MIXTAPE: Kitchen Dwellers & Daniel Donato’s Cosmic Cattle Drive

Back when cowboys were king, ranchers used to have to make regular pilgrimages across long, winding trails to sell their cattle at stockyards and make their living. One such trail, known as the “Goodnight-Loving Trail,” extended all the way from central Texas to Cheyenne, Wyoming, and has been immortalized many times over in movies and songs. The journey involved with moving these cattle countless miles on horseback was known as a cattle drive. This fall we’ll be hitting the road on the Kitchen Dwellers and Daniel Donato tour, and we’d like to think of it as a bit of our own “Cosmic Cattle Drive.” We hope you enjoy and hope to see you out on the road this fall.

Selections 1-6: Torrin Daniels, Kitchen Dwellers
Selections 7-12: Daniel Donato

Colter Wall – “Cowpoke”

One of the oldest and most famous cowboy songs to date, this one tells the story of the life of a ‘cowpoke.’ Colter Wall did a damn fine version here, with each country-western instrument beautifully represented — but what really sells it is the ‘cattle call’ in the chorus.

Daniel Donato – “Justice”

This tune was my introduction to Daniel’s music, way back in the spring of 2020. Nothing screams western psychedelia quite like that opening guitar riff, and right off the bat it shows that these boys are masters of their realm in a place of no space and time. Plus the chorus got that Gangstarr reference.

Gram Parsons – “Return of the Grievous Angel”

Gram Parsons is the father of country-rock and maybe the first person to coin the term “cosmic country.” With references to “truckers, kickers, and cowboy angels” and “lighting out for some desert town” — as far as road songs go, this one’s got it all.

King Gizzard and The Lizard Wizard – “Billabong Valley”

“Outlaws on the run, faster than a stolen gun.” KGLW are gurus of many things across the musical spectrum, but above all, they have mastered the dark art of “evil guitar.” That same style of gained up, tremolo-drenched guitar which can be heard across the soundtracks of countless western movies.

Billy Strings – “Heartbeat of America”

As a musician on any road trip, it’s an inevitable fact that you’re eventually gonna start listening to your buddies’ music. Billy and the boys really knocked it outta the park with this one, with instrumental sections that are both bluegrass-laden and psychedelic in nature. We can only hope that once we embark on our journey, we may begin to hear the heartbeat of America out there on the road.

Chris LeDoux – “Horses and Cattle”

Chris Ledoux was sort of a family friend of ours growing up. I was going to his shows long before I was old enough to realize the legend that he was. I honestly don’t know of any other country musicians that can hold both a Grammy nomination AND a Pro-Rodeo Bareback World Championship as accolades. The guy was as western as it gets, and so is his music.

Kitchen Dwellers – “Guilty”

This song is a prime example of how music can be a harmony of light and dark, hard and soft, and reflective and joyful. Emotional content not considered, the arrangement and musicianship The Dwellers play with is inspiring and transcendent.

Jimmy Wakely – “Moon Over Montana”

This song is a transportation device into a Tarantino movie taking place in a spacious and vast unknown Big Sky prairie where the search for the light through the darkness of troubles and sorrow every hero finds on their journey is about to begin.

Waylon Jennings – “T For Texas”

There was a time when country was astonishing in its danger and sensibility of pocket and edge. This live track should satiate any live music experience fix of that special vibe that a listener should have, but in a musical context that is Honky Tonk and Twangy.

Marty Robbins – “Big Iron”

The story is the framework for dark and light, love and sorrow, and life and death. The story that creates the experience that is within this song is pungent and captivating. Also note the fantastic Grady Martin picking the nylon string guitar throughout the song and story.

Khruangbin – “So We Won’t Forget”

There are few things more magnetic than music being made live by a band that understands listening and arrangement, in a format that is easy to access and feel. This song captures a myriad of emotions that feel like nostalgia, joy, and vulnerability.

Little Feat – “New Delhi Freight Train”

Lowell George was a genius in capturing a feeling, and communicating it through his sensibility of arrangement, orchestration, and singing, with these lyrics written by Terry Allen. This song feels like an adventure, like something new is on the horizon, and for all of us, this is the case in this very moment.


Photos Provided by Big Hassle Media

BGS 5+5: Mimi Naja

Artist: Mimi Naja
Hometown: Atlanta, Georgia
Latest Album: Nothing Has Changed

What was the first moment you knew you wanted to be a musician?

One of my earliest memories is being in the basement of my childhood home and walking past the old beat-up upright piano. It had dents and scuffs and chipped keys, and was my favorite thing in the house. I remember being four years old and reaching up to plunk the keys, or climbing up on the bench, and my feet couldn’t reach the pedals. My parents were incredibly supportive and put me in piano lessons immediately.

What’s the toughest time you ever had writing a song?

“Counting the Days” comes to mind, from Fruition’s Broken at the Break of Day. The bulk of it was written ten years ago, as a relationship was unraveling. There’s a lot of honesty of shortcomings of action and character in it, which is always challenging but also essential for such a personal song. We shelved it for several years, knowing it had some golden nuggets in it, but it just wasn’t there. I revisited the lyrics for those sessions and rewrote some, with newly informed tidbits dealing with the same shortcomings, but from the unraveling of another relationship. So, opening old wounds and acknowledging new ones in the same vein. Painful and necessary.

Which elements of nature do you spend the most time with and how do those impact your work?

Any body of water. If I lived near the ocean, my answer would clearly be the ocean. As it stands, I get to lakes and ponds more often, and the stillness really caters to a de-cluttering of the mind that helps writing come more easily.

What rituals do you have, either in the studio or before a show?

On tour, if there’s time between soundcheck and doors, I always try to walk to a coffee shop and find a local rag, or a local music shop. Mostly just in it for the walk if the weather’s good, to try to get a taste of where we are besides the four walls of a venue. Other rituals will look a lot different now that I’ve gotten sober. It’ll be ginger tea, mocktails with seltzer, cranberry, and lime, and hitting a room in the Sobriety Clubhouse.

Since food and music go so well together, what is your dream pairing of a meal an a musician?

I’ve been cooking lots of Thai food. I’d like to do Thai with Khruangbin.


Photo credit: Michael Weintrob

MIXTAPE: Bobby Britt’s Songs of Hard-Won Joy

The songs and artists on this playlist evoke a sense of hard-fought, hard-won, deep and rich joy. It is not a simple, one-dimensional joy. It has the sound of being churned about, tried and tested again. And now, just maybe, the joy being properly vetted, can be enjoyed. I look up to these artists, as they convey a message of calm and confident optimism.

We are all faced with the dualities of a temporal world…birth and death, gain and loss, pleasure and pain.

These songs speak to the strength of the human spirit amidst that world, and give me courage to carry on regardless of what’s happening, good or bad. They also provide a glimpse at an eternal reality of peace and balance (that has nothing to do with time, space or duality) that is hard to see or believe in when I am churning in the opposites…fear of loss, a craving for more and more solidity, and the dread that I will never have or be enough.

We need artists for this very reason; to go beyond our normal, conditioned ways of thinking about life, and to give us a new perspective with which to test our old and sometimes outdated paradigms.

My area of expertise is bluegrass and old-time fiddle. Though I am not a vocalist or pop artist, I gain inspiration from all styles. The feeling and sound of the above mentioned “hard-won joy” is what transcends specific genres for me. A goal of mine is to take this base emotional element, and with it, transfuse my fiddle playing and songwriting.

My hope is that you can find some joy and something to relate to in these songs as I did. Thank you for listening.


Photo Credit Louise Bichan