You Gotta Hear This: Vickie Vaughn, Theo Lawrence, and More

Every Friday, BGS shines a light on some of our favorite new tracks in bluegrass, folk, Americana and beyond. Then we ask the artist about the inspiration behind the music and pass their wise words along to you.

This week, we bring a new video from bluegrass group Ashleigh Graham & Appalachian Highway, who bring their song “Pinewood Prison” to life inside Brushy Mountain State Penitentiary in East Tennessee. Meanwhile, Los Angeles musician Paula Fong puts her own spin on “Turn, Turn, Turn” with a feature from Sean Watkins, while Alex Miller & Carson Peters offer a satisfying rendition of the Delmore Brothers classic, “Hillbilly Boogie.” In addition, Lost Dog Street Band frontman Benjamin Tod digs into the bluegrass canon with Larry Sparks’ “Natural Thing to Do” and Vickie Vaughn tips her hat to John Hartford on “Paducah.”

Nashville fans of Alison Krauss & Union Station will have a lot to look forward to as Theo Lawrence opens the ensemble’s shows at the Ryman Auditorium later this month. Get a taste of his style with “Today Is a Good Day,” which he wrote with Opry legend Bill Anderson. Finally, don’t miss Texas musician Red Shahan’s first-person reflections in “14 Miles From Home” or folk poet Amy Speace’s thoughtful original, “Days of Letting Go.”

We mean it when we say, You Gotta Hear This!

Ashleigh Graham & Appalachian Highway, “Pinewood Prison”

Artist: Ashleigh Graham & Appalachian Highway
Hometown: King, North Carolina
Song: “Pinewood Prison”
Label: Pinecastle Records

In Their Words: “‘Pinewood Prison’ grabbed me from the very first listen because it isn’t just a song—it’s a story that unfolds in your mind like a movie. When we decided to take that story to the screen, we knew we wanted to create something that felt bigger than a traditional music video, and filming inside the walls of Brushy Mountain State Penitentiary gave us an atmosphere we never could have manufactured.

“There were moments during filming when the place became so quiet and intense that you almost forgot there were cameras rolling. You could feel the history around you, and that brought an emotion and authenticity to the performances that I think people are going to see immediately. We wanted the video to be cinematic, but most importantly, we wanted viewers to become completely invested in the story. This was one of the most unique creative experiences I’ve ever been part of, and I’m incredibly proud of what we captured. Turn the lights down, turn the volume up, and watch all the way through!” — Ashleigh Graham


Paula Fong, “Turn, Turn, Turn” (Ft. Sean Watkins)

Artist: Paula Fong
Hometown: Los Angeles, California
Song: “Turn, Turn, Turn” (ft. Sean Watkins)
Album: A Bird on the Wing
Album Release Date: October 2, 2026
Label: Head Bitch Music

In Their Words: “With 10 songs already tracked, the album felt nearly finished but still needed something to round it out. We went through countless ideas before my manager Steve finally suggested a cover of ‘Turn, Turn, Turn’ – that timeless scripture-turned-song I’d grown up hearing from the Byrds. It was my producer Justin Sinclair who introduced me to Pete Seeger’s original, which I’d never heard before, and something about it felt magical enough to chase. It’s one thing to play a cover live, but my co-producer Phil Glenn felt strongly that a studio cover needed a real reason to exist. So we pulled ideas from several different versions of the song and shaped them into an arrangement of our own.

“As we talked through what that arrangement could be, the idea emerged to build it around artists who’ve influenced my music along the way. Abby Posner was an easy first call, I knew I wanted Justin’s voice on it, and Phil’s playing was clearly already woven throughout the entire track. In what seemed like an amazing moment of serendipity, Justin’s growing connections in Bell Choir Studios led to Sean Watkins agreeing to come play guitar on the track as well. On recording day, Sean laid down a series of gorgeous solo takes, and then even hopped up to the mic to sing on it as a featured artist. All in all, it felt like the stars aligned in a way that I couldn’t have imagined to bring this track into being and I’m incredibly excited to get it out into the world.” — Paula Fong


Theo Lawrence, “Today Is a Good Day”

Artist: Theo Lawrence
Hometown: Paris, France
Song: “Today Is a Good Day”
Release Date: September 4, 2026
Label: Warner Records

In Their Words: “When I heard I was going to be on the Opry, it felt like a good time to release a country song I’d been playing on tour with Alison Krauss called ‘Today Is a Good Day.’ It had been getting a warm response every night, so I called my friend Chris Scruggs and a few days later we recorded it together, leaning into that early ’60s Nashville sound. I wrote the song in Nashville with Bill Anderson, who knows a thing or two about country songs. His first big hit as a writer was ‘City Lights’ for Ray Price back in 1958. The song is about that moment when doing something sad feels like the right thing to do. Packing up and leaving before your heart gets broken beyond repair.” — Theo Lawrence


Alex Miller & Carson Peters, “Hillbilly Boogie”

Artists: Alex Miller & Carson Peters
Song: “Hillbilly Boogie”
Album: A Century of Strings, Stories & Songs: A Tribute to The Delmore Brothers
Album Release Date: October 1, 2026
Label: Billy Blue Records

In Their Words: “‘Hillbilly Boogie’ is a song that my grandad introduced me to, and it has remained a very special song to me! He had the 78 of The Delmore Brothers singing this song and I vividly remember cranking up his old Victrola and learning to sing it. Recording this song was one of the best days I’ve ever had in the studio, and I hope it shows when you put your ears on it. I was honored not only to be on this project and work with my producer, Jerry Salley, but also to pick with my good friend, Carson Peters. Carson’s musicianship is unmatched, and he’s one of the best songwriters and singers in Nashville. Hopefully this is the first of many collaborations to come.” – Alex Miller

“I am so happy to be a part of this project, and to be on one of my favorite Delmore Brothers songs with one of my favorite people in town, and produced by another one of my favorite people in town, makes it even better! Alex is part of the refreshing, authentic kind of talent that the current country music community is embracing nowadays, and I’m honored to be on this track with him. I can’t wait for the people to hear it!” – Carson Peters


Red Shanan, “14 Miles From Home”

Artist: Red Shahan
Hometown: Bluff Dale, Texas
Song: “14 Miles From Home”
Album: Hard Land
Release Date: August 6, 2026
Label: Make Wake Records

In Their Words: “I’ve had it in my head that I would never record this song for almost 20 years but maybe I’m getting soft, or maybe my wife and friends finally talked me into it. Regardless, getting to cut this one with Josh Serrato whom in a previous band we had played this one night after night made it worth it alone.” — Red Shahan


Amy Speace, “Days of Letting Go”

Artist: Amy Speace
Hometown: Nashville, Tennessee
Song: “Days of Letting Go”
New Release: The Cardinals (a collection of poems)

In Their Words: “I went to graduate school in Louisville, Kentucky, and somewhere on 65 North there was a large black billboard with white writing that said, ‘Opium Kills. Jesus Saves.’ I was working on a series of ‘persona poems’ – poems where the narrator isn’t me, is a character, a specific voice – and I imagined it as a male narrator driving back home after the funeral of his father. Of course, my own father had died in late 2019 and that was also a subject I was writing about in my work at the time. I wrote the poem with the repeating refrain – clearly in song form – but wanted to keep it a poem, until one of my mentors asked me why it wasn’t a song. I sang the whole thing to my friend Vance Gilbert and he said, ‘You know what would be cool? If you spoke the verse lyrics.’ And I told him it was originally a poem and he laughed.” — Amy Speace


Benjamin Tod, “Natural Thing to Do”

Artist: Benjamin Tod
Hometown: Sumner County, Tennessee
Song: “Natural Thing To Do”
Album: Country Is Dead
Release Date: September 4, 2026
Label: Thirty Tigers

In Their Words: “This has become a bluegrass standard in many circles now and I became obsessed with it after hearing it at a honky-tonk in Nashville at some point. Something about the brokenhearted longing and relentless loyalty harkens to something I can relate with personally. It is a natural thing to love someone enough to intentionally ignore trifling behavior. I believe this song sits well in a country western format and I love singing this one in the shower.” — Benjamin Tod


Vickie Vaughn, “Paducah”

Artist: Vickie Vaughn
Hometown: Nashville, Tennessee
Song: “Paducah”
Label: Mountain Home Music Company

In Their Words: “The first time I heard John Hartford’s ‘Paducah’ was when a friend performed it about twenty years ago on Murray State University’s campus. I thought it was so dang cool and humorous that I asked him about it immediately after he played it. Since then, I’ve been dying to put my own spin on it. Paducah is and will always be the most creative city I’ve known. I was lucky to grow up in the river bottoms on a farm in Symsonia, Kentucky, 20 minutes away from town. Paducah is full of hard-working, wildly creative people who let their hearts lead them in their artistic endeavors. It’s rich with the most talented, down-to-earth people you’ll meet. It’s easy to see how Hartford loved it so.” — Vickie Vaughn


Photo Credits: Laura Schneider (Vickie Vaughn), Jo Anna Edmison (Theo Lawrence)

Drew Kennedy’s “Head Out West” Playlist

I’ve been enamored by the West since I first set a dusty boot down in Marathon, Texas – a town that would be my spiritual hometown, if such things existed.

I made my last record, Marathon, with my incredibly talented friend Davis Naish in a tiny adobe house in that little town. For the new record, we camped out in his Los Angeles studio, so I figured, “Hey, let me put together a playlist that I think captures the way I feel about the vast stretch of land that lies between Marathon and LA.” Road trip! – Drew Kennedy

“Desperados Waiting For A Train” – Guy Clark

Guy was born in Monahans, Texas, not too far from Marathon, so this feels like a natural starting point. To me, there are few artists who are able to capture the spirit of Far West Texas like Guy Clark. With equal parts romance, unflinching honesty, and those trademark turns of phrase that make him a hero to songwriters who know, Guy can always make me feel like I’m standing beside him in the little movies that are his songs.

“Levelland” – James McMurtry

If you trekked due north and just a little east out of Monahans, eventually those sand hills and mesas play out into plains so flat and wide open it can make the uninitiated feel uncomfortable. A friend once told me a buddy of his said he didn’t like it because “there was no place to hide.” From what or whom didn’t matter. You’re just out there, totally exposed–the only thing breaking the perfect line between land and sky. Those McMurtrys sure know how to tell a good story. Anyway, if we kept going north we’d be getting farther away from California, so let’s hang a left.

“Watch It Shine” – Walt Wilkins

Walt Wilkins is another songwriting hero and I’m lucky to call him a friend, as well. The Poet Laureate of the Hill Country teams up with Owen Temple to take you on a ride following the Rio Grande as it snakes south from Taos towards Santa Fe. It also features one of my favorite lines I’ve ever heard in a song: “They say there’s iron in these mountains, and in bone and skin and mud/ They say that iron only comes from stars, so stars are in my blood.” Goosebumps every time.

“Low Sun” – Hermanos Gutiérrez

Put a ranch water in my hand, fire up this album, and cue a good sunset. The only three ingredients I need to find my favorite places inside my mind no matter where on earth I am. Doubly effective if I’m already in one of my favorite places.

“Don’t Worry” – Marty Robbins (single, 1961)

We’re getting out into the type of landscape most people who’ve never visited the desert picture in their heads when someone mentions it. Saguaros, red rocks. We’re well beyond El Paso now, so we’ll go with this beauty from Marty Robbins. Yes, that is the coolest guitar solo of all time. I’ve heard several different stories about how they got that sound, but however they came by that tone, hell yeah.

“Willin'” – Little Feat

We’ve covered a lot of ground… maybe we’re dragging a little bit after all of those miles. The boys in Little Feat know how we feel, and they’ve got our back.

“Queen of California” – John Mayer

Now that we’re pulling into town we need something we can nod along to with our Wayfarers on and our hair blowing in the sweet California breeze, as we take in the sights. This song is a badass way to kick off a record, too.

“Beautiful World” – Colin Hay

I mean, when we get there one of the first things we’re gonna do is jump into the Pacific, right? I love that Colin Hay sounds like Colin Hay and nobody else and man, do I love the way he writes a song.

“It Never Rains In Southern California” – Trent Summar & The New Row Mob

I love their version of this song. It’s not all sunshine and roses out there, you know.

“California Poppy” – Theo Lawrence

I was shocked when I found out this guy was from France. Sometimes people in Texas are shocked when they find out I’m from Pennsylvania. Point is, if it’s in you, it’s in you. I would believe it if you told me the ghosts of Buck Owens and Don Rich were sprinkling a little of that Bakersfield dust around the studio the day they laid this one down.

“Mama Told Me Not To Come” – Randy Newman

I’ve aged out of today’s version of this kind of party, but that doesn’t mean I don’t expect to see some unexpected things whenever I’m out in LA. Another one-of-one, Randy Newman.

“Texas Time” – Explorer Tapes

And with that, let’s turn this big baby blue Cadillac convertible around and head back home. I assume that’s the kind of ride we’d want for this road trip. Thanks for tagging along.


Photo Credit: Sarah Barlow

AMERICANAFEST 2022 Preview: Check Out These Panels, Parties and Showcases

Even if you’re from Nashville or you’ve visited Music City many times, AMERICANAFEST always offers something new. This year, the annual event encompasses more than a dozen places to hear live music, as well as an impressive slate of industry panels and a near-endless list of parties. Where to begin? Although this story is by no means definitive, here are some promising highlights from the 2022 Americanafest daily schedule.

Tuesday, September 13

If you’re in town early, come say hello to BGS at Station Inn, where Jason Carter & Friends will take the stage. Doors at 8. Although it’s not open to the public, all conference and festival passholders are welcome. To pick up your pass, you’ll need to swing by City Winery or the Westin (the host hotel) earlier that day. An exploration of East Nashville might also be in order, with The Old Fashioned String Band Throwdown from 6-9 p.m. at Dee’s Country Cocktail Lounge.

Wednesday, September 14

A plethora of panels awaits conference registrants at the Westin, along with a couple of notable interview sessions. The Indigo Girls will be interviewed by NPR Music’s Ann Powers at 10 a.m. (They’ll be honored with a Lifetime Achievement recognition at the Americana Music Honors & Awards later that night too). Stick around for a conversation between Dom Flemons and Asleep at the Wheel’s Ray Benson, presented by WSM’s American Songster Radio. After that, Stax Records’ Al Bell and Deanie Parker will discuss the historic Wattstax festival in 1972.

You can count on BGS for another party as we celebrate our 10-year anniversary with a happy hour at City Winery Lounge from 3 – 5 p.m. Conference and festival passholders welcome. Special performers include Kyshona, Rainbow Girls, and Willie Watson. And after the awards show, there’s an abundance of awesome shows to consider, including a rare solo set by Angel Olsen (our BGS Artist of the Month in August) at Riverside Revival, a set from Bill Monroe acolyte Mike Compton and a surprise headliner at Station Inn, and an acoustic showcase from members of North Mississippi Allstars at Analog at Hutton Hotel immediately followed by Texas great Joshua Ray Walker.

Thursday, September 15

One of the most intriguing panels on Thursday is titled The Narrators: How Jake Blount, Leyla McCalla and Kaia Kater Re-Mapped the Past, Present and Future With Concept Albums. As the Americanafest app points out, all three artists are students of musical and cultural traditions, as well as Black banjo players. The conversation takes place at noon with moderator Jewly Hight. Coincidentally, these three performers are showcasing at the exact same time later that night, so here’s your chance to catch them all at once.

Ishkōdé Records will celebrate Indigenous voices from Turtle Island at Dee’s Country Cocktail Lounge from 1-4 p.m., with performers such as Amanda Rheaume, Aysanabee, Digging Roots and Evan Redsky. If you’re lucky enough to get into the Bluebird Cafe for a 6 p.m. show, you can enjoy a songwriting round with Gabe Lee, Tristan Bushman and British artist Lauren Housley. A Tribute to Levon Helm with an all-star cast closes out the night at 3rd & Lindsley, following an evening of music with Arkansas roots.

Several of the most buzzed-about showcases of AMERICANAFEST will take place at the Basement East, with a strong lineup boasting Rissi Palmer, Molly Tuttle & Golden Highway, Trousdale, Bre Kennedy and Jade Bird. If you’re up for bluegrass, the City Winery Lounge lineup includes Tammy Rogers & Thomm Jutz alongside rising talent like the Tray Wellington Band and Troubadour Blue. If honky-tonk is more your style, stay up late for Jesse Daniel at 6th & Peabody, with original music that pays homage to the Bakersfield Sound without losing its contemporary appeal.

Friday, September 16

Diversity is a common theme on Friday’s daytime events, with panels like Booking With Intent: How Curating the Stage Impacts Industry Diversity and How Americana Music Is Embracing Minority Representation. Of particular note, British artist Lady Nade speaks on the influence of Black music in country and Americana in a panel titled You Can’t Be What You Can’t See: Why Representation Is Vital for the Americana Genre. Look for a conversation and performance at the Country Music Hall of Fame and Museum at noon with rising artists from the Black Opry Revue.

To list all the parties on Friday would take up this whole page. To socialize, you’ve got options ranging from songwriting rounds to label parties to multiple happy hours. (If you’re a craft beer drinker who loves to linger on the deck, it’s worth a visit to Tennessee Brew Works, where Hear Fort Worth is setting up shop.) As for BGS, you’ll find us at the Basement for a party presented with Nettwerk Records and Taylor Guitars. The public may RSVP through the invitation below.

This might be a good time to mention one of the festival’s new venues, The Well at Koinonia. This cozy coffee shop on Music Row played a crucial role in the development of contemporary Christian music, once lending its small stage to a then-unknown Amy Grant. For AMERICANAFEST, it’s providing a listening room environment for a number of quieter artists who still deserve to be heard, such as Nashville songwriter-producer Alex Wong, award-winning acoustic guitarist Christie Lenée, mesmerizing folk duo Ordinary Elephant, Australian troubadour Colin Lillie, and the accomplished Mexican-American musician Lisa Morales on Friday night. If you’re interested in early shows (starting at 6 p.m.), easy parking, and/or enjoying music in a non-alcoholic environment, make an effort to get refueled here.

Not far away lies one of Nashville’s musical landmarks, The Basement (a.k.a. “The Basement O.G.”), and if you’re in town to discover some overlooked voices, this might be an ideal spot to start. Drawing on blues and rock, Chicago musician Nathan Graham is making his AMERICANAFEST debut this year, followed by Southern slide guitarist-songwriter Michelle Malone, who’s touring behind new material like “Not Who I Used to Be.” At Exit/In at 9 p.m., Michigan Rattlers are among Americana music’s best storytellers, with a vibe that’s kind of brooding but still has some rock ‘n’ roll swagger. Hang around for 49 Winchester, a Virginia ensemble that’s been DIY for most of its career. However, 2022’s Fortune Favors the Bold is garnering some much-deserved attention. Listen closely for the Exit/In reference in standout track, “Damn Darlin’.”

For something more mellow, you can zoom over to City Winery for a late set by Milk Carton Kids. It wouldn’t even feel like AMERICANAFEST without seeing these guys. Earlier in the evening, longtime festival favorite Ruston Kelly will play alongside his dad, Tim Kelly, performing exquisite songs that they recorded together (with Ruston serving as producer). Gaby Moreno, Henry Wagons and Rainbow Girls are also on the well-rounded bill. Go ahead, order a bottle.

Saturday, September 17

By the time the weekend arrives, the panels have wrapped and the parties are well underway. You can peruse the Americanafest app for all the options, but first, settle in at City Winery for the Thirty Tigers Gospel Brunch from 11 a.m. to 1 p.m. (It’s on Saturday this year, rather than Sunday.) Artists appearing include Alisa Amador, Brent Cobb, Emily Scott Robinson, Stephanie Lambring, The Fairfield Four and The McCrary Sisters. Musicians Corner in Centennial Park also features free afternoon sets from Nashville mainstay Josh Rouse, Brooklyn’s own Bandits on the Run, Los Angeles songwriter Chris Pierce, Canadian banjo player Ryland Moranz, and more.

Over at The 5 Spot, Alabama bluesman Early James anchors a lineup with Theo Lawrence (a French songwriter-guitarist who opened dates for Robert Plant and Alison Krauss in Europe), Canadian musician Megan Nash, and new ATO Records signing Honey Harper. The night concludes with an 11 p.m. showcase titled Luke Schneider & Friends: A Pedal Steel Showcase. For something similarly atmospheric, consider a one-night-only event, Phosphorescent Performing Songs From the Full Moon Project, also at 11 p.m. at Brooklyn Bowl. He’s promising to play more songs than just the covers he’s chosen for this unique album, so you can bask in the afterglow of an incredible week of music.

For more information about these events and countless more, visit AMERICANAFEST.COM.


Artists featured at top (L-R): Phosphorescent, Molly Tuttle, Dom Flemons, Angel Olsen

BGS 5+5: Mimi Naja

Artist: Mimi Naja
Hometown: Atlanta, Georgia
Latest Album: Nothing Has Changed

What was the first moment you knew you wanted to be a musician?

One of my earliest memories is being in the basement of my childhood home and walking past the old beat-up upright piano. It had dents and scuffs and chipped keys, and was my favorite thing in the house. I remember being four years old and reaching up to plunk the keys, or climbing up on the bench, and my feet couldn’t reach the pedals. My parents were incredibly supportive and put me in piano lessons immediately.

What’s the toughest time you ever had writing a song?

“Counting the Days” comes to mind, from Fruition’s Broken at the Break of Day. The bulk of it was written ten years ago, as a relationship was unraveling. There’s a lot of honesty of shortcomings of action and character in it, which is always challenging but also essential for such a personal song. We shelved it for several years, knowing it had some golden nuggets in it, but it just wasn’t there. I revisited the lyrics for those sessions and rewrote some, with newly informed tidbits dealing with the same shortcomings, but from the unraveling of another relationship. So, opening old wounds and acknowledging new ones in the same vein. Painful and necessary.

Which elements of nature do you spend the most time with and how do those impact your work?

Any body of water. If I lived near the ocean, my answer would clearly be the ocean. As it stands, I get to lakes and ponds more often, and the stillness really caters to a de-cluttering of the mind that helps writing come more easily.

What rituals do you have, either in the studio or before a show?

On tour, if there’s time between soundcheck and doors, I always try to walk to a coffee shop and find a local rag, or a local music shop. Mostly just in it for the walk if the weather’s good, to try to get a taste of where we are besides the four walls of a venue. Other rituals will look a lot different now that I’ve gotten sober. It’ll be ginger tea, mocktails with seltzer, cranberry, and lime, and hitting a room in the Sobriety Clubhouse.

Since food and music go so well together, what is your dream pairing of a meal an a musician?

I’ve been cooking lots of Thai food. I’d like to do Thai with Khruangbin.


Photo credit: Michael Weintrob