BGS 5+5: Chris Shiflett

Artist: Chris Shiflett
Hometown: Santa Barbara, California
Latest album: Hard Lessons
Personal nicknames (or rejected band names): Shifty, Jake Jackson, Boat Plastic

What other art forms — literature, film, dance, painting, etc — inform your music?

I remember a few years back I realized that I only ever read books on current events, history, politics, etc… and wasn’t reading much fiction, so I dove into some classics and took a couple creative writing classes. You have to put good ingredients into your brain to get the ideas flowing.

What was the first moment that you knew you wanted to be a musician?

It was the summer between 8th and 9th grade. I went to visit a friend of mine down in Los Angeles and it was right when the glam rock thing was kicking off in the mid-’80s. We walked all over Melrose and everyone looked like Hanoi Rocks. I was hooked.

What’s the toughest time you ever had writing a song?

If a song is too hard to write than I usually give up. When they’re too labored they never sound very good.

Which elements of nature do you spend the most time with and how do those impact your work?

I try to surf as much as I can. Sadly, it’s never enough. I don’t know if there’s a direct correlation to song writing but surfing just makes me happy. Puts me in a good frame of mind.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Almost never! I’ve tried writing songs in character but they never seem to come out very good. I think sometimes we all use “you” when we mean “we” but that’s just life, right?


Photo credit: Brantley Gutierrez

BGS 5+5: Eleni Mandell

Artist name: Eleni Mandell
Hometown: Los Angeles, California
Latest album: Wake Up Again

What’s your favorite memory from being on stage?

One of my favorite memories from being on stage is from Munster, Germany. For a few years a man named Volker would show up to my shows in different countries and come to say hello to us, the band and me, after we performed. He had an interesting look and demeanor, so we used to try and guess what he did for a living. I think we decided he must be a race car driver or some other exotic career. It turned out that he was the lighting guy for a special theater in Munster called Pumpenhaus. It was an incredible cultural center that focused on producing plays with adults with special needs. I believe that some were residents at the local mental hospital.

Volker, the fan that showed up in different countries, talked the theater into having me play a show there. I believe I was the first musical artist ever to perform there. I developed a special relationship with Pumpenhaus and the people who worked there. One year, one of the actors who also helped around the theater, an adult with special needs, jumped up on stage right after I finished and kissed me on the cheek. Everybody laughed and cheered. His name was Guido. It could have been weird but it wasn’t because the feeling in the room was so positive.

At least an entire year later, possibly longer, we were back in Munster for a show. They treated us like kings there. It always felt like a wonderful reunion and party. Guido came backstage before the show and shyly handed me a present. It was a framed photo of him kissing me on the cheek. I keep that photo on my mantel at home to remind me of the connections you can make with people through music.

What was the first moment that you knew you wanted to be a musician?

I knew I wanted to be a musician the first time I saw the band X perform when I was 13 years old. I had already played violin and piano since I was 5 years old and I distinctly remember wondering how I could write songs and sing with the violin. I always loved singing. My mother finally allowed me to quit classical music at 13 years old. I discovered X through one of the “bad” girls at school. Their sound and lyrics hit me on a gut level that I can’t articulate. I remember looking at them on stage and thinking, “That’s what I want to do.” The wonderful thing about this is that so many years later, John Doe (singer, bass) and D.J. Bonebrake (drums) are both acquaintances of mine. I’d like to say they’re friends but I don’t want to brag.

What’s the toughest time you ever had writing a song?

I’m not sure about the toughest time I had writing a song. Sometimes I have an idea, or am inspired by a word, and then write something that is just terrible and throw it away. Sometimes I don’t throw it away but wish I had. I do remember, though, that I had an old boyfriend that was into vintage motorcycles and trucks. He was always talking about nickel plating the tank of his bike and what kind of truck he’d get, a fleetside or stake bed. Those words made me so curious. I was also in love with him and heartbroken by him all the time. I wrote the title, “Nickel Plated Man,” on top of one page and then another and another and another. I tried a million ways to write that song. I’d write it, turn the page and try again. It just never seemed to work.

Finally, the song fell on the page in 5 minutes, but it was probably a year after I first tried to write it. It came when I started plucking out those notes that repeat throughout the whole song. That is probably my most enduring song and one of the first I wrote. I’m still very proud of it. It’s also a song that Tom Waits said he thought was cool (message delivered by a mutual friend). It takes me back to a time in my life and a person that I knew (and still do). I love that about music, that it can create a whole world full of memories and feelings. I guess the lesson is that sometimes the songs that are the hardest to come to life are the ones that stick with us the longest.

What rituals do you have, either in the studio or before a show?

My rituals before a show are not cool or romantic. I like to get one drink that I sip on throughout the night, usually bourbon. I’m not a big drinker at all but sipping a bourbon on ice puts me in the mood to perform. I need it less and less as I get older but I still like the taste and the warmth. My number one ritual, and the nerdiest of all, is that I have to brush my teeth before I walk out on stage. My father was a dentist and I worked for him after I first graduated college. I am serious about proper oral hygiene! The last thing I want to do is taste food while I’m on stage or breathe on a fan after a show. Now everyone knows. Maybe people will start bringing me toothbrushes. I also always go and hang out at the merch table after shows. I love meeting people and seeing the same people around the world over the years.

What other art forms — literature, film, dance, painting, etc — inform your music?

I feel like any artist learns and grows by experiencing art. I am a word person. I love words, the way they sound or feel in your mouth and the variety of meanings they have, in English or other languages. I love translations bouncing back from one language to another and how that can change or enhance a word for me. So, that said, I think literature always influences my work because when I read a word or combination of words or phrases in literature, I am undoubtedly influenced and inspired.

I also love photography and old movies. I am always inspired by great art that sucks me in, like an Ansel Adams photograph I saw recently at a museum. The intensity of the light and shadows made me fall in love. That euphoric feeling makes me want to pick up a guitar and sing.


Photo credit: Max Gerber

LISTEN: The Smoking Flowers, “Just Out of Reach”

Artist: The Smoking Flowers (Kim & Scott Collins)
Hometown: Nashville, Tennessee
Song: “Just Out of Reach”
Album: Snowball Out of Hell
Release Date: June 21, 2019

In Their Words: “We’ve been sitting on the song ‘Just Out of Reach’ for a few years actually, not knowing where it fit in with our repertoire. When we decided to release an acoustic album we felt it was the perfect timing for this ‘sad’ song. This song really gives Kim a chance to shine on a country-esque vocal, something she rarely gets to highlight with us primarily being a rock band.

“Our nature as songwriters is typically to write alone, so when a friend suggested hooking us up to write with Savannah Welch while we were visiting Los Angeles we decided maybe it was time we stepped out of our box and try the co-writing thing. It was a lovely and fairly quick writing session. Honestly, we can’t remember how far we even got with the writing with her because we ended up enjoying each other’s company and chatted as much as we worked. Savannah is a lovely human.” — The Smoking Flowers


Photo credit: John Botkin

LISTEN: Greg Felden, “Better This Way”

Artist: Greg Felden
Hometown: Los Angeles (originally from Eugene, Oregon)
Song: “Better This Way”
Album: Made of Strings
Release Date: May 24, 2019 (song); June 14, 2019 (album)

In Their Words: “‘Better This Way’ is one of my favorite tracks on the record. It’s a song about that strange state of mind you’re in when your heart is broken, sort of at a distance from the world, and how, even when you know it’s time to move on, the simplest words can sting…. It’s simple and soulful, and I like where it landed, sonically. It seems both old and new, which is really what we were going for. Producers Al Sgro and Will Golden did an amazing job giving it that vibe.” — Greg Felden


Photo credit: Tyler Graim

LISTEN: JEMS, “Right on Time”

Artist: JEMS (Emily Colombier, Jessica Rotter, and Sarah Margaret Huff)
Hometown: Los Angeles, California
Song: “Right on Time”
Album: JEMS
Release Date: May 17, 2019

In Their Words: “‘Right on Time’ is a true trio song. We wrote it together recounting our individual experiences with love igniting a spark in a dark or lost time. We have all experienced being on the right side of timing with respective relationships. The song sets a scene that begins in a somewhat slumbered state and steadily builds to an awakening that nature and the movement of the world is sometimes on our side. We love the way we get to share the storytelling of this song musically and lyrically as three individual but connected women.” — JEMS


Photo credit: Cecile Michaelis

BGS 5+5: Patrick Park

Artist: Patrick Park
Hometown: Los Angeles, California
Latest album: Here/Gone
Personal nicknames (or rejected band names): Double P, P Diddy, Paddy P

What’s your favorite memory from being on stage?

My favorite memory being on stage would have to be getting to play at Red Rocks. I grew up in that little town in Colorado and literally looked up the mountain at Red Rocks every single day and could hear the concerts from my room. In high school my friends and I would hike up the hill in the dark and scale the walls to sneak into shows there at least once a week during the summer. So being on the other side, being on that stage and getting to play there was almost like an out-of-body experience.

What was the first moment that you realized that you wanted to be a musician?

There were so many moments, but one that stands out was when I was probably 8 or 9. I had a guitar teacher briefly in grade school who had a cover band that had a standing gig a few nights a week at dive bar somewhere out in east Denver. Every now and again he would have a night where some of his students got to come up and play a couple songs with his band. I remember I played “Taxman” by the Beatles and “Panama” by Van Halen. Hahaha! We played to basically my parents, the bartender, and a couple regulars, but it was so fun! He let me take the guitar solos, and I remember thinking I would do it every day if I could.

If you had to write a mission statement for your career what would it be?

Working to understand my true self through music, so as to be less reactive in a reactive world and better serve others.

What is the toughest time you ever had writing a song?

There have been so many tough ones hahaha! Writing is an exercise in letting go as much as it is anything else. For example it becomes difficult anytime I find I am stubbornly clinging to an idea that I want to work but doesn’t. Songs have their own momentum. It’s when you try to control that in some way, or try to force it in a direction that it doesn’t want to go, that you feel stuck. Our lives are the same. One that I especially remember being hard to crack was a song on my third record called “Silence And Storm.” I probably worked on it for six months.

What other art forms — literature, film, dance, painting, etc — inform your music?

Literature probably has influenced my songwriting more than any other art forms aside from music. Dylan Thomas was really inspirational to me early on. How he often used words in ways they weren’t necessarily intended to paint a picture or express a feeling. Rainer Maria Rilke, the way his words implied and circled around something inexpressible to words, but who presence was felt in the spaces.


Photo credit: Mia Kirby

BGS 5+5: Field Medic

Artist: Field Medic
Hometown: Los Angeles, California
Latest album: fade into the dawn

What’s your favorite memory from being on stage?

One of the first big shows I ever played was at the Fonda Theatre in Los Angeles. One of my friends was joking with me the night before, saying that I should ask everyone to put their phone lights on and sway them back and forth at the show. Apparently he had told our other band friends to try this, but no one wanted to because it’s kind of a ridiculous thing to do. Since I was the opener and didn’t really have anything to lose… and I suppose also because I’m kind of a ridiculous person, I asked the crowd to do it during my song “Do a Little Dope” and the whole room lit up. The show was sold out so there was a lot of lights and it felt so cool and surreal, especially being one of my first experiences playing to a room that big. There’s a video taken from side stage of that moment and you can hear my friend screaming while laughing, “It’s a good bit!!! It’s a good bit!!”

What other art forms — literature, film, dance, painting, etc — inform your music?

Reading informs a lot of my music. I love to read novels and poetry. I find that reading every day brings me general peace of mind while also filling my head with words and metaphors and symbols which tend to come out subconsciously later on when I’m writing a song.

What’s the toughest time you ever had writing a song?

When I had no room & was crashing between my girlfriend’s place in San Francisco and my friend’s house in LA in between tours, songwriting became quite difficult because I was never alone.

What rituals do you have, either in the studio or before a show?

In the studio I like to track a song exactly three times without listening in between takes. Sometimes I’ll move the microphone around for each take as well. After I track, I like to step away and maybe smoke a cigarette or go for a walk and just get on with my life. Then hours later I’ll listen back and choose which take to use. it’s usually the first or the second.

If you had to write a mission statement for your career, what would it be?

Conscious, not precious.


Photo credit: Stephen Beebout

BGS 5+5: Luke Sital-Singh

Artist name: Luke Sital-Singh
Hometown: Los Angeles, California (via Brighton, UK)
Latest album: A Golden State

What’s your favorite memory from being on stage?

The second time I played Glastonbury Festival I was opening one of the major stages and I was pretty nervous about it. I think I feared that no one would bother leaving their tents that early in the morning to come to the stage. And sure enough as I began to play there was only a small huddle of people and to top it off it started raining so I knew no one would come out. I just sighed, closed my eyes and got on with it. After a few songs I dared look up to see if anyone else has turned up and was so startled to find the crowd had grown as far as the eye could see! I was nearly thrown back by the shock of it. It was such a great feeling I don’t think I’ll ever forget that moment.

What rituals do you have, either in the studio or before a show?

I don’t really like rituals in that way. Especially when touring. For me each day can be so much like the last that I find it more exciting to try and find differences between each gig. I’m not sure if I intentionally do this but I definitely don’t like to do exactly the same thing each night before I go on. I’m just not a routine kind of person.

Which artist has influenced you the most … and how?

I’d have to say David Bazan is my biggest influence and has had the biggest impact on me as a songwriter, especially lyrically. He manages to write so wisely and honestly about some big subjects, like having faith, losing faith, what it means to be human, about politics, etc., and also the smaller, everyday stuff like marriage, having kids, etc., and most masterfully of all, he writes in a way that shows you that all those subjects are intertwined and interconnected. I hope to write songs that are as wise and open as his are.

What other art forms — literature, film, dance, painting, etc — inform your music?

I’m a big poetry fan. I steal all my best ideas from poems. Especially Billy Collins. I wish to write songs like he writes poems. Accessible, insightful, human. I also love the frame of mind poetry puts me in. They slow me down. There’s no point reading in a poem quickly whilst doing something else. For me it’s like a meditative position. I write my music with that in mind. I’m sure people have my music on in the background and whatever. but I hope my songs help you slow down.

What was the first moment that you knew you wanted to be a musician?

Now technically I was already a musician at this point but I played a school concert when I was 15 or so and that was the first time I knew I wanted to pursue music as a career for the rest of my life. I was playing solo. A cover of a Damien Rice song and Jeff Buckley’s “Hallelujah.” At that point in my musical journey I knew I was pretty good but I still hadn’t done that many shows. This performance was the first time I really experience the silence. It’s a very specific silence, a noise that only an audience of people can make. When they are all tuned into the same thing. It’s an intoxicating feeling when you know you’ve got them in the palm of your hand. I got addicted to it that night and I have remained so ever since.

https://open.spotify.com/playlist/2PtdpFWTZBTG4NZgS1mobc?si=pWzZUCkhTuSrNdB0vWCO9Q


Photo credit: Hattie Ellis