iris DeMent – “Our Town”

In my daily life I can connect to so much feeling in Iris DeMent’s music, but if I’m going through a hard time I think I’d approach it very carefully because it’s just so powerful.

Peter Rowan – “Moonshiner”

The myriad permutations of Peter Rowan’s music are mind-boggling. On my record shelf he’s the Zelig of great acoustic music.

Emmylou Harris – “Before Believing”

Aside from all the great and probably familiar things we can say about Emmylou Harris, I love her forays into more traditional music — especially on “Roses in the Snow” with Tony Rice on guitar.

Ralph Stanley & The Clinch Mountain Boys – “Sweet Thing” (The Stanley Brothers)

I realize this may not be a landmark tune for the Stanley Brothers, but it always sticks with me and I also love George Shuffler’s guitar playing.

JD Crowe & The New South – “Tennessee Blues”

Once I had finally recovered from the New South lineup with Tony Rice, I then discovered that there was a whole other set of tunes with Keith Whitley on vocals, and my head just about exploded.

Claire Lynch – “Second Wind”

Such a beautiful singer. I heard from dobro player Don Rooke that Claire Lynch may be living up in our neck of the woods now. I hope I get a chance to see her play here.

Tony Rice – “Shadows”

I discovered Gordon Lightfoot’s songs through Tony Rice. He brings out all the power and sadness in this tune.

Doc Watson – “Winter’s Night”

Although I’ve listened to Doc Watson all along I never tried to emulate or learn from his guitar playing the way I did Tony Rice or Norman Blake. There’s something inscrutable and compelling about it for me, and I’d rather take in his music not as a guitar player, but purely as a listener.


Photo Credit: Dave Gillespie

WATCH: Doug Paisley, “Sometimes It’s So Easy”

Artist: Doug Paisley
Hometown: Toronto
Song: “Sometimes It’s So Easy”
Album: Say What You Like
Release Date: March 17, 2023
Label: Outside Music

In Their Words: “Sometimes emotional survival and self-preservation require that we find the ruthless and the blithe within ourselves. I risked my body and my 1950 Gibson guitar for the stunt and in hindsight, I guess it lines up with some of the recklessness in the song itself.” — Doug Paisley

“Doug told me that when he was a teenager he once biked from Mount Pleasant Cemetery all the way to the waterfront with no hands. I’m not sure I fully believed him, but when we showed up on the Toronto Islands to film this video, not only could he still effortlessly bike without touching his handlebars, he could do so while singing and playing guitar for take after take. It was one of the most impressive things I’ve ever seen.” — Colin Medley, director


Photo Credit: Dave Gillespie